The Tor catalog
Check out Tor’s 2009 fall catalog. Lots of great titles coming up including one of particular interest.
Check out Tor’s 2009 fall catalog. Lots of great titles coming up including one of particular interest.
Oh, this feels soooooooo good. Here are the stats.
Of course, it took me an additional 105 hours of work to finally get an outline we could agree on. If I add that, it brings my stats down a bit. But, overall, I’m pleased. For those who want to read an excellent article on writing productivity, look at Kevin J. Anderson’s “The Mathematics of Productivity.”
Now I need to take the next two weeks to cut about 10%. And fix the weather stripping on our French doors to keep the hordes of #@!$%! spiders from coming in. Wish me luck.
Note: it bugs me my bullets don’t show up. Some day I’m going to get someone to fix the stylesheet on this website.
I’m very pleased to announce that Podium Publishing, the folks producing the audio versions of the Dark God books, has cast Alex Wyndham as the narrator for the Dark God series. Production is scheduled to take place in March and April.
Wyndham is an actor from the UK who has played television and film roles and narrated a number of audio books. Wyndham is the real deal. Just give the samples below a listen.
You can listen to other samples on Audible by clicking on his name or by going to his Bee Audio profile.
Folks, I cannot wait to see what he does with the books.
The Dark God is rising…
Here’s the report of what happend on the Larry and John tour of Denver.
On the way out:
Other highlights:
On the way back:
One of the things I love about writing is that there’s always something new to learn. There’s always new content and, therefore, lots of cool research, but there’s also a lot to learn about the craft. I have no illusion that because I now have a contract I’ve suddenly arrived as a master craftsman. This art is just too big.
So you can imagine my delight when I saw that David Morrell is going to be giving a day-long workshop in my own backyard (out West, 5-8 hours is still in your backyard). I’ve signed up for Morrell’s workshop on June 6, 2008.
He’s the guy who wrote Rambo and started Thrillers Inc. He was also a professor for many years.
More on the Conference
http://www.murderinthegrove.com/index.htm
More on Morrell.
http://www.shotsmag.co.uk/shots21/intvus_21/dmorrell1.html
http://www.davidmorrell.net/
http://www.writerswrite.com/journal/oct02/morrell.htm
This was interesting.
David : I have a Ph.D. in American literature and taught academic courses: the American Novel of the 19th Century, the American Novel of the 20th Century, American Realism, Hemingway and Faulkner, Hawthorne and Melville, that sort of thing. The University of Iowa has the famous Writers Workshop, but I had nothing to do with it. In fact, they hated the sort of books I wrote and hated even more that I earned money as a novelist. That was the official line. But in secret, students snuck to my office and asked me technical questions about craft or asked me to read contracts they’d been offered (to see if the contracts were reasonable). Sometimes they showed me their manuscripts. The most productive association of that sort was with Jon Jackson who later published a series of police novels about Detroit. My most gifted student was T. C. Boyle. He writes humorous literary novels and short stories that critics love. His latest is DROP CITY. I taught him nothing about writing – he was a genius. But he did ask me to direct an individual reading course that he needed in order to graduate. We had a lot of interesting discussions, and I’m thrilled by his distinguished career.
Interestingly enough, T.C. Boyle was one of the writers that made life bearable for me while I was getting my BA in English. His novels, well, I never finished one of them. But his short work sings. Heck, his long work sings, but there’s not enough plot for my tastes.
On Wednesday, at 8:53 PM, I finished the first draft of Assassin.
It clocked in at just over 97,000 words, making it the biggest book in the Drovers series. Prey was 73,000 words, Outlaws 68,000, and Sura 84,000.
More importantly, Assassin finishes the story arc that began with Prey. I may return to Ferran and company for another arc in the future, but I wanted these books to have a real, satisfying ending. And now they have one, if only in first-draft form.
Nobody but me sees the first draft of what I write. For good reason.
I’ll let it sit for a week or two so I can come back to it cold and discover that I’ve changed people’s clothing mid-scene, used the word sit six times in three paragraphs, and committed other literary crimes.
Draft two goes to my beta readers, who report where they were excited, bored, confused, or questioned my grasp of reality.
Draft three addresses those issues and gets a thorough line edit, even though I’ve found the best way to discover spelling errors is to think you’ve found them all and then publish your book. At that point, the devils come out of hiding and begin dancing around on the page.
Dixon Leavitt, the artist who created the previous three covers, will be doing this one as well.
If all goes well, Assassin should be out for the holidays.
One of my favorite discoveries in the book was a lad named Weff.
I didn’t set out to write Weff. I didn’t know he existed. But I was up on the hill behind my house on one of my writing walks, walking and talking to myself about the story, when he suddenly appeared.
Broniss has streets paved with cobblestones, and the queen wants them kept clean. The problem is that horses, oxen, and other beasts have an unfortunate habit of leaving things behind.
So the city has children assigned to territories whose job is to keep those streets clear.
They’re called muck runners.
And Weff is one with an enterprising mind.
That’s one of the delights of writing for me. Sometimes you plan a character for months. Sometimes you’re walking along a dirt road talking to yourself and a manure boy shows up. And suddenly he must have a part in the tale.
While you’re waiting for the big wrap up, if you’re looking for an audiobook, I highly recommend Tim Curry’s reading of Garth Nix’s Sabriel. It’s a terrific fantasy to begin with, but Curry’s performance makes it even better. His rendition of Mogget is so enjoyable you may find yourself listening a second time.
If you’ve heard an audiobook performance you absolutely loved, tell me. I’m always looking for the next good listen.
Until next time,
John
This last June, I stood outside Warwick Castle next to a longbowman and stared up at the massive structure. The curtain walls rose forty to fifty feet high. The great tower soared even higher—one hundred and twenty feet. But it wasn’t just the walls.
The moat. Holy schnitzel, folks, the MOAT.
On one side of the castle, the River Avon provided a barrier. On the other, a dry moat stretched forty to sixty feet wide and twenty to thirty feet deep. Standing at the bottom, you’d be staring up at seventy feet of turf and stone. That’s like staring up at a six-story building—with armed soldiers waiting at the top.
My only thought was: good night, what kind of madman would assault these defenses?
The answer, of course, is almost no one. Medieval sieges were usually about starving the defenders out, not storming the gates in a blaze of glory. Unless you had a trebuchet—which I also saw demonstrated that day.
It was the kind of moment that makes a writer’s brain spark. Assassin, the fourth book in my Drovers series, is set in the capital city of Broniss, which bristles with towers and walls of its own. Standing there at Warwick, I realized: no sane army would attack such walls directly. Which is why the High King of Osson has other dark plans.
Of course, Warwick had more than just military lessons. There was a falconry show where hawks, vultures, eagles, and even a condor soared just above our heads. Here’s a tip. If you go, sit on the benches, not under the tree. The benches are where you get the most flyovers.
There was a dungeon tour that turned into a hilarious series of skits, complete with a plague doctor and a judge who convicted one of us.
And afterward, we went into the city to a Thai place called The Giggling Squid (yes, that’s really its name). The food was amazing.
It was a glorious day, and it reminded me that some of the best research often comes from first-hand experience. Although some things—like being pierced through with a sword—I’m happy to leave to my imagination.
I’m back at the desk now, hard at work on Assassin. It’s turning into a terrific ride, and I can’t wait to share more soon.
Here’s to Ferran, Sura, and Lagash—will they foil the traitor’s plot and stop the hashida’s creature, or will Ferran and the others fail and find all their dreams dashed to pieces?
You’ll soon be able to find out.
Sincerely,
John