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  • Resist the SERVANT marshmellow

    Folks, please resist the SERVANT marshmellow.

    Me and my big mouth. I unwisely let it slip in a comment thread that I had Servant up on Amazon (it’s up early because I need at least 24 hours to make sure my purchase gets the ratings going and to make sure everything looks right). And some of you have gone out to purchase it, for which I love you, BUT I should have made clear that we’re still in the proof check phase. That means we’re carefully going over the beta version of the trade paper book and catching the errors you only see when it’s in book form (next time I’ll do the trade paper first and then the ebook). You might not notice the things we’re catching and will be happy with the proof version. But I hate thinking you’re getting anything but the best.

    If you’ve already purchased and don’t care, fine. If you do, Amazon has a liberal return policy. For the rest of you: DON’T EAT THE MARSHMELLOW. Give us just a few days. Make sure you’ve signed up for the new book release notification on the left. I’ll let you know when everything is ready to go AND on sale 🙂

    Happy holidays!

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  • Amazon vs. Macmillan–hey, wait, you pulled my book!

    I loved Amazon since the first day we met. But Amazon just sucker punched me, pulling my book from its shelves last Friday. As well as those of thousands of other authors. Why, Santa, why?

    Cash, Johnny. Power. Is it ever about anything else?

    Well, sometimes it’s about cookies, Santa. But money and capitalism are good things.

    Yes, they are, Johnny. And fights are exciting, especially the ones where the one guy cleans the other’s clock, folding his nose over, and the blood spatters everywhere, and his eye swells up like some pig’s eye, and the teeth, the TEETH! It makes you want to pop an elf’s yammering happy singing head off with your thumb and forefinger, stomp his body into oblivion. Ah! Little shooting parties, elves lined up in a row, elf guts (pant) elf blood (pant) power (pant) BBQ roasted elf heads (pant) and Rocky theme music.

    Mommy, Santa looks weird.

    ***

    So, here’s the deal. Listed below are the “big six” publishers in North America, accounting for the lion’s share of sales and titles.

    • Hachette Book Group (owned by French company Hachette Livre)
    • HarperCollins
    • Macmillan
    • Penguin Group
    • Random House (subsidiary of media conglomerate, Bertelsmann)
    • Simon & Schuster

    Tor Books is an imprint of Macmillan. This means Macmillan is my daddy right now. We luvs Macmillan. Amazon, on the other hand, is a distributor. And we luvs them as well.

    But Amazon’s not just any distributor. Amazon wants to take over a bit more of the publishing supply chain in order to make more money. Macmillan said, “um, I don’t think so,” and the fight was on. Actually, I don’t think it was really so much of a fight as Amazon immediately going all North Korean Kim Jong-il on us. Despite what I think was poor strategy, it illustrates the real battle going on in the publishing world at the moment as the ebook and edistribution start to become a reality.

    Changing your business model to make more money is a very logical thing to do, and I have no problem with Amazon trying to do it. I’m not one of those Wal-Mart haters. I like cheap goods. And I like to see children in sweat shops. However, I do have some self-interest. And ultimately there are few situations where a monopoly is a good thing for the consumer.

    No, Amazon isn’t a monopoly now, but Hitler wasn’t always “Hitler” either. For his first 39 years he was Schicklgruber. But “Heil Schicklbruber” doesn’t induce people to rise up and slaughter nations. And so his Nazi PR sensibilities demanded he change it. No really, this is true. Anyway, this just proves that Amazon could start killing bunnies at any moment–don’t ever trust someone who names their company after a river. Or after Adolf Hitler, like if someone called themselves Hitler Lipstick or Hitler Toys.

    I’m not going to rehash the story on my blog because others have already done it so well. So read these.

    1. Scott Westerfield gives the full story and explains what happened.
    2. Charles Stross looks at why Amazon did this.
    3. Tobias Buckell delves into factors involved in pricing a book.
    4. John Scalzi explains why he thinks Amazon lost this round.

    What does this mean for you, dear reader? Well, for the interim, it means you’ll find new copies of SERVANT the cheapest at the select Smiths’ grocery stores out West that carry it. Furthermore, Barnes & Noble has always been an excellent book seller Let me recommend any internet purchasers use their site until Amazon decides to stop bullying publishers and authors.

    Beyond that, I don’t know, we’re only in round one. As for me, I tend to think the publishers have a more viable option with this agency model. But I’ll need to think on it more. In the meantime, enjoy the blood and bashing and the little authors screaming as they flee the building with their clothes on fire.

    Hey, wait, MY back IS ON FIRE!!! AAaaaaaahhhh!

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  • Brown & Correia Now in Fresh Market and Maceys Grocery Stores

    SERVANT OF A DARK GOD, written by the Lizard King of the Hollow Earth, and MONSTER HUNTER VENDETTA, by Gun Happy Larry Correia, have been picked up by the vendors that stock the book shelves in the Fresh Market and Maceys grocery stores in Utah. The dynamic duo rocks! So all of you wanting to give books for Christmas, pick some up when you go get your peanut butter and bread. This is excellent news for both books.

      

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  • |

    Become A Story Idea Machine

    Now’s your chance

    Apply to take the next Novel Writers Academy course: How to Create Story Ideas That Beg To Be Written.

    • Six-weeks
    • Starts: Jan 2, 2022
    • Ends: Feb 21, 2022
    • Gobs of hands on practice
    • One-on-one guidance from me

    At the end of the six weeks you will be a story idea machine.

    I will be working with only a small set of people. And so you need to apply to get in.

    The deadline for applications is midnight, December 11th. So contact me now to get the application instructions.


    A cracking good story idea requires five critical elements.

    Until you have all five, you’ll struggle to plot. You’ll write a few scenes and run out of gas. You’ll feel like the story just isn’t going anywhere.

    And that’s because it isn’t. It can’t. A story isn’t a story without all five elements.

    However, once you develop these five things, your story will suddenly roar to life. There are a few other elements that are important as well, but these five things form the core of the story setup. 

    In this course you’re not going to merely learn about all of those story elements. You’re going to go deep and learn what can only be learned by actually doing the work and developing story idea after story idea with personal one-on-one feedback from someone who knows what they’re doing.   

    When you finish, you won’t just know story theory. You will be a story idea machine. And you will be that because you have put in the work. The right work.  

    Again, this is not a course full of lectures and videos. This is a course where you’re going to work. And develop the insights and skills that only come from doing the work.

    You’re actually going to:

    • Come up with story setup after story setup after story setup
    • And improve them with one-on-one feedback. 

    It’s going to:

    • Eliminate years of you wandering about in the story wilderness trying to figure things out on your own. 
    • Put you miles ahead of other writers who have no idea what’s really at the core of story. 

    You are going to learn how to develop killer story ideas on purpose instead of on accident. Which means you’ll be able to do again and again. Reliably. Like clockwork. 

    Course details

    The focus of the class is not on learning about story, although you will do that. The majority of your time will be spent on developing stories. 

    You can’t become a carpenter by watching videos and reading books about it.

    You have to get out on the work site, cut wood, and pound nails. You have to make the mistakes all beginning carpenters make, get feedback, and improve.

    The same goes for writing.

    And you’re going to work in this class. You develop 21 story setups. In fact, you develop more because the 21 are just the ones you turn into me. And with each one your skills, insights, and abilities grow.  

    In the beginning, your setups will be bare bones. By the end, they’ll be fully developed setups that beg to be written. Setups you can use to immediately write the first draft  of your novel, whether that’s in outline or chapter form. 

    Here’s what you do each week. 

    Week 1.

    • Uncover the secrets of what’s really at the heart of story and how to generate ideas. 
    • Define your genre requirements
    • Create story setups 1-3

    Week 2.

    • Uncover the secrets to compelling characters 
    • Create character sketches
    • Create story setups 4-7 

    Week 3.

    • Uncover the secrets to formidable obstacles
    • Create story setups 8-11 

    Week 4.

    • Uncover the secrets to interesting casts
    • Create story setups 12-15

    Week 5.

    • Uncover the secrets to managing multiple storylines and series
    • Create story setups 16-19 

    Week 6.

    • Create story setups 20-21. These are your capstone projects where you apply everything you’ve learned and take it to the next level

    In this class you develop story idea after story idea after story idea. You are going to be marinated in the work of developing characters, THOMs, goals, obstacles, settings, casts, and more. And because of that, each week will not only bring an explosion of insights, but new skills and abilities.

    Every week you get two private, one-on-one, live sessions with me where you get encouragement and feedback on what you’ve developed. And you’ll have access to a private Facebook group where you can apply the principles to brainstorm even MORE ideas for each other’s stories. 

    At first you might feel a bit shy and worried about your ideas and abilities. But you’ll soon get over that. By the end of the course you’ll be one of those people that can generate terrific ideas easily. And you’ll be able to do that because you will have put in the work to become a different writer.  

    What’s the price?

    Hours of one-on-one instruction from a professional editor or author costs thousands of dollars. An MFA program can cost $25,000 to $30,000 or more!

    But this course won’t cost anywhere close to that.

    Plus you’re going to learn things here you’ll never get in an MFA program (I know. I was accepted into a top-ranked program).

    The cost of this course is $799. And I personally guarantee your results. You’ll be totally oh-my-gosh-I’m-so-happy-I-took-that-class satisfied, or I’ll give you your money back. No questions asked.

    Now’s your chance to stop spinning your wheels. I can’t tell you how much I wish I’d had something like this when I’d started:

    • The secrets about the true core of story.
    • The secrets about how to come up with ideas. 
    • Actual work with personal one-on-one feedback. 
    • Laser focused on what actually matters, not a bunch of ridiculous writing rules. 

    When you finish, you will be a story idea machine. 

    You won’t know plotting. That’s a different course and set of skills. You won’t know how to write chapters. But you’ll know how to create the engine that powers all the rest of that. You’ll know how to create the core that makes awesome plots and chapters possible. 

    If you want to take this course, click the button below and contact me. I will tell you exactly how to apply.

    I’m not going to be able to accept everyone who wants to take the class. I have a very strict limit on the number of students I can work with. So you need to get your application in before the deadline of midnight, December 11th.

    Don’t wait!

    Contact me now to get application instructions.

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2 Comments

  1. Awesome! Congrats. One of these days, when I manage to make the time to really sit down and write like I want to, maybe I’ll get to that point.

Comments are closed.