Free Stories from Pros

From Edmund Schubert, editor of Orson Scott Card’s Intergalatic Medicine Show:

“During the month of February we are going to make one story from each of our first four issues available at no charge. Two stories will be set free on February 1st, and two more on February 15th. Just visit www.intergalacticmedicineshow.com and explore the table of contents; the free stories will be clearly marked.”

Of course, having been published in the first issue and slated to be the cover story for the Spring 2008 issue, I can vouch for the magazine’s impeccable taste and the gigawatt entertainment buzz you’ll get from the stories they select.

Dewitt Jones and Clear Vision

Not many people understand creativity. Dewitt Jones, a National Geographic photographer, does. And this video on the creative process, HOLY COW, it’s so good I had to buy it so I could watch it whenever the yearning took me.

Clear Vision

But this isn’t just for artists. The principles of creativity apply to any creative endeavor–from writing and drawing to building microchips and parenting. 

Go here. Watch the brief clip. Then watch the whole Clear Vision video. Tell me what  you think.  

Capture the zing!

The Handout for the Killer Story workshop at LTUE

I was expecting 30 people to attend the 3 Things You Must Learn to Write Killer Stories workshop. I mean, heck, who wants to listen to me when you could, on the very day designated for it, be pitching woo? But  about 60 brave souls came out. So here’s the handout for all of you who didn’t get one.

Killer Story Workshop Notes

Had a wonderful time at LTUE. I simply love Utah Valley–it’s full of so very many good memories for me. And this will simply add to that.

Capture the zing!

The First Thing You Must Learn to Write Killer Stories

This is the first “mystery.” It is the grand unifying theory that unlocks everything that follows.

The key to this mystery can be discovered in the answer to this question: which of the two pictures below most accurately defines lipstick?

Picture A

Lipstick in tube

Picture B

Lipstick on glamour gal

Learn more in the writer’s section (okay, so the page is there, but where in the fricken ricken frack can you find it? I’m still learning this dang WordPress thing, so just go here)

Orson Scott Card’s Literary Boot Camp

If you want to learn how to write stories that move and entertain, you will do whatever it takes–crawl across broken glass, mortgage your dog, eat brown bananas–to get into Card’s week-long, literary boot camp

This is the workshop that changed everything for me. And while Card will say it had nothing to do with him, he’s just trying to keep his head from bloating and making it so he can’t walk straight. I’ve spent almost the last 20 years in some form of teaching. Card’s workshop employs all the key principles that make it a killer environment for learning complex cognitive skills, i.e. writing fiction. And this  year it’s in San Diego.

Apply! Do not delay!