CONduit report & some interesting numbers

CONduit is a conference for speculative fiction writers. This year’s conference was great. I was able to see and talk to a bunch of writer friends (Dave Wolverton, Dan Wells, Brandon Sanderson, Howard & Sandra Tayler, Eric James Stone, Ami Chopine, Darren Egget, Skipper Ritchotte, Mette Harrison), make some new ones (Lee Modesitt, James Dashner, Julie Wright, Aprilynne Pike, Larry Correia), plus chat with a multitude of others who are trying to break in. I also got to record with the Dragon Crawlers Radio guys. Nothing better than spending a weekend with a swarm of friendly and talented folks.

I’m amazed at the success some of these people are having:

  • Aprilynne Pike had an initial print run of 200,000 hardback copies and was #1 on the NY Times Best Seller list.
  • James Dashner is going to be one of the main events from Random House this fall. I’m expecting an equally large print of his Maze Runner.
  • Brandon Sanderson just signed a contract that was announced on Publisher’s Lunch for somewhere around 2.5 million for four books. Folks, this is amazingly large for our genre.

Of course, we already know Dave Wolverton and Lee Modesitt are some of the biggest sellers for Tor. Dan Wells is going to be big as well. And the Taylers have already got tens of thousands who read them regularly. They threw a great release party at this con.

Larry Correia has had some interesting success as well and came at it from a side alley. He self-published Monster Hunters International. He sold a few thousand copies (no mean feat, especially for a self-published book), with many of the readers coming from the armed forces in Afganistan and Iraq. The book was so good the owner of a large independent store in Minnesota, Uncle Hugo’s, called the editor of Baen Books up and told her that she was an idiot if she didn’t buy Larry’s book because he could sell the heck out of it. So she took a look, agreed, and Larry’s now under contract with a real publisher. It’s coming out in July.

In one conversation I learned the following about the Science Fiction & Fantasy genre.

  • 4,000 hardback copies for a title in a year is the rough break even point for Tor. You sell more than that, you’re okay. You sell less and Tor might have to drop you.
  • 10,000 hardback copies would be considered a very good seller.
  • 15,000 – 30,000 hardback copies and you are hitting the top of the midlist
  • Robert Jordan sold around 600,000 of each of his titles in hardback.
  • Depending on the time of year, 4,000 – 5,000 hardbacks sold in a week will put you in the top ten, even the top three, on the NY Times bestseller list.

As for me, I printed up some posters and book marks using Swanland’s art. The cover got a great reaction there. And that’s huge for me because, looking at that Gallup Poll blog I wrote, the cover is going to drive a lot of sales for a new author. I had a wonderful time giving my workshop. And I think I finally figured out which part of my novel I can use for readers. Oh, and if you get a chance to hear Eric James Stone read any of his short stories, take it. I’ve listened to him twice now and both have been well worth the 20 minutes.

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  • Free books and other swag at signing tomorrow!

    For all of you in the greater Salt Lake City area, we have three major publishing houses–Tor, Baen, and DAW–donating lots of free goodies for the signings. 40 free hardcovers, ARCs, and other promo stuff. Some of it you can’t get in stores. For example, you can get a free ARCs of Larry Correia’s VENDETTA while they last.

    Here are the folks that will be there along with my beautiful self.

    • Tracy Hickman (THE author who started the whole Dragonlance line with Margaret Weis)
    • David Farland (Runelords, Golden Queen, etc.)
    • Larry Correia (Monster Hunter)
    • Dan Willis (More Dragonlance novels)
    • Paul Genesse (The Dragon Hunters)
    • Jaleta Clegg (Nexus Point)
    • Plus short story authors Eric James Stone & Brad Torgeson

    Come to the one at Barnes & Noble from 11 am – 1 pm or the one at Borders from 3 pm – 5 pm. See my calendar for address and details.

    See you there!

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  • Awful Intent: copy edit finished

    I finished the updates for the copy edit today. Now it’s time to finish the cover, format the ebook and paperback, and then publish. I thought folks might be interested to see the blurbs I received for the book.

    “An engaging story about law and order in the west, complete with gun battles, aerial stunts and a hero just out for a hike.” ~ Police Sergeant Louise Speth

     

    “Grabs you by the throat until the thrilling ending. All too true of what can happen in rural law-enforcement.” ~ Deputy Sheriff Jared Johnson

     

    “WOW! Brown has outdone himself on this one. His books are always interesting and entertaining, but this one added a current twist to a captivating plot.” ~ Sheriff Gary Ogilvie, Ret.

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  • NEWS: Curse of a Dark God has a release date!

    Curse of a Dark God, book 2 of the Dark God series, can now be published!

    That’s the short version.

    Here’s the long version that will probably not be what you expect.  A little over nine months ago I initiated a contract termination with my publisher Tor Books.  A few days ago Tor reverted the rights. This means I have all the rights to all the books in the series back.

    But why would I initiate such a thing? Tor’s like THE publisher of science fiction and fantasy.

    There are a couple of factors, but I think the biggest issue is that we had differences in our vision for the story. This meant there were things I didn’t like about where the project was going and how it was progressing. It also meant there were things Tor didn’t like about the project and how it was progressing. This translated into some big delays. 

    We could have hung together–Tor never raised the idea of termination. But I saw no benefit in limping along. If things aren’t working, I tend to want them fixed. So after I raised the issue, all involved agreed that a termination of the agreement would be the best option.

    And although all of us were disappointed it didn’t work out, this was an amicable parting. Tor went to bat for me with Macmillan, their overlord, to get this thing done. And we ended up with, I feel, a fair agreement. Of course, my agent was a valuable resource every step of the way.

    I don’t look at these last years as a loss. The series was introduced to thousands of readers. And I learned a number of valuable things about the business and craft working on this project with the folks at Tor. We’re farther along now that we were, even if we didn’t take the rocket ship to the stars.

    Most importantly, the good news is that for those of you who have been waiting, I can now move forward! The series will be published by Blacksword Books, my own imprint. We’ll start with e-book and trade paperback formats. Both will be available online from Amazon, Barnes&Noble, and other retailers. Once that’s rolling, we’ll look to see if audio is feasible.

    I’m very excited about CURSE. My agent loved it. I loved it. My early readers have loved it. I think all of you who enjoyed SERVANT will enjoy this just as much if not more.

    Mokad is coming.  And bringing all its might to root out and obliterate the sleth in the New Lands.  And they’re not alone.  You’re going to meet a Guardian of awesome and cunning power who leads Mokad ‘s dreadmen army.  You’re going to meet the Dogmen of Toth.  And sleth who have rallied to Argoth’s call.  And a fearsome ally who lives in the Wilds.  All the main characters are back with Sugar and Talen learning new magic, facing new creatures, and discovering unsettling insights into what’s really going on.

    I love this book. I can’t wait to get it into your hands.

    But there’s a lot to do to get it out the door.

    I need to make some edits to SERVANT. There are a number of maddening typos that crept into the manuscript. I’ll also be changing the sequence of the first eight chapters back to my original sequence, starting with Sugar and Legs and then moving to Talen. I know some readers like the sequence my Tor editors requested that starts the book with Talen sitting around in his under pants, but I structured it for him to follow Sugar for specific reasons, and starting with Talen undermines a number of those things. Finally, because I don’t have a word limit, I’m going to be adding some clarity to the ending that wasn’t in the Tor version. I also need to make some revisions to the last draft of CURSE, which has been done for almost two years, and then put it through a rigorous copy edit. And then there’s cover design, interior formatting for the print versions, and the publishing part.

    So lots of work. But I think it’s going to be worth it. At the very least I will satisfy the young woman, soon to be a mother, dining at a pizza place I went to this last week who told me she loved SERVANT, thought it was awesome, and was angry at me because there’s no book two!

    I’ll post a schedule soon. My hope is to have both books up sometime in August.

    Oh, and when they do come out, please know that both the e-book and trade paper versions will be on sale for two weeks.  I’m going to put SERVANT on for a massive discount so those of you wanting the author’s cut can get it cheap. I don’t want you to have to buy the book twice at full price. And I’m going to put CURSE on sale as well because those of you who have stuck with me deserve a reward.  

    Then it’s on to DARK GOD’S GLORY which I’ve already completed the working outline for. There might be another book in the same world about a team of fell-maidens (the female version of dreadmen) given a difficult task. And then there’s a whole other series—different world, different awesome magic—waiting in the wings. The first one in that series is tentatively titled LORD OF BONES.

    Get zinged, Baby!  The Dark God is back in action.

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  • Believe In Me, Cyber War

    A Man and a Team of Girls

    Back in 1964, Jim Keith took a job at an Oklahoma high school to coach boy’s basketball.  But when he arrived, the administrators changed their minds and gave his job to someone else.  Keith’s contract didn’t specify which gender he’d coach, just that he’d coach.  So they switched him to the girls.  Keith was extremely disappointed.  Who wanted to coach girls when it was the boys who played real ball?  Especially when Keith was supposed to be head coach.  Keith tried to get the promised position back, except the girls he coached had other things in store for him.  Harold Keith, Jim’s brother, wrote a novel based on what happened.  That novel was made into a movie in 2006 called Believe In Me.  

    Now, we all know the plot line of sports movies: a losing underdog of a team rises up to win.  It’s predictable, right?  But we could say that of all crime shows as well—in this episode investigators discover a crime and figure out who did it!  Wow, what a shocker.  We could say it of all romantic comedies as well—in this movie a couple at odds gets together.  No way!  We could say it of lots of stories.  And yet we love these stories anyway.  Why?  

    Because the characters suck us in.  Because the story tellers do such a good job with the particular details we forget we’re watching a movie or reading a book.  We forget to think about the ending.  Furthermore, the stories are often about more than just winning games.  And so we worry about these people who have become real to us and focus on their immediate situation.  At least, that’s what happens when the story tellers do a good job.

    And Robert Collector, who both wrote and directed the film, did a great job with Believe In Me.  Now, I don’t know how accurate the film’s depiction of five-on-five play is; I believe the girl basketball teams of that era played six-on-six.  But that’s a niggling technical detail.  Besides, the movie isn’t about technique anyway.  It’s about a man and a group of country girls who have to face difficult obstacles, not so much on the court, but off it.  If you have girls or like sports at all, I think you’ll love this movie. 

    Cyber War

    I recently reviewed America The Vulnerable which explained how exposed we are as individuals, corporations, and a country to cyber crime, cyber espionage (both state and corporate), and cyber attacks.  Of all the cyber threats we face as individuals and a nation, the least likely is an all out cyber war.  But just because it’s less likely that doesn’t mean the threat isn’t real.  Especially since cyber warfare has been in use since the 1990’s.  We used cyber weapons openly in the gulf war in 2003, knocking out Iraqi air defenses.  Israel used them to own Syria’s air defenses when bombing their clandestine nuclear site in 2007.  Russia used them against Estonia in 2008 and Georgia in 2009 on a variety of targets, bringing many critical systems to a halt.  In 2010, somebody, most likely the US or Israel, developed the Stuxnet worm to sabotage the uranium enrichment facility at Natanz in Iran.  China has already conducted trial runs of cyber attacks on the US and has planted logic bombs and trap doors to activate in the future.

    In Cyber War, Richard Clarke shares his insights into what cyber war is, how cyber weapons work, and how vulnerable we are as a nation.  He discusses the cyber warriors (hackers) we now employ in the US military, and how a cyber war is like and unlike other wars.  In the second half of the book, he discusses the factors that have created our current vulnerability, how to set up a defense, and what we need to think about when conducting a cyber war. 

    And Clarke knows his stuff.  He worked for the State Department during the presidency of Ronald Reagan.  In 1992, President George H.W. Bush appointed him to chair the Counter-terrorism Security Group and to a seat on the United States National Security Council.  President Bill Clinton retained Clarke and in 1998 promoted him to be the national coordinator for security, infrastructure protection, and counterterrorism, the chief counterterrorism adviser on the National Security Council.  President George W. Bush kept him in the same position and later made him special adviser to the president on cyber security.    

    The thing I liked most about the book is that in addition to describing cool cyber war weapons, threats, and incidents, Clarke examines answers to many critical questions.  For example, how can we set up a defense without the government becoming a 1984 nightmare?  Would arms agreements work in cyber space?  (No.)  How do you prevent a cyber war from turning into a kinetic (guns and troops) war?  How do you attack your enemy when it’s sometimes hard to know who launched the attack in the first place?  He discusses these and many more questions.

    The book does have one fault.  Clarke has an obvious axe to grind with the Bush administration, and can’t help but make snide and irritating comments whenever he brings them up.  The good news is that those spots are few and far between.  If you want an excellent introduction into how cyber weapons are used and will likely be used in the future, you’ll want to read this book.

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  • Raymond Swanland chosen as SODG cover artist

    Dude…

    I can’t tell you how excited I am to know a cover artist has been chosen for Servant of a Dark God. And that it’s Raymond Swanland. Check this out.

        

    Without importing his whole gallery, I’ll link to a number of those I like the best. But I have to say the movement, action, energy–even when the people are standing still–are amazing. I think I like most his pieces that are lighter and have more color (and think they’ll match the book’s content best as well), but I can’t wait to see what he comes up with. I think Swanland is just jaw-dropping amazing.

    http://www.raymondswanland.com/Pages/Personal%20Gallery/Personal03.html (Love the color and energy; the sky color and figure is just, dude)

    http://www.raymondswanland.com/Pages/Personal%20Gallery/Personal01.html  (Love the color and energy; again, the sky color…)

    http://www.raymondswanland.com/Pages/Illustration%20Gallery/Illustration04.html (the guy’s standing still and this thing is still rippling with energy!)

    http://www.raymondswanland.com/Pages/Illustration%20Gallery/Illustration17.html  (wow)

    http://www.raymondswanland.com/Pages/Illustration%20Gallery/Illustration11.html (color and energy)

    http://www.raymondswanland.com/Pages/Illustration%20Gallery/Illustration10.html (movement; I don’t know, some artists just don’t get action right, but this one does, holy crap)

    http://www.raymondswanland.com/Pages/Illustration%20Gallery/Illustration05.html (movement)

    http://www.raymondswanland.com/Pages/Illustration%20Gallery/Illustration19.html (look at the pov and movement, the belly of the dragon up in the right–have we ever seen this angle on dragons before? It feels like we’re IN the sky)

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  • |

    You’re invited to join the novel writing workshop pilot

    I am developing an online novel writing course and am looking for folks to pilot it with me and give me feedback. I’m thinking I want to limit it to 10-12 folks.

    It’s free and will probably take two or three months to complete. If you join, your job will be to do the work. And there will be work. I’m thinking 10-15 hours of work per week. Please don’t ask to join if you don’t want to make this commitment. I only want folks who are serious and ready to give this a shot. In addition to the work, you’ll need to report your experience with the course as we go, sharing with me where you get stuck, what’s confusing, what’s helpful, what does and doesn’t advance your skill. In fact, if at some point the course just isn’t providing you any value, you are welcome to drop. That’s good feedback too.

    It’s going to be a blended format that includes self-paced work and some type of weekly online meeting. I will be guiding the class. At the very least, we’ll meet and chat at my site. I don’t know if we’ll do a live meeting or not. Still working that out.

    I struggled for many years, trying to figure this stuff out, then had a number of epiphanies during Orson Card’s boot camp and continued from there. Of course I still have lots to learn. But I want to share what I have.

    I love teaching and have been teaching in one form or another for the last 20 years. I’m currently an education program manager at a large software firm. What this is all means is that I’m trying to build a course that guides folks through a process that will help them learn to WRITE novels. Not just talk about them.

    So this is not a series of lectures with quizzes that test your ability to recall, although I will quiz you.

    It’s not a course with an end goal of teaching you what I’ve learned about the concepts and principles of plot, character, and setting, although you will need to learn that.

    This is about increasing your ability to get ideas, develop them, and then write.

    It’s about doing the work. It’s about production. It’s about finishing product. And having a good time doing it.

    If you already feel comfortable with your ability to finish novels, this is NOT the course for you.

    You can learn more about the course here by clicking The Path in the On Writing menu.

    Probably the only other thing you need to know is that the class is a PG-13’ish class. While the stories can deal with intense and adult themes, as the teacher, I’m not interested in working with stories with explicit or detailed sex or lots of language of the sort that would earn a movie rating more restrictive than PG-13.

    Remember, this is a pilot. Even though I’ve taught about writing for a number of years to various audiences, there might be some rough spots. We might find we need to change the work requirements or activities or any number of things.

    If you’re interested, click on the Contact link on the menu of my site, and shoot me an email.

    Edit 1/30/15: I’m getting a number of excellent questions about the time commitment and schedule. Let me answer them here.

    The gap I’m trying to fill

    First, you have to understand that I am not interested in talking about novels and writing novels. I’m interested in helping folks finish novels. That’s a big gap I see in most writing instruction. It’s the gap I had. There was nobody to help me move from the theory to the writing, and writing all the way to the end. So this isn’t a class about novels. It’s a class where I hope to help you learn a number of techniques for developing and finishing one. And to learn those techniques, you have to actually use them. Which means you have to develop and finish a novel 🙂

    So why 10 hours as a minimum?

    If you’re a slower writer, it’s going to take you around 50 hours to develop and write a novel of 25,000 words. That’s the size of one of Louis L’Amour’s smaller novels (which we call sometimes call “novellas” today). It’s the size of some smaller romances. A lot of indies are writing serials around this size. If you want to write a 50k book, it’s probably 100 hours, maybe more. A 75k novel? 150-200 hours. The development and first draft of a 100k novel? 200-300 hours.

    These are not exact times. Some writers are faster. But you get the picture. Writing a novel is a big project. And I’ve found that it’s just too hard to get any traction on less than 10 hours per week. When you spend much less time than that, you spend most of your time just trying to remember what the story is about. I’ve found it’s best to keep your writing engine hot, or at least warm.

    So will these 10 hours be in meetings?

    No. I don’t want to have a lot of meetings. That’s the beauty of online. We will have deadlines. But you should be able to complete you work during the times that suit you best.

    What’s the course schedule?

    I can’t give you an exact schedule. I haven’t timed everything. Figuring that out is part of what we’re doing in this course. But I do know what I want you to learn and how I hope to help you learn it. We’ll just have to see how far we get with each weekly 10-hour chunk.

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8 Comments

  1. Glad things went well. I’m bummed I couldn’t make it. I especially wanted to go to your workshop but at least I have all the resources on your site.

  2. The poster of your book was sweet.

    I was quite intrigued about one of your answers during the Q&A panel. You mentioned that when you get writer’s block it’s easy to talk negatively to yourself. Really, I think the self-talk we have makes a huge difference. In fact, I believe that most successful people have learned to talk to themselves in the right way. The have the right attitudes and have learned to encourage themselves instead of discourage themselves. Since I have made a conscious effort to envision future success, and tell myself that I’ll do whatever it takes to be successful, I feel my writing has improved dramatically.

  3. What? You were in the audience and didn’t come up and say hi?!!!???

    I think you’re right. I danced with the dark lady of depression for about ten years. I know some folks need cognitive AND chemical help to beat it. I was able to control it with cognitive therapy. FEELING GOOD by David Burns, and a few other things, saved my life. Literally. And everything in cognitive therapy has so much application to writing. I’m going to have to blog about it. But I think distorted thinking kills a lot of people’s writing.

  4. I just never know what to say, and unless I have something interesting to say or ask, I’d rather not bother you, as I would probably say something I’d later regret. I often suffer from a severe case of stupidity.

    Ah, see, there I go with that negative self-talk.

    For me, making the decision to do whatever it takes to make a story sizzle made a big difference, because even if what I’m writing isn’t hot hot hot, I can sit back and remind myself that I can fix it. I’m willing to take the time and make the sacrifice to make it just right. Telling myself that every word written–even if deleted and re-written ten times–does me good and isn’t a waste, has done me a world of good. No time spent writing is wasted, even if I have to re-write whatever I just wrote.

  5. Hezekiah,

    Here’s what you say next time you see me (no slinking away). “Mr. John, I’m Hezekiah.”

    I will look a bit perplexed.

    “I post on your site.”

    “Ah,” I will say.

    “Love your stuff, but I’m dying to know what bunny cakes are.”

    At that point I will explain the fine points of these tasty treats. Then I’ll probably ask you what project you’re working on. Or perhaps we’ll talk more of sundry pastries. See. Easy as pie.

    Pie…

  6. Hello John,

    My husband and I attended your seminar and absolutely loved it. (I was the one with yellow glasses and black leather hat) While my husband is my muse, he has a hard time with writing. After your seminar he wrote the beginning of a story he was wanting to write. Anytime, we get stumped with our stories now we will be using your techniques to help.

    Thanks for the help and I will be checking here often.

    Audrey

  7. Audrey,

    That room was so hot and it was so late I feared everyone there was going get heat exhaustion. 🙂 I’m so happy to hear it was useful to you. What part did you and your husband find most useful? Was your husband fighting his writersense instead of embracing it?

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