Murder, Courts, and Bart D. Ehrman

I’m going to talk a bit about some murderers in Detroit, Jesus, and a couple of books I recently read that I think are just awesome.

MURDER

Highers BrothersSo, the murderers.

Let me start by asking this question: can you establish the truth in a court of law?

Is that what the judge and jury are deciding? The Truth, with a capital T?

Think about Tommy and Ray Highers, brothers from Detroit. They were convicted of murder. Open and shut case. No parole. They were two nasty buggers who shot a man down over some dope.

But then twenty-five years later (last year, in fact) they were back in court because new evidence had come to light that undermined the original conviction. For the curious, this fascinating Dateline episode reveals the amazing way the evidence came to light and what happened because of it: http://www.nbcnews.com/dateline/full-episode-graduation-night-n72666. Watch it. You’ll be happy you did.

So the Truth. Capital T. Can you establish that in a court of law?

No.

What the justice system does is try to determine which story about the evidence available is the most convincing.

It’s about telling and judging stories.

There are many types of evidence folks use when telling their stories. Some of it is very strong. Some is so unreliable, like hunches and hearsay, that the court won’t even allow it to be presented.

Whatever the evidence, the fundamental nature of this is that you can often tell a number of different stories using the same set of data, the same evidence. Sometimes the stories are variations with minor differences. Sometimes the stories are radically different.

It’s like having only some of the pieces of a 100 piece puzzle. You look at the four, twenty, or thirty pieces you have and imagine what the rest of the puzzle looks like. And then you invent something that seems reasonable.

You invent it.

And if that story meets certain standards of proof, then our system allows the authorities to take certain actions. If the standard of a “reasonable suspicion” is met, it allows a police officer to stop someone. If the standard of “probable cause” is met, a higher standard than reasonable suspicion, an officer can arrest you. If a jury in a criminal case decides the defendant is guilty “beyond a reasonable doubt,” an even higher standard of proof, then the justice system authorizes the authorities to sentence the defendant.

But at no time does the system seek to establish the absolute truth, the truth with a capital T. It only seeks to establish some level of probability that the story being told about the evidence is true.

All of this is made more complex because what’s “reasonable” is based on other people’s opinion. We have guidelines and rules to help folks be “reasonable.” But reasonableness is still affected by culture, background, history, etc.

It’s still opinion.

OTHER PUZZLES

What other realm of knowledge works like the justice system and consists of inventing stories about missing parts of the puzzle?

Well, history does.

In fact, if you think about it, history is what courts do. The processes and principles of our justice system guide everyone involved in how they go about telling the stories that make up that specific type of history.

And all historians (lawyers, judges, and juries included) have no means of establishing the absolute truth.

They can’t use science. Science requires you conduct experiments and reproduce results. But how is a historian going to reproduce the same events? What, they’re going to get Lincoln shot all over again and let the rest of us watch it? Dang, John Wilkes Booth did shoot the man. We all saw it happen down in the lab.

Sure, they can use science to date a manuscript, or determine what something is made of, or establish some other fact. But all science is doing is providing facts about the pieces of the puzzle you have. About the claims the evidence makes.

But science can’t fill in the missing pieces of the puzzle. It can’t tell the story. The historian has to invent the story that makes the pieces all make sense.

And then the rest of us determine if that story, that sketch of the full puzzle, is reasonable.

But that isn’t all there is to it.

STANDARDS OF PROOF

Think about conspiracy theories like the ones that claim that the US government perpetrated the 9/11 bombings. Conspiracy theorists are practicing history. They are inventing a story that seems to fit the evidence available to them.

But what happens when you have only five or ten pieces of a 1,000 piece puzzle? What happens when you don’t thoroughly vet the evidence? What happens when someone screws around with the evidence? And I’m not just talking about tampering or invalidating it by thoughtless handling (contaminating DNA, for example). Folks with the best intentions have biases. In fact, we all have biases that lead us to include and exclude various pieces of evidence based on whether they support or oppose the ideas we want to believe.

Jonathan Haidt explains these biases in his excellent book The Righteous Mind. He explains that with things we want to believe, we often use the standard of “Can I Believe It”?  We look for anything at all that would allow us to believe our position. If we find it, even if it’s flimsy, we discount all the other evidence that may point another way and conclude we have met the burden of proof for our view.

For things that we don’t want to believe, we often use the standard of “Must I Believe It”? When falling prey to this bias, we look for anything at all that would undermine the thing we don’t want to believe, even if that evidence is flimsy. If we find it, we ignore all the other evidence, even if there’s a mountain of it pointing another way, and claim we have met the necessary burden of proof.

In court there are all sorts of procedures and standards that need to be followed to help us avoid invalidating evidence or falling prey to our biases. Those procedures and standards don’t remove all risk. But they do remove a lot.

Which court system would you want to be processed through? The current American justice system or the medieval witch trials?

Oh, for sure I’d want to be someone accused of witchcraft back when a claim of “I saw her as a witch in my dream” was admissible, as was the test of poking a mole on the accused’s body with a needle to see if said witch flinched enough. I’d be so happy to go back to the days when a confession obtained by torture was incontrovertible evidence.

So when practicing history, it’s important to have some guidelines, some rules to establish which bits of evidence are more likely (not guaranteed, but more likely) to be reliable. And it’s important that when folks tell their story, they not only share the evidence, but also all the assumptions they’re making.

JESUS

Where does Jesus of Nazareth come into all of this?

Misquoting Jesus by Bart D Ehrman

Well, Jesus has affected the world more than any other person who has lived on it. The stories we tell about him (the history we have practiced about him for the last 2,000+ years) have changed the world. And those stories will continue to affect us, especially folks in Western cultures, on everything from foreign policy to which clothes think are fit to be worn in public.

Who was Jesus? Did he really exist? Was he a god? What did he really teach? Have his teachings been changed?

These are all fundamental questions. And for the last two-hundred years historians have been re-examining the pieces of the puzzle, finding new pieces, and telling new stories to explain it all.

Some of these historians believe in Jesus as a god. Some don’t. Either way, the conversation is fascinating.

Jesus Interrupted  Bart D Ehrman

I just read three historical books about Jesus that were awesome. AWESOME. Not because I agreed with all of the author’s conclusions, i.e. his stories. I don’t. But because of the way he practiced his history. The way he told his stories. And because what he shared gave me new insights to my stories about Jesus.

The three books, all by Bart D. Ehrman, a professor of religious studies at the University of North Carolina, Chapel Hill, are:

  1. Misquoting Jesus: The Story Behind Who Changed the Bible and Why
  2. Jesus Interrupted: Revealing the Hidden Contradictions in the Bible (And Why We Don’t Know About Them)
  3. Did Jesus Exist? The Historical Argument for Jesus of Nazareth

I’ve read the Bible many times, and I’m a believer. Of course, the question is a believer in which story?

Did Jesus Exist Bart D Ehrman

What Ehrman so engagingly makes clear is that there have indeed been many stories about Jesus. In fact, the gospels (Matthew, Mark, Luke, and John) and the writings of Paul (most of the rest of the New Testament) seem to all portray a different man and message. Not only do they say things that flat out contradict each other on some details, but if you look at each book separately, each author seems to have a slightly different take on Jesus.

Furthermore, it appears that what we now have has changed over time. For example, it seems the last twelve verses of Mark were not in the oldest manuscripts. There have been other changes. One of the more notable ones occurs in John 5:7-8.

Our earliest texts say:

“For there are three that bear record, the spirit, and the water, and the blood: and these three agree in one.”

But later texts say:

“For there are three that bear record in heaven, the Father, the Word, and the Holy Ghost: and these three are one. And there are three that bear witness in earth, the spirit, and the water, and the blood: and these three agree in one.”

Nowhere else in the New Testament do we have anything that states that creedal doctrine so explicitly. Did John write that? Or was the extra material added to make the idea of the trinity scriptural?

And what do we make of the fact that we have no manuscript that dates to anywhere close to when Jesus lived? We have some small fragments of manuscripts with a few verses of John, Revelation, and Matthew dated around 150 AD. But the oldest manuscripts we have that contain the majority of any of the gospels are for the gospels of Luke and John, and these are dated around 200 AD. The oldest manuscripts with the full New Testament are dated around 350 AD.

That’s more than 300 years after Jesus died!

Have you played the game of telephone? Are we sure that the oral traditions that were written down weren’t changed? What happened to the books mentioned in the Bible that we don’t have now? For example, Jude mentions a prophecy of Enoch that we don’t have in our current Bible. Are we sure that the copyists didn’t add to the text like it seems some did to John?

And what about the term “Christ”? It’s actually the Greek word for “messiah” which just means one anointed with oil to perform a special service for god. Christ wasn’t Jesus’s last name. It was a title: Jesus the anointed one.

The anointed ones in those days were kings and prophets and priests. It appears most of the historical sources suggest that a “messiah” to the Jews of that time was someone who would throw off foreign rule and establish the kingdom of Israel as David had. In fact, there were a whole bunch of people who claimed to be messiahs. Here’s a nice list: http://en.wikipedia.org/wiki/Jewish_Messiah_claimants.

Judas Maccabeus was considered a messiah because he threw off Greek rule in 164 BC. But then around 63 BC Israel was taken over by Rome. And Rome wasn’t too keen on revolts, so around 4 BC they crucified Judas the Galilean for claiming to be the messiah, the king of the Jews. Crucifixion, it seems, was the punishment reserved for seditionists. They crucified Jesus and a whole bunch of other guys claiming to be the king of the Jews. And their crimes were written on a board above them, which is why they hung the words “King of the Jews” over Jesus’s head on the cross. Here’s the criminal, and here’s his crime. These other messiahs were not claiming to be a god that came to earth to atone for sins, but anointed by God to throw off foreign rule and establish his earthly kingdom again.

Jesus talks a lot about the kingdom of God. Was Jesus just another one of the seditionists?

Ehrman examines these and many other questions as a historian, providing all sorts of insights.

But the fabulous thing is that he doesn’t just tell his story. He gives his evidence. Exposes his assumptions. And in all three books he explains the guidelines or “rules” historians use to when trying to determine which stories are more likely and which evidence is more reliable.

I was enlightened, challenged, and delighted. I learned things about Jesus’s life and times that have helped me understand what I read in the Bible better.

LIMITS

Of course, the historical method has its limits.

Historians, because they are looking for explanations (stories) that are more probable, automatically select against things that are improbable. They exclude miracles. They exclude any story that says Christ was actually resurrected.  They may establish that a lot of folks thought he was resurrected, but they don’t have any methods to establish something like a resurrection actually occurred. And so they ignore it. Historians exclude modern revelation. If someone today were to have a visitation from Jesus as Paul did, the historians would exclude that.

But we all know that truth is sometimes stranger than fiction. We all know that sometimes the less likely thing is exactly what occurred.

Historians are looking for what is most probable. Not what actually happened. Because they can’t go back and time and verify their story.

Excluding “improbable” things changes the types of stories the pieces of the puzzle support. For many of us, me included, we do accept evidences many historians don’t as pieces of the puzzle. And because we have these pieces, we’re able to tell different types of stories.

The cool thing about Ehrman is that he explains this. He’s not trying to hide anything. Instead, he’s explaining how to approach the Bible from a historical point of view, and where the principles of the historical method lead him.

And I have found that those methods in his hands have a lot to offer.

If you’re someone who is interested in religion–as a believer, agonistic, or atheist–you will love these books. Ehrman himself was once an ardent believer, but is now agnostic. However, his respect for believers, including other scholars in his field who believe in the divine Jesus, comes through loud and clear. Ehrman has no axe to grind. He is simply sharing the stories of Jesus that make sense to him and many other historians. And he does it in a very interesting and easy-to-read style.

If these books sound like something you want to try, I’d start with Misquoting Jesus, move to Jesus Interrupted, and then finish with Did Jesus Exist? And if you enjoy those, let me recommend two more of Ehrman’s books. The first is The Lost Gospel of Judas Iscariot: A New Look at Betrayer and Betrayed, which looks at the discovery and content of a very ancient manuscript that calls itself The Gospel of Judas. The second is Lost Christianities: The Battles for Scripture and the Faiths We Never Knew, which explores the variety of Christian faiths that existed in the few hundred years after Jesus’s death.

Happy reading!

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  • Interview with Author Leah Cypess

    Leah Cypess says, “After selling my first story (Temple of Stone) while in high school, I gave in to my mother’s importuning to be practical and majored in biology at Brooklyn College. I then went to Columbia Law School and practiced law for almost two years at Debevoise & Plimpton LLP, a large law firm in New York City. I kept writing and submitting in my spare time, and finally, a mere 15 years after my first short story acceptance, I sold my first novel, Mistwood, to Greenwillow Books (HarperCollins).”

    Leah lives in Brookline, Massachusetts (right outside of Boston) with her husband Aaron, a researcher and doctor at the Joslin Diabetes Center, and their two daughters. She majored in biology, minored in journalism, went to law school, worked as a lawyer, and has just started to learn about hawking and hunting. She’s published a number of short stories, which are all available for free on her website.

    I just had the opportunity to interview Leah about her writing process and books. Enjoy!

    *

    JB: MISTWOOD, published by HarperCollins in April, 2010, is your debut novel. But is it the first you’ve written?

    LC: Most definitely not. I wrote, revised, and submitted four manuscripts before Mistwood. (Technically, five; but I don’t count the first one, because it wasn’t very good, and I didn’t know what I was doing with the submissions process either. I was fifteen years old.)  In fact, after getting the offer from HarperCollins, I acquired an agent, who asked me to send him a list of my previous manuscripts and their submission histories.  The list was sixteen pages long.

    JB: Holy cow, five novels and 16 pages of submission history. That’s a lot of dedication. And faith in the face of rejection. I’m intrigued. How did the sale of this novel come about? Was it just another submission to yet another editor or did you have some connection? What was different with this book?

    LC: Both the faith and the sale were helped by the fact that I could see incremental improvements. My first novel received mostly form rejection letters, a couple of letters inviting me to submit further, and one revision request. My second received a lot of personal rejection letters, many more requests from various editors to submit future works, and one two-page revision request. The third made it to the acquisition committee at two houses. So I could tell I was getting closer, though it was still pretty dispiriting to think I might never make that final leap into publication. (After Novel #3 was turned down by both acquisition committees, even though it was being championed by senior editors in both cases, I had a couple of bad days.)

     In the end, I think what was different about Mistwood was mostly luck.

    It wasn’t my most perfect manuscript – there was a lot of revising to do after it was accepted! – but it was the one that resonated with the right editor at the right time. This was an editor who had asked me to submit future books after rejecting the query for Book #3, then requested Book #4 and written me a detailed and regretful email about why she didn’t feel it was right for her. By the time I sent her the query for Mistwood, she was obviously confident enough in my abilities to request that I email her the full manuscript, and to read it right away. After all those years, the acceptance for Mistwood came just a few months after I started submitting it.

    JB: I’m betting your persistence and work made some of that luck. Work seems to be a little bit of magic all by itself and has been used by a lot of other authors I know. Hum (grin). So let’s talk about the book. You should know you made The Top 200 YA Authors list I just published on my site. It ranks YA authors by average number of readers per book. And while the list can’t purport to be anything but a reflection of the tastes of the area’s library patrons, I think it’s probably representative of what’s going on in my region. So congrats! The book starts right off with a bang. It’s about a shape shifter. I know shape shifters have been around forever, but most fantasy these days seems to be about vampires and werewolves. Tell us a little bit about the core idea of the novel and its genesis.

    LC:  That’s awesome that I’m on the Top 200 YA Authors list – thanks for letting me know!

    I’ve been reading fantasy/science-fiction “forever” (I cut my teeth on the Edgar Rice Burroughs books my father had stored in our garage), so shapeshifters are just as familiar to me as vampires and werewolves.

    The core idea of the novel is that of an inhuman creature grappling with the fact that she seems to be turning human — while trying to figure out why, exactly, this has happened to her, and who and what she truly is. (And, of course, fending off assassins and dealing with palace intrigue.) That idea developed over the course of writing the novel – I started out with a scene of men riding into a misty forest in search of the magical creature who lived there, with no clear idea of what that creature was or why they wanted her. Then I kind of made the rest up as I went along. (This writing process is one of the reasons the novel was revised nine times before being published!)

    JB: I really liked the beginning. No wonder you felt compelled to follow the idea. And nine revisions! It sounds like you use drafts, as opposed to outlines or other tools, to help you discover your stories. Were these big revisions, almost complete rewrites?

    LC: Thanks! I’m glad you liked it

    I usually don’t rewrite scenes completely – most of my editing of already-written material consists more of snipping unnecessary parts and adding little bits and pieces. (Especially of description, which I tend to leave out entirely in the first draft.) But I do a lot of moving scenes around, deleting some scenes, and writing some new ones.

    Though I don’t use an outline when I first write, I usually create one during the revision process so I can keep track of the jigsaw-puzzle my manuscript has become.

    JB: That’s interesting. Well, I have just one more question for you. Tell us what’s coming next.

    LC: What’s next is NIGHTSPELL, a stand-alone companion novel to MISTWOOD, which will be published in May 2011. It’s about a country where an ancient spell allows murder victims to return as ghosts to seek vengeance on their killers… and if they don’t manage that, they remain ghosts forever. After a couple of hundreds of years of this, the kingdom – Ghostland – has evolved into a place where the living and the dead co-exist, albeit uneasily. My main character, Darri, is a foreigner to Ghostland; she is a barbarian princess who abhors the idea of ghosts and is only there to rescue her younger sister Callie, who was sent as a hostage four years ago. But Callie has changed in those four years, and now has secrets of her own.  In her quest to save her sister from herself, Darri will ultimately face a decision that will force her to reexamine beliefs she has never before questioned – and lead her into the heart of a conspiracy that threatens the balance of power between the living and the dead.

    JB: Oh my bleeping heck. That just gave me a case of massive author envy. I was thinking about writing a ghost story just yesterday and thought, “naw, ghosts are all played out.” Curse you, Cypess!

    Sheesh, talk about a parting shot. Well, I would ask about the next book, seeing NIGHTSPELL must be ready to go if it’s coming out in May, but I can only stand so much punishment. The good news, if I put my reader hat on, is that it looks like I get to put a tickler in my Outlook for this May. In the meantime, I going to suggest to my readers to give MISTWOOD a go. Thanks, Leah, for your time. I enjoyed the interview.

    LC: Thanks, John!

    *

    John sez: folks, I think I’m going to make interviews a regular feature. I just loved finding out more about Leah. It’s also interesting to see just how much work she’s put into this. I know that a good number of authors sell their first or second novel (see the Hines stats in the on writing section), but for a good number of others it’s later novels that sell. In either case, I think it’s clear that good old fashioned work makes up a big part of the secret sauce.

    Ah, that was fun. But, dang it, I should have asked her about her lawyer and biology background. Next time.

    LINKS

    Leah Cypess’s website

    The first three chapters of Mistwood

    Praise for Mistwood

    Codex Author Blog Tour 2011

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  • Cinefour theaters & the goodreads.com pricer

    I think I could write a horror novel about some dollar movie theaters. The unsuspecting movie goers are lured in. They blindly walk into the theater and take a seat, but, no! When they sit down, they find they’re trapped, their feet glued to the sticky soda floor. The doors close behind them. Outside the theater a man walking by thinks he hears screams. He pauses, alarmed. Those sound like REAL screams, people dying? But no, he thinks, it’s just a movie theater, just a scary movie, and he walks away. Moments later blood begins to seep out from underneath the theater’s exit door.

    Too gruesome? Okay, how about this. You go in, swim through a sea of popcorn to your seat only to find that all the seats flop back and leave you staring at the ceiling. This means that while you could listen to the movie, you actually have to crane your neck forward for two hours to see it. By the time the ending credits roll, you can’t walk. Instead, you have to hobble out like a troll. When you finally reach the exit, you swear you can hear the theater owner cackling. A man in a doctor’s coat shows up and slips the owner a manila envelope full of cash. Suddenly, it all becomes clear—it’s not a theater but a medical scam perpetrated by those who sell orthopedic suits and chiropractics. Mwuhahahaha!

    So you can see why the dollar theater dread fell upon me when I went up to the ticket counter at Logan, Utah’s Cinefour theaters and found out the tickets were only $3 each. Sweat began to bead on my brow. I looked around for signs of monster cockroaches that might carry me and my family away to feed to their young, but, to my surprise, the theater was, well, clean. When we entered, we found no sea of trash. No sticky floor. And the seats didn’t flop back into the dentist chair position (unlike another theater on the other side of the street). They actually supported our backs nicely.

    We sat in the dimly lit theater like the old days when you didn’t watch a steady stream of commercials. We chatted. Then the previews started up, the film ran, and nobody came out to murder us. It was great.

    Cinefour. Cheap movies. Nice little theaters. You can take the whole family out and still have money left over to buy a sink at Angie’s.

    ***

    If you love books as much as I do, you can easily spend your mortgage on them. Which is why libraries are so very nice. But even though libraries are great, there are still some books I want to own. One of the fab things about the internet is that it allows lots of companies and individuals to sell new and previously read (but in great condition) books for cheap. The bad news is that it’s hard to do comparison shopping to find the deals. But no longer–www.goodreads.com has solved that problem by doing the searching for you.

    Simply go to the site and search for a book title. When the search results display, click on the book you’re interested in. When the book’s page comes up, you’ll see a little button below the cover that says “buy for” and lists a price. Click that button, and you’ll see a list of all the main vendors and prices. You can then link to one of the vendors and make your purchase.

    So how much can you save? Sometimes a lot. For example, I looked up my own book. Its hard cover list price is $25.99. However, by using the goodreads.com feature, I found a brand new copy for $4.89. I could get a good used copy for one buck. ONE BUCK! Holy schnitzel, that’s a 96% discount. If you want to buy a book, go to goodreads.com to find the deals.

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  • Good Stuff! Saving Mr. Banks, Elementary, Captain Phillips, & Lone Survivor

    Saving Mr BanksOver the last two months I’ve been able to squeeze in a couple of hours to watch a few shows and some episodes of a TV series. I was plesantly surprised to have actually had a wonderfully good run. If you haven’t watched any of these, you’re in for some awesome entertainment.


    Saving Mr. Banks

    I didn’t think I’d like this movie. I enjoyed Mary Poppins as a child and enjoyed it again with my kids. But a movie on Disney getting the rights to make a movie? Boring. Except I was completely wrong. This is not a story about some woman selling the rights to her story. It’s about why she never wanted to sell the rights to Disney in the first place. It’s about her childhood and the real source of Mary Poppins. And to pull that off Saving Mr. Banks has to tell two stories: an often funny one about P.L. Travers who does not want to license her story and Disney’s final attempt to win her over, and a poignant one that reveals why Travers was so resistant. And it leaves the last twist, one that expands the meaning of the title in the viewer’s heart, to the very end. I loved this movie. I loved Hanks as the affable Disney and Thompson as the irascible Ms. Travers. Loved all of the other characters. If you enjoyed dramas like Miss Potter or The Blind Side, you’ll love this too.


    ElementaryElementary

    I thought: another Sherlock Holmes series? Puh-lease. Yes, the two films featuring Robert Downing Jr. and Jude Law and the BBC series with Benedict Cumberbatch and Martin Freeman were superb. I loved both. But another Sherlock? Surely this is going to be some cheap attempt to capitalize on the success of the other two, something that is direct-to-DVD quality. Who is going to do it as well as Downing and Cumberbatch?

    Boy, was I wrong (yet again!)

    Elementary is delightful. Sherlock, played by the talented Johnny Lee Miller who made Eli Stone such a joy, is a modern day Brit living in New York. He’s in the final stages of drug rehab, living with a “sober companion.” The companion is Joan Watson, played by Lucy Lui. The Captain of the NYPD is one of Sherlock’s old friends an appeciates his skills and so brings him in as a consultant on various cases.

    So how could they do anything different? Yes, you have the quick powers of observation and intellectual acrobatics the other Sherlocks have. But the female Watson and the whole recovering addict angle takes the stories in a new direction. This Sherlock has a past that haunts him. And this Watson is maybe a bit quicker than the other two, as wonderful as they are.

    I wouldn’t have believed it if I hadn’t seen it, but there is room for three Sherlocks and Watsons. I can’t tell you which of the three pairs I enjoy more.

    Captain_Phillips_PosterCaptain Phillips

    As soon as the news stories about Somali pirates started breaking back in 2008 I knew it would lead to some thrillers. Heck, Abdul Hassan, “The One Who Never Sleeps” was one of the first zings I posted on this site. What I didn’t know was that the big thriller would be based on an actual story: the 2009 hijacking of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years. Phillips is played by Tom Hanks, who always gives a great performance. But I also found the portrayal of the pirates interesting as well. As I did the many unexpected details of how these pirates operate and how the incident was brought to a close. If you like realistic thrillers, you’ll enjoy Captain Phillips.

    Lone Survivor

    I reviewed the book Lone Survior back in 2011. You can read my full report there, but the bottom line is that it was an awesome read. However, as with all awesome reads, you become a bit wary of the films based on those books. I’m happy to say the filmmakers did a great job on this one. They paid huge attention to detail because they wanted to honor the fallen soldiers by getting it right.

    Lone_Survivor_posterIn order to get it right, they brought Marcus Luttrel, the author, and a number of other SEALs onto the project as consultants. The SEALs put the actors through some basic training before they even began shooting. This was to not only help the actors get to the point where they handle their weapons and gear as someone seasoned might, but also so they could feel what is was to work as a team, an important part of being a SEAL. The SEALs stayed on to provide input as well during the shooting.

    But the details went beyond that. I have never seen a military film that felt as real to me, especially when it came to the characters. SEALs are warriors. But that doesn’t capture the variety they come in. And in the opening 25% of the movie we see sides to these men that many movies do not portray. It was so refreshing! In fact, without the groundwork laid in the beginning, this film wouldn’t have had near the impact it did. Yeah, the action is ACTION! It’s thrilling. You have never seen some of the shots the film portrays. But the action means nothing without the men.

    And this story is about the men.

    It’s about what it means to be one of those guys and gals who put their lives on the line for the rest of us. And if you want a special treat, when the film is over, you’ll watch all the extras.

    The f-word is used about five million times in this movie. I usually don’t like a lot of vulgarity in my entertainment. But I cut the folks some slack in this case because I felt the story was worth it. Besides, I didn’t consider it entertainment anyway, more documentary.

    If you are interested in what it’s like for Special Operations forces, if you want a story to help you see what so many are doing for the rest of us, I don’t know that it gets any better than this.

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    Good Stuff! The actual Christmas story

    It’s interesting how many things we’ve added to the accounts we have in the Bible.

    For example, nowhere does the Bible say that Mary rode a donkey. Mary might have walked. Or rode in a cart. Or gotten piggy back rides. We don’t know. We do know that there is no donkey mentioned in the record.

    It also doesn’t say she had the child the night they arrived.

    It only says she was “great with child” when they made the roughly 80-mile journey from Nazareth to Bethlehem. And that “while they were there” in Bethlehem “the days were accomplished that she should be delivered.”

    So she had the baby sometime while they were there. That could have been during the first hour. But it could have also been a week or month later. We just don’t know.

    It doesn’t mention anywhere the word stable.

    Christ might have been born in a stable, or he might have been born in a cave, or inside the house, or out on the porch, or on the roof (lots of those places had flat roofs where they hung out). We just don’t know. What we do know is that he wasn’t born in a palace. And that they laid him in a manger because there wasn’t any room in the inn. An odd circumstance for a king.  

    Notice as well that there weren’t multiple inns.

    It just says “the inn.” And if you look up that word in the Greek, it’s translated as “guest chamber” in the other spots where it’s used in Luke. So they could have been talking about the one guest room in the house where they were staying. Either way, we don’t have anything that says there was a mean innkeeper who later regretted turning the couple away or that Joseph went door-to-door looking for a place.

    We have no record in the account of three wisemen.

    It just says “wisemen.” So there might have been two of them. Or twelve. We don’t know. And it appears they came sometime after Jesus had been born because they first saw the star of his birth in the east and only then set out to find him. They might have been coming from Persia, hundreds of miles away. Or they could have been living in Bethphage, a mile to the east of Jerusalem. Either way, they didn’t know they should travel to Bethlehem because it says they went and talked to Herod first, in Jerusalem, and asked “where is he that is born King of the Jews?”

    The question freaked Herod out (if you’re the current king, you kind of want to know who else is claiming your throne), and so he gathered all the chief priests and scribes to discuss it, and those guys said the prophecies said it would be Bethlehem. And so Herod met with the wisemen again and told them to go there. And only then did they go down to Bethlehem. So it doesn’t appear the wisemen were there the night of the birth.  

    There’s no record of camels hanging out with the baby either. Or sheep. Or goats. There’s not a lot there. But what is there is interesting.

    Now, I want to go on record stating I have no problem speculating about the event and imagining what it might have been like. I love to do it. Good grief, I write fiction.

    In fact, for many years I figured I needed to get in on the Christmas noun gig. You know what I mean. Every year we get heart-warming books about new Christmas nouns. We’ve had Christmas sweaters, Christmas jars, Christmas boxes, Christmas candles, Christmas carols. This year I see there’s one about Christmas fudge and other about a Christmas train. So I figured I’d do one. Mine would be about the Christmas rat. A little fellow who decided to snuggle up with the babe instead of giving him a nibble. One of these days I will get that hungry rat story written.  

    In the meantime, while there’s a lot of good stuff we’ve added to make the event special, it’s also nice to know what the record actually does say. Whether you’re Christian or not, it’s helpful when dealing with others to know what was recorded about this event that is so significant to the largest religion in the world.

    And so the last bit of good stuff I recommend this month are the two brief accounts we have. The first one is in Matthew 2:1-16 and tells the story of the wisemen. The other is in Luke 2:1-20 and features some shepherds.

    Merry Christmas!

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  • Brown’s Breakfast Burrito, The Way Back

    The Way Back

    GULag is the acronym for the government agency that administered the main Soviet forced labor camp systems in the early 1900’s. In Romanized Russian that’s “Glavnoye upravlyeniye ispravityel’no-trudovih lagyeryey i koloniy” which means “Chief Administration of Corrective Labor Camps and Colonies.”  The term “Gulag” quickly morphed to represent the camps themselves, which housed a wide range of convicts and many political prisoners.  It’s also come to stand for the repressive Soviet system with its arrests, interrogations, transport in unheated cattle cars, forced labor, destruction of families, years spent in exile, and early and unnecessary deaths.

    The Gulag was a meat grinder. An estimated 1,053,829 people died in the Gulag from 1934 to 1953.

    Some of those camps were in Siberia, one of the most remote and harsh places on earth. Sawomir Rawicz was one of those who claimed to have escaped such a camp in Siberia. He wrote about it and his subsequent 4,000-mile walk to freedom in India in The Long Walk. That story inspired Peter Weir to write and direct The Way Back, which tells the story of a group of men who attempt to escape out of Siberia, across the Mongolian wastes, and into India.

    The film stars Ed Harris (who is interesting in anything he does), Colin Farrel (also starred in Ondine), Mark Strong (the villain in Sherlock Holmes), Saoirse Ronan (the fabulous lead in Hanna), and Jim Sturgess (the boyfriend in One Day). One of the group is an outright murderer. The others are all political dissidents—a teacher, priest, businessman, artist, etc. I found the performances honest and believable. But it wasn’t just the characters–the screenwriters subtly used syntax and word choice to transport the viewer.

    But more important than the believability were the various tensions and stories contained within the escape plot. Each of the men, and the lone girl, has a story, and the film gives space for the stories to be told. As for the lone girl: Ronan was amazing in Hannah.  She’s amazing here. Furthermore, the role she played here leavened the whole film with something it wouldn’t have had otherwise.

    The story will surprise you, make you shed a tear, think, and laugh. When you’re finished, you’ll talk about it. It’s that kind of a film. If you like dramas with action and suspense, I think you’ll like this film.

    As always, use KidsInMind.com to see if it contains things you might find objectionable.

    Brown’s Breakfast Burrito

    How about a meal that’s so good you’ll want to slow way down to savor each bite? A breakfast that will keep you full until lunch? A tasty repast that isn’t loaded with mind-numbing calories? Let me suggest the John Brown breakfast burrito. It’s full of succulent umami, bursts of piquant pepper, healthy mushrooms, and lots of filling protein. And it only takes about 10 minutes to prepare. The recipe below makes one burrito. Scale it up to feed more.  

    VEGGIES

    • 1/4th red bell pepper, chopped into small pieces
    • ½ to 1 cup of mushrooms, sliced
    • Dash of thyme

    EGGS

    • 2 eggs (120 calories)
    • 1 T milk or half-and-half
    • Salt
    • Pepper
    • Dash paprika
    • Dash garlic powder
    • Dash onion powder

     THE REST

    • Pam cooking spray
    • 1 tortilla (150 calories)
    • 1 ounce of Jimmy Dean Premium Pork sausage (90 calories)

    If you don’t have one of the spices, don’t freak out. It will still taste great. But the spices really take it to the next level. Here are the instructions. 

    1. Start with your veggies. Spray pan with Pam and sauté peppers for two minutes on medium high heat. Add mushrooms. Give them a spray of Pam and dash with salt. Cover until the mushrooms sweat (release their water).
    2. Next is the sausage. While mushrooms are cooking, start your sausage frying.
    3. Finish veggies. Uncover mushrooms. Just before you finish them, sprinkle with a dash of thyme. When the spice becomes fragrant (its smell rises up in delicious glory from the pan), remove the veggies from the pan and cover to keep them warm.
    4. Cook eggs. Turn heat down to medium low. Beat eggs, milk, salt, pepper, paprika, garlic powder, and onion powder.  Spray pan you used for veggies with Pam, then cook your scrambled eggs on medium low heat, stirring and scraping the whole time. And keep it on medium low—no browning or burning of eggs allowed! Cook until the eggs glisten with the last bits of moisture. Remember: you don’t want dry desert eggs. You want soft succulent ones.
    5. Assemble the glorious concoction. Put the veggies, scrambled eggs, and sausage in your tortilla and wrap it up smartly. (What does “smartly” mean? I don’t know, but it sounded good, didn’t it?)
    6. Go to heaven and return singing. This means you eat your breakfast burrito, but you do it savoring each bite. This is food meant to be enjoyed, not gobbled.

     As for calories, I estimate about 360 for the main ingredients. Veggies really don’t count in my book. Come on! Nobody gained weight eating turnips. But I’ll round it up to 400 just to be safe. Add in a glass of water and a piece of fruit and you’ve got a 450 calorie breakfast that starts your day off with delight, gratitude, and the joy of redemption. It could also make those you cook for kneel down upon the floor in well-deserved homage. And that’s always a nice thing for the cook.

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  • What you need as a storyteller

    Brand-StorytellerOne of the most important things I ever learned about telling stories was in Orson Card’s weeklong boot camp where we “workshopped” stories by doing zero workshopping. Zero critiques. In fact, critiques were verboten.

    Instead, Card asked us to simply provide a report of what he called the three grunts a reader makes when things aren’t working–where it was boring, unclear, or didn’t ring true.

    We were to provide a report of our reader reaction, including parts that really entertained or interested us. NOTHING more.

    He compared it to going to the doctor. We were to report our “symptoms.” The writer’s job was to diagnose if it was an issue and prescribe a remedy, if any.

    Doing that with 19 stories over three days was amazing. It totally opened up what story was about. And taught me what beta reading was all about. One of the most insightful writing experiences I’ve ever had.

    Nowadays when I read, I try my best to simply report. And that’s it. If, afterwards, the writer wants to brainstorm ideas together, that’s fine. But I don’t ever want to diagnose and prescribe because there have been too many books that didn’t work for me that delighted tons of readers. My critique or advice would have been exactly the wrong thing.

    All I can do is report my reaction. And then think about what would have fixed it for me.

    Kristine Rusch recently wrote a great article about this and other things called “Writing by Committee” in which she suggests a list of things authors need to be successful. Give it a read. I think she makes a lot of good points.

    And a few I disagree with. She is quite forceful about writers not acting as first readers. I think that’s bunk. And she says as much in the comments. If a writer can give a reader response instead of a critique, that’s as helpful as a non-writer giving a reader response. I also disagree that you have to toss something and start over if it doesn’t work. If it’s fundamentally broken, sure. But many times a small adjustment gets you back on track.  Finally, yes, a story has to be surprising. At the same time, you had better deliver the type of experience you promise your reader. And that’s all defined by genre. You can’t promise your readers a thriller and deliver a romance. That only leads to irritated readers. I believe you have to consider your audience. But these are all quibbles. The article is great.

    BTW, please note I used “storyteller” in the title. I did that on purpose. More and more, I find I’m not interested in writing. “Writing” doesn’t seem to convey what I’m after. However, I am interested in telling cracking stories.

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5 Comments

  1. It seems the search bots of the anti-Ehrmanites are working very well. I’d barely posted this when these comments came into the queue.

    I’m happy to allow all sorts of questions and challenges as comments. At the same time I prefer to have comments that actually respond to what I wrote. I’m definitely not interested in advertising or blanket advocacy. Nor am I interested in letting my website be used to gin up SEO rankings.

    But in my awesome spirit of generosity and voluminous magnanimity I did allow these and did watch the Wallace youtube. Wallace presents some interesting things, but unfortunately he doesn’t present anything that Ehrman doesn’t present in his own books. And the bulk of his time is spent on a strawman argument.

    And neither Tracey’s comments nor Wallace’s youtube are actual responses to my post. Alas.

    EDIT. I just had an email exchange with Tracey and have happily discovered these were not search bot alerted posts. Tracey is actually a long time visitor.

  2. A interesting debate between Ehrman and Wallace that discusses a part of the what the books do.

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