Witchbreaker by Author James Maxey

I’m supposed to do this tag thing where one author tells about his or her latest project and then tags other authors to tell about theirs and so on and so on until we turn into some weird internet author borg and eat your brains out. 

Heck with that.

I want to simply share something cool with you instead. James Maxey (who tagged me in the borg fest) writes stories with lots of action, fun, and character that also make you think. They always start with a bang and never let up. For example, look at how GREATSHADOW, his last book, starts.

When Infidel grabbed me by the seat of my pants and charged toward the window, I didn’t protest. Partly this was due to the speed of her action, but mostly due to my inebriation from the sacramental wine we’d stolen.

If an opening like that isn’t going to make you want to read more, I don’t know what will. Especially when the wine was stolen from a lava-pygmy temple carved into the sheer cliff face of a volcano.  I’m not alone in my appreciation of Maxey’s writing. Orson Card wrote this glowing review of GREATSHADOW earlier this year.

Here is the opening to Maxey’s “To The East, A Bright Star” which was published in Asimov’s.  It has one of my favorite beginnings.

There was a shark in the kitchen. The shark wasn’t huge, maybe four feet long, gliding across the linoleum toward the refrigerator. Tony stood motionless in the knee-deep water of the dining room. The Wolfman said that the only sharks that came in this far were bull sharks, which were highly aggressive. Tony leaned forward cautiously and shut the door to the kitchen. He’d known the exact time and date of his death for most of his adult life. With only hours to go, he wasn’t about to let the shark do something ironic.  

Which brings us to the fact that Maxey has another book out called WITCHBREAKER. That’s such a cool title I wish I could off Maxey and steal it for myself. The book has, as you have seen to the right, a fabulous cover as well. About 5000% better than the horrid thing Solaris put on GREATSHADOW.

Maxey talks about what inspired WITCHBREAKER in this blog post, which I recommend you read in full. But just in case you’re a lazy son-of-a-gun like me, here’s the meat of the thing. WITCHBREAKER is about a woman named Sorrow. Says Maxey:

Her father was a judge who hung his own mother after she was accused of being a witch. Sorrow rebelled by becoming a witch herself, but her hatred isn’t directed directly at her father, it’s directed at the religious and political institutions that empowered him. So, Sorrow’s life mission is to overthrow that system. She’s one woman against the world, fighting to make it a better place even though everyone she meets keeps insisting that the world isn’t so bad. I’ve got a soft spot in my heart for characters locked into a lifelong battle against forces more powerful than they will ever be.

Blast that dang Maxey and his character genius. I’m not envious at all. No, sir. Which is why I suggest you give Maxey a go. Maybe you’ll appreciate him as much as thousands of other readers do. Read the first few pages of WITCHBREAKER here with Amazon’s look inside.

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    Click on the picture. Get a good look. I bought ye handy yellow flex sword. And I did verily slay the monster lurking in every drain in our  house.

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    Leah lives in Brookline, Massachusetts (right outside of Boston) with her husband Aaron, a researcher and doctor at the Joslin Diabetes Center, and their two daughters. She majored in biology, minored in journalism, went to law school, worked as a lawyer, and has just started to learn about hawking and hunting. She’s published a number of short stories, which are all available for free on her website.

    I just had the opportunity to interview Leah about her writing process and books. Enjoy!

    *

    JB: MISTWOOD, published by HarperCollins in April, 2010, is your debut novel. But is it the first you’ve written?

    LC: Most definitely not. I wrote, revised, and submitted four manuscripts before Mistwood. (Technically, five; but I don’t count the first one, because it wasn’t very good, and I didn’t know what I was doing with the submissions process either. I was fifteen years old.)  In fact, after getting the offer from HarperCollins, I acquired an agent, who asked me to send him a list of my previous manuscripts and their submission histories.  The list was sixteen pages long.

    JB: Holy cow, five novels and 16 pages of submission history. That’s a lot of dedication. And faith in the face of rejection. I’m intrigued. How did the sale of this novel come about? Was it just another submission to yet another editor or did you have some connection? What was different with this book?

    LC: Both the faith and the sale were helped by the fact that I could see incremental improvements. My first novel received mostly form rejection letters, a couple of letters inviting me to submit further, and one revision request. My second received a lot of personal rejection letters, many more requests from various editors to submit future works, and one two-page revision request. The third made it to the acquisition committee at two houses. So I could tell I was getting closer, though it was still pretty dispiriting to think I might never make that final leap into publication. (After Novel #3 was turned down by both acquisition committees, even though it was being championed by senior editors in both cases, I had a couple of bad days.)

     In the end, I think what was different about Mistwood was mostly luck.

    It wasn’t my most perfect manuscript – there was a lot of revising to do after it was accepted! – but it was the one that resonated with the right editor at the right time. This was an editor who had asked me to submit future books after rejecting the query for Book #3, then requested Book #4 and written me a detailed and regretful email about why she didn’t feel it was right for her. By the time I sent her the query for Mistwood, she was obviously confident enough in my abilities to request that I email her the full manuscript, and to read it right away. After all those years, the acceptance for Mistwood came just a few months after I started submitting it.

    JB: I’m betting your persistence and work made some of that luck. Work seems to be a little bit of magic all by itself and has been used by a lot of other authors I know. Hum (grin). So let’s talk about the book. You should know you made The Top 200 YA Authors list I just published on my site. It ranks YA authors by average number of readers per book. And while the list can’t purport to be anything but a reflection of the tastes of the area’s library patrons, I think it’s probably representative of what’s going on in my region. So congrats! The book starts right off with a bang. It’s about a shape shifter. I know shape shifters have been around forever, but most fantasy these days seems to be about vampires and werewolves. Tell us a little bit about the core idea of the novel and its genesis.

    LC:  That’s awesome that I’m on the Top 200 YA Authors list – thanks for letting me know!

    I’ve been reading fantasy/science-fiction “forever” (I cut my teeth on the Edgar Rice Burroughs books my father had stored in our garage), so shapeshifters are just as familiar to me as vampires and werewolves.

    The core idea of the novel is that of an inhuman creature grappling with the fact that she seems to be turning human — while trying to figure out why, exactly, this has happened to her, and who and what she truly is. (And, of course, fending off assassins and dealing with palace intrigue.) That idea developed over the course of writing the novel – I started out with a scene of men riding into a misty forest in search of the magical creature who lived there, with no clear idea of what that creature was or why they wanted her. Then I kind of made the rest up as I went along. (This writing process is one of the reasons the novel was revised nine times before being published!)

    JB: I really liked the beginning. No wonder you felt compelled to follow the idea. And nine revisions! It sounds like you use drafts, as opposed to outlines or other tools, to help you discover your stories. Were these big revisions, almost complete rewrites?

    LC: Thanks! I’m glad you liked it

    I usually don’t rewrite scenes completely – most of my editing of already-written material consists more of snipping unnecessary parts and adding little bits and pieces. (Especially of description, which I tend to leave out entirely in the first draft.) But I do a lot of moving scenes around, deleting some scenes, and writing some new ones.

    Though I don’t use an outline when I first write, I usually create one during the revision process so I can keep track of the jigsaw-puzzle my manuscript has become.

    JB: That’s interesting. Well, I have just one more question for you. Tell us what’s coming next.

    LC: What’s next is NIGHTSPELL, a stand-alone companion novel to MISTWOOD, which will be published in May 2011. It’s about a country where an ancient spell allows murder victims to return as ghosts to seek vengeance on their killers… and if they don’t manage that, they remain ghosts forever. After a couple of hundreds of years of this, the kingdom – Ghostland – has evolved into a place where the living and the dead co-exist, albeit uneasily. My main character, Darri, is a foreigner to Ghostland; she is a barbarian princess who abhors the idea of ghosts and is only there to rescue her younger sister Callie, who was sent as a hostage four years ago. But Callie has changed in those four years, and now has secrets of her own.  In her quest to save her sister from herself, Darri will ultimately face a decision that will force her to reexamine beliefs she has never before questioned – and lead her into the heart of a conspiracy that threatens the balance of power between the living and the dead.

    JB: Oh my bleeping heck. That just gave me a case of massive author envy. I was thinking about writing a ghost story just yesterday and thought, “naw, ghosts are all played out.” Curse you, Cypess!

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    LC: Thanks, John!

    *

    John sez: folks, I think I’m going to make interviews a regular feature. I just loved finding out more about Leah. It’s also interesting to see just how much work she’s put into this. I know that a good number of authors sell their first or second novel (see the Hines stats in the on writing section), but for a good number of others it’s later novels that sell. In either case, I think it’s clear that good old fashioned work makes up a big part of the secret sauce.

    Ah, that was fun. But, dang it, I should have asked her about her lawyer and biology background. Next time.

    LINKS

    Leah Cypess’s website

    The first three chapters of Mistwood

    Praise for Mistwood

    Codex Author Blog Tour 2011

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    Diagnosing Quantum of Solace

    ***SPOILERS***

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  • The Harry Potter Book of Mormon Hello

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    *

    As soon as I saw the preview for the Darkest Hour, I knew I had to see it. And, boy oh boy, this is yet another movie I can’t wait to watch again.

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    There’s humor, suspense, and a number of one-liners that we all began repeating to each other immediately after the film ended. You get a feel for what it must have been like at the time and why so many wanted to sue for some peace treaty with the monster across the channel. You also get to see a slightly different picture of Churchill as a man. I particularly loved the exchanges between him and his wife.

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    *

    I have now listed to the audio book of The Sea Wolves by Lars Brownworth twice.

    Yes, it’s that good.

    In this book, Brownworth tells the history of the Vikings. And he tells the history the way history should be told, bringing to life the old Norse world of epic poets, sea kings, and raiders, including Ivar the Boneless, Eric Bloodaxe, Harald Hardrada, Rollo the Walker—all the major figures.

    And Brownworth does it in a way that helps you understand how their dominance was possible and what their effect on the wider world was. Did you know, for example, that Russia comes from the word “Rus”, which was the name for the Swedish Vikings that started that nation?

    What? Russia was started by the Vikings?

    Yes.

    Read or listen to the book. You’ll learn that plus a whole bunch more that will make you look at that time in a different light.

    And if you want to get the other side of the tale, let me recommend reading Bernard Cornwell’s historical fiction series that starts with The Last Kingdom. The series tells the story of the invasion of the Danes during King Alfred’s rule from the point of view of Uhtred of Bebbanburg. It’s a terrific series.

    By the way, I do not recommend the TV series based on the books—too much sex for my tastes. But the books are fabulous. As are the audio versions. I’ve listened to six of them so far, and they have provided hours of enjoyment and interesting insights about the time and the events that took place.

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