Curse Update: Copy edits and art

CurseV2FinalV1The copy edits for CURSE and RAVELER are finished. The artist has also begun working on the cover for RAVELER.

The next task is to review and add anything necessary to make the ending of CURSE and the beginning of RAVELER work in their new roles.

And then it’s pub time. Getting very close now, folks.

 

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  • LTUE presentation materials

    On Friday night I’m going to be part of a panel on RULES FOR WRITING MAGIC, and then I’ll be presenting VIVID & CLEAR to a bunch of SFF romancers. On Saturday I’ll be following that up with a presentation on STORY TURNS. Every time I present folks ask for the presentations. So instead of making them wait until I get home, I’ll just post them now.

    Enjoy!

    Some thoughts on inventing magic to go along with Friday’s panel.

    Presentation slides: Vivid and Clear v2

    Presentation slides: Story Turns v2

    And here is the fine car chase clip from the Story Turns presentation.

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    Writing Update: 6/13/11 – reviewing the beginning

    I’ve finished chapter 17 of CURSE. I’m up to 50,000 words and have moved from the presentation phase into the struggle. And I’m stopping at this point to review the what I’ve got. I’ve learned that if the foundations of the story–the presentation phase–has fundamental flaws in it, you’re only going to create a HUGE rewrite mess if you push on.

    I know this from experience. When writing the first draft of CURSE back in 2009 (oh my heck, it feels like forever ago), I ignored my Spideysenses and told myself I could fix anything that was wrong in post production.  And it IS possible to fix many things afterwards–you can change scenes, improve clarity and transport, remove continuity errors, layer in character tags and things like that.

    And it IS true that sometimes you do just have to write to the end to figure out the story.  Sometimes you have to just write to the end, and do it in a substandard way, because if you don’t you’ll never finish anything. Sort of like sketching first and then painting. But if there’s something wrong with the basic premise of a story line, and you keep writing, then that story line affects everything it touches. The fractures ripple out all the way to the end of the book. And you might end up, like I did, having to toss a huge amount of what you’d written.

    Which is not all bad. I learned a lot and invented a lot of cool stuff while writing that. But when you’re on a deadline, it can be a killer.  And I’m not doing that this time. I worked out the big issues in my chapter outline.

    So I’m pulling back and reviewing. I’m delighted with everything but the villain. He’s still not right. I love his chapters, the scenes. I love the name I’ve given him–Endless. But the structure isn’t right. I’ve inadvertantly created two main villains. And that’s not useful. Having two “main” villains doesn’t double the power of the opposition. It splits it. The villain/henchman model works well. But I don’t have that either. Over the next few days I’ll be rectifying the setup. Then moving forward.

    For those of you who are writers, I thought you’d be interested to know that there were a few times these last two weeks when I dreaded the writing. I had a large problem before me or had to invent a new chapter (as opposed to using something from the previous draft), and a dread filled me. But I sketch/drafted my way to the end, and soon found the writing a joy again. 

    I can’t say enough about the sketch/draft method. I’ve found it works in creative activities OUTSIDE writing as well. When working up a lesson plan for my day job, designing landscaping for our house, developing a talking script for a sales call, writing a technical manual, or a hundred other things I’ve had to do–it’s always easier to work from something than create everything all from scratch.

    Sketching allows me to create that first draft. And it allows me to do this without having to worry about quality. Sketches can be silly. Weird. Full of crap. They can be all this because I can throw them away. They’re not meant to be permanent. And so there’s no pressure to perform. There’s no staring at a blank screen or page. Sketching is a free-wheeling joy. It fills me up with ideas. And then, when I’ve got the general idea of what I want to do, I can start in on the “real” draft knowing WHAT I want to accomplish which leaves me free to think about the HOW. And if I run into problems and realize the draft isn’t going to work, or I run into something better, I just call the current draft a sketch (or “take” as used in the movie business) and move on to the real one.

    Sometimes a chapter or section requires 1 sketch or take, sometimes I’ve run up into the 20’s. Sometimes I haven’t needed any at all. It’s not the number that’s important, it’s the process that has really freed me.

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  • Gun Runner – Graphic Novel- Kickstarter Live Now

    The Dragon Award winning novel Gun Runner, by Larry Correia and me, is being adopted into a graphic novel by Hound Dog Media. The writer is the legendary Mike Baron (The Punisher, Nexus) and the art is by Marcelo Salazar.

    This is a story about a smuggler crew who specialize in stealing battle mechs and selling them to worlds that aren’t allowed to have them. The book is great. I can’t wait to see it as a graphic novel.

    This is going to be awesome. Check it out. There’s even a pledge level to get yourself drawn as a member of the crew.

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  • Artist Dixon Leavitt does Hunger

    Dixon Leavitt is an amazing artist. He recently emailed me saying: “Sometimes I just start sketching with no plan in mind. This just popped out. Thought you’d like to see it.” It’s Hunger from Servant of a Dark God.

     

    Duuuuuuuuuuuude!

    Dixon explains the step by step of the creation of this painting at dixondoodles.blogspot.com.  You’ll want to noodle around that blog to see the other artwork he’s done.

     

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  • Final parts of Moonlight, Lace and Mayhem interview

    Carrie Hinkel-Gill at Moonlight, Lace and Mayhem has been interviewing me. It’s been thought-provoking and fun. Here are the last two installments. Check it out: 

    http://mlmfantasy.blogspot.com/2011/02/featured-author-john-d-brown-part-3.html

    http://mlmfantasy.blogspot.com/2011/02/featured-author-john-d-brown-part-4.html

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  • ALA conference–wonderful!

    Holy cow, ALA was simply wonderful. The summary is below. You can find my speech here: http://johndbrown.com/2009/07/gateway-drugs-and-fiction/

    Got to go to dinner, ride in cabs, and chat at length with:

    1. A bunch of librarians who were complete characters. One guy named Milton Wolf who has written a lot on SFF and has been known to ski cross-country naked. Another gal named Diana Herald who had over 40 foster kids (official and non), and lives in a tire house. Then another named Edith Helbert, with whom I literally shared my meal (she had a fab pork burger, I had bbq beef brisket: I got half of her burger, she got half of my bbq). She is also in the Society of Creative Anacronism and was telling me about some war between two kingdoms she attended where the archers shot tennis ball/tube arrows at each other. Finally, Christy Donaldson introduced me in the meeting. Later she and I talked and I found out that not only is she a librarian in Happy Valley, but she loves the Sundance film festival. I’ve never gone, thinking it was probably going to be too artsy-fartsy for me, Mr. beef and bologna man. But she said I had to go and offered to go with me. So Nellie and I will probably be watching a Sundance documentary in the near future.
    2. Kathleen Doherty (One of Tom’s daughters) who runs the children’s division. Very smart. But the thing that stood out most was how warm and personable she was. She showed great affection for her librarian friends. Respects her dad immensley. Forgives new authors their fau paux. And is, among other things, a true blue capitalist. She made an argument for capitalism I hadn’t heard before, but rang true the moment she said it–there will always be corruption, but capitalism is the only structure that allows you to mitigate it because it spreads the power around. There was more, but I found it compelling.
    3. Jim Frenkel, editor who did Goodkind etc. He’s a total crack up. And seems to always get caught speeding by the cops. He threatened to tweet on me when I ordered a Shirley Temple to drink.
    4. David and Joelle Lubar, very nice folks. David tried to lead us on a goose chase, but was ultimately prevented.
    5. Ken Scholes. We love Ken.
    6. Robert Charles Wilson. Very, very nice guy. Humble. And so freaking accomplished. He’s won just about every award out there. I loved his Darwinia. Need to read his latest.
    7. Margaret Weis. Here’s someone who has written so much. It was interesting hearing about how she and Tracy go about their projects.
    8. A cabbie from Haiti who told me all sorts of nifty things about how it used to be down there. Like how cell phones are like chocolate because land lines were so bad and rare that you’d often have to call a phone station (where the phones were), have someone run down to your house and tell your family you’d call back. Then they’d have to come back on time and hopefully be there for your appointed call. Then sit in a phone box with no AC and sweat, sweat, sweat.

    Saw Alethea Kontis briefly, which is always a lovely thing.

    Then I got to be one of five speakers to a huge crowd. There were 300 seats, people were sitting and standing in the back. There was a lot of energy in that group and I just ate it up.

    Tor made up 200 bags with a book from each author and handed them out. Of course, we ran out. And, no, I had no book, but Tor printed up ARCs. And so SERVANT OF A DARK GOD was in there with all the grown up books.

    Then I got to sign. Now, I’m just a new guy. A few people had read my stuff, but most hadn’t. Nevertheless, it was simply wonderful to be inbetween Ken and Margaret putting the old John Handcock on books for a line that queued up from the table at the front of the large room to the doors in the back.

    This was my first signing. How sweet was that? Being the clueless man that I am, I didn’t bring a pen. I thought they would be provided. So one of the organizers found one. It was pink. It’s going in my book of remembrance.

    I should have brought all the nifty bookmarks I have printed up and am sending to various cons. Next time.

    What a great experience.

    Oh, and we were in this Omni hotel (on Michigan ave). I totally lucked out and got a sweet room in the 17 floor in a corner. So my bedroom had two windows out of which I could gaze at the lake, two blocks away, and all the fabulous architecture. I’ve never really spent any time in downtown Chicago. What a fantastic place.

    People everywhere. Brown people, black people, white people–so many interesting people. I’m telling you, after living with a huge population of cattle, it’s nice to see a variety of homo sapiens.

    And I found a blue Eddie Bauer shirt for 20 bucks.

    Like I said–fabulous.

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2 Comments

  1. Do you know if your website host provider has been having problems?

    Several times in the past few days when I have tried to access your site (looking for news on the release of Curse), it has been offline. Then a few hours later it will be back up.

  2. I noticed something yesterday, but haven’t see it other days. I’ll keep an eye on it.

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