Nameless Thriller Started

Those who check the progress bars, will notice that I’ve started the first draft of the thriller, which remains nameless.  Poor thing. You’ll also notice I haven’t finished the working outline. That’s because sometimes–well, often–I need to do some drafting to get the feel of the story and characters before I finish that working document. And also because story development has never been a linear thing for me. 

I did a lot of work on the premise (the story setup) these last few weeks. Ran into a lot of dead ends.  However, it was all good. I got snippets of scenes throughout the process. Did a lot of useful research. Developed characters. I wrote a few drafts of another beginning that I realized didn’t feel right. It was telling the wrong story, had the wrong angle. A few days later, I figured out the right angle on the premise.  And it is so delicious to me.  Then during another work session–letting my mind run while I showered–I got the outline of the first chapter. I give you the first 300 words below. I’m sure they’ll change, but it’s a taste of what’s to come.

CHAPTER 1: Cowboy Donut 

Trying to get a straight job as an ex-con was a lovely experience.  Kind of like being dragged behind a bus.

No matter how tidy you looked or how sharp your resume was, it all came down to one question: “And what were you in for?”  Frank knew it would be stupid to lie about that.  First of all, he was trying to go straight.  Second, any employer who didn’t have a carrot for a brain was going to run a background check.  So there was no use trying to hide. 

Frank was now sitting in the back office of Cowboy Donut in Rock Springs, Wyoming across from Mary Rogers, the sun-wrinkled owner.  She was probably in her fifties and had two-tone hair that seemed to take its inspiration from a skunk or badger: all bleached up on top and dark underneath.

Ms. Mary had just asked the question.  Frank had just dropped his bomb—voluntary manslaughter, a security job gone bad.  He’d been protecting the wrong kind of noun for the wrong kind of people.

Ms. Mary narrowed her eyes.  “What else am I going to find on your RAP sheet?”

“That’s it,” Frank said.  “Just the one unfortunate incident.”

“Murder is a pretty big incident.”

“Manslaughter,” he corrected.  “Not murder.”

She made a noncommittal sound and looked down to study his resume a bit more.  Like maybe something new would pop up there. 

This was always the fun part, waiting for the reply.  First interviews were like first dates.  And Frank had basically told his date he had an Ebola monkey virus that would make her eyes bleed, and would she now like to kiss?  He’d done this now a couple dozen times and knew the best thing was just to be quiet. 

Poor Frank. And in just a few pages things are going to get so much worse when he finds two old associates waiting for him at his house.

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    Presentation for Brandon Sanderson’s writing course

    PDF of the slides

    Brandon asked me to substitute for him on March 1st and teach the students about indie publishing. For those of you who were there, here are the slides.

    2018 Sanderson Class – Indie Publishing Final PDF

    “If I Were Published”

    To start the presentation, I regaled the students with a surprise: my epic-fantasy-BYU-newbie-author version of the classic Fiddler on the Roof song which I called “If I Were Published.” Dylan Rowe, a student in the class with some serious violin chops, practiced with me in secret, then accompanied me during the performance. He was great. And the performance went well. We all had a great time. There’s a recording. Once I get it, I’ll post it here.

    Here’s how it went.

    Isaac introduced me. I said how happy I was to be there. I then asked for a show of hands: who was hoping to be published. Not all did, BTW. Some were taking the course for other reasons. I then said that the sight of such a vast assemblage of unpublished writers made me think of someone else. I displayed the slide of Tevye dancing. They all laughed, and I knew this was going to be a good crowd.

    And then Dylan, who was hiding off to the side, played the phrase for “If I were a rich man” and I put on my own black Tevye hat. There was more laughter and surprise, and I began.

    Dear Lord, you made many, many unpublished writers.
    I realize, of course, that it’s no shame to be unpublished
    But it’s no great honor, either.
    So what would have been so terrible if I had one small best-selling series?

    [Dylan began to play and I began to sing]

    If I were published,
    Yaba dibba dibba dibba digguh deedle daidle dum.
    All day long I’d biddy-biddy-bum
    If I were a published man

    Wouldn’t have to work hard,
    Yaba dibba dibba dibba digguh deedle daidle dum.
    If I were a biddy biddy pub
    digguh deedle daidle published man

    I’d write a big long epic–hundreds of characters!
    Swords and dragons and a lot of gore
    A snot-nosed lad who was prophesied for the fight

    There’d be a quest to one far side of the map
    And one to find a lovely ancient lore
    And one more leading out into the blight

    [I paused here, to think, then sang the tune to the last line again with the first four of these]

    To meet a sprite,
    and a dark knight,
    with an old birth right,
    read by moon light,
    that … cures snake bite.

    [Dylan produced a big scratch. I covered my eyes in shame.]

    Oy! Bad story development.

    I’d see my wife, my Nellie,
    Looking like a rich man’s wife,
    with a proper golden skin,
    rolling out the yoga mats to her heart’s delight.

    I’d see her driving the kids
    in something other than a minivan
    Oy! What a happy mood she’s in!
    Posting perfect selfies to day and night.

    Hordes of bright-eyed zoobie writers will come to fawn on me.
    They will ask me to advise them,
    like Sanderson the Wise.
    “If you please, Mister Brown?”
    “Pardon me, Mister Brown?”
    Posing problems that would cross a Shakespeare’s eyes
    Ya da dee da dum, ya dah da dum

    And it won’t make one bit of difference
    if I answer right or wrong.
    When you’re published they think you really know.

    If I were published, I’d have the time that I lack
    to go to the temple and to pray,
    seated in a corner of the celestial room.
    And I would serve on projects building Enoch’s Zion
    from here to Africa and beyond.
    And that would be the sweetest thing of all

    Oy!

    If I were pub-lished.
    Yaba dibba dibba dibba digguh deedle daidle dum.
    All day long I’d biddy-biddy-bum
    if I were a published man.

    Wouldn’t have to work hard.
    Yaba dibba dibba dibba digguh deedle daidle dum.
    Lord who made the lion and the lamb,
    You decreed I should be what I am.
    Would it spoil some vast, eternal plan,
    if I were a pub-lished man?

    Limericks

    I took a bunch of copies as my books as gifts to support the good cause of entertaining hard-working students. But there was a twist. To get a book, they had to pay me one limerick. It could be about anything and of any quality. But it needed to be a limerick. They had, like, 5 minutes to write one at the end. Thirty-three souls came up with the payment. Here they are for your enjoyment.

    1.
    A writer, a publisher, and a poet,
    And now, wouldn’t you know it,
    They’re debating a comma,
    and imagine the drama,
    When they’re divided on just how to cull it

    2.
    There once was a class of fiction
    Which had a stranger take up his position
    He was quite amusing
    He kept them from snoozing
    For he had quite a talent for diction.

    3.
    John Brown’s book could be greatness
    I hope it’ll be a hit, not a miss
    Your lecture was great,
    It did not stagnate
    I hope you will great me my wish! (to get your book)

    4.
    I want to write a book that is fun
    where an evil something kills someone
    And the people will fail
    ‘Til the heroes prevail
    But I fear I will never be done.

    5.
    I’m trying to write my own book.
    But, if you now went to look
    I fear you will find
    It’s all in my mind
    But, oh – all the effort it took!

    6.
    There once was a poodle named Paddle
    whose fur was cut into a saddle
    until in the park
    he ate too much bark
    And now his tight fur is a battle.

    7.
    There was a young woman whose head
    Had eyes that looked dead
    As boys approached her,
    Her sharp tongue they started to stir
    Filling others with dread

    8.
    A poet sat twiddling his thumbs
    He felt his ideas were dumb.
    He was lacking in time
    But just couldn’t rhyme
    So he loosened his thoughts with some rum.

    9.
    “In honor of your song”
    “You know I’d really love to be published
    Oh, the glam and the glory I would relish
    The hordes of fans my mind’s eye can see-
    Sanderson with John Brown bowing to me –
    And don’t (?) tell me my dreams are embellished”

    10.
    Homework I do not much like, you see
    But for your book a lim’rick it be
    and so i must do,
    with great thanks to you,
    this my small bit of lame poetry

    11.
    There once was a boy named John
    Who needed to mow the lawn.
    He pulled on the rope
    But oh, what a dope!
    Alas, the gas was all gone!

    12.
    Guardian Angel Limerick
    I’ve struggled to write since the phone call,
    when the maybe’s, the what-if’s turned actual
    and the grieving stretched on
    till the morn she was gone
    and the world lost, but I gained, an angel.

    The note with that one: “I was the girl who asked if the limericks had to be funny. Thank you for coming to class and giving us the books. I’ve included my limerick below. My mother passed away a couple weeks ago. This is my tribute to my loudest cheerleader and my harshest critic.” Boy, I’m definitely honored to have this one.

    13.
    There was a young man from Pocatello
    Who thought that he was a brave fellow
    But one dark, dark night
    He took quite a fright,
    And found that he was quite, quite yellow.

    14.
    There once was a sorcerer bloke
    Who traveled outside for a smoke
    He yawned, “curse this day”
    And that is to say
    The incantation now was spoke

    15.
    There once was a ship fresh-moored
    With my favorite couple on board
    But despite the large fanon
    It was destroyed by the canon
    And my ship, sunk quick, sailed no more

    16.
    There once was a sad unicorn
    Who had tragically lost his gold horn
    And thus ran away
    and still to this day,
    He stands but a horse all forlorn

    17.
    There once was a grandma so old
    on her birthday she had a bad cold
    as she blew out her candles
    her kids yelled, “Mad scandal!”
    as her dentures flew into the mould

    18.
    There once was a cat named caterer
    who keeps running into the mirror
    we got her some glasses
    form the shopping masses
    and now she sees everything clearer

    19.
    There once was a dust speck named Mike
    Who lived on the edge of a spike.
    He was bumped off that edge,
    then snagged on some sedge,
    ending up on the wheel of a bike

    20.
    I am a cat who is hip.
    Who likes to shoot from the lip.
    My songs are all crude.
    My stories are lewd.
    I like to make reality flip.

    21.
    There once was a bunny named Mopey
    Who had friends that were silly and dopey.
    They hopped on a train
    That took them to Maine
    Where someone threw them in a bath that was soapy

    22.
    I want something to teach me to cook
    but this sure and that kind of a book
    but bore shadiz tes (yeah, couldn’t read it, dang it)
    and this sure seems fair
    So now I guess I should take a look

    23.
    There once was a man named John
    Who put his books out to pawn
    Some students one day,
    Wrote limericks to say,
    “We love your free books–give us one.”

    24.
    My mother wanted to get a book,
    And she gave me that terrible look.
    A limerick the price,
    I wrote one down twice,
    So please give me that sought after book.

    25.
    There once was a man named Lam
    Who like to eat lots of Spam.
    When the aliens came
    He cooked them a meal
    And so his soul they did not steal

    26.
    There once was a tiger named Ted
    He went to town in a bed.
    Jeep in the rustle
    He spotted a tussle
    And now he has bumps on his head.

    27.
    Once I tried writing haiku;
    it seemed like a fun thing to do.
    But I fumbled the timing,
    and couldn’t stop rhyming,
    and now this haiku is just poo.

    28.
    Once I was writing a sonnet
    But my paper hand not a word on it.
    I sat there confused,
    My talents unused,
    Because nothing else rhymes except “bonnet”.

    29.
    I love me a good paper book
    But the digital have a nice look
    Shopped for a kindle all day,
    Tried to buy on eBay,
    But, somehow I just have a Nook.

    30.
    There once was a man with pink hair
    And all he ever got were rude stares.
    He said, “I know that I’m hot.
    There’s no need to gawk.
    Goodbye.” And left with great flair.

    31.
    There once was a lobster named Clyde
    Who was inexplicably snide.
    But he had some bad luck,
    from the sea he was plucked
    and now he’s been battered and fried.

    32.
    I was once walking home on the street
    When a woman, I happened to meet
    I said to her, “Hey.”
    She said to me, “Nay.”
    So I went out and bought me a treat.

    33.
    Tetris is the very best game
    My playing will put you to shame
    See… I am the best
    Put it to the test
    One day it may lead me to fame.

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  • Learn from some amazing authors this October 7th and 8th in Layton, Utah

    brendanovakThe Utah chapter of the Romance Writers Association is holding a writing conference on October 7th and 8th at the Davis Conference Center in Layton, Utah where FIVE New York Times and USA Today bestselling authors will sharing key insights into writing stories. I’m talking about:

    • Brenda Novak
    • Kristan Higgins
    • Dean Wesley Smith
    • Raeanne Thayne
    • Lynn Kurland

    If you write stories and want an opportunity to learn from some major pros, then you will want to be at this event.

    If you’re not a romance writer, you might be tempted to think that the topics won’t apply to you. Don’t be fooled. Story is story. And these storytellers are pleasing huge numbers of readers.

    I will be there. I have two presentations. But I can tell you that when I’m not sharing what I’ve prepared, I’m going to be in the sessions listening to these superstars.

    I hope to see you there.

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  • NEWS: Curse of a Dark God has a release date!

    Curse of a Dark God, book 2 of the Dark God series, can now be published!

    That’s the short version.

    Here’s the long version that will probably not be what you expect.  A little over nine months ago I initiated a contract termination with my publisher Tor Books.  A few days ago Tor reverted the rights. This means I have all the rights to all the books in the series back.

    But why would I initiate such a thing? Tor’s like THE publisher of science fiction and fantasy.

    There are a couple of factors, but I think the biggest issue is that we had differences in our vision for the story. This meant there were things I didn’t like about where the project was going and how it was progressing. It also meant there were things Tor didn’t like about the project and how it was progressing. This translated into some big delays. 

    We could have hung together–Tor never raised the idea of termination. But I saw no benefit in limping along. If things aren’t working, I tend to want them fixed. So after I raised the issue, all involved agreed that a termination of the agreement would be the best option.

    And although all of us were disappointed it didn’t work out, this was an amicable parting. Tor went to bat for me with Macmillan, their overlord, to get this thing done. And we ended up with, I feel, a fair agreement. Of course, my agent was a valuable resource every step of the way.

    I don’t look at these last years as a loss. The series was introduced to thousands of readers. And I learned a number of valuable things about the business and craft working on this project with the folks at Tor. We’re farther along now that we were, even if we didn’t take the rocket ship to the stars.

    Most importantly, the good news is that for those of you who have been waiting, I can now move forward! The series will be published by Blacksword Books, my own imprint. We’ll start with e-book and trade paperback formats. Both will be available online from Amazon, Barnes&Noble, and other retailers. Once that’s rolling, we’ll look to see if audio is feasible.

    I’m very excited about CURSE. My agent loved it. I loved it. My early readers have loved it. I think all of you who enjoyed SERVANT will enjoy this just as much if not more.

    Mokad is coming.  And bringing all its might to root out and obliterate the sleth in the New Lands.  And they’re not alone.  You’re going to meet a Guardian of awesome and cunning power who leads Mokad ‘s dreadmen army.  You’re going to meet the Dogmen of Toth.  And sleth who have rallied to Argoth’s call.  And a fearsome ally who lives in the Wilds.  All the main characters are back with Sugar and Talen learning new magic, facing new creatures, and discovering unsettling insights into what’s really going on.

    I love this book. I can’t wait to get it into your hands.

    But there’s a lot to do to get it out the door.

    I need to make some edits to SERVANT. There are a number of maddening typos that crept into the manuscript. I’ll also be changing the sequence of the first eight chapters back to my original sequence, starting with Sugar and Legs and then moving to Talen. I know some readers like the sequence my Tor editors requested that starts the book with Talen sitting around in his under pants, but I structured it for him to follow Sugar for specific reasons, and starting with Talen undermines a number of those things. Finally, because I don’t have a word limit, I’m going to be adding some clarity to the ending that wasn’t in the Tor version. I also need to make some revisions to the last draft of CURSE, which has been done for almost two years, and then put it through a rigorous copy edit. And then there’s cover design, interior formatting for the print versions, and the publishing part.

    So lots of work. But I think it’s going to be worth it. At the very least I will satisfy the young woman, soon to be a mother, dining at a pizza place I went to this last week who told me she loved SERVANT, thought it was awesome, and was angry at me because there’s no book two!

    I’ll post a schedule soon. My hope is to have both books up sometime in August.

    Oh, and when they do come out, please know that both the e-book and trade paper versions will be on sale for two weeks.  I’m going to put SERVANT on for a massive discount so those of you wanting the author’s cut can get it cheap. I don’t want you to have to buy the book twice at full price. And I’m going to put CURSE on sale as well because those of you who have stuck with me deserve a reward.  

    Then it’s on to DARK GOD’S GLORY which I’ve already completed the working outline for. There might be another book in the same world about a team of fell-maidens (the female version of dreadmen) given a difficult task. And then there’s a whole other series—different world, different awesome magic—waiting in the wings. The first one in that series is tentatively titled LORD OF BONES.

    Get zinged, Baby!  The Dark God is back in action.

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  • Awful Intent: sheep block busted

    SheepOnTheRoadSometimes the writing flows. And sometimes you get to the chapter you’ve sketched and realize you’re stuck until you get the sheep off the road.

    You had no idea they were going to be there, but there they are, bringing you to a halt.

    For me, this means I have got to do a lot more thinking to make the scene work realistically. Or work at all.

    That was chapter 13.

    It stopped me dead in my tracks. Some folks say to write on, get the first draft done, but that isn’t how my brain works.

    Besides, I tried that strategy with my first draft of Curse. I ignored the little Spideysense warnings I had about a fundamental situation and wrote on. I ended up with a big old honking manuscript that had to be rewritten from almost the beginning because everything from about 1/3rd the way through had taken the wrong trajectory. So instead of taking 10 hours to figure it out and fix it, I spent 300-400 rewriting.

    That’s called stupid writing.

    So for the last ten writing sessions I was researching and thinking and researching. And when I finally had a sketch based on how things actually work, I went back into flow and wrote the chapter without much trouble at all.

    Huzzah.

    Chapter 14 looks like it will be quick and easy. Some sneaking, some fighting, and a big discovery of a plot turn.

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  • Passed the 75% mark on the final draft of BAD PENNY

    Working on the copy edits of BAD PENNY today and passed the 75% mark to general rejoicing.

    You normal folks may now go back to work. For you passionate grammarians, my fab copy editor marked a hundred uses of “then” in my manuscript.

    No, I wasn’t having issues with the then/than confusion.  

    I was having issues when using “then” when tying two clauses together. The question: did I always have to use “and” with “then”?

    EXAMPLE 1: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    Was “then” naked without an accompanying “and”? Should I make it read as “Frank backed out of the parking stall and then rumbled onto Dewar Drive”?

    And if it doesn’t need the full “and,” does it need at least a comma for a miniskirt so it reads “parking stall, then rumbled out onto . . .”?

    EXAMPLE 2: “The tension ratcheted up, then Senor Zombie’s eyes slid to the side.”

    Can you use “then” as a coordinating conjunction? Or must it always be used with “and,” as in “the tension ratcheted up, and then Senor Zombie’s slid to the side.”

    I looked in the Chicago Manual of Style. I looked in Garner’s Modern American Usage. I could not find the answer. So I emailed Annette Lyon, author of There, Their, and They’re: A No-Tears Guide to Grammar From The Word Nerd.

    Saint Annette’s response:

    Your first example is correct as is, with no AND: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    The only time you grammatically need AND before THEN is if we’re connecting two independent clauses, because THEN isn’t one of the conjunctions that can do that. You’ll find those in a text box in the book, and they include AND, OR, FOR, NOR, YET, BUT, SO.

    The only issue in the above sentence is whether to use a comma before THEN. The current stylistic trend is to leave out the comma, so you can leave it just like you have it above. Some people balk at that and want the comma for the pause it provides. Depending on the house style guide, that may be something you can argue, or maybe it won’t be. Neither is really grammatically more correct; the comma before THEN is more of a style issue. 

    In the next example, we do need AND or some other conjunction from the list, because both sides of the sentence are independent clauses. So this would be wrong: “The tension ratcheted up, then Senor Zombie’s eyes slid to the side.”

    But this would work: “The tension ratcheted up, and then Senor Zombie’s eyes slid to the side.”

    To avoid the issue altogether, we can rephrase it. A couple of variations:

    -The tension ratcheted up when Senor Zombie’s eyes slid to the side.

    -Senor Zombie’s eyes slid to the side; the tension ratcheted up. (Semicolons replace conjunction + comma)

    Rules of thumb:

    -If you’ve got 2 independent clauses, don’t use THEN as the conjunction. Add AND or another one.

    -It the sentence has just 1 independent clause, THEN is enough by itself.

    Thank you, Annette.

    And wouldn’t you know, I opened A Wanted Man by Lee Child, and what did I see? A bunch of then’s illustrating exactly what Ms. Lyon suggested.

    “Reacher heard the roar of the shot, quieter than some, but still deafening in a closed room, and simultaneously he heard the wallboard explode above and behind his head, and then he hit the floor, knees first, then his hip, then his side, sprawling, down low behind the counter, out of sight.” (159)

    I think all I’m going to see while reading for the next while are the then’s.

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7 Comments

  1. Good start! You have some great imagery there. Now I know what to call that kind of hair when I see it: badger hair.

  2. Nice opening! It gives me the warm fuzzies to see new words from The Man. I’m planning a re-read of Servant of a Dark God this year, and from the looks of it, I’ll be buying a copy from Amazon for a birthday gift (I can’t BELIEVE that they’re selling your hardback for just $6.61 right now! At that price, it’s probably two peoples’ birthdays 🙂 ). Keep up the great work, and hopefully we’ll be hearing some excellent news on Curse of a Dark God sometime soon! 😀

  3. I already want to read it. Nice hook. I know it has been a while now but thanks for opening up your comment thread without having to log in to WordPress.

  4. Wow! This is a powerful first page. I feel sympathy for Frank and have lots of questions about what will happen next. Good luck and have fun witing a thriller. 🙂

  5. Matt and Augusta, yea!

    Matt, you know I had no idea what I was doing when I first opened the WordPress account. Then I finally figured out I DIDN’T want people logging in–doh!–and reset it. Glad you’re happy with the change, cause I am 😀

Comments are closed.