I was expecting 30 people to attend the 3 Things You Must Learn to Write Killer Stories workshop. I mean, heck, who wants to listen to me when you could, on the very day designated for it, be pitching woo? But  about 60 brave souls came out. So here’s the handout for all of you who didn’t get one.

Killer Story Workshop Notes

Had a wonderful time at LTUE. I simply love Utah Valley–it’s full of so very many good memories for me. And this will simply add to that.

Capture the zing!

This is the first “mystery.” It is the grand unifying theory that unlocks everything that follows.

The key to this mystery can be discovered in the answer to this question: which of the two pictures below most accurately defines lipstick?

Picture A

Picture B

Learn more in the writer’s section (okay, so the page is there, but where in the fricken ricken frack can you find it? I’m still learning this dang WordPress thing, so just go here)

If you want to learn how to write stories that move and entertain, you will do whatever it takes–crawl across broken glass, mortgage your dog, eat brown bananas–to get into Card’s week-long, literary boot camp. 

This is the workshop that changed everything for me. And while Card will say it had nothing to do with him, he’s just trying to keep his head from bloating and making it so he can’t walk straight. I’ve spent almost the last 20 years in some form of teaching. Card’s workshop employs all the key principles that make it a killer environment for learning complex cognitive skills, i.e. writing fiction. And this  year it’s in San Diego.

Apply! Do not delay!