News about the Dark God series is here . . . almost

I cannot share any details at the moment, but just know that news about the Dark God series is coming in a few weeks. This isn’t me saying “I hope to be able to share news.” This is me saying discussions have occured, decisions have been made, and it’s going to take a few weeks before it’s all finalized. 

I want all of you who have contacted me in various ways the last 2-3 years expressing your enjoyment of SERVANT and interest in CURSE to know that I appreciate your letters and tweets and emails and comments.  I will, at long last, be able to answer your questions. Stay tuned.

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    Your local zombie author appears on Writing Excuses, Plus the Writing Debrief explained

    After a cancerous death, I appeared on Writing Excuses this week to groan and hold forth with the guys on writing second novels and second books in a series.

    During the podcast I talked about my practice of debriefing after every writing project. A reader just asked what that was, and so I thought I’d explain it here.

    The debrief is a simple thing. I learned it back when I worked as a business consultant. It always provides great insights. Sometimes  it provides massive insights. The principle is to pull back and look at the big picture every once in a while. So here’s what I do. When I finish a project, I sit down and simply list out what I struggled with, what went well, and anything I learned. I list out things I’d do again that worked particularly well and things I’d do differently. This might be about craft or process. Sometimes I might take some time to reflect on the nature of story and read a favorite book about the craft or perform a story analysis on another movie or book. Then I write up my insights in a form that I can read later and know what the heck I’m talking about. This can take a few hours or a few days. This last debrief after draft 3 of CURSE coincided with my preparation for a day-long workshop I had agreed to give on story, and so the insights came thick and fast. I recommend the practice highly.

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  • This pass through CURSE is done!

    Oh, this feels soooooooo good. Here are the stats.

    • 58 chapters
    • 205,000 words
    • I received the green light midway through April. Finished 27 weeks later.
    • Looking at my time records, it took me a total of 345 hours to finish this draft.  And the lion’s share was new stuff.  This took less time than it normally does for me, but it’s the freaking forth time through and I know the world and characters.
    • I averaged about 13 hours per week. It still bothers me I couldn’t get that closer to 20 hours.
    • This translates to a rate of about 600 words per hour, and that’s with daily edits, thinking, backtracks.  I’m not going to win any speed contest, but at least I’m consistent.

    Of course, it took me an additional 105 hours of work to finally get an outline we could agree on. If I add that, it brings my stats down a bit. But, overall, I’m pleased. For those who want to read an excellent article on writing productivity, look at Kevin J. Anderson’s “The Mathematics of Productivity.”

    Now I need to take the next two weeks to cut about 10%. And fix the weather stripping on our French doors to keep the hordes of  #@!$%! spiders from coming in. Wish me luck.

    Note: it bugs me my bullets don’t show up. Some day I’m going to get someone to fix the stylesheet on this website.

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  • Servant cover art

    The cover illustration for SERVANT is finished!

    (and there was much rejoicing.)

    yea.

    Actually, there was DANCING. Because I think the final piece rocks. The artist is Victor Minguez. Here are two of his pieces that I really enjoy.

    The first is “Angel.” I love the bright contrast, the face, and the fact that there’s so much rich detail.

    The next is “Champagne Havoc.” Again, a wonderful face, but also an awesome idea (a robot carrying a woman in the palm of its hand), and then the lines and chopper give the whole piece a lot of energy.

    Click here to see other works in his portfolio.

    So we kicked the project off by me sharing the goals I had for the cover and tons of reference on everything from color scheme to character costume. I asked Victor to develop some concepts for an ensemble of Hunger, Sugar, and Talen as well as some for the cave scene towards the end of the book. He came back with these sketches.

    Servant Sketch 1 cave Servant Sketch 2 horse ensemble

    Servant Sketch 3 ensemble Servant Sketch 4 cave

    I liked the first because it would allow us to see the figure’s faces more clearly. And there was a lot of interesting detail with the cave. Look at the roots by the entrance. I also liked the structure. I liked the third because it included Hunger, and Victor was taking Hunger in a new direction. I also thought we could do some neat things with the energy of Sugar on the horse and that long sash. The fourth one, however, just felt right. It had so much potential energy. I was immediately drawn to the body language. And so this is the one we decided to develop.  Then one of my beta art viewers suggested moving closer and putting in more strong diagonals. It was a perfect idea. Victor agreed and came back with this.

     

    Servant WIP 1

    I liked the lines of her stance but wondered if she needed something stronger with her legs. Victor adjusted, but my idea just wasn’t an improvement.

    Servant WIP 2

    So we decided to stick with the previous version. However, this was all too dark. Way too much gray. When looking at things in thumbnail, the cover has to pop. I shared more reference images. And Victor went back and delivered this.

    Servant WIP 3

    Boom! That was exactly what I was looking for. Bright, dynamic. However, we needed a more neutral bit at the top for the title and author’s name. And the brightest spot had to be behind Sugar to draw the eye to her. Here was the next version.

    Servant WIP 4

    At this point I started to dance. This was IT! There was a lot going on here. We had the high contrast I wanted. We had the energy. The wind with the hair and leaves and sash and torch all add kinetic energy. As do all the diagonals. Notice as well the cave details–we have hints at previous habitation, runes, and some interesting contrast with the dark foreground. I had shared a number of N.C. Wyeth and Tim and Greg Hildebrandt pieces as reference, and I think this captured elements of those and gave them a new twist. Note as well the sharp projections on Sugar’s behind. Victor put them in there purely for aesthetic reasons. He had no idea what they were. I loved them. He loved them. They worked. We would just have to make them make sense.

    After a few more iterations, he delivered the final.

    Servant Final

    I think it’s gorgeous. And will advertise the book perfectly. In a few days I will reveal the final cover with title etc. Shortly after that, SERVANT will be available again to please English readers worldwide.

     

     

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  • Servant of a Dark God in Italian!

    For all you Italian speakers, SERVANT OF A DARK GOD was published in Italy by Gruppo Editoriale Armenia for the 2011 holiday season. Here’s the cover.

     

    Don’t mess with the man in black!

    If you speak Italian, here’s the publisher’s page for it: http://www.armenia.it/libri/984/Fantasy/I-classici-del-fantasy/Servo-di-un-Dio-oscuro.html

    Do you know how cool it is to think somebody in Italy is reading about Hunger and Sugar and the gang?

    Viva Italia!

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22 Comments

  1. Every time I finish a book my eyes start straying to my two copies of Servant of a Dark God. “Is it time to reread it yet?” I’m hoping soon I can say yes.

  2. I’m working my way through “A Song of Ice and Fire” and Bernard Cornwell’s “Grail Quest” series right now, but I’d put them both down to read Curse. I hope it’s good news!

  3. Well, you know it’s coming out. The question is how and when and will the goats be involved 🙂

  4. Hi. I hope this finds you well. I’m not sure if this is the right place to ask, but, is there an audiobook version of your novel? I’ve looked everywhere and cannot find one.

  5. Absolutely loved Servant! I really NEED the next book NOW! I’ll be checking here often for news on the release….Please make it soon. 🙂

  6. Hi John.

    I was wondering if there is going to be an audiobook version of your novel Servant of a Dark God?

    Cheers,

    David

  7. David, sorry about the slow response approving. There is nothing in the works right now for an audio version of SODG. But that is something I hope to have at some time in the future.

  8. I have been on Tor Books’ back about your much anticipated sequel! I get regular updates from them on my Facebook page, and when I do I automatically ask about “Curse”. All I can say is, I hope it is not too much longer, because I will keep after them until the announcement.
    Best wishes to you.

  9. I have been after Tor books about “Curse” since my last note, and today I received an e-mail message that they would not be publishing anymore books by John Brown! Is this true?
    You need to give your fans an update as of March 13, 2013, please!

    [EDIT: This was submitted 3/13/2013. I removed it because I was still in talks with Tor at the time. I’ve restored it now that the deal is done. Here’s to a dedicated reader! Thanks, Tim.]

  10. Wow, I was late to the party, looks like! I’m super excited to hear more about Curse, John!

    With your other novels, do you plan to shop them all through agents to publishers, or are you considering doing any self-publishing? Just curious, since it seems like things are really changing quickly in the publishing world these days.

  11. Bryce! Hope all is well back East. Nice to hear from you, bud. Was just thinking about you the other day and wondering what was up. My goal is to get product out the door and into the hands of readers. I don’t care what the method or distribution channel is. So self-publishing is a totally viable option for that now. In fact, I’m currently taking a class on cover design just for this purpose.

  12. Sounds awesome! I’ve been reading lately about “hybrid authors,” that have some titles published traditionally and some self-published, and how they seem to be the most successful type of self-published authors because they know the business and have that stamp of approval from a traditional publisher in the past, which makes people a little more likely to take a chance on their self-published work.

    Things back East are awesome. Nice people, good weather. It’s going to be hard to get me to leave if we decide to move back West in a few years.:)

  13. Very excited about the news… How much longer are you gonna keep us hanging on John?! 😉

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