Sector Five Radio’s “Super Writers of the Universe” book signing

I’ll be signing September 25 with a whole bunch of other SFF authors. Come by and say hello.

Saturday, September 25, 11 am – 1 pm Book Signing West Jordan, UT Super Writers of the Universe and Friends from Sector Five Radio, AM 630 K-talk. 10 SFF authors, including me, Tracy Hickman, Dave Farland, Howard Tayler, Larry Correia, and Eric James Stone.

Barnes & Noble – Jordan Landing 

7157 Plaza Center Drive

West Jordan, UT 84084

801-282-1324

Saturday, September 25, 3 pm – 5 pm Book Signing Murray, UT Super Writers of the Universe and Friends Same 10 authors, but this time at Borders

Borders – Murray

132 East Winchester

Murray, UT 84107

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    Writing Update: 6/13/11 – reviewing the beginning

    I’ve finished chapter 17 of CURSE. I’m up to 50,000 words and have moved from the presentation phase into the struggle. And I’m stopping at this point to review the what I’ve got. I’ve learned that if the foundations of the story–the presentation phase–has fundamental flaws in it, you’re only going to create a HUGE rewrite mess if you push on.

    I know this from experience. When writing the first draft of CURSE back in 2009 (oh my heck, it feels like forever ago), I ignored my Spideysenses and told myself I could fix anything that was wrong in post production.  And it IS possible to fix many things afterwards–you can change scenes, improve clarity and transport, remove continuity errors, layer in character tags and things like that.

    And it IS true that sometimes you do just have to write to the end to figure out the story.  Sometimes you have to just write to the end, and do it in a substandard way, because if you don’t you’ll never finish anything. Sort of like sketching first and then painting. But if there’s something wrong with the basic premise of a story line, and you keep writing, then that story line affects everything it touches. The fractures ripple out all the way to the end of the book. And you might end up, like I did, having to toss a huge amount of what you’d written.

    Which is not all bad. I learned a lot and invented a lot of cool stuff while writing that. But when you’re on a deadline, it can be a killer.  And I’m not doing that this time. I worked out the big issues in my chapter outline.

    So I’m pulling back and reviewing. I’m delighted with everything but the villain. He’s still not right. I love his chapters, the scenes. I love the name I’ve given him–Endless. But the structure isn’t right. I’ve inadvertantly created two main villains. And that’s not useful. Having two “main” villains doesn’t double the power of the opposition. It splits it. The villain/henchman model works well. But I don’t have that either. Over the next few days I’ll be rectifying the setup. Then moving forward.

    For those of you who are writers, I thought you’d be interested to know that there were a few times these last two weeks when I dreaded the writing. I had a large problem before me or had to invent a new chapter (as opposed to using something from the previous draft), and a dread filled me. But I sketch/drafted my way to the end, and soon found the writing a joy again. 

    I can’t say enough about the sketch/draft method. I’ve found it works in creative activities OUTSIDE writing as well. When working up a lesson plan for my day job, designing landscaping for our house, developing a talking script for a sales call, writing a technical manual, or a hundred other things I’ve had to do–it’s always easier to work from something than create everything all from scratch.

    Sketching allows me to create that first draft. And it allows me to do this without having to worry about quality. Sketches can be silly. Weird. Full of crap. They can be all this because I can throw them away. They’re not meant to be permanent. And so there’s no pressure to perform. There’s no staring at a blank screen or page. Sketching is a free-wheeling joy. It fills me up with ideas. And then, when I’ve got the general idea of what I want to do, I can start in on the “real” draft knowing WHAT I want to accomplish which leaves me free to think about the HOW. And if I run into problems and realize the draft isn’t going to work, or I run into something better, I just call the current draft a sketch (or “take” as used in the movie business) and move on to the real one.

    Sometimes a chapter or section requires 1 sketch or take, sometimes I’ve run up into the 20’s. Sometimes I haven’t needed any at all. It’s not the number that’s important, it’s the process that has really freed me.

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  • Yea! SERVANT wins Whitney Award

    I’m totally blown away. No way. NO FREAKING WAY. No way.

    Servant of a Dark God just won the Whitney award for speculative fiction. Look who the others were in the category–three New York Times best sellers and a book that had something like 11 or 12 printings in Europe before coming to the US. Holy crap. I’m thrilled the academy voters liked it so much.  

    Servant of a Dark God
    by John Brown
    The Maze Runner
    by James Dashner
    Wings
    by Aprilynne Pike
    Warbreaker
    by Brandon Sanderson
    I Am Not A Serial Killer
    by Dan Wells

    When I informed the academy president, Robinson Wells, I couldn’t come, he asked if I had a speech should I win. There was no way I was winning. So I was like, yeah, whatever. So I wrote him this:

    Yeah, like that’s going to happen (grin). But should something go wrong with the chads, you can simply say that “John told me if he won, that would mean the events in Revelations were probably upon us, and he’d be headed to his father-in-law’s underground bunker with his wife who was the brains behind the whole operation. He’s thrilled so many of you liked his story enough to vote for it. Thank you, thank you, thank you. But he’s also sad that you’ll all be toast before Fox News airs at 9 PM.”

    Holy, heck. I’d better get to that bunker.

    Here are the other categories and winners:

    • Best Romance: Counting the Cost by Liz Adair 
    • Best Mystery/Suspense: Methods of Madness by Stephanie Black (absolutely love the cover)
    • Best Youth Fiction:  The Chosen One by Carol Lynch Williams
    • Best Speculative Fiction: Servant of a Dark God by John Brown
    • Best Historical: The Last Waltz by G.G. Vandagriff
    • Best General Fiction: Hotel on the Corner of Bitter and Sweet by Jamie Ford
    • Best Novel by a New Author: I Am Not A Serial Killer by Dan Wells and Gravity vs. The Girl by Riley Noehren (it was a tie, obviously)
    • Best Novel of the Year: In The Company of Angels by David Farland

    Of course, you had to have read all the books in a category to vote on them. You can see the finalists in each category here. So while Farland’s book didn’t win in his category (I”m assuming with the hard core historical fans), it did win with those who read every finalist.  Same with Dan Wells. So what this tells me is that depending on the cross-section of voters a lot of us could have been winners. I’m just happy I got the cross-section I did–ye speculative nut jobs 🙂 Hooray for the Whitneys!!

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  • Green light for CURSE

    I just got word from my editor, and we’ve finally been able to agree on the outline!

    Let us rejoice.

    It took far longer than I’d planned. But I’m happy to move forward. I’ll finish up a couple of things I’m working on right now with the thriller and then begin production next week. I’m estimating I’m going to have to write about 130k worth of new material, which is basically enough to fill a normal novel. If I’m diligent, I can average about 7,500 words a week. That’s not super fast, but I do have a day job. So my initial target for delivering it is September 1st.

    It then goes into the publisher machine. I’ll know in the fall what the release date will be.

    This will also give me some extra time to develop the premise of the thriller. I hoped to have a rough outline by this point, at the very least the story problem. But it’s not quite there yet. So this will give me a little more cooking time. I’m still hoping to finish BOTH before the end of the year. At least two novels a year. That’s the goal.

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  • Warwick Castle

    This last June, I stood outside Warwick Castle next to a longbowman and stared up at the massive structure. The curtain walls rose forty to fifty feet high. The great tower soared even higher—one hundred and twenty feet. But it wasn’t just the walls. 

    The moat. Holy schnitzel, folks, the MOAT. 

    On one side of the castle, the River Avon provided a barrier. On the other, a dry moat stretched forty to sixty feet wide and twenty to thirty feet deep. Standing at the bottom, you’d be staring up at seventy feet of turf and stone. That’s like staring up at a six-story building—with armed soldiers waiting at the top. 

    My only thought was: good night, what kind of madman would assault these defenses? 

    The answer, of course, is almost no one. Medieval sieges were usually about starving the defenders out, not storming the gates in a blaze of glory. Unless you had a trebuchet—which I also saw demonstrated that day. 

    It was the kind of moment that makes a writer’s brain spark. Assassin, the fourth book in my Drovers series, is set in the capital city of Broniss, which bristles with towers and walls of its own. Standing there at Warwick, I realized: no sane army would attack such walls directly. Which is why the High King of Osson has other dark plans. 

    Of course, Warwick had more than just military lessons. There was a falconry show where hawks, vultures, eagles, and even a condor soared just above our heads. Here’s a tip. If you go, sit on the benches, not under the tree. The benches are where you get the most flyovers.  

    There was a dungeon tour that turned into a hilarious series of skits, complete with a plague doctor and a judge who convicted one of us.  

    And afterward, we went into the city to a Thai place called The Giggling Squid (yes, that’s really its name). The food was amazing. 

    It was a glorious day, and it reminded me that some of the best research often comes from first-hand experience. Although some things—like being pierced through with a sword—I’m happy to leave to my imagination. 

    I’m back at the desk now, hard at work on Assassin. It’s turning into a terrific ride, and I can’t wait to share more soon. 

    Here’s to Ferran, Sura, and Lagash—will they foil the traitor’s plot and stop the hashida’s creature, or will Ferran and the others fail and find all their dreams dashed to pieces?  

    You’ll soon be able to find out.  

    Sincerely, 

    John 

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