Learn from some amazing authors this October 7th and 8th in Layton, Utah

brendanovakThe Utah chapter of the Romance Writers Association is holding a writing conference on October 7th and 8th at the Davis Conference Center in Layton, Utah where FIVE New York Times and USA Today bestselling authors will sharing key insights into writing stories. I’m talking about:

  • Brenda Novak
  • Kristan Higgins
  • Dean Wesley Smith
  • Raeanne Thayne
  • Lynn Kurland

If you write stories and want an opportunity to learn from some major pros, then you will want to be at this event.

If you’re not a romance writer, you might be tempted to think that the topics won’t apply to you. Don’t be fooled. Story is story. And these storytellers are pleasing huge numbers of readers.

I will be there. I have two presentations. But I can tell you that when I’m not sharing what I’ve prepared, I’m going to be in the sessions listening to these superstars.

I hope to see you there.

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    He’s the guy who wrote Rambo and started Thrillers Inc. He was also a professor for many years.
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    http://www.murderinthegrove.com/index.htm

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    http://www.shotsmag.co.uk/shots21/intvus_21/dmorrell1.html
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    http://www.writerswrite.com/journal/oct02/morrell.htm

    This was interesting.

    Ali: As a Professor of Literature at Iowa, what were your experiences in academia like? Did you tutor any students who became prominent in the fiction field?


    David : I have a Ph.D. in American literature and taught academic courses: the American Novel of the 19th Century, the American Novel of the 20th Century, American Realism, Hemingway and Faulkner, Hawthorne and Melville, that sort of thing. The University of Iowa has the famous Writers Workshop, but I had nothing to do with it. In fact, they hated the sort of books I wrote and hated even more that I earned money as a novelist. That was the official line. But in secret, students snuck to my office and asked me technical questions about craft or asked me to read contracts they’d been offered (to see if the contracts were reasonable). Sometimes they showed me their manuscripts. The most productive association of that sort was with Jon Jackson who later published a series of police novels about Detroit. My most gifted student was T. C. Boyle. He writes humorous literary novels and short stories that critics love. His latest is DROP CITY. I taught him nothing about writing – he was a genius. But he did ask me to direct an individual reading course that he needed in order to graduate. We had a lot of interesting discussions, and I’m thrilled by his distinguished career.

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    Working on the copy edits of BAD PENNY today and passed the 75% mark to general rejoicing.

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    No, I wasn’t having issues with the then/than confusion.  

    I was having issues when using “then” when tying two clauses together. The question: did I always have to use “and” with “then”?

    EXAMPLE 1: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    Was “then” naked without an accompanying “and”? Should I make it read as “Frank backed out of the parking stall and then rumbled onto Dewar Drive”?

    And if it doesn’t need the full “and,” does it need at least a comma for a miniskirt so it reads “parking stall, then rumbled out onto . . .”?

    EXAMPLE 2: “The tension ratcheted up, then Senor Zombie’s eyes slid to the side.”

    Can you use “then” as a coordinating conjunction? Or must it always be used with “and,” as in “the tension ratcheted up, and then Senor Zombie’s slid to the side.”

    I looked in the Chicago Manual of Style. I looked in Garner’s Modern American Usage. I could not find the answer. So I emailed Annette Lyon, author of There, Their, and They’re: A No-Tears Guide to Grammar From The Word Nerd.

    Saint Annette’s response:

    Your first example is correct as is, with no AND: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    The only time you grammatically need AND before THEN is if we’re connecting two independent clauses, because THEN isn’t one of the conjunctions that can do that. You’ll find those in a text box in the book, and they include AND, OR, FOR, NOR, YET, BUT, SO.

    The only issue in the above sentence is whether to use a comma before THEN. The current stylistic trend is to leave out the comma, so you can leave it just like you have it above. Some people balk at that and want the comma for the pause it provides. Depending on the house style guide, that may be something you can argue, or maybe it won’t be. Neither is really grammatically more correct; the comma before THEN is more of a style issue. 

    In the next example, we do need AND or some other conjunction from the list, because both sides of the sentence are independent clauses. So this would be wrong: “The tension ratcheted up, then Senor Zombie’s eyes slid to the side.”

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    -Senor Zombie’s eyes slid to the side; the tension ratcheted up. (Semicolons replace conjunction + comma)

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    -It the sentence has just 1 independent clause, THEN is enough by itself.

    Thank you, Annette.

    And wouldn’t you know, I opened A Wanted Man by Lee Child, and what did I see? A bunch of then’s illustrating exactly what Ms. Lyon suggested.

    “Reacher heard the roar of the shot, quieter than some, but still deafening in a closed room, and simultaneously he heard the wallboard explode above and behind his head, and then he hit the floor, knees first, then his hip, then his side, sprawling, down low behind the counter, out of sight.” (159)

    I think all I’m going to see while reading for the next while are the then’s.

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