Meyer on the Brain

Watch an interesting Borders interview with Meyer about Host and Twilight. The thing I keep seeing in her interviews is that this woman follows her passion. She follows the story that wows her. It’s nice, of course, that millions of fans want to share that wow with her. But I don’t know that a writer can be successful doing anything else.

Here’s Orson Card’s blurb about Meyer in Time’s list of the 100 Most Influential People

Nobody was looking for Twilight. A Mormon housewife writes a young-adult novel about a love affair between a teenage girl and a vampire?

Is this Anne Rice lite? Not in the eyes of the teenagers—and their mothers—who have embraced the book.

But Stephenie Meyer’s Twilight does raise some questions, and I’ve asked them. “You really want your teenage daughter to live inside the story of a girl who lies to her parents, invites a boy to sleep in her bed and trusts him not to take advantage of her?”

These women look at me as if I’m insane. “But she can trust him. He really loves her. He’s…perfect.”

In an era when much of the romance genre has been given over to soft porn, and dark fantasy is peopled with one-dimensional characters bent on grim violence, many readers have become hungry for pure romantic fantasy—lots of sexual tension, but as decorous as Jane Austen.

Meyer, 34, did not calculatedly reach for that audience. Instead, she wrote the story she believed in and cared about. She writes with luminous clarity, never standing between the reader and the dream they share. She’s the real thing. Still, who’d have thought it? Today Mr. Darcy is a vampire.

Card is author of Ender’s Game, Empire and Women of Genesis

Iron Man, Military Insect Spies

Iron Man was wonderful, every bit of what the trailers promised–adventure, humor, and a huge dose of gosh-wow. Of course, the idea of military exoskeletons are not new. It’s been in science fiction for a long time. More recently, Dan Brown used the idea in his thriller Act of War. In fact, if you think about it, it becomes clear that airplanes, ships, and tanks are all exoskeletons. So this is all old hat. But when did we ever need a brand-spanking new idea to have a wonderful and new story? What’s important is what the do with the idea–the characters, problem, plot, and setting. And Iron Man does a wonderful job of imagining new twists on all these parts of story.

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In other news, it appears the future is not so far away. The military is going to be using robot bugs for recon.

British defence giant BAE Systems is creating a series of tiny electronic spiders, insects and snakes that could become the eyes and ears of soldiers on the battlefield, helping to save thousands of lives.

Prototypes could be on the front line by the end of the year, scuttling into potential danger areas such as booby-trapped buildings or enemy hideouts to relay images back to troops safely positioned nearby.

Soldiers will carry the robots into combat and use a small tracked vehicle to transport them closer to their targets.

Then they would swarm into the building and relay images back to the soldiers’ hand-held or wrist-mounted computers, warning them of any threats inside.

I’m all for saving lives and projecting power while we’re doing it. And robo spies are just cool. Except, of course, when they’re used against you…

Humm, zing!

Workshop: The 3 Things You Must Learn to Write Killer Stories

Where: Salt Lake City at CONduit 

Date: Saturday, May 24, 2008

Time: 2 PM – 4 PM

I had tons of great feedback from the last workshop. It seemed to be helpful to quite a few people. There are a number of other good workshops for writers going on before and after mine that you’ll want to look into as well.

For more information go to the CONduit website.

Trusting the writing process

I’ve experienced yet again the miracle of manure, of starting from scratch, and following the zing.

This last week I’ve been rewriting a beginning to a novel. It’s a bit tricky because I can’t just rewrite it without constraint. Such a rewrite would cause massive changes to everything else in the book. In fact, a complete, unfettered rewrite of a beginning might end up requiring a totally different book. But Tor bought the book in hand. Besides, I don’t have time for a total rewrite even if they did want one. So the new beginning had to fit into the rest of the current story.

At three different spots where this beginning needed significant changes I have had to write a pile of cow crap because it’s all I had in me at the time. I knew I couldn’t use those plops when I finished them. But there they were.

The problem was compounded by my reading the recent Time article about Stephenie Meyer and starting to listen to Empire by Card. I have a weakness for comparing myself to others, and this time the comparison yeilded some depressing results.

Then I asked myself what wasn’t working and how I might meet the goals of those scenes a bit better. I followed my heart. But in all three cases I had to stop trying to use the brilliant words I had written originally. Not the cow crap revision, but the original stuff.

I’m not talking about the general prescription that we writers need to “murder our darlings” because the darlings are usually bad writing. I find general prescriptions to be wrong much of the time and that one in particular to make no sense at all.

In this case one of the things I had to jettison was a beginning segment that had compelled 90% of the readers who glanced at it to read more. A beginning page that snagged agents and editors. A beginning page I still loved, even after reading it as many times as I had.

But it just wouldn’t fit, couldn’t fit with the new structure. When I tried to hang onto it, I wrote crap. Which was fine. There was some good stuff in the crap. But I eventually had to trust myself and come up with something else completely.

And while I don’t know if it’s going to suck readers in like the original, I think it’s pretty dang good. Back before Card’s boot camp I would have never made it to this point. I would have given up. But this is just the process for me now. It took some time to learn and trust it. But now I know that while sometimes I can write hot. There’s no reason to despair if I don’t. Sometimes it takes a few tries before I get to the good stuff.

As for Meyer and Card, well, it’s not my goal to be a one-trick pony, now, is it. 🙂