Stephenie Meyer, Envy, & Zing

If were smart and didn’t compare myself to other writers, then I wouldn’t care that Meyer is a true overnight success, I wouldn’t be green with envy, I certainly wouldn’t be thinking that I should write YA romance.

His eyes were smoldering…

She couldn’t look away from his smoldering eyes…

His yellow smoldering eyes were upon her…

Alas, imperfect man that I am.

Time has written an interesting article about the Meyer phenom. Of the many fine tidbits, I wanted to highlight one comparing Meyer with Rowling.

But as artists, they couldn’t be more different. Rowling pieces her books together meticulously, detail by detail. Meyer floods the page like a severed artery. She never uses a sentence when she can use a whole paragraph. Her books are big (500-plus pages) but not dense–they have a pillowy quality distinctly reminiscent of Internet fan fiction. (Which she’ll readily grant: “I don’t think I’m a writer; I think I’m a storyteller,” Meyer says. “The words aren’t always perfect.”)

I’m not a writer, she says.

I’m a storyteller.

There are volumes in that one paragraph. Meyer knows exactly why the vast majority of us fiction readers read. And it ain’t for style.

Here’s an even more interesting video clip of Meyer talking about how she came up with her novel. Notice how this woman follows the zing. Notice how she makes time (novel completed in three months). And look at her success. A lesson to all of us wanting to tell great stories.

…His red eyes were smoldering, and her brown eyes were smoldering, and together they were all smoldering…

David Morrell Workshop, June 6, 2008, Boise

One of the things I love about writing is that there’s always something new to learn. There’s always new content and, therefore, lots of cool research, but there’s also a lot to learn about the craft. I have no illusion that because I now have a contract I’ve suddenly arrived as a master craftsman. This art is just too big.

So you can imagine my delight when I saw that David Morrell is going to be giving a day-long workshop in my own backyard (out West, 5-8 hours is still in your backyard). I’ve signed up for Morrell’s workshop on June 6, 2008.

He’s the guy who wrote Rambo and started Thrillers Inc. He was also a professor for many years.
More on the Conference
http://www.murderinthegrove.com/index.htm

More on Morrell.
http://www.shotsmag.co.uk/shots21/intvus_21/dmorrell1.html
http://www.davidmorrell.net/
http://www.writerswrite.com/journal/oct02/morrell.htm

This was interesting.

Ali: As a Professor of Literature at Iowa, what were your experiences in academia like? Did you tutor any students who became prominent in the fiction field?


David : I have a Ph.D. in American literature and taught academic courses: the American Novel of the 19th Century, the American Novel of the 20th Century, American Realism, Hemingway and Faulkner, Hawthorne and Melville, that sort of thing. The University of Iowa has the famous Writers Workshop, but I had nothing to do with it. In fact, they hated the sort of books I wrote and hated even more that I earned money as a novelist. That was the official line. But in secret, students snuck to my office and asked me technical questions about craft or asked me to read contracts they’d been offered (to see if the contracts were reasonable). Sometimes they showed me their manuscripts. The most productive association of that sort was with Jon Jackson who later published a series of police novels about Detroit. My most gifted student was T. C. Boyle. He writes humorous literary novels and short stories that critics love. His latest is DROP CITY. I taught him nothing about writing – he was a genius. But he did ask me to direct an individual reading course that he needed in order to graduate. We had a lot of interesting discussions, and I’m thrilled by his distinguished career.

Interestingly enough, T.C. Boyle was one of the writers that made life bearable for me while I was getting my BA in English. His novels, well, I never finished one of them. But his short work sings. Heck, his long work sings, but there’s not enough plot for my tastes.

Nethermore cover art reviews

A huge part of science fiction and fantasy is the art. I’m always amazed at how powerful a cover can be. In fact, I remember buying the Thomas Covenant series because of those covers. I hated the hero. He drove me nuts. But those covers (and the other cool things) made up for it. So when I saw Isaac Stewart’s cover reviews, I had one of those V-8 moments. Of course, there should be reviews of cover art. There must be. And these are the most insightful AND funny reviews of cover art I’ve ever seen.

Mongoose Robot Duo

I always thought mongooses (or is it mongeese?) were cool. I mean, they kill and eat snakes. What’s not to like about that? But it appears they’ve got more than one trick up their sleeves.

Mongoose-robot duo sniff out landmines on the cheap

Here’s more at NewScientist if you’ve got a sub.

TED

I LOVE TED.

No, I’m not coming out of any closet. I’m talking the annual Technology, Entertainment, Design (TED) forum. It started out (in 1984) as a conference bringing together people from those three worlds. Since then its scope has become ever broader.The annual conference now brings together the world’s most fascinating thinkers and doers, who are challenged to give the talk of their lives (in 18 minutes).

For example, here’s Richard Dawkins’ “Queerer than we can suppose: the strangeness of science.”

Or here’s Hans Rosling’s “Debunking third-world myths with the best stats you’ve ever seen” and his New insights on poverty and life around the world.

Or how about Howard Rheingold’s “Way-new collaboration”There is, if done well, very few things as stimulating as an excellent speech. Thank you TED for providing a way to revive this marvelous genre by sharing it on the internet.

Go to TED. But beware: you may end up unable to stop listening to one fascinating idea after another.