Cranford, Balsamic Vinaigrette, Nebo Grotto Falls

ByJohn Brown

Cranford

For those of you who love stories like Pride and Prejudice, have I got a TV mini-series for you—the BBC’s five-part Cranford.

The series is set in the 1840’s in England in the fictional village in North West England and focuses primarily on a handful of the town’s single middle-class ladies who are forced to deal with lace-eating cats, marriage prospects, and prank valentines, as well as death, loss, and a changing culture. There are also two stories about the male inhabitants woven in as well—one about a new doctor and another about a young boy of the lower class who has a chance for something better.

I will confess that when I saw this arrive in the Netflix envelope, I wasn’t at all excited. The cover’s too cold–all blue with a bunch of sour-looking women. In fact, I decided not to watch it. But the laughter of my wife and daughters lured me back upstairs to the TV, where it took about seven seconds for me to revise my earlier decision. The characters are delightful. In fact, some of their lines are such a joy to listen to, we had to rewind many parts to watch them again and again.

The series is based on three novels by Elizabeth Gaskell, a British novelist, which were published between 1849 and 1858. The sets made us feel as if we where there. For example, one of the things I noticed was the lighting. Incandescent bulbs weren’t invented until the late 1800’s and took many more years to find their way into most houses. So the directors, instead of making it feel all Hollywood, seemed to rely heavily on the light at hand, as those inhabitants would have. When a scene was in a house, it felt as if they were only using the natural light coming in the windows or the candles being burned. Of course, this is just one of the many details that made this series an excellent period piece.  

The best news of all is that I just found out there’s more–a two-part special called Return to Cranford. I can’t wait until it comes in the mail. Don’t let the cover fool you. This is a wonderful mini-series. It has poignant and sad moments, but is also full of humor and wit.  And the ending is perfect.   

Kroger’s Balsamic Vinaigrette Dressing

I love balsamic vinegar and oil on bread. But I never think to make it. And I never thought of what else it might go with. That was until a relative left behind a bottle of Kroger brand Balsamic Vinaigrette Dressing.

I just happened have a homemade bagel handy, squirted out a bit onto a plate and dipped.  Lovely.  So then I tried it on salad and even splashed some on tomato or turkey sandwiches. It’s delicious. Only 80 calories for a whole tablespoon. In fact, it was so good we bought four more bottles because I don’t want to run out.

Kroger, of course, is a grocery conglomerate. In Utah, it owns the Smith’s, and that’s where you’ll find this delight.

Nebo Grotto Falls

The mountains and canyons of Utah are literally desert oases. That’s where our clear streams run, the forests grow, and the wildlife congregates. In the summer, the canyons are a refreshing source for cooling winds. All this meant that, as I grew up, “forest” and “refreshing” became intertwined in my mind. Only when we moved to Ohio did I learn that some forests can also be muggy and hot and not at all refreshing to a desert boy perishing in the humidity.

Because I love Utah’s canyons so much, we hike and walk them all throughout the summer.  We recently went down to enjoy the Stadium of Fire and the heat (yes, I love dry heat) in Provo. However, we didn’t just hang out in the city. We made time to hike a few trails in the surrounding canyons.

We love Rock Canyon (just above the Mormon temple in Provo), Hobble Creek Canyon (Springville), as well as Mapleton and Santaquin canyons.  However, there’s another special place that you’ll want to visit should you find yourself in the Provo area. It’s a short little hike just off of S Canyon Road (also known as Nebo Loop Road) which runs from Payson south through the Mt Nebo Wilderness area to Highway 132.

The trail head is just a few miles into the canyon south of Payson and is marked with a simple sign that says “Grotto.” There’s a little bit of parking on the side of the road. The hike is 0.6 miles along a wooded stream.  The grotto itself is more than worth it.  You can find directions here: http://www.utah.com/thingtodo27245.htm

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  • Interview with Author Leah Cypess

    ByJohn Brown

    Leah Cypess says, “After selling my first story (Temple of Stone) while in high school, I gave in to my mother’s importuning to be practical and majored in biology at Brooklyn College. I then went to Columbia Law School and practiced law for almost two years at Debevoise & Plimpton LLP, a large law firm in New York City. I kept writing and submitting in my spare time, and finally, a mere 15 years after my first short story acceptance, I sold my first novel, Mistwood, to Greenwillow Books (HarperCollins).”

    Leah lives in Brookline, Massachusetts (right outside of Boston) with her husband Aaron, a researcher and doctor at the Joslin Diabetes Center, and their two daughters. She majored in biology, minored in journalism, went to law school, worked as a lawyer, and has just started to learn about hawking and hunting. She’s published a number of short stories, which are all available for free on her website.

    I just had the opportunity to interview Leah about her writing process and books. Enjoy!

    *

    JB: MISTWOOD, published by HarperCollins in April, 2010, is your debut novel. But is it the first you’ve written?

    LC: Most definitely not. I wrote, revised, and submitted four manuscripts before Mistwood. (Technically, five; but I don’t count the first one, because it wasn’t very good, and I didn’t know what I was doing with the submissions process either. I was fifteen years old.)  In fact, after getting the offer from HarperCollins, I acquired an agent, who asked me to send him a list of my previous manuscripts and their submission histories.  The list was sixteen pages long.

    JB: Holy cow, five novels and 16 pages of submission history. That’s a lot of dedication. And faith in the face of rejection. I’m intrigued. How did the sale of this novel come about? Was it just another submission to yet another editor or did you have some connection? What was different with this book?

    LC: Both the faith and the sale were helped by the fact that I could see incremental improvements. My first novel received mostly form rejection letters, a couple of letters inviting me to submit further, and one revision request. My second received a lot of personal rejection letters, many more requests from various editors to submit future works, and one two-page revision request. The third made it to the acquisition committee at two houses. So I could tell I was getting closer, though it was still pretty dispiriting to think I might never make that final leap into publication. (After Novel #3 was turned down by both acquisition committees, even though it was being championed by senior editors in both cases, I had a couple of bad days.)

     In the end, I think what was different about Mistwood was mostly luck.

    It wasn’t my most perfect manuscript – there was a lot of revising to do after it was accepted! – but it was the one that resonated with the right editor at the right time. This was an editor who had asked me to submit future books after rejecting the query for Book #3, then requested Book #4 and written me a detailed and regretful email about why she didn’t feel it was right for her. By the time I sent her the query for Mistwood, she was obviously confident enough in my abilities to request that I email her the full manuscript, and to read it right away. After all those years, the acceptance for Mistwood came just a few months after I started submitting it.

    JB: I’m betting your persistence and work made some of that luck. Work seems to be a little bit of magic all by itself and has been used by a lot of other authors I know. Hum (grin). So let’s talk about the book. You should know you made The Top 200 YA Authors list I just published on my site. It ranks YA authors by average number of readers per book. And while the list can’t purport to be anything but a reflection of the tastes of the area’s library patrons, I think it’s probably representative of what’s going on in my region. So congrats! The book starts right off with a bang. It’s about a shape shifter. I know shape shifters have been around forever, but most fantasy these days seems to be about vampires and werewolves. Tell us a little bit about the core idea of the novel and its genesis.

    LC:  That’s awesome that I’m on the Top 200 YA Authors list – thanks for letting me know!

    I’ve been reading fantasy/science-fiction “forever” (I cut my teeth on the Edgar Rice Burroughs books my father had stored in our garage), so shapeshifters are just as familiar to me as vampires and werewolves.

    The core idea of the novel is that of an inhuman creature grappling with the fact that she seems to be turning human — while trying to figure out why, exactly, this has happened to her, and who and what she truly is. (And, of course, fending off assassins and dealing with palace intrigue.) That idea developed over the course of writing the novel – I started out with a scene of men riding into a misty forest in search of the magical creature who lived there, with no clear idea of what that creature was or why they wanted her. Then I kind of made the rest up as I went along. (This writing process is one of the reasons the novel was revised nine times before being published!)

    JB: I really liked the beginning. No wonder you felt compelled to follow the idea. And nine revisions! It sounds like you use drafts, as opposed to outlines or other tools, to help you discover your stories. Were these big revisions, almost complete rewrites?

    LC: Thanks! I’m glad you liked it

    I usually don’t rewrite scenes completely – most of my editing of already-written material consists more of snipping unnecessary parts and adding little bits and pieces. (Especially of description, which I tend to leave out entirely in the first draft.) But I do a lot of moving scenes around, deleting some scenes, and writing some new ones.

    Though I don’t use an outline when I first write, I usually create one during the revision process so I can keep track of the jigsaw-puzzle my manuscript has become.

    JB: That’s interesting. Well, I have just one more question for you. Tell us what’s coming next.

    LC: What’s next is NIGHTSPELL, a stand-alone companion novel to MISTWOOD, which will be published in May 2011. It’s about a country where an ancient spell allows murder victims to return as ghosts to seek vengeance on their killers… and if they don’t manage that, they remain ghosts forever. After a couple of hundreds of years of this, the kingdom – Ghostland – has evolved into a place where the living and the dead co-exist, albeit uneasily. My main character, Darri, is a foreigner to Ghostland; she is a barbarian princess who abhors the idea of ghosts and is only there to rescue her younger sister Callie, who was sent as a hostage four years ago. But Callie has changed in those four years, and now has secrets of her own.  In her quest to save her sister from herself, Darri will ultimately face a decision that will force her to reexamine beliefs she has never before questioned – and lead her into the heart of a conspiracy that threatens the balance of power between the living and the dead.

    JB: Oh my bleeping heck. That just gave me a case of massive author envy. I was thinking about writing a ghost story just yesterday and thought, “naw, ghosts are all played out.” Curse you, Cypess!

    Sheesh, talk about a parting shot. Well, I would ask about the next book, seeing NIGHTSPELL must be ready to go if it’s coming out in May, but I can only stand so much punishment. The good news, if I put my reader hat on, is that it looks like I get to put a tickler in my Outlook for this May. In the meantime, I going to suggest to my readers to give MISTWOOD a go. Thanks, Leah, for your time. I enjoyed the interview.

    LC: Thanks, John!

    *

    John sez: folks, I think I’m going to make interviews a regular feature. I just loved finding out more about Leah. It’s also interesting to see just how much work she’s put into this. I know that a good number of authors sell their first or second novel (see the Hines stats in the on writing section), but for a good number of others it’s later novels that sell. In either case, I think it’s clear that good old fashioned work makes up a big part of the secret sauce.

    Ah, that was fun. But, dang it, I should have asked her about her lawyer and biology background. Next time.

    LINKS

    Leah Cypess’s website

    The first three chapters of Mistwood

    Praise for Mistwood

    Codex Author Blog Tour 2011

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  • The Road by Cormac McCarthy

    ByJohn Brown

    If I’d known Cormac McCarthy’s The Road had won a Pulitzer Prize in 2007, I might not have picked it up. So many books that have won the award just bore my underpowered literary sensibilities to death. Luckily, I’d listened to McCarthy’s All The Pretty Horses a few years ago and enjoyed it. So when I saw the audio book, performed by Tom Stechschulte, in the library I checked it out. I’m so glad I did.

    The story is set in the Eastern US (although you don’t learn that into well into the book, and then only by one reference to them traveling through “the Piedmont”) years after a holocaust (meteor, nuclear, a caldera–it’s not ever really confirmed) and the resulting choas that turns America in a bleak place of ash and death. A father and son travel a mostly deserted road south to warmer weather, pushing a grocery cart with their few belongings. The father’s sick; he might be dying. And if he dies, we know the boy will die too because there’s nothing to eat but tins of what they can scavenge from houses that were ransacked and abandoned years before. And because others who survived have turned to hunting and eating people.

    This is an incredible story about the relationship between this father and son and the dangers they face. McCarthy tells the story in plain detail. In fact, his understatement and attention to detail in this terrible landscape make it all the more powerful. Stechschulte’s reading is perfect.

    The film is due out in 2009 and features Viggo Mortensen. But I wouldn’t wait for the movie if I were you. I’d get the book now. Or the recording. I couldn’t put this tale down. I’m betting you won’t be able to either.

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    Writing Update: Curse, trebuchets, CONduit, book industry, & Robinson Wells

    ByJohn Brown

    As of 5 PM this last Saturday I have finished 15,000 words of the climax of Curse of a Dark God. I think I have another 10,000 to go and the book will be done. I’m so close to the end of this draft! So don’t let the progress bars fool you. The ending is coming together fabulously–lots of spectacle, big reveals, and major heroics. At least, I think so.

    While working on this, I had to spend a number of hours finding out how strong a wind must be to pick up humans and stones. I also needed to know the destructive forces of various classes of tornados and hurricanes. Why would I need to know such things? I write fantasy, for Leroy’s sake!

    (Yes, that’s good English; I’m a writer, and one of my prerogatives is to make up silly versions of common expletives using the names of friends and enemies.)

    Here’s why: I just can’t write if I don’t believe in what I’m writing. And when I’ve got monsters (skir) that can generate winds that will be used in a siege, well, I had to know the terminal velocities of what these creatures could throw, and what that might mean for fortress defense. I had to know the limitations and ramifications.

    I won’t rehearse all the fascinating details (and it WAS fascinating), but all that research did lead me to a wonderful documentary. It’s called Secrets of Lost Empires 2: Medieval Siege and was produced by Nova in 2000. You can get it on Netflix or Amazon.  In the film, fifty carpenters worked day and night to create and test what they dubbed “the fourteenth century version of the atom bomb”–the trebuchet (tre-byou-SHAY). The trebuchet as the most popular throwing machine in Europe during the middle ages. If you love the history of medieval war, you’ll love this film. You might want to add to it a reading of the excellent Ancient and Medieval Siege Weapons by Konstantin Nossov, which you can get via the inter-library loan program.

    I’ll share two cool factoids for you history fans. “Catapult” means “shield-breaker,” “cata” meaning break or penetrate and “pelta” being the name of the shield used by the Greek light infantry. The original catapults were NOT big spoons–they sped arrows and balls along a track like a crossbow. However, instead of using the spring force of a bow, they used torsion-springs, which is what you get when you twist fibers that want to be straight. In the case of catapults the fibers were ropes made out of animal sinews or hair (horse or human, a woman’s hair being considered the best) and soaked in oil. Click on the image to see a larger picture. 

    A modern example of a torsion-spring are those balsa wood airplanes with propellers attached to a rubber band that’s hooked to the belly of the plane. To fly them, you rotate the propeller round and round, twisting the rubber band. Then you let the propeller go. Because the rubber wants to be straight, it reverses the twist, spinning the propeller the opposite way you twisted it. 

    You might think these torsion-spring engines were weak. But one catapult was reported as being powerful enough that an arrow shot from it broke through a shield, and the armored warrior standing behind it, at a distance of 400 yards! Hence, the name.

    The other factoid is that “trebuchet” comes from the French term meaning to overthrow. If you saw Return of the King, you’ll recognize them as the engines used on the towers of Minas Tirith. Trebuchets are simply an evolution of the staff sling. When it came to breaking castle walls, there was nothing more effective until the cannon appeared. Of course, in my book I use them a bit differently. You’ll see.

    One funny thing. I watched the movie with my oldest who was just as fascinated with the engines as I was. When she was telling my wife about the film, she kept referring to trech-uh-butts. Which, I guess, is as fair an attempt at “trebuchet” as any. However, my wife kept picturing buttocks and couldn’t figure out what the heck my daughter was talking about–“You were watching what with your father?!”

    The French make things so hard . . .

    ***

    The Monday after CONduit I left for work in Mexico and then Vegas. I didn’t get back until this week. So I just wanted to say I had a great time at the con. Loved chatting with all the folks there.

    It was great to see the Larry Correia, Paul Genesse, Jessica Day George, Isaac Stewart (and his brother Dan), Mette Harrison, Eric James Stone, Darren Egget, Julie Frost, Sandra Tayler, LE Modesitt, Josh Perkey, Nicole (whose husband is an Orem cop and I lost his number), Daniel Who-I-Sacrificed-to-My-Editor, and the Dungeon Crawlers Radio guys.

    It was also nice to speak with Julie Wright who was one of the initial judges for the Whitney Awards. She’s always nice to chat with, but this time it was especially nice since she said reading Servant of a Dark God was like eating chocolate. I’ll take chocolate praise any day.

    I also met new author Janci Patterson who just sold a YA with a great premise. It’s called SKIP and is about a young girl whose parents are divorced. The girl has to go stay with her dad who lives in a trailer and is a bounty hunter. I’m a sucker for bounty hunter stories. Especially this one, because she goes out with him and falls in love with one of the guys her dad has to haul in. I’ve slaughtered the pitch, but I got that good old writer’s envy when she told me about it. Can’t wait to read it.

    I also got to see Barbara Hambly. I was at LTUE when she was there like 20 years ago. We loved her stuff. She suddenly dropped out of the writing scene in the early 90’s and now I know why–it appears Del Rey dropped all their midlist authors except for Anne McCaffery and someone else. Hambly was one of the causalities.

    ***

    After Hambly’s main address, I sat with a few authors and had a brief discussion about the book industry where it was suggested the industry was shrinking–fewer readers, fewer sales, doom, doom, doom. But that is exactly opposite all the data I’ve seen.

    1. Book sales have an annual average growth over the last seven years of 1.1%, adult paperbacks are growing 2.9% http://www.publishers.org/main/IndustryStats/indStats_02.htm or http://www.publishers.org/main/IndustryStats/documents/S12009Final.pdf . Now, this doesn’t show units sold. So it could be that they sold fewer units for more money per unit. Still, it shows at the very least that $$$ aren’t shrinking.
    2. The New Book Titles report here shows an increase in the number of titles: http://www.bowker.com/index.php/book-industry-statistics — 80% increase from 2002 to 2009.
    3. Reading rates are actually on the rise: http://johndbrown.com/2009/03/literary-reading-rates-on-the-rise/
    4. Finally, I contacted Bookscan for their numbers for an ALA conference I did last summer. This is just juvenile fiction, but the numbers are in units. Now, I don’t know if they added more sources to their database and so that caused a rise, but I explained to them what I was trying to do—see trends over time—and this is the data they provided. According to their numbers, more juvenile books are being sold now than in 2004. Click on the graphic below. This means we have more and more readers rising up through the ranks! One author asked how much of that was Rowling and Meyer. During that period books by those authors accounted for an average of 7-10% of all juvenile fiction. Bookscan categorizes “juvenile” as everything for kids. That means from Go, Dog Go up through what we consider Young Adult. R&M accounted for an average of 33-36% of what Bookscan categorizes as science fiction, fantasy, or magic within the juvenile mega-category. What all that means is the growth is across the whole category, not just with their books.

    So I’m very sanguine about the book industry’s prospects. Today’s youth seem to be able to play computer games AND read in great quantities.

    ***

    Finally, one last bit of news. Robinson Wells was the one of the main ones to start the Whitney Academy and the Whitney Awards. Well, he just got some fabulous news. Here’s the announcement from Publishers Marketplace: “Robison Wells’ YA debut dystopian thriller VARIANT, a modern-day LORD OF THE FLIES, set at a boarding school where not everything is as it seems and every day is a fight for survival, in a significant deal, in a three-book deal, to Erica Sussman at Harper Children’s.”

    For those of you who don’t know, here are the PM deal categories.

    • “nice deal” $1 – $49,000
    • “very nice deal” $50,000 – $99,000
    • “good deal” $100,000 – $250,000
    • “significant deal” $251,000 – $499,000
    • “major deal” $500,000 and up

    Oh, baby. Someday. Someday. Of course, I’m nothing but happy for Mr. Wells!

    Links

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  • Sticky Ideas, Cook’s Country Magazine

    ByJohn Brown

    They stole his kidney . . .

    A friend of a friend of mine is a frequent business traveler.  To keep his identity safe, I’ll call him Bill.  Bill was recently in Atlantic City for an important meeting with some new clients.  Afterward, he went to a local bar to kill some time before his flight and took a seat at a table. 

    He’d just finished one drink when an attractive woman approached and asked if she could buy him another.  He was surprised, but flattered (Bill isn’t exactly a Brad Pitt).  He accepted the drink.  The woman walked to the bar and brought back two more drinks—one for her and one for him.  He thanked her and took a sip. And that was the last thing he remembered . . . before he woke up, disoriented, lying in a hotel bathtub, his body submerged in ice.

    He looked around frantically, trying to figure out where he was and how he got there.  Then he spotted the note:

    DON’T MOVE. CALL 911.

    A cell phone rested on a small table beside the bathtub. He picked it up and called 911, his fingers numb and clumsy from the ice. The operator seemed oddly familiar with his situation. She said, “Sir, I want you to reach behind you, slowly and carefully. Is there a tube protruding from your lower back?”

    Anxious, he felt around behind him. Sure enough, there was a tube.

    The operator said, “Sir, don’t panic, but one of your kidneys has been harvested. There’s a ring of organ thieves operating in this city, and they got to you. Paramedics are on their way. Don’t move until they arrive.”

    Incredible, isn’t it?

    More importantly, do you think you could remember enough of that, without review, to tell it to someone tomorrow?

    My guess is that you could. And if you did, you’d be spreading one of the most successful urban legends of the past fifteen years.  

    But I didn’t tell you the story to focus on urban legends. There are a lot of stories people tell one another that don’t go viral.  What makes this one different?  In fact, what makes any idea stick effortlessly, like this one does, in someone’s brain?

    Are you a teacher? In school, at home, or at your business? Do you give presentations?  Do you ever need to advertise something—a product, service, or yourself? If so then you’ve had this question.

    Maybe you’ve uncovered some of the secrets. Maybe you haven’t.  But there’s no reason to despair: Chip and Dan Heath have written the book on it. It’s called Made to Stick: Why Some Ideas Survive and Others Die and is one of the most fascinating and practical reads I’ve come across in the last few years.

    The brothers Heath spent hundreds of hours researching sticky ideas: urban legends, advertising campaigns, wartime rumors, proverbs, conspiracy theories, jokes, some of the nation’s best teachers—you name it; if it was sticky, they looked at it. They asked questions like what makes some urban legends so compelling? Why do some chemistry lessons work better than others? Why do some political ideas circulate widely and others fall short? What they found was that sticky ideas exhibit six traits. And it was relatively easy for someone, once they understood those traits, to make almost any idea stickier.

    I can see the traits in some of the things that I’ve done that have been sticky. I can see other ways to improve. The cool thing is that I’m not going to be guessing as much. If you need to make your ideas stick, let me recommend you get this book.  If you want a preview, go to madetostick.com.

    Recipes that actually work?

    I was once induced, through insidious mind control, to purchase a cookbook that included all sorts of tempting dishes. I prepared a number of the recipes, and every one of them was a bust, especially the cinnamon flank steak with eggplant, which I think Nellie and I chewed for about six hours until our jaws dropped off.

    Not satisfied to learn my lesson once, I soon purchased another book on making bread the Old World way. Despite our best efforts and many valiant attempts, all we could produce were loaves that were so bitter and sour they could have been used at Guantanamo Bay to threaten captured Talibanists to talk.

    Let’s just say that after a few more of these, I finally beat back the mind control. I’ve been gun-shy of cookbooks ever since. We’ve been very selective over the years, and this has saved me some money. Unfortunately, I think all of those lessons learned are going to go out the window.

    I was recently watching the Create channel and saw an episode of Cook’s Country where they showed how to make coleslaw that wouldn’t get all watery and a grilled chicken with traditional Southern white BBQ sauce that had me slavering in my seat. During the show they talked about testing these recipes and their failures.

    I learned that the folks there had just finished an eleven-season series called America’s Test Kitchen (where was I all that time?). In the series, they tested hundreds of recipes five ways to Sunday to come up with ones that really worked.

    When the episode of Cook’s Country finished, the old cookbook mind control had risen to full force. This time, though, I was able to exercise some restraint. Instead of buying fifty cookbooks, I started a 14-day trial to Cook’s Country magazine, a thirty-four page, oversized, bi-monthly that’s full of recipes that have been tested. 

    One of the neat features is that they don’t simply present the recipes, they also include the stories behind the testing so a reader can learn from their failures and successes right along with them. In fact, the stories of the tests were so interesting I made Nellie sit down while I read them to her. The magazine also includes cooking tips and product ratings. In the issue I received, I learned, for example, which egg wash proved, through testing, the most successful on pies and which graham cracker tasted best in recipes. One of the best things about the magazine is that, unlike many magazines that have three sentences of content and forty pages of advertisements, Cook’s Country has zero advertisements. Zero! It’s nothing but cooking.

    We’ve tried five recipes so far. Three of them have been clear winners for all the tasters in this family. There other two were good, but not spectacularly so. Still, there weren’t any cinnamon flank steaks! 

    In the next set of reviews, I’ll share their potato salad recipe that had us all oohing and aahing. And maybe the chocolate éclair cake we adjusted to perfection. I’m going to continue the subscription and give their family cookbook a try.  I’ll report my results. In the meantime, I suggest you look at Cook’s Country magazine online at cookscountry.com or watch the show on Create.

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  • Tales From Earthsea

    ByJohn Brown

    Tales from Earthsea (The Earthsea Cycle, Book 5) 

    When I was in 7th grade I read Tolkien’s The Lord of the Rings trilogy. Of course, I wasn’t the sharpest literary tack back then, and so great sections of The Two Towers and The Return of the King went over my head and, therefore, bored me. But, with the help of the Hildenbrant calendars, enough came through to thrill. I wept at the events in the mines of Moria with Gandalf, geeked out over the elves, orcs, and Nazgul, was fascinated with the Ents and wizards, and generally wanted to stay in that world forever.

    When I finished the trilogy, I mourned–the dream was over. I read Smith of Wootton Major and Farmer Giles of Ham. Both were delightful, but neither was the same as LOTR. Then I saw The Silmarillion. It had a cool cover, a map.

    Oh, joy! I bought it and took it home.

    Alas, that book was about as much fun as reading a ten-pounder on the history of baroque cornices. I tried mightily to push through, but I don’t think I was able to finish more than 15 pages total from all the sections. So I mourned again, and then, still feeling the loss, went looking for something else that might whisk me away.

    One of those whisking stories was Ursula LeGuin’s A Wizard of Earthsea. Of course, the fact that there was a wizard in it was important, but as equally delightful to my then puny literary prowess, was that the story was a slim thing. As were its two companions The Tombs of Atuan and The Farthest Shore.

    Here’s the cover the drew me in so long ago.

    I relished all three and moved on to other stories.

    Time passed and I forgot about LeGuin. Almost 10 years later I was newly married. My wonderful new wife started reading to me as we’d drive. And on one of the three-hour drives to her parents, she pulled out this little book and began to read.

    It was A Wizard of Earthsea! And it was just as marvelous the second time with a bigger brain as it was the first time with a smaller one. In fact, Nellie’s reading to me was so enjoyable I slowed down to 40 mph so I could extend the 3-hour drive. Of course, she quickly caught on to my scheme, shut the book, and told me she wouldn’t read another word unless I drove 65 mph, at the very least.

    What can a guy do? I kept it at 65 (well, 60) and joyed in the wonderfulness of a new wife who would read aloud to me (you mean this model reads, too?!), the night and the stars spread above those lonely Utah and Wyoming roads, and the amazing story unfolding before me.

    And this is the cover of the one my wife read to me.

    We read all three to each other and moved onto other stories.

    More than 15 years passed and I’d mostly forgotten LeGuin (I really never could get into her Hainish stuff). I was in the library looking for some good audio. And there on the shelf stood Tales from Earthsea by Ursual LeGuin.

    Just a little slim container of cassettes. Why not? I thought.

    Holy heroes, Batman—it was gold. LeGuin’s a master of building that feel: the wonder of fantasy, the mystery of things long forgotten or rumored to exist, the pull of learning arcane powers. I loved every minute of it (well, except for the slogging first four pages of backstory, but get through that, which isn’t too bad with Karr’s reading, and you’re into the kingdom). The first story, “The Finder,” read by Amanda Karr was incredible. It takes us back to how Roke became was it was in the first trilogy. But the delights do not end there. Four more stories follow.

    I liked them all so much, I just checked the audiobook out again so I could listen a second time. And, it appears, LeGuin was busy in my absence because she has more Earthsea than this.

    • A Wizard of Earthsea, 1968
    • The Tombs of Atuan, 1971
    • The Farthest Shore, 1972 (Winner of the National Book Award)
    • Tehanu: The Last Book of Earthsea, 1990 (Winner of the Nebula Award)
    • Tales From Eathersea, 2001 (a collection of short stories)
    • The Other Wind, 2001

    I just got the last two from Amazon. I can’t wait to enter into LeGuin’s magic spell yet again.

    More cool Earthsea stuff.

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  • Good Stuff! The Addiction Recovery Program

    ByJohn Brown

    137-What-is-the-12-Step-Addiction-Program-L2-ldsPart of my research for Bad Penny led me to the Utah state prison. I was able to attend a session with five of the convicts. Let me tell you: walking through those high fences and electric doors and hearing them close behind you was something.

    The five men all had interesting and unfortunate tales to tell. But they were all hopeful. I was there with a couple of kids in a troubled youth program and their leader. And of course there were a couple of guards.

    We got to ask questions and chat. It was an upbeat session despite the topic. One thing I asked about was the food, and one fellow said that the worst thing was this “crack wheat” they served for breakfast.

    “Cracked wheat?” I asked with a smile. “That’s good old Mormon food.”

    He said, “It’s awful.”  We laughed.  There were many times we laughed.

    And there were a lot of things asked and shared. One of the key things that stood out to me was that all of them were there because of drug addictions. And as they shared their goals of staying clean, they revealed that this wasn’t their first time inside. For one it was his third, another his fifth, another his ninth.

    And it was with those comments I realized just what a hold addiction had on these guys.

    Fortunately, most folks with addictions don’t have to go to prison. But a lot fail to break out of them and miss many opportunities for joy, sometimes wrecking the ones they have. The 12-step program has one of the best success rates of any program.

    My church has meetings and programs all over the country. They’re free and open to anyone. If you or someone you know is struggling with an addiction to alcohol, drugs, tobacco, porn, or eating disorders, you might want to go here to see what to expect from a 12-step meeting and how to participate.

    Even with all the vicissitues, life is meant to be enjoyed.

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