Did you like BAD PENNY? Nominate it.

If you enjoyed Bad Penny, you can nominate Frank, Sam, Carmen, and the gang to be considered for The Whitney Award.

Here’s how it works. The public nominates novels they like by LDS authors. A panel of judges reads through all the nominations and selects no more than 5 finalists for each genre. Then a “panel of industry professionals, including authors, publishers, bookstore owners, distributors, critics, and others” vote on the nominations. The winners get some good PR and exposure. It’s not Oprah, but getting the word out is critical, and every bit helps.

To tell the judges to consider BAD PENNY go here: Whitney Nominations. You have until December 31st.  

Hope you all had a wonderful holiday.

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  • The man will not be able to attend LTUE this year, alas

    As I was walking past the circulation desk of the Logan library last week, a woman, who had been tracking my movements, turned, pointed at me, and made a loud complimentary exclamation. I know you’re thinking she said something about my fabulous looks or the animal magnetism that pours off me sometimes in uncontrollable waves. But no, she was not talking about that. She explained she had been in one of my presentations at LTUE last year and found it very helpful and was going to be at this year’s event. She asked if I was going again. 

    Up until a few days ago I was planning on it and had two new presentations prepared that I think are killer. But that was before I saw my daughter’s school basketball schedule. Life is short, and my time with my kids is even shorter, and so I will not be there to exude my extraordinary fantasy-boy kavorka upon the teeming masses. Alas.

    (What did you say? That wasn’t a kavorka I exuded?)

    Exclaiming Libaray Patron, who made my day, if you’re reading this, please accept my apologies.

    In the meantime, I’m hard at work on the thriller. I’ve finally nailed down the full premise and am moving into sketching out my scenes.

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  • Your input please

    Dear Readers,

    I currently have two options for opening BAD PENNY, my thriller that I’ll be sending to my agent next week. I’m looking, of course, for the most interesting first page. Please imagine you’re in a book store or browsing online. Tell me which option you find most interesting and by how much (a little more, a lot more).

    Thanks!! 🙂

    OPTION 1

    The two men had been keeping back, playing it safe, giving the woman plenty of room on the deserted interstate. It was just after five a.m., the sun still about an hour off. Hardly a soul out here. Just them and her driving in the dark, the two men waiting for her to make her mistake.

    Jesus Goroza, the man with tats running over his limbs like demons, thought she was FBI.  Dan Meese, the driver, the man with the prison scar on his neck, wasn’t so sure. Wouldn’t the FBI have sent backup at the first sign of trouble? Of course, maybe she’d convinced her bosses she was clear, and they’d pulled back the cavalry. If so, she hadn’t been very smart.

    Up ahead the woman slowed then took the exit to a small out-in-the-middle-of-nowhere Utah town called Coalville. In a big city, there would have been cars. There would have been some bustle. There would have been witnesses.

    There were no witnesses here. Not on these streets.

    There were hardly any homes in this town. Meese figured there were at most a few dozen, and they were all strung out along a main road that stretched for what looked like ten miles. All of them were dark. A bunch of hick farmers dreaming about cows.

    A brightly lit Best Western hotel and a Texaco gas station stood on one side of the interstate. A lone Sinclair gas station stood on the other. The woman came to a stop then accelerated up and across the overpass toward the Sinclair gas station on the other side, the one that you couldn’t see well from the interstate. The one she obviously thought might give her cover.

    “Bingo,” Jesus said.

    In a big city, the Sinclair would have been ready for business. In this no-nothing town, it was dark and locked. The pumps, of course, were on. And the station’s sign with a green dinosaur on a white background towered above the place and shone out into the fading night.

    But there was no attendant standing guard over the cash and cigarettes to observe the woman. No one to see her stop and start the pump. No one to see her go try the bathroom door around the side. No one to see the two men pull in just a few seconds later.

    Meese said, “Looks like the offerings to your White Lady paid off.”

    Jesus pulled the semi-automatic from the glove box.  “I told you she wanted mescal.”

    Mescal offered up in a glass five days in a row along with prayer and cigarette smoke blown into the Lady’s skeleton face.

    “They want her alive,” Meese said of the woman they were following.

    “She’ll be alive,” Jesus said.

    OPTION 2

    Frank Shaw sat facing the owner of Cowboy Donut in a back office heaped with stacks of paper in yet another job interview that was starting to swirl the toilet.  Trying to get a straight job as an ex-con was a lovely experience. Kind of like being dragged behind a bus.

    No matter how tidy you looked or how sharp your resume was, it all came down to two questions: “Have you ever been convicted of a crime?” and “What were you in for?”

    Frank knew it would be stupid to lie about either. First of all, he was trying to go straight. Second, any employer who didn’t have a carrot for a brain was going to run a background check. So there was no use trying to hide.

    The sun-wrinkled owner of the Rock Springs, Wyoming doughnut establishment was one Ms. Mary Rogers. She was probably in her fifties and had two-tone hair that seemed to take its inspiration from a badger—all bleached up on top and dark underneath.

    Ms. Mary had just asked the question, and Frank had dropped his bomb—voluntary manslaughter, a security job gone bad. He’d been protecting the wrong kind of noun for the wrong kind of people, which led to seven fine years in prison.

    Now came the fun bus part, the Judas-Priest-there’s-a-criminal-sitting-across-the-desk-from-me part. First interviews were like first dates. And Frank had basically told this date he had an Ebola monkey virus that would make her eyes bleed—would she now like a kiss? That, of course, was yummy to women everywhere.

    Ms. Mary narrowed her eyes. “What else am I going to find on your RAP sheet?”

    “That’s it,” Frank said. “Just the one unfortunate incident.”

    “Murder is a pretty big incident.”

    “Manslaughter,” he corrected. “Not murder.”

    She made a noncommittal sound and looked down to study his resume a bit more like maybe something new would pop up there.

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  • Servant cover art

    The cover illustration for SERVANT is finished!

    (and there was much rejoicing.)

    yea.

    Actually, there was DANCING. Because I think the final piece rocks. The artist is Victor Minguez. Here are two of his pieces that I really enjoy.

    The first is “Angel.” I love the bright contrast, the face, and the fact that there’s so much rich detail.

    The next is “Champagne Havoc.” Again, a wonderful face, but also an awesome idea (a robot carrying a woman in the palm of its hand), and then the lines and chopper give the whole piece a lot of energy.

    Click here to see other works in his portfolio.

    So we kicked the project off by me sharing the goals I had for the cover and tons of reference on everything from color scheme to character costume. I asked Victor to develop some concepts for an ensemble of Hunger, Sugar, and Talen as well as some for the cave scene towards the end of the book. He came back with these sketches.

    Servant Sketch 1 cave Servant Sketch 2 horse ensemble

    Servant Sketch 3 ensemble Servant Sketch 4 cave

    I liked the first because it would allow us to see the figure’s faces more clearly. And there was a lot of interesting detail with the cave. Look at the roots by the entrance. I also liked the structure. I liked the third because it included Hunger, and Victor was taking Hunger in a new direction. I also thought we could do some neat things with the energy of Sugar on the horse and that long sash. The fourth one, however, just felt right. It had so much potential energy. I was immediately drawn to the body language. And so this is the one we decided to develop.  Then one of my beta art viewers suggested moving closer and putting in more strong diagonals. It was a perfect idea. Victor agreed and came back with this.

     

    Servant WIP 1

    I liked the lines of her stance but wondered if she needed something stronger with her legs. Victor adjusted, but my idea just wasn’t an improvement.

    Servant WIP 2

    So we decided to stick with the previous version. However, this was all too dark. Way too much gray. When looking at things in thumbnail, the cover has to pop. I shared more reference images. And Victor went back and delivered this.

    Servant WIP 3

    Boom! That was exactly what I was looking for. Bright, dynamic. However, we needed a more neutral bit at the top for the title and author’s name. And the brightest spot had to be behind Sugar to draw the eye to her. Here was the next version.

    Servant WIP 4

    At this point I started to dance. This was IT! There was a lot going on here. We had the high contrast I wanted. We had the energy. The wind with the hair and leaves and sash and torch all add kinetic energy. As do all the diagonals. Notice as well the cave details–we have hints at previous habitation, runes, and some interesting contrast with the dark foreground. I had shared a number of N.C. Wyeth and Tim and Greg Hildebrandt pieces as reference, and I think this captured elements of those and gave them a new twist. Note as well the sharp projections on Sugar’s behind. Victor put them in there purely for aesthetic reasons. He had no idea what they were. I loved them. He loved them. They worked. We would just have to make them make sense.

    After a few more iterations, he delivered the final.

    Servant Final

    I think it’s gorgeous. And will advertise the book perfectly. In a few days I will reveal the final cover with title etc. Shortly after that, SERVANT will be available again to please English readers worldwide.

     

     

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  • Awful Intent Update: First Draft of Working Outline

    On Saturday, with the arrival of a little gang of delicious insights, I finished the first working outline of Awful Intent. I can’t wait to dig into the writing. There will be one more draft of the working outline, and then I begin to write. I expect to be into the prologue by Wednesday.

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