Servant cover art

The cover illustration for SERVANT is finished!

(and there was much rejoicing.)

yea.

Actually, there was DANCING. Because I think the final piece rocks. The artist is Victor Minguez. Here are two of his pieces that I really enjoy.

The first is “Angel.” I love the bright contrast, the face, and the fact that there’s so much rich detail.

The next is “Champagne Havoc.” Again, a wonderful face, but also an awesome idea (a robot carrying a woman in the palm of its hand), and then the lines and chopper give the whole piece a lot of energy.

Click here to see other works in his portfolio.

So we kicked the project off by me sharing the goals I had for the cover and tons of reference on everything from color scheme to character costume. I asked Victor to develop some concepts for an ensemble of Hunger, Sugar, and Talen as well as some for the cave scene towards the end of the book. He came back with these sketches.

Servant Sketch 1 cave Servant Sketch 2 horse ensemble

Servant Sketch 3 ensemble Servant Sketch 4 cave

I liked the first because it would allow us to see the figure’s faces more clearly. And there was a lot of interesting detail with the cave. Look at the roots by the entrance. I also liked the structure. I liked the third because it included Hunger, and Victor was taking Hunger in a new direction. I also thought we could do some neat things with the energy of Sugar on the horse and that long sash. The fourth one, however, just felt right. It had so much potential energy. I was immediately drawn to the body language. And so this is the one we decided to develop.  Then one of my beta art viewers suggested moving closer and putting in more strong diagonals. It was a perfect idea. Victor agreed and came back with this.

 

Servant WIP 1

I liked the lines of her stance but wondered if she needed something stronger with her legs. Victor adjusted, but my idea just wasn’t an improvement.

Servant WIP 2

So we decided to stick with the previous version. However, this was all too dark. Way too much gray. When looking at things in thumbnail, the cover has to pop. I shared more reference images. And Victor went back and delivered this.

Servant WIP 3

Boom! That was exactly what I was looking for. Bright, dynamic. However, we needed a more neutral bit at the top for the title and author’s name. And the brightest spot had to be behind Sugar to draw the eye to her. Here was the next version.

Servant WIP 4

At this point I started to dance. This was IT! There was a lot going on here. We had the high contrast I wanted. We had the energy. The wind with the hair and leaves and sash and torch all add kinetic energy. As do all the diagonals. Notice as well the cave details–we have hints at previous habitation, runes, and some interesting contrast with the dark foreground. I had shared a number of N.C. Wyeth and Tim and Greg Hildebrandt pieces as reference, and I think this captured elements of those and gave them a new twist. Note as well the sharp projections on Sugar’s behind. Victor put them in there purely for aesthetic reasons. He had no idea what they were. I loved them. He loved them. They worked. We would just have to make them make sense.

After a few more iterations, he delivered the final.

Servant Final

I think it’s gorgeous. And will advertise the book perfectly. In a few days I will reveal the final cover with title etc. Shortly after that, SERVANT will be available again to please English readers worldwide.

 

 

Share

Similar Posts

  • Another positive review of Servant of a Dark God: Fantasy Debut

    Tia Nevitt writes the Fantasy Debut blog where she reviews “All Debut Fantasy . . . (almost) All the Time.” She’s posted a review of Servant of a Dark God that points out some interesting differences between this epic fantasy and others. She is also one for whom the family aspect of the story resonated. In fact, she’s the first that’s really highlighted it. She has an interview with me coming out later this week where I discuss that aspect of the novel. Finally, I really like how she captured one of the core issues of the story below. I wish she’d been there when I was sending my queries off to agents and editors 🙂

    Servant of a Dark God by John Brown is one of those novels that I pick up with some reluctance, not really thinking it’s for me, but then I end up enjoying it thoroughly.

    Mr. Brown has taken a very different approach with Servant of a Dark God. This is an epic fantasy that does not involve epic journeys, recent calamities or long-term character arcs. It does involve long-term lies; the kind of lies that are told over such a long period of time that they are thought of as truths. Full review of Servant of a Dark God. 

    Share
  • A true Christmas tale from me to you

    A true story. 

    There once was a spider who climbed into a lush, seven-foot fir tree somewhere in Oregon. This happened sometime in September or October. She wove a small, silken pad deep among the needles and laid hundreds of eggs upon it. Then she spun layer after layer of silk over them, sealing them in a warm, white chamber. Her life’s work. 

    Having fulfilled the measure of her creation, she went where all spiders go. But where is that? Are spiders elegant biological machines, or are they living souls? I don’t know. Perhaps at some future date we’ll be blessed to understand such things. 

    What we do know is this: as autumn cooled, the temperature dropped below fifty degrees, and her eggs slipped into dormancy. October passed into November. And sometime in the last days of November or early December, humans with chainsaws arrived for the final harvest. 

    The tree was cut, loaded onto a truck, bundled into a refrigerated trailer, and shipped hundreds of miles away to a Smith’s Marketplace in Logan, Utah. There is stood with a number of other trees in the area just outside the front doors in the snow and cold and fluorescent lights. How many days and nights it waited there, we don’t know. But one evening, a mother and father and their four girls arrived to find their Christmas tree. 

    They walked among the evergreens, feeling for soft needles, breathing in the deep, resinous smells. They found the tree. It was perfect. They paid for it, tied it to the top of their minivan, and drove home over the mountains to the south end of the lake. Then they set it up, the father complaining, as he always did, about the goofy screw-stabilizers, strung the lights, and hung ornaments from past Christmases. The little tree filled the room with warmth, scent, and memory. 

    On Christmas morning they came down to open presents. As the sun rose, the light through the front window illuminated the tree. And something was different. 

    The branches shimmered. 

    The girls peered closer to investigate.  

    And found thin silk filaments. Everywhere. And then, to their shock, they saw that the whole tree was alive, moving with hundreds of baby spiders. A small horde that had warmed over the days and hatched silently sometime in the deep night after Santa and Mrs. Claus had gone to bed. A small horde that had then gotten to work—tiny, mad elves weaving their own gossamer garlands through the branches. 

    When the girls realized what they were seeing, there were shrieks of horror. Then the father, not knowing what else to do, escorted the tree, its decorations, and mad elves outside into the cold. The father returned, closed the door, and the whole family stood there, looking at the tree out on the deck, a bit stunned.  

    All these years later, it’s one of our family’s warm and funny memories. But if you ponder it just a little longer, it’s also one that lingers. 

    Are spiders merely elegant machines? Or are they living souls? Do they have claim upon us? Should a swarm of locusts or an infestation of roaches be preserved? 

    I will leave such questions to you, Dear Reader. 

    In the meantime, I wish you the merriest of Christmases. Whatever you believe or don’t, may you receive a measure of divine light this season—and reflect it, to brighten the world, if even just a little, for creatures both great and small. 

    John 

    Share
  • Join John on K-TALK radio, AM 630 – This Saturday 9 PM MTN

    Sector 5 is a new radio program on K-TALK radio, AM 630. It’s hosted by Dickie Shannon, a long-time DJ, and is all about science fiction, fantasy, aliens, paranormal–the weird, fantastic, and inexplicable. Dickie says it’s Garrison Keillor meets Art Bell. We’re going to talk about my book, writing, and weird crap. He takes callers. So be ready to share your stories and enjoy the fun!

    • Saturday, April 17th, 9 – 10 PM Mountain
    • Sector 5 program
    • K-TALK radio
    • AM 630
    Share
  • Map for Servant of a Dark God by Isaac Stewart

    Check it out.  “The Clan Lands of Whitecliff” by Isaac Stewart. I think he’s done a great job.  Here’s the full PDF. BTW, this is not the map that will appear in the book. That one’s being done by another artist selected by Tor. This is one I commissioned when I got my book contract.

    sodg_map_old_v5_isaacstewart

    Share

6 Comments

  1. This is AMAZING!!!!!!!! Love the colors and the emotions on the character’s faces. It has such a sense of motion too. This is a great cover. I was skeptical you’d be able to get something better than the original cover, but I think you’ve done it.

  2. So glad to hear you like it, Jared. As you can tell, I’m very pleased with it as well. Looking forward to the cover for CURSE. Give us about 4 weeks.

  3. Best wishes on your efforts. Stunning. I agree, it is lovely and eye-catching! Good work John.

  4. Wow. I am impressed. I like the original cover art, but this is great. I do not know if many independent authors could pull this off as well as you have. This may kick off a trend among indie authors since yours turned out so well.

  5. Hunger would have been fabulous. But we must never say never. If we sell gobs of the books in this series, you can be sure I will commission extra color and black and white artwork to be included in the books.

Comments are closed.