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Become A Story Idea Machine

Now’s your chance
Apply to take the next Novel Writers Academy course: How to Create Story Ideas That Beg To Be Written.
- Six-weeks
- Starts: Jan 2, 2022
- Ends: Feb 21, 2022
- Gobs of hands on practice
- One-on-one guidance from me
At the end of the six weeks you will be a story idea machine.
I will be working with only a small set of people. And so you need to apply to get in.
The deadline for applications is midnight, December 11th. So contact me now to get the application instructions.
A cracking good story idea requires five critical elements.Until you have all five, you’ll struggle to plot. You’ll write a few scenes and run out of gas. You’ll feel like the story just isn’t going anywhere.
And that’s because it isn’t. It can’t. A story isn’t a story without all five elements.
However, once you develop these five things, your story will suddenly roar to life. There are a few other elements that are important as well, but these five things form the core of the story setup.
In this course you’re not going to merely learn about all of those story elements. You’re going to go deep and learn what can only be learned by actually doing the work and developing story idea after story idea with personal one-on-one feedback from someone who knows what they’re doing.
When you finish, you won’t just know story theory. You will be a story idea machine. And you will be that because you have put in the work. The right work.
Again, this is not a course full of lectures and videos. This is a course where you’re going to work. And develop the insights and skills that only come from doing the work.
You’re actually going to:- Come up with story setup after story setup after story setup
- And improve them with one-on-one feedback.
It’s going to:
- Eliminate years of you wandering about in the story wilderness trying to figure things out on your own.
- Put you miles ahead of other writers who have no idea what’s really at the core of story.
You are going to learn how to develop killer story ideas on purpose instead of on accident. Which means you’ll be able to do again and again. Reliably. Like clockwork.
Course details
The focus of the class is not on learning about story, although you will do that. The majority of your time will be spent on developing stories.
You can’t become a carpenter by watching videos and reading books about it.You have to get out on the work site, cut wood, and pound nails. You have to make the mistakes all beginning carpenters make, get feedback, and improve.
The same goes for writing.
And you’re going to work in this class. You develop 21 story setups. In fact, you develop more because the 21 are just the ones you turn into me. And with each one your skills, insights, and abilities grow.
In the beginning, your setups will be bare bones. By the end, they’ll be fully developed setups that beg to be written. Setups you can use to immediately write the first draft of your novel, whether that’s in outline or chapter form.
Here’s what you do each week.Week 1.
- Uncover the secrets of what’s really at the heart of story and how to generate ideas.
- Define your genre requirements
- Create story setups 1-3
Week 2.
- Uncover the secrets to compelling characters
- Create character sketches
- Create story setups 4-7
Week 3.
- Uncover the secrets to formidable obstacles
- Create story setups 8-11
Week 4.
- Uncover the secrets to interesting casts
- Create story setups 12-15
Week 5.
- Uncover the secrets to managing multiple storylines and series
- Create story setups 16-19
Week 6.
- Create story setups 20-21. These are your capstone projects where you apply everything you’ve learned and take it to the next level
In this class you develop story idea after story idea after story idea. You are going to be marinated in the work of developing characters, THOMs, goals, obstacles, settings, casts, and more. And because of that, each week will not only bring an explosion of insights, but new skills and abilities.
Every week you get two private, one-on-one, live sessions with me where you get encouragement and feedback on what you’ve developed. And you’ll have access to a private Facebook group where you can apply the principles to brainstorm even MORE ideas for each other’s stories.
At first you might feel a bit shy and worried about your ideas and abilities. But you’ll soon get over that. By the end of the course you’ll be one of those people that can generate terrific ideas easily. And you’ll be able to do that because you will have put in the work to become a different writer.What’s the price?
Hours of one-on-one instruction from a professional editor or author costs thousands of dollars. An MFA program can cost $25,000 to $30,000 or more!
But this course won’t cost anywhere close to that.
Plus you’re going to learn things here you’ll never get in an MFA program (I know. I was accepted into a top-ranked program).
The cost of this course is $799. And I personally guarantee your results. You’ll be totally oh-my-gosh-I’m-so-happy-I-took-that-class satisfied, or I’ll give you your money back. No questions asked.
Now’s your chance to stop spinning your wheels. I can’t tell you how much I wish I’d had something like this when I’d started:
- The secrets about the true core of story.
- The secrets about how to come up with ideas.
- Actual work with personal one-on-one feedback.
- Laser focused on what actually matters, not a bunch of ridiculous writing rules.
When you finish, you will be a story idea machine.
You won’t know plotting. That’s a different course and set of skills. You won’t know how to write chapters. But you’ll know how to create the engine that powers all the rest of that. You’ll know how to create the core that makes awesome plots and chapters possible.
If you want to take this course, click the button below and contact me. I will tell you exactly how to apply.
I’m not going to be able to accept everyone who wants to take the class. I have a very strict limit on the number of students I can work with. So you need to get your application in before the deadline of midnight, December 11th.
Don’t wait!
Contact me now to get application instructions.
NEWS: LDStorymakers Conference
I have finished the final drafts of my two presentations for the LDStorymakers conference which will be held next Friday and Saturday, May 10-11, 2013 in Provo, UT (usually a glorious time along the Wasatch Front in Utah).
“Vivid and Clear” – Despite the often repeated 11th commandment for writers—show, don’t tell—writers NEVER show. They can’t. It’s all tell, tell, tell. The trick is to tell in a way that helps your readers imagine the situation (action, thought, dialogue, description, etc.) with such vividness and clarity it can trigger an emotional response. In this hour we’ll explore a number of simple but powerful prose techniques that help you do just that. That includes:
- The three main types of telling
- What “showing” really means
- 5 key techniques for making that telling vivid and clear
- Lots of examples so it’s all clear
“Story Turns” (they’ve got me scheduled to do this one twice) – Story turns, cliffhangers, rugpulls, plot twists, reversals, surprises, revelations (and more)–are a core part of an exciting plot, pacing control, and making a reader want to turn the page. In this workshop we’ll explore the main types of story turns and how they work so you can use them in your writing. This includes:
- A clear definition of what turns are and do in general
- The 5 main types of turns
- A whole bunch of examples to make it all clear
- 3 tools I find helpful when developing turns
- A session where we actually will use the tools to develop turns for a scenario I’ll bring
I’ve got to run through both presentations to make sure they have the zing I look for in these things and that I don’t have too much content for the time allotted. I’m very excited about both. And, as always, I learned a lot bringing all my ideas together on these topics.
I’m planning on having a great time giving these AND listening to the other presenters AND chatting with folks I know AND meeting others. Last year was fabulous! This year looks to be even better.
For those of you who haven’t heard about the conference, it features 2 days of excellent programming focuses on helping writers who are serious about writing but who also want to have fun doing it–let’s call them hard-working, laffy bees. Special guests include goddess of mystery Anne Perry plus a bunch of great agents and an editor from Harlequin’s new line focusing on “wholesome contemporary romances that celebrate traditional values, strong communities, family connections and true love.”
Although I have to say that if I were thinking of submitting to Harlequin, Kris Rusch’s posts would give me pause:
- “The End of Reversion Clauses: Deal Breakers 2012”
- Anti-Published” (read in the comments of this one)
I think registration is still open. For those of you already planning to go, please come up and say hello.
BTW, I’ll post a PDF of both the presentations and my notes here afterwards.
My LTUE schedule
Folks, I love LTUE. Love it. Alas, I will only be able to attend Friday. But I can’t wait to listen, present, meet new folks, and catch up with old friends. If you’re a writer in the area–whatever genre it doesn’t matter–you’re going to want to come. Link out to the site to see all the authors that are going to be there. Here’s my schedule.
Date & Time Event Type Area Notes Thursday – Saturday, Februrary 17 – 19, 2011 Science Fiction & Fantasy & Writing convention Provo, UT Life the Universe & Everything held at BYU. It runs Thursday – Saturay, the 17th-19th. I’ll only be able to attend on Friday this year. This is where SF&F authors, scholars, and fans gather and discuss the genre, writing, and have a whole bunch of fun. Details on the LTUE site. I will be presenting. See the rows below for details. Romance vs. Story with Romantic Elements: Injecting romance into saving the world
- Panel
- John Brown, Ami Chopine, Stacy Whitman, Lynn Kurland
- FRIDAY: 12 pm – 1 pm
Plotstorming from Character: In some cases the plot of a book drives the characters. However, characters that instead drive the plot can make for a more compelling story. In this hour, we focus on how to grow your plot from your main characters.
- Presentation
- Paul Genesse (I want to hear what Paul has to say, I think this will be interesting)
- FRIDAY: 3 PM – 4 PM
Lessons on Story from THE HUNGER GAMES (and let me tell you, there are a lot of good lessons)
- Presentation
- John Brown
- FRIDAY: 6 PM – 7 PM
How to Get and Develop Killer Story Ideas
- Workshop
- John Brown & Larry Correia (oh, yeah–it’s the dynamic duo)
- FRIDAY: 7 PM – 8 PM
EDIT 2/7/2011 9:45 PM: Scheduled has changed. The session on Hunger Games moved up an hour. And the story idea session moved back from 10 AM to 7 PM.
Poisoned Pen, Concealed Carriers, and Crazies
Just got back from a wonderful trip with Larry Correia down to Phoenix. We did 2 signings and hit 23 bookstores in 1.5 days. Our new zipcode map GPS method rocks! Have three interesting things to report.
First, we have a great time at The Poisoned Pen, an independent bookstore in Scottsdale. Lori and the other two guys whose names I forgot (doh!) were wonderful hosts. We talked about our books, fielded questions, and then signed. Had a great time. A lot of laughing and good stories shared. If you’re ever in their area, you should stop by and check out the store.
It was also nice meeting Valerie Moore, a reader I met on Twitter, who makes her own beads. Cool thing is–she’s doing a new design inspired by the book called “The Grove.” Can’t wait to see what it looks like.
I also need to comment on Mysterious Galaxy, the store we went to in San Diego. Patrick and his crew were also wonderful hosts. This is also the first bookstore I’ve been into dedicated to science fiction and fantasy. The folks who showed up were hard core fans. We loved it. I hope I get to go back again and again.
BTW, anyone wanting to pick up signed copies can get them at either place while they last. I believe both stores do a lot of mail business as well.
Another comment along these lines. We noticed a dramatic difference between stores. Larry and I both agreed that the Barnes & Noble (Bookstar, which is a B&N store as well) and the independent stores (Poisoned Pen, Mysterious Galaxy) consistently showed the best customer service. They also consistently showed the most business sense. Kudos to them.
Second, Larry had a bunch of gun owner friends show up to the signing and then invite us out to dinner the next night. We had a great time. Polite, good-natured, and fun. Of course, a number of them were carrying concealed weapons. And I’ll tell you what–never felt safer in my life. Now, I know some people are going to say, hey, that’s just an accident waiting to happen and if any bad dudes show up you’re just more likely to get shot or have the gun stolen.
Um.
No.
These guys don’t just carry weapons. These guys live and breathe weapons. They customize guns. They shoot them and train with them in competitions. These guys know guns like I know my keyboard. I wish I could have remembered all their names–Chris, Hiram, Mark, the dude with the Hooters wife, and the other dude who drives for an armored truck company (and wears a kilt!), and about five others.
Thanks to Chris for a great dinner at Famous Dave’s!
I wish I could post pictures. I promised myself I take a camera on this trip. Dang it. Denver. I shall document Denver.
Finally, I have to write about a guy in the Mesa Barnes & Noble where we were holding our informal signing. We were in the cafe. My great sister had brought rum cake muffins and everyone who came was eating them and talking. One of them asked me how I got the idea. So I told them the cow story and about the idea of humans being ranched for their souls. And just after I finished this a guy who had been reading behind us, a B&N customer, stands up and says, “Your book it true! Your book is true!” He had a beard and was all bug-eyed.
At first I thought he was joking.
Nope.
He said lizard men were ranching humans and I needed to read book xyz by author abc. Later he told my sister that the Bible showed they’ve interbred with humans and are taking our souls.
Lizard men… and all this time I thought it was the socialists that were going to get us.
Larry and I had talked earlier in the day about the demographics of our audiences. His audience was easy–red-state conservatives, military folks, & gun nuts. I expressed my trouble finding an easily identifiable demographic tag for my readers. But now I know–I got the crazies. 😛
Awful Intent update: Chapter 20
Just finished chapter 20. It’s been a rough month for writing, but I believe life has settled down a bit, and I should be able to get the time in that I need. I hate giving targets publicly because the last time I did that I just missed and missed and missed. So we’ll stay with the progress gauge. Although I have to say that I might go over thirty chapters. I normally write chapters about 2,500 words long. But these are averaging 2,000. We’ll see. The outline always changes during the first draft.
This pass through CURSE is done!
Oh, this feels soooooooo good. Here are the stats.
- 58 chapters
- 205,000 words
- I received the green light midway through April. Finished 27 weeks later.
- Looking at my time records, it took me a total of 345 hours to finish this draft. And the lion’s share was new stuff. This took less time than it normally does for me, but it’s the freaking forth time through and I know the world and characters.
- I averaged about 13 hours per week. It still bothers me I couldn’t get that closer to 20 hours.
- This translates to a rate of about 600 words per hour, and that’s with daily edits, thinking, backtracks. I’m not going to win any speed contest, but at least I’m consistent.
Of course, it took me an additional 105 hours of work to finally get an outline we could agree on. If I add that, it brings my stats down a bit. But, overall, I’m pleased. For those who want to read an excellent article on writing productivity, look at Kevin J. Anderson’s “The Mathematics of Productivity.”
Now I need to take the next two weeks to cut about 10%. And fix the weather stripping on our French doors to keep the hordes of #@!$%! spiders from coming in. Wish me luck.
Note: it bugs me my bullets don’t show up. Some day I’m going to get someone to fix the stylesheet on this website.
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It will be worth the wait.
Only if we all don’t die first.
UGH! Why are the oxen so SLOW?!?!?! Come on, oxen!
🙂
I figure I’ll throw my own verbal support 🙂 That makes at least three of us steadily supporting you 🙂
Thanks, Russell!
The best part about reading fantasy is that there are lots of books to keep me busy while I wait for the ones I truly love 🙂
Have I already officially made you a Dreadman, Bryce? Thanks for the love.