Author: John Brown

  • Good Stuff! News of the World and two for the Downton Abbey crowd

    I recently watched a move and two British TV mini-series that were just terrific.

    The movie is News of the World. It’s a Western set in 1870, starring Tom Hanks as Captain Jefferson Kyle Kidd, a former Confederate officer who makes a living traveling from town to town in Texas and reading newspapers to local residents for an admission fee of ten cents.

    After departing Wichita Falls, Kidd comes across an overturned wagon on the road and finds the driver, a black freedman, had been lynched. He also finds the stray, young white girl who only speaks Kiowa (the language of an American Indian tribe), that the freedman has been transporting.

    Kidd learns from the girl’s paperwork that she is Johanna Leonberger, who had been kidnapped and by Kiowa six years earlier. She doesn’t speak English. Doesn’t want to go with Kidd. But Kidd is tasked with getting her to safety. Of course there are all sorts of perils and issues along the way that threaten that goal.

    There’s suspense, action, drama, bad guys, and some poignant moments that will move your heart strings. If you like westerns or Tom Hanks, I think you’ll love this movie. It’s the best western I’ve seen in a long time.

    ***

    Those of you enjoyed Downton Abbey will be very happy to hear that Julian Fellowes, who was the executive producer for that series and wrote many of the episodes, is back and has written two more historical dramas with that same type of feel.

    The first is Dr. Thorne,a three-episode miniseries based on the novel by Anthony Trollope.

    It’s set in the late 1800s. Mary Thorne and Frank Gresham, the only son and heir of the squire of Greshamsbury, fall in love. However, Frank’s parents want him to marry wealth because they have very little to leave their son. Mary is penniless and of suspicious birth. She’s not anything at all that would help Frank in the world. And so the drama begins. You get to enjoy the historical setting, the manners, and romantic suspense.

    The second is Belgravia, a six-episode miniseries set in the 1800s and based on the novel by Julian Fellowes himself.

    For you geography buffs, Belgravia is an actual place, an affluent district of London. And the story set there is about two couples. The first, the Richmonds, are part of the aristocracy. The other, the Trenchards, are from the business class.

    The Richmond’s had one child, a son. The Trenchards had one child, a daughter. The two fell in love. But the son was killed in the battle of Waterloo. And the daughter died in childbirth. However, it was an illegitimate childbirth that the Richmonds don’t know about. The Trenchards thought it best, to retain the reputation of their daughter, to have someone else raise him.

    Twenty-five years later, however, both couples still feel the hole those deaths left in their hearts. Mrs. Trenchard feels it’s time to reveal the truth to the Mrs. Richmond. But it does not go as planned. Especially not when the Richmond’s nephew wants the Richmond’s inheritance and is willing to remove all obstacles in his path.

    It’s a story full of manners, heartbreak, suspense, hope, and, well, I won’t tell you the ending. But I will say that if you like these types of historical dramas, you’ll probably love this.

  • Sura cover reveal

    Behold the cover. A big thanks to Dixon Leavitt for the art.

    And here’s the description we’ll be using.

    Nobody in their right mind travels through this place.

    All Ferran wants to do is get the cattle to Broniss, get paid, and free his family from the threat of slavery. But an unexpected and terrible enemy takes most of the crew prisoner in the Blight.

    Ferran, Winwallom, and Sura, the fierce Mashadian girl none of the boys trust, must free them.

    But how will they when the trio is vastly outnumbered, they’re days from help, and other things lurk in the woods?

    I’m so excited to get this book into your hands. I had a blast writing it.

    If you don’t want to wait, Sura is now available for preorder.

  • Rest in peace, Dave Wolverton

    I was saddened today to learn that Dave Wolverton, best known by his pen name David Farland, passed away this week.

    Dave was such an incredibly helpful mentor to me. It was the workshop he held at BYU back in 1993 that made me think I could actually write stories that entertained people. It was that workshop that prompted me to start submitting to the magazines.

    And when I finally got my first publication, he was involved. He was the initial judge for Writers of the Future when my story won a first prize. And he was there, helping lead the writer’s workshop in Cocoa Beach, Florida and cheering all of us on.

    Later, when I started writing novels, it was his thoughtful feedback that helped me improve my second novel to a publishable level. He believed in it enough to write a recommendation for me to Tor Books. When they decided to publish me, it was Dave that agreed to take me on tour with him. I enjoyed hours and hours driving with him, chatting, laughing, and signing at bookstores in Washington, Oregon, and California.

    He was always interested. Always friendly. Always willing to talk and share his expertise. And always had great stories to share about his life.

    As an entertainer, his stories thrilled me. In college, I was swept away by SERPENT CATCH, PATH OF THE HERO, ON MY WAY TO PARADISE, and THE GOLDEN QUEEN trilogy. My wife and I had so many delightful hours reading that trilogy to each other.

    I still remember going to the bookstore in Pleasanton, California in 1998, hoping to get a copy of RUNELORDS when it was first published, being so excited when I found it on the self, opening it, and reading the first pages. They completely enthralled me. Blew me away. I felt like I was in the cinema. I loved that series and was always waiting for the final book.

    I loved Dave’s stories. I appreciated so much his many kindnesses to me and his good humor.

    May you rest in paradise, my friend, until the trumpet sounds.

     

  • Good Stuff! Grandpa O’s Stories

    There are a boatload of characters that live in Rich County, Utah.

    One of them is Gary Ogilvie.

    If you were to see him at church or waiting in line for a raspberry shake at one of the fast food joints by Bear Lake, you’d just see a pleasant, mild-mannered gentleman.

    But Gary has quite the past.

    He’s been a police officer down on the Wasatch Front, a sheriff in Rich County, a Utah highway patrol officer, an internal affairs investigator for the Utah Department of Corrections, and an adult probation and parole supervisor. And a miner and many other things.

    And, boy, does he have some stories.

    Most with him wearing the badge, but others when he wasn’t wearing the badge. For example, Gary was himself hauled in by the cops when he was a teen.

    Gary wrote many of his stories down in a journal, and I had the privilege of reading them one day a year or two ago. They were fabulous. Some were funny, some shocking, some poignant.

    The good news for you is that Gary has recorded a number of them on YouTube. He did this for his  grandkids, but you and I get to benefit.

    If you enjoy real life cop stories, many with a humorous twist, and good-humored narrators, then you’re going to love listening to Grandpa O’s Stories over on YouTube.

    In fact, I don’t think you’ll be able to listen to just one.

    My bet is you’ll want to hear the next and the next.

  • |

    Become A Story Idea Machine

    Now’s your chance

    Apply to take the next Novel Writers Academy course: How to Create Story Ideas That Beg To Be Written.

    • Six-weeks
    • Starts: Jan 2, 2022
    • Ends: Feb 21, 2022
    • Gobs of hands on practice
    • One-on-one guidance from me

    At the end of the six weeks you will be a story idea machine.

    I will be working with only a small set of people. And so you need to apply to get in.

    The deadline for applications is midnight, December 11th. So contact me now to get the application instructions.


    A cracking good story idea requires five critical elements.

    Until you have all five, you’ll struggle to plot. You’ll write a few scenes and run out of gas. You’ll feel like the story just isn’t going anywhere.

    And that’s because it isn’t. It can’t. A story isn’t a story without all five elements.

    However, once you develop these five things, your story will suddenly roar to life. There are a few other elements that are important as well, but these five things form the core of the story setup. 

    In this course you’re not going to merely learn about all of those story elements. You’re going to go deep and learn what can only be learned by actually doing the work and developing story idea after story idea with personal one-on-one feedback from someone who knows what they’re doing.   

    When you finish, you won’t just know story theory. You will be a story idea machine. And you will be that because you have put in the work. The right work.  

    Again, this is not a course full of lectures and videos. This is a course where you’re going to work. And develop the insights and skills that only come from doing the work.

    You’re actually going to:

    • Come up with story setup after story setup after story setup
    • And improve them with one-on-one feedback. 

    It’s going to:

    • Eliminate years of you wandering about in the story wilderness trying to figure things out on your own. 
    • Put you miles ahead of other writers who have no idea what’s really at the core of story. 

    You are going to learn how to develop killer story ideas on purpose instead of on accident. Which means you’ll be able to do again and again. Reliably. Like clockwork. 

    Course details

    The focus of the class is not on learning about story, although you will do that. The majority of your time will be spent on developing stories. 

    You can’t become a carpenter by watching videos and reading books about it.

    You have to get out on the work site, cut wood, and pound nails. You have to make the mistakes all beginning carpenters make, get feedback, and improve.

    The same goes for writing.

    And you’re going to work in this class. You develop 21 story setups. In fact, you develop more because the 21 are just the ones you turn into me. And with each one your skills, insights, and abilities grow.  

    In the beginning, your setups will be bare bones. By the end, they’ll be fully developed setups that beg to be written. Setups you can use to immediately write the first draft  of your novel, whether that’s in outline or chapter form. 

    Here’s what you do each week. 

    Week 1.

    • Uncover the secrets of what’s really at the heart of story and how to generate ideas. 
    • Define your genre requirements
    • Create story setups 1-3

    Week 2.

    • Uncover the secrets to compelling characters 
    • Create character sketches
    • Create story setups 4-7 

    Week 3.

    • Uncover the secrets to formidable obstacles
    • Create story setups 8-11 

    Week 4.

    • Uncover the secrets to interesting casts
    • Create story setups 12-15

    Week 5.

    • Uncover the secrets to managing multiple storylines and series
    • Create story setups 16-19 

    Week 6.

    • Create story setups 20-21. These are your capstone projects where you apply everything you’ve learned and take it to the next level

    In this class you develop story idea after story idea after story idea. You are going to be marinated in the work of developing characters, THOMs, goals, obstacles, settings, casts, and more. And because of that, each week will not only bring an explosion of insights, but new skills and abilities.

    Every week you get two private, one-on-one, live sessions with me where you get encouragement and feedback on what you’ve developed. And you’ll have access to a private Facebook group where you can apply the principles to brainstorm even MORE ideas for each other’s stories. 

    At first you might feel a bit shy and worried about your ideas and abilities. But you’ll soon get over that. By the end of the course you’ll be one of those people that can generate terrific ideas easily. And you’ll be able to do that because you will have put in the work to become a different writer.  

    What’s the price?

    Hours of one-on-one instruction from a professional editor or author costs thousands of dollars. An MFA program can cost $25,000 to $30,000 or more!

    But this course won’t cost anywhere close to that.

    Plus you’re going to learn things here you’ll never get in an MFA program (I know. I was accepted into a top-ranked program).

    The cost of this course is $799. And I personally guarantee your results. You’ll be totally oh-my-gosh-I’m-so-happy-I-took-that-class satisfied, or I’ll give you your money back. No questions asked.

    Now’s your chance to stop spinning your wheels. I can’t tell you how much I wish I’d had something like this when I’d started:

    • The secrets about the true core of story.
    • The secrets about how to come up with ideas. 
    • Actual work with personal one-on-one feedback. 
    • Laser focused on what actually matters, not a bunch of ridiculous writing rules. 

    When you finish, you will be a story idea machine. 

    You won’t know plotting. That’s a different course and set of skills. You won’t know how to write chapters. But you’ll know how to create the engine that powers all the rest of that. You’ll know how to create the core that makes awesome plots and chapters possible. 

    If you want to take this course, click the button below and contact me. I will tell you exactly how to apply.

    I’m not going to be able to accept everyone who wants to take the class. I have a very strict limit on the number of students I can work with. So you need to get your application in before the deadline of midnight, December 11th.

    Don’t wait!

    Contact me now to get application instructions.