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MountainCon 2008 Killer Story Workshop

Just got word from the programming organizer that my killer workshop is a go for MountainCon this year. The bonus is that Brandon Sanderson will be teaching it with me. You do NOT want to miss this one.

WHAT: Writing Killer Stories: This is a hands-on workshop conducted by two professional
authors (Brandon Sanderson, John Brown).

When you finish, you will know:

  • The 3 keys to writing killer fiction
  • 4 parts of story & how they relate to the key
  • The creation process
  • 7 principles of creativity
  • Critical guidelines on suspense, plotting, setting, and character building

WHEN: Saturday, September 20th,  7:30-10:00 PM, Panel Room 1

WHERE: Davis Convention Center, Layton, Utah

For more information go to MountainCon.org

And if you get sick of me, you can listen to Sarah Douglas, the villain from Superman II.  She’ll be there as well with lots of other folks including

Kevin Sorbo*

Richard Herd

Herb Jefferson Jr.

Sarah Douglas

Scott Schwartz

Victor Brandt

Tad Atkinson

Mark Goddard*

Penny Johnson Jerald

Brandon Sanderson

Brandon Mull

David Reddick

Rebecca Shelley

JoSelle Vanderhooft

Paul Genesse

Sky Conway

Gralin Jerald

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  • Is Amazon’s game totalitarianism?

    nazi_flagAmazatzi?

    Franklin Foer and Scott Turow recently made comments which suggest Amazon is in the process of ushering in a totalitarian book economy.

    Is Bezos, as Hitler was in the 1930s, biding his time, playing a long game, one that will lull the masses into a false sense of bookish security? Are we appeasing him, letting him take over the continent bit by bit? Is the blitzkrieg less than a decade away?

    If you listened to a recent Intelligence2 debate, you would have heard Foer-Turow claim that, yes, that’s exactly where we are headed. On the other side of the debate were Joe Konrath and Matthew Yglesais, arguing that Amazon is the reader’s friend.

    Konrath and Yglesais made some good points. But they left the central Foer-Turow argument standing like a citadel. It was left standing because much of what they had to say, as good as it was, frittered around the edges or went off into beer land.

    But the Foer-Turow argument is not a citadel. It’s a house of crackers.

    Here’s why: publishers, authors, readers, and entrepreneurs all have brains. And somehow, in their threat assessment, Foer-Turow forgot that.

    How could they forget something so fundamental?

    Well, their argument went like this.

    1. Amazon right now provides an amazing service that’s far and above anything any other bookseller currently provides. They have made more books more accessible to more readers than anyone else ever in history. Readers, of course, love this. But this is a bad thing.
    2. It’s bad because Amazon is becoming a monopoly–it already has 41% of all new book and 67% of all e-book sales, and in many divisions of those markets it has even more.
    3. If Amazon were an enlightened ruler like Aslan, okay. But Amazon is a business, and as a business it only cares about its profits. And the way to make profits is buy low and sell high. So when Amazon finishes consolidating its hold on the market, it will force publishers and authors to take less of the pie.
    4. In fact, Foer-Turow claim Amazon wants to not just reduce the share of the pie publishers get, it wants to kill off the publishers and take their share of the book pie completely. In addition to being very poor manners, this is bad for three other reasons.
    5. First, authors of non-fiction books that take a long time to research will never be able to get the money they need to do that research. Publishers are the only ones who can give them that money, which they do in the form of an advance.
    6. Second, few authors of fiction will be able to afford good editing, marketing, and book design, and so the many voices that could have been heard will be stifled, or never rise out of the crap to their true potential.
    7. Third, and this is the nefarious Nazi part, if Amazon is the only place you see books, they can control which books you see, which means they will exert enormous control over our culture because they will be able to suppress some books, and therefore the ideas in those books, and promote others. Foer-Turow claim Amazon has already done this.
    8. Finally, because it’s a business and has a goal of profit, when Amazon covers the land, it will probably eventually charge readers more. In fact, it may charge them a lot more. It can’t avoid it; it’s a business.

    So Amazon is taking over more and more book territory. When it’s taken over enough territory to be unassailable, it will then proceed to ruin our culture because its model of book selling will suppress quality non-fiction and fiction alike. And then it will gouge readers.

    Sounds depressing.

    Sounds like Orwell’s 1984 or global warming.

    The only problem is that there is a big honking flaw in all of that.

    Like BIG and HONKING.

    And I’m not talking about the issues like the idea that publisher advances are the only way non-fiction writers can be funded, or that publishers are the only way the vast majority of fiction writers can obtain quality book covers, marketing, and editing. Or that one internet site has the power to put a choke hold on ideas.

    No, it’s about something else.

    You need to know I’m not an Amazon groupie. Nor am I a hater of publishers. I am a businessman. I’m looking for good partners. And I recently wrote a post pointing out that it’s delusional for authors to think Amazon is their BFF with pinky rings. They are just, at the moment, a great indie partner. But their interests and mine are not perfectly aligned. Our love is definitely not written in the stars.

    So I’m not here to stand up for Amazon. I’m here to say that the scenario Foer-Turow paint is fantasy.

    Why?

    Because they’ve set up a chess board and assumed that Amazon is the only player.

    Monopoly

    How does a monopoly stay a monopoly?

    The government either legislates it. Or the company maintains their position by force. Or they own something that nobody else can get. Or the barriers to entering that market are so high nobody can get in to play. In all these scenarios, if people want the goods, they are forced to interact with the monopolies.

    But has the government given Amazon a legal monopoly?

    Um, nope. No charters here to be the only fur trappers in the West.

    Does Amazon have an army of thugs who are going to beat people up and make them join Amazon Prime?

    No. Well, maybe that’s what the drones are for, but they haven’t rolled them out yet.

    Do they own something nobody else can get, like a piece of land? Are they sitting on the world’s largest reserves of cheap book oil?

    Nope. They’ve got a great website and excellent logistics. But websites really aren’t that hard. And if we’re talking ebooks, you don’t need logistics.

    What about the barriers to entry?

    The big advantage Amazon has is that they usually have the lowest book prices around, the biggest selection (you can find almost any book you want there in any format it’s available in), and are incredibly convenient, providing samples, reviews, recommendations, and easy checkout. And they have the crowds.

    It’s hard to get crowds. It’s hard to get all that content. It’s hard to beat their prices. Those are some dang good barriers that keep new guys out.

    And Foer-Turow figured that’s all set. In stone.

    Human Beings

    But what happens if publishers have brains and are actually headed up by, like, real humans who aren’t just going to roll over and play dead? What would such folks do should Amazon keep killing off more and more of them and stealing their pie?

    Amazon doesn’t own the rights to their books. As soon as any contract ends, publishers could simply say, we’re done. Our books will no longer appear in your store. If you’re faced with extinction or something else, what do humans normally do?

    Amazon’s advantage is being the everything store. You can find every book imaginable there. So what happens when shoppers go there and can’t find the most popular books of our time? How long do they stick with Amazon when the shelves are empty? Anyone think about why Amazon kept selling Hachette books even when they were having contract disputes?

    What happens if indie authors have brains and are real humans who aren’t going to roll over and play dead either? What would such folks do should Amazon keep squeezing more and more profits out of them? Could such folks pull their books (like many bestselling indies have from Kindle Unlimited), form a co-op, and create their own site?

    What if everyone was talking about this awesome book that was all the rage, but it wasn’t stocked by Amazon? It was stocked on the indie site, and Apple, and all the others. How would that affect shoppers?

    What happens if there are real human entrepreneurs out there or real humans leading other businesses, and they were all wanting to make a buck, and they see Amazon charging readers a ton and swimming in easy dollars? What happens when they see those tempting profits?

    Do you think they might offer disgruntled publishers and authors better terms? Do you think they might give better deals to price-gouged readers?

    So is Amazon going to kill publishers? Only if the humans have left the building.

    Will they kill authors? Only if authors let them.

    Will they gouge readers? Not when other folks see there’s money to be made by undercutting them.

    Amazon is playing in a global market with the likes of Alibaba, Google, Apple, Walmart, etc. Amazon is playing in an internet economy where college students can come up with an idea and become billionaires. Equally important, Amazon owns nothing that somebody else can’t recreate. They have no legal monopoly. They have no army of thugs. What they have is a lot of content, a well-known URL, logistics for the hard copies, and good prices.

    But what they do not have is a marketplace where everyone else involved is absent a brain.

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  • Yea! SERVANT wins Whitney Award

    I’m totally blown away. No way. NO FREAKING WAY. No way.

    Servant of a Dark God just won the Whitney award for speculative fiction. Look who the others were in the category–three New York Times best sellers and a book that had something like 11 or 12 printings in Europe before coming to the US. Holy crap. I’m thrilled the academy voters liked it so much.  

    Servant of a Dark God
    by John Brown
    The Maze Runner
    by James Dashner
    Wings
    by Aprilynne Pike
    Warbreaker
    by Brandon Sanderson
    I Am Not A Serial Killer
    by Dan Wells

    When I informed the academy president, Robinson Wells, I couldn’t come, he asked if I had a speech should I win. There was no way I was winning. So I was like, yeah, whatever. So I wrote him this:

    Yeah, like that’s going to happen (grin). But should something go wrong with the chads, you can simply say that “John told me if he won, that would mean the events in Revelations were probably upon us, and he’d be headed to his father-in-law’s underground bunker with his wife who was the brains behind the whole operation. He’s thrilled so many of you liked his story enough to vote for it. Thank you, thank you, thank you. But he’s also sad that you’ll all be toast before Fox News airs at 9 PM.”

    Holy, heck. I’d better get to that bunker.

    Here are the other categories and winners:

    • Best Romance: Counting the Cost by Liz Adair 
    • Best Mystery/Suspense: Methods of Madness by Stephanie Black (absolutely love the cover)
    • Best Youth Fiction:  The Chosen One by Carol Lynch Williams
    • Best Speculative Fiction: Servant of a Dark God by John Brown
    • Best Historical: The Last Waltz by G.G. Vandagriff
    • Best General Fiction: Hotel on the Corner of Bitter and Sweet by Jamie Ford
    • Best Novel by a New Author: I Am Not A Serial Killer by Dan Wells and Gravity vs. The Girl by Riley Noehren (it was a tie, obviously)
    • Best Novel of the Year: In The Company of Angels by David Farland

    Of course, you had to have read all the books in a category to vote on them. You can see the finalists in each category here. So while Farland’s book didn’t win in his category (I”m assuming with the hard core historical fans), it did win with those who read every finalist.  Same with Dan Wells. So what this tells me is that depending on the cross-section of voters a lot of us could have been winners. I’m just happy I got the cross-section I did–ye speculative nut jobs 🙂 Hooray for the Whitneys!!

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  • Does anyone going to LTUE want “What Comes Next?”

    LTUE didn’t have enough slots to include the presentation in the schedule, but I’m willing to give it in the chat area by the lobby to folks who are interested. Probably on Saturday.

    So in “What Comes Next?” I share two tools I use that help me figure out where to start my stories and, well, what comes next all the way to the end. The second tool encapsulates, for me, the core of what story is all about.

    If you’re interested, let me know

    EDIT: I’m targeting 8-9 am on Saturday.

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  • Audio production of “Loose in the Wires”!

    starshipsofa-logoEarlier this year, Gary Dowell, an editor at Tony C. Smith’s District of Wonders,  contacted me, wanting to know if they could make an audio production of “From the Clay of His Heart”. I was, of course, delighted. Smith’s podcasts include the Hugo Award-winning Starship Sofa.

    During our conversation, I suggested that if they were looking for a shorter contemporary fantasy with some more humor, they might also want to consider “Loose in the Wires”.

    I can’t tell you how much I enjoyed writing that story.

    It all started with one sentence.

    I was generating ideas, brainstorming, and out popped this line: “Bill had two African gods in a Smucker’s jelly jar in his trunk.”

    That was the trunk of his car. And these were, of course, live gods. But what would fit in Smucker’s jar? How did they get there? What would they do? And what was going to happen with Bill?

    I loved the sound of that line, the image, the situation, but one snippet of an idea is not enough to build a story. I toyed around with the idea now and again. And then years later I was listening to O is for Outlaw by Sue Grafton. The voice of one of the characters was exactly what I needed. He was all hick. And as soon as I decided that’s what my character would be, the story began to hum with electricity. Very soon after that, I finished it. Orson Card published it in the debut issue of Intergalatic Medicine Show.

    For a long time, I’ve wanted to make an audio production, but just haven’t had the time. Well, District of Wonders decided to pick that one up too.

    The audio production of “Loose in the Wires” will be featured in their upcoming February, 17th episode.

    I’m told the production of “From the Clay of His Heart” should be done soon. I’ll let you know the date it will be available as soon as it’s scheduled.

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  • Writing Update: Awful Intent

    Folks, I just finished the first draft of my working outline for AWFUL INTENT. I’m stoked. Lots of research and lots fun and sometimes maddening work to get to this point. Here’s the current version of the summary, which will change.

    Southeastern Utah. 30,000 square miles of red-rock desert and wilderness.  One of the least populated places in the United States. The perfect place to hide just about anything.

    Frank Shaw is just passing through. He was once an elite soldier, trained to see what others want to hide. Then he made some terrible mistakes and fell from grace. Except the old skills never went away: they were only heightened during his time behind bars. Which is why Frank notices the fearful woman in the McDonalds and the killer watching her. 

    Frank could move on. He’s got a life to put together and a sandwich to buy. But some things are more important than a Big Mac. Frank follows the man who follows the woman, and that one decision leads Frank to a ranch that isn’t a ranch and into a plot of awful proportions.

    When Frank and the strong female Sheriff from the small town a number of miles away discover the truth, they try to get back and call for help, but the rancher is on to them and sends a private army out to hunt them down in the wilderness. Frank and the Sheriff will need to use all their combined skills to survive. Because time is running out, and thousands of lives are at stake.

    My agent got back to me on BAD PENNY. I will be focusing on some tweaks over the next two or three weeks. Then we need to get that moving forward.

    Finally, I know some of you are wondering about the DARK GOD series. And why wouldn’t you be with my earlier post? Things haven’t been finalized. Soon, Grasshopper. Soon.

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  • Vote for Servant of a Dark God, American Idol Style

    The Legend Award

    I was informed today that Servant of a Dark God is on the Longlist for the David Gemmell Legend Award for Fantasy and the Morningstar Award for best fantasy debut. I believe this means the Rapture is close at hand, folks. Or maybe it just means Cthulhu has taken over the North Pole. In either event, Hunger, Sugar, Talen, Hogan, Nettle, Legs, River, the Mother (and the kick butt Hag’s Teeth) can win an award for general awesomeness. They can because voting is open to the public.

    Kind of Like American Idol

    You may ask: Is this like getting the Nobel peace prize? No. You have to have actually done something like take out a group of speedy Somali pirates or write a fantasy novel. These awards are not given out as scratch away prizes at McDonalds (you can get them at Wendy’s). This is an award given to:

    • A full length novel published for the first time in the English language during the year of nomination (2009)
    • Traditional, Heroic, Epic, or High Fantasy and/or in the spirit of David Gemmell’s own work

    The nominees were submitted by editors working within a commercial genre fiction publisher (kind of like Hollywood week at American Idol). All the nominations are then put on the award’s Longlist.  The public then votes for their favorite on the list. The poll opened December 26, 2009. Voting on the Longlist will close March 31, 2010. You’ll notice it is indeed a looong list. But you don’t have to have read all the novels. You just vote.

    The top 5 novels with the most votes will be put on the award “Shortlist.” Then in April the public voting for the winner out of those five will begin, open to all.  See, American Idol, except you can’t vote two gajillion times for the same girl/guy just because of the her/his drool inducing factor. 

    How to Vote

    1. View the list of Legend nominees here: http://gemmellaward.ning.com/page/legend-1
    2. Cast your vote by hovering over the Legend menu item as shown below; you’ll see a red Vote link; click it and select the book you want to vote forGemmellLegendAwardVoting
    3. View the list of Morningstar nominees here: http://gemmellaward.com/page/morningstar-1
    4. Cast your vote by hovering over the Morningstar menu item and clicking the red Vote link.

    Who is David Gemmell?

    David Gemmell was a British writer of heroic fantasy. I’ve pasted two of his covers below. You can read more about him here.

     

    For those of you interested in LDS authors, nominate SERVANT for the Whitney

    Now that you’ve done your part to restore world order in the fantasy genre, if you’re interested in LDS authors/fiction, you can also nominate the Sugar, Talen, Hunger and the gang for The Whitney Award.

    This is an award for novels by LDS authors. It works in the opposite way of the Legend award. In this one, the public nominates novels by LDS authors they like. Then a “panel of industry professionals, including authors, publishers, bookstore owners, distributors, critics, and others” vote on the nominations. Of course, because I’m one of those Carrier Monkeys of Evil Mormons (a future post, folks), Servant of a Dark God is eligible.

    To nominate Servant of a Dark God go here: http://www.whitneyawards.com/nominations.php 

    Whew.  Be happy. I’ll keep you updated to let you know if SERVANT makes the short list for either of these.

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