Curse update: April 1, 2014

CurseV2FinalV1Today is a fine US holiday. And so I took the day off to write. I just added over 6,000 words to the final big battle climax of my novel. And what a climax it is. It’s almost 50,000 words long. I still have another 5-10k to go.

Folks, this is longer than a lot of short novels.

I guess it would be more accurate to say I’m writing act 3. The book will probably exceed 200k words. So 60k isn’t too long for the final act.

I will now sigh in contentment.

*sighs*

I’m enjoying the heck out of writing this.

At the same time, I’m hoping to figure out how to make book three in this epic fantasy series shorter so I can get the story out to readers in a more timely manner. I might be able to write two normal sized novels instead of one monster. I will think hard about it.

In the meantime, I hope to wrap this rewrite of act 3 up over the next few days. And then it’s just line and copy edits.

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  • Bad Penny – working title

    I’ve decided to tentatively call the first book in my Frank Shaw series “Bad Penny.”  This is the thriller I’ve been talking about. It’s a working title, so it may change.

    As for progress, I’m close to 14,000 words. Huzzah! And I’m having a blast writing it. Every day I look forward to my writing time.

    For those curious, the book takes place in Rock Springs, Wyoming. The plot will move it across eastern part of the state and then down into Colorado.

    Frank Moses Shaw, ex-con . . .

    Ah, folks. I’m just loving it.

    I’m also generating options for a pen name.  Althought I know there’s overlap between readers of epic fantasy and thrillers (hey, look at me!), I still think the genres are too different to try to spread a brand name across both.  I read about Tess Gerritsen, who started in romance, using the same name for her thrillers, which is all I think she writes now. She reports that she had a number of the thriller readers pick up her romances and vice versa, and then get frustrated because her brand meant one thing to them, but they got another.

    If I was writing thrillerish SF, like Card’s Ender’s Game, or thrillerish fantasy, like Correia’s Monster Hunter, then maybe the stretch wouldn’t be so far.  For those of you who are thriller readers, I’ll be posting some possible names in the near future. I’d like your reactions on the options, so keep a look out.

    As for CURSE OF A DARK GOD, no word yet from ye Editors. I’m expecting a reply March or April. Yeah, I turned it into my agent end of November. She submitted it to Tor in December. No, I don’t like these lead times any better than you do. But it is what it is. My job is to produce. My target this year is two novels–DARK GOD’S GLORY (book 3 in the series) and BAD PENNY. My stretch goal is to finish the working outline for the second Frank Shaw book (already have the premise) and actually start on it before the end of the year. We’ll see what happens.

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    Handout to “How to Write a Story that Rocks”

    I had an absolute BLAST with Larry and the audience at LTUE. I think the workshop went very well for the first time. Of course, I’m going to make some tweaks. Paul Genesse had some interesting feedback and I’ll have to see if I can’t do more with character. Two hours is such a short period of time.

    The good news for those who couldn’t attend is that we have a recording and will be posting probably next week. Everyone should thank Stephen Nelson!

    We ran out of handouts. I printed 80. Then Mark Holt generously had 30 more printed. We still didn’t have enough. For those of you who didn’t get one or who want an electronic copy, here it is.

    How to Write a Story That Rocks – Handout

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    You’re invited to join the novel writing workshop pilot

    I am developing an online novel writing course and am looking for folks to pilot it with me and give me feedback. I’m thinking I want to limit it to 10-12 folks.

    It’s free and will probably take two or three months to complete. If you join, your job will be to do the work. And there will be work. I’m thinking 10-15 hours of work per week. Please don’t ask to join if you don’t want to make this commitment. I only want folks who are serious and ready to give this a shot. In addition to the work, you’ll need to report your experience with the course as we go, sharing with me where you get stuck, what’s confusing, what’s helpful, what does and doesn’t advance your skill. In fact, if at some point the course just isn’t providing you any value, you are welcome to drop. That’s good feedback too.

    It’s going to be a blended format that includes self-paced work and some type of weekly online meeting. I will be guiding the class. At the very least, we’ll meet and chat at my site. I don’t know if we’ll do a live meeting or not. Still working that out.

    I struggled for many years, trying to figure this stuff out, then had a number of epiphanies during Orson Card’s boot camp and continued from there. Of course I still have lots to learn. But I want to share what I have.

    I love teaching and have been teaching in one form or another for the last 20 years. I’m currently an education program manager at a large software firm. What this is all means is that I’m trying to build a course that guides folks through a process that will help them learn to WRITE novels. Not just talk about them.

    So this is not a series of lectures with quizzes that test your ability to recall, although I will quiz you.

    It’s not a course with an end goal of teaching you what I’ve learned about the concepts and principles of plot, character, and setting, although you will need to learn that.

    This is about increasing your ability to get ideas, develop them, and then write.

    It’s about doing the work. It’s about production. It’s about finishing product. And having a good time doing it.

    If you already feel comfortable with your ability to finish novels, this is NOT the course for you.

    You can learn more about the course here by clicking The Path in the On Writing menu.

    Probably the only other thing you need to know is that the class is a PG-13’ish class. While the stories can deal with intense and adult themes, as the teacher, I’m not interested in working with stories with explicit or detailed sex or lots of language of the sort that would earn a movie rating more restrictive than PG-13.

    Remember, this is a pilot. Even though I’ve taught about writing for a number of years to various audiences, there might be some rough spots. We might find we need to change the work requirements or activities or any number of things.

    If you’re interested, click on the Contact link on the menu of my site, and shoot me an email.

    Edit 1/30/15: I’m getting a number of excellent questions about the time commitment and schedule. Let me answer them here.

    The gap I’m trying to fill

    First, you have to understand that I am not interested in talking about novels and writing novels. I’m interested in helping folks finish novels. That’s a big gap I see in most writing instruction. It’s the gap I had. There was nobody to help me move from the theory to the writing, and writing all the way to the end. So this isn’t a class about novels. It’s a class where I hope to help you learn a number of techniques for developing and finishing one. And to learn those techniques, you have to actually use them. Which means you have to develop and finish a novel 🙂

    So why 10 hours as a minimum?

    If you’re a slower writer, it’s going to take you around 50 hours to develop and write a novel of 25,000 words. That’s the size of one of Louis L’Amour’s smaller novels (which we call sometimes call “novellas” today). It’s the size of some smaller romances. A lot of indies are writing serials around this size. If you want to write a 50k book, it’s probably 100 hours, maybe more. A 75k novel? 150-200 hours. The development and first draft of a 100k novel? 200-300 hours.

    These are not exact times. Some writers are faster. But you get the picture. Writing a novel is a big project. And I’ve found that it’s just too hard to get any traction on less than 10 hours per week. When you spend much less time than that, you spend most of your time just trying to remember what the story is about. I’ve found it’s best to keep your writing engine hot, or at least warm.

    So will these 10 hours be in meetings?

    No. I don’t want to have a lot of meetings. That’s the beauty of online. We will have deadlines. But you should be able to complete you work during the times that suit you best.

    What’s the course schedule?

    I can’t give you an exact schedule. I haven’t timed everything. Figuring that out is part of what we’re doing in this course. But I do know what I want you to learn and how I hope to help you learn it. We’ll just have to see how far we get with each weekly 10-hour chunk.

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    Killer Story Workshop to be held at CONduit

    I will conduct The 3 Things You Must Learn to Write Killer Stories workshop at CONduit this year. It’s being held at the downtown Raddison hotel. Here’s my schedule.

    Friday, May 22nd

    • Culture-Building in F&SF:  3:00  PM  (with Lee Modesitt, Roger White, Dave Wolverton, Elisabeth Waters, & Brandon Sanderson)
    • The 3 Things You Must Learn to Write Killer Stories Workshop: 8:00 pm – 10:00 pm

    Saturday, May 23rd

    • Mike Oberg asks questions from the audience: 4:00 PM (with Dave Wolverton, James Dashner, & Larry Correia)
    • Reading of Servant of a Dark God: 6:00 PM
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  • Servant of a Dark God is a Whitney Award finalist

    Yea! Thanks to those of you who nominated. The judges have chosen Servant of a Dark God as a Whitney Award finalist. Of course, the four other books in the category are great. Here’s the list of finalists in my category:

  • Servant of a Dark God by John Brown
  • The Maze Runner by James Dashner
  • Wings by Aprilynne Pike
  • Warbreaker by Brandon Sanderson
  • I Am Not A Serial Killer by Dan Wells
  • Check out all finalists in all categories here. If you click on the Whitney Academy link on the top of that site, you’ll see all the folks who will be voting on the finalists.

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4 Comments

  1. I think that — in this age of ebooks — releasing a long story as shorter books makes a lot of sense. In fact, I think it could even be taken so far as to releasing portions of a story once a month (for, say $0.99/ea), and then when the entire story has been serialized that way, going back and releasing it as a book (or two or three), possibly with major changes and revisions. But that extreme may be difficult for a long story unless an author is extremely disciplined at outlining the entire story ahead of time. Or is okay with releasing a final book that is quite different than the serialized story.

    Regardless, I think your idea of releasing the rest of the story in shorter books is a good one.

  2. So, when can I give you money for this. I’ve been waiting a good long time for the second book in this series. I look forward to it. Keep up the good work. Also, bad penny was great.

  3. Ryan, if all goes well, you’ll be able to give me cash and enjoy the book this month 🙂

    I’ve had a number of unexpected delays after getting the rights back:

    – Learning how to get everything published in last quarter of 2013. It took waaaaay longer than I expected (2 months to figure it all out).

    – A life delay of a little over a month first quarter of 2014.

    – Plus I decided to rewrite act 3.

    There was just no way to plan for these things. Maybe I should give myself a 6 month pad on everything. Or maybe I stop sharing my internal targets and simply show progress until I reach the copy edit stage. And then firm up the date.

    However I do this going forward, progress is being made. I’m very close now.

  4. John,

    Thank you for the updates. It does help ease the angst of waiting for your next book in this series. I have been waiting since I picked up servant over three years ago. Keep up the amazimg work and keep the perserverance going. If the universe allows you to keep your current timeline, it would be an awesome birthday present for me.

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