Murder, Courts, and Bart D. Ehrman

I’m going to talk a bit about some murderers in Detroit, Jesus, and a couple of books I recently read that I think are just awesome.

MURDER

Highers BrothersSo, the murderers.

Let me start by asking this question: can you establish the truth in a court of law?

Is that what the judge and jury are deciding? The Truth, with a capital T?

Think about Tommy and Ray Highers, brothers from Detroit. They were convicted of murder. Open and shut case. No parole. They were two nasty buggers who shot a man down over some dope.

But then twenty-five years later (last year, in fact) they were back in court because new evidence had come to light that undermined the original conviction. For the curious, this fascinating Dateline episode reveals the amazing way the evidence came to light and what happened because of it: http://www.nbcnews.com/dateline/full-episode-graduation-night-n72666. Watch it. You’ll be happy you did.

So the Truth. Capital T. Can you establish that in a court of law?

No.

What the justice system does is try to determine which story about the evidence available is the most convincing.

It’s about telling and judging stories.

There are many types of evidence folks use when telling their stories. Some of it is very strong. Some is so unreliable, like hunches and hearsay, that the court won’t even allow it to be presented.

Whatever the evidence, the fundamental nature of this is that you can often tell a number of different stories using the same set of data, the same evidence. Sometimes the stories are variations with minor differences. Sometimes the stories are radically different.

It’s like having only some of the pieces of a 100 piece puzzle. You look at the four, twenty, or thirty pieces you have and imagine what the rest of the puzzle looks like. And then you invent something that seems reasonable.

You invent it.

And if that story meets certain standards of proof, then our system allows the authorities to take certain actions. If the standard of a “reasonable suspicion” is met, it allows a police officer to stop someone. If the standard of “probable cause” is met, a higher standard than reasonable suspicion, an officer can arrest you. If a jury in a criminal case decides the defendant is guilty “beyond a reasonable doubt,” an even higher standard of proof, then the justice system authorizes the authorities to sentence the defendant.

But at no time does the system seek to establish the absolute truth, the truth with a capital T. It only seeks to establish some level of probability that the story being told about the evidence is true.

All of this is made more complex because what’s “reasonable” is based on other people’s opinion. We have guidelines and rules to help folks be “reasonable.” But reasonableness is still affected by culture, background, history, etc.

It’s still opinion.

OTHER PUZZLES

What other realm of knowledge works like the justice system and consists of inventing stories about missing parts of the puzzle?

Well, history does.

In fact, if you think about it, history is what courts do. The processes and principles of our justice system guide everyone involved in how they go about telling the stories that make up that specific type of history.

And all historians (lawyers, judges, and juries included) have no means of establishing the absolute truth.

They can’t use science. Science requires you conduct experiments and reproduce results. But how is a historian going to reproduce the same events? What, they’re going to get Lincoln shot all over again and let the rest of us watch it? Dang, John Wilkes Booth did shoot the man. We all saw it happen down in the lab.

Sure, they can use science to date a manuscript, or determine what something is made of, or establish some other fact. But all science is doing is providing facts about the pieces of the puzzle you have. About the claims the evidence makes.

But science can’t fill in the missing pieces of the puzzle. It can’t tell the story. The historian has to invent the story that makes the pieces all make sense.

And then the rest of us determine if that story, that sketch of the full puzzle, is reasonable.

But that isn’t all there is to it.

STANDARDS OF PROOF

Think about conspiracy theories like the ones that claim that the US government perpetrated the 9/11 bombings. Conspiracy theorists are practicing history. They are inventing a story that seems to fit the evidence available to them.

But what happens when you have only five or ten pieces of a 1,000 piece puzzle? What happens when you don’t thoroughly vet the evidence? What happens when someone screws around with the evidence? And I’m not just talking about tampering or invalidating it by thoughtless handling (contaminating DNA, for example). Folks with the best intentions have biases. In fact, we all have biases that lead us to include and exclude various pieces of evidence based on whether they support or oppose the ideas we want to believe.

Jonathan Haidt explains these biases in his excellent book The Righteous Mind. He explains that with things we want to believe, we often use the standard of “Can I Believe It”?  We look for anything at all that would allow us to believe our position. If we find it, even if it’s flimsy, we discount all the other evidence that may point another way and conclude we have met the burden of proof for our view.

For things that we don’t want to believe, we often use the standard of “Must I Believe It”? When falling prey to this bias, we look for anything at all that would undermine the thing we don’t want to believe, even if that evidence is flimsy. If we find it, we ignore all the other evidence, even if there’s a mountain of it pointing another way, and claim we have met the necessary burden of proof.

In court there are all sorts of procedures and standards that need to be followed to help us avoid invalidating evidence or falling prey to our biases. Those procedures and standards don’t remove all risk. But they do remove a lot.

Which court system would you want to be processed through? The current American justice system or the medieval witch trials?

Oh, for sure I’d want to be someone accused of witchcraft back when a claim of “I saw her as a witch in my dream” was admissible, as was the test of poking a mole on the accused’s body with a needle to see if said witch flinched enough. I’d be so happy to go back to the days when a confession obtained by torture was incontrovertible evidence.

So when practicing history, it’s important to have some guidelines, some rules to establish which bits of evidence are more likely (not guaranteed, but more likely) to be reliable. And it’s important that when folks tell their story, they not only share the evidence, but also all the assumptions they’re making.

JESUS

Where does Jesus of Nazareth come into all of this?

Misquoting Jesus by Bart D Ehrman

Well, Jesus has affected the world more than any other person who has lived on it. The stories we tell about him (the history we have practiced about him for the last 2,000+ years) have changed the world. And those stories will continue to affect us, especially folks in Western cultures, on everything from foreign policy to which clothes think are fit to be worn in public.

Who was Jesus? Did he really exist? Was he a god? What did he really teach? Have his teachings been changed?

These are all fundamental questions. And for the last two-hundred years historians have been re-examining the pieces of the puzzle, finding new pieces, and telling new stories to explain it all.

Some of these historians believe in Jesus as a god. Some don’t. Either way, the conversation is fascinating.

Jesus Interrupted  Bart D Ehrman

I just read three historical books about Jesus that were awesome. AWESOME. Not because I agreed with all of the author’s conclusions, i.e. his stories. I don’t. But because of the way he practiced his history. The way he told his stories. And because what he shared gave me new insights to my stories about Jesus.

The three books, all by Bart D. Ehrman, a professor of religious studies at the University of North Carolina, Chapel Hill, are:

  1. Misquoting Jesus: The Story Behind Who Changed the Bible and Why
  2. Jesus Interrupted: Revealing the Hidden Contradictions in the Bible (And Why We Don’t Know About Them)
  3. Did Jesus Exist? The Historical Argument for Jesus of Nazareth

I’ve read the Bible many times, and I’m a believer. Of course, the question is a believer in which story?

Did Jesus Exist Bart D Ehrman

What Ehrman so engagingly makes clear is that there have indeed been many stories about Jesus. In fact, the gospels (Matthew, Mark, Luke, and John) and the writings of Paul (most of the rest of the New Testament) seem to all portray a different man and message. Not only do they say things that flat out contradict each other on some details, but if you look at each book separately, each author seems to have a slightly different take on Jesus.

Furthermore, it appears that what we now have has changed over time. For example, it seems the last twelve verses of Mark were not in the oldest manuscripts. There have been other changes. One of the more notable ones occurs in John 5:7-8.

Our earliest texts say:

“For there are three that bear record, the spirit, and the water, and the blood: and these three agree in one.”

But later texts say:

“For there are three that bear record in heaven, the Father, the Word, and the Holy Ghost: and these three are one. And there are three that bear witness in earth, the spirit, and the water, and the blood: and these three agree in one.”

Nowhere else in the New Testament do we have anything that states that creedal doctrine so explicitly. Did John write that? Or was the extra material added to make the idea of the trinity scriptural?

And what do we make of the fact that we have no manuscript that dates to anywhere close to when Jesus lived? We have some small fragments of manuscripts with a few verses of John, Revelation, and Matthew dated around 150 AD. But the oldest manuscripts we have that contain the majority of any of the gospels are for the gospels of Luke and John, and these are dated around 200 AD. The oldest manuscripts with the full New Testament are dated around 350 AD.

That’s more than 300 years after Jesus died!

Have you played the game of telephone? Are we sure that the oral traditions that were written down weren’t changed? What happened to the books mentioned in the Bible that we don’t have now? For example, Jude mentions a prophecy of Enoch that we don’t have in our current Bible. Are we sure that the copyists didn’t add to the text like it seems some did to John?

And what about the term “Christ”? It’s actually the Greek word for “messiah” which just means one anointed with oil to perform a special service for god. Christ wasn’t Jesus’s last name. It was a title: Jesus the anointed one.

The anointed ones in those days were kings and prophets and priests. It appears most of the historical sources suggest that a “messiah” to the Jews of that time was someone who would throw off foreign rule and establish the kingdom of Israel as David had. In fact, there were a whole bunch of people who claimed to be messiahs. Here’s a nice list: http://en.wikipedia.org/wiki/Jewish_Messiah_claimants.

Judas Maccabeus was considered a messiah because he threw off Greek rule in 164 BC. But then around 63 BC Israel was taken over by Rome. And Rome wasn’t too keen on revolts, so around 4 BC they crucified Judas the Galilean for claiming to be the messiah, the king of the Jews. Crucifixion, it seems, was the punishment reserved for seditionists. They crucified Jesus and a whole bunch of other guys claiming to be the king of the Jews. And their crimes were written on a board above them, which is why they hung the words “King of the Jews” over Jesus’s head on the cross. Here’s the criminal, and here’s his crime. These other messiahs were not claiming to be a god that came to earth to atone for sins, but anointed by God to throw off foreign rule and establish his earthly kingdom again.

Jesus talks a lot about the kingdom of God. Was Jesus just another one of the seditionists?

Ehrman examines these and many other questions as a historian, providing all sorts of insights.

But the fabulous thing is that he doesn’t just tell his story. He gives his evidence. Exposes his assumptions. And in all three books he explains the guidelines or “rules” historians use to when trying to determine which stories are more likely and which evidence is more reliable.

I was enlightened, challenged, and delighted. I learned things about Jesus’s life and times that have helped me understand what I read in the Bible better.

LIMITS

Of course, the historical method has its limits.

Historians, because they are looking for explanations (stories) that are more probable, automatically select against things that are improbable. They exclude miracles. They exclude any story that says Christ was actually resurrected.  They may establish that a lot of folks thought he was resurrected, but they don’t have any methods to establish something like a resurrection actually occurred. And so they ignore it. Historians exclude modern revelation. If someone today were to have a visitation from Jesus as Paul did, the historians would exclude that.

But we all know that truth is sometimes stranger than fiction. We all know that sometimes the less likely thing is exactly what occurred.

Historians are looking for what is most probable. Not what actually happened. Because they can’t go back and time and verify their story.

Excluding “improbable” things changes the types of stories the pieces of the puzzle support. For many of us, me included, we do accept evidences many historians don’t as pieces of the puzzle. And because we have these pieces, we’re able to tell different types of stories.

The cool thing about Ehrman is that he explains this. He’s not trying to hide anything. Instead, he’s explaining how to approach the Bible from a historical point of view, and where the principles of the historical method lead him.

And I have found that those methods in his hands have a lot to offer.

If you’re someone who is interested in religion–as a believer, agonistic, or atheist–you will love these books. Ehrman himself was once an ardent believer, but is now agnostic. However, his respect for believers, including other scholars in his field who believe in the divine Jesus, comes through loud and clear. Ehrman has no axe to grind. He is simply sharing the stories of Jesus that make sense to him and many other historians. And he does it in a very interesting and easy-to-read style.

If these books sound like something you want to try, I’d start with Misquoting Jesus, move to Jesus Interrupted, and then finish with Did Jesus Exist? And if you enjoy those, let me recommend two more of Ehrman’s books. The first is The Lost Gospel of Judas Iscariot: A New Look at Betrayer and Betrayed, which looks at the discovery and content of a very ancient manuscript that calls itself The Gospel of Judas. The second is Lost Christianities: The Battles for Scripture and the Faiths We Never Knew, which explores the variety of Christian faiths that existed in the few hundred years after Jesus’s death.

Happy reading!

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    JOHN: In your novel an elemental spirit attacks an incoming windship, murdering the heir to a kingdom. The person believed to be behind this is a child, an autistic savant. This sounds like Orson Card tale (grin). Did you come up with this character first, the magic, or something else. Tell us the genesis of the tale and this character in particular.

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    BRADLEY: Yes, using artwork as a starting point was a new technique for me. I had no idea if it was going to work or not. An interesting thing came up when I was doing it, though. One of the things I learned at a few of the workshops I’ve been to (Writers of the Future and Orson Scott Card’s Literary Bootcamp) was to create stories in very little time using a few unrelated things as starting points. One unanticipated result of having restrictions in some areas (such as the elements involved in the story) is that it opens your mind in other areas. You’re forced to become more creative in some ways because certain avenues have been closed to you. I think it was the same with the portraits I used to represent the characters.

    Before that, in the previous three novels I’d written, I didn’t really have any specific brainstorming techniques. I would start with a premise and perhaps a loose idea of the characters and a mood, and I would go from there, trying to stay true to those things as the story evolved and grew. Although part of the problem with those early stories was that I was young in my craft, I also think my brainstorming wasn’t very efficient. I think, as I alluded to above, that there were too many possibilities. I had trouble narrowing the story down, and it led to stories that were ok, but nothing great. Too often they became a bit generic. Nothing really stood out.

    So while the artwork I used is one of a great many possible brainstorming techniques, I like the idea of challenging yourself with restrictions in order to force the story to stretch and bend in unpredictable ways.

    JOHN: Wow. That’s a striking insight. I think I’ve found the same thing occurs when I run workshops or do my own brainstorming, but I don’t know that I’ve ever crystallized it the way you have. (See folks, this is why I love these interviews.) So I see _The Winds of Khalakovo_ will be published by Night Shade books. You’ve had quite a few short stories published, but this is your first novel. How did you make the sale? Did you have an agent? Was the editor someone you knew? Gives us a bit of the story behind this.

    BRADLEY: As you said, I’d been making steady progress throughout the years in short story sales. I had attended a number of workshops, and I think my name had at least some recognition by editors, either from short stories I’d published or personal connections I’d made at conventions. As an aside, some people will say that you shouldn’t go and sell yourself at conventions. If an opportunity comes up, they say, and an editor or agent asks you what you’re working on, go ahead and take advantage of it. I don’t doubt that that’s good advice for some. Just not for me. I believe that editors and agents are at cons not just to meet with their authors and speak with agents, but to see who’s coming up in the field. They’ll get to know a certain percentage of the newcomers from their short sales, or even novel sales, but they can’t read everything. They can’t even read a small percentage of the fiction that comes out each year. So, frankly, it’s up to me to make them aware of who I am.

    Now, that doesn’t mean you should be pushy. You should be friendly and businesslike. Keep things short and sweet and as casual as you possibly can. And that’s exactly what I tried to do. I approached Jeremy at World Fantasy in San Jose (2009) and told him I had an epic fantasy that he might like. I pitched it as “The Song of Ice and Fire meets Earthsea.” He asked me if I had an agent. I said no. Night Shade doesn’t normally take unagented mss (and I should probably ask Jeremy some day if he gets annoyed that I tell this story), but he said he liked the cool pitch and said to send it his way. Roughly five months later, I got an email from Jeremy, offering to publish the book. 

    At that point, I moved quickly to find an agent, and believe me, agents will move quickly as well if you tell them you have an offer on the table. That doesn’t mean they’ll be clamoring to sign you up. It just means you have their attention. I was lucky enough to be picked up by Russell Galen of the Scovil Galen Ghosh Literary Agency. Russ and I are simpatico on a number of levels, and to be frank, as an agent he kicks serious ass, so I feel honored and blessed to be under his wing.

    JOHN: What a great breaking in story. And you’re right, Galen is tops. So to give my readers perspective, did you approach a lot of editors this way? Or was Jeremy at Night Shade one of a select few? And did you encounter any annoyance? I know my editor, David Hartwell at Tor, doesn’t much like to be approached at cons. But obviously, that’s not the case with all editors.

    BRADLEY: Well, I had not approached anyone else for Winds. However, I had previous novels, and I’d approached a variety of agents and editors over the years. Not scads of them, mind you, but a number of them, and there were more agents I spoke to than editors because the general rule of thumb is that you can approach and/or query multiple agents at the same time, whereas editors you typically ask for exclusives, even at the partial stage. I was also careful about who I approached, and when. I went to the Pikes Peak Writers Conference for several years. They had pitch sessions there, where you can sit down with an acquiring agent or editor and talk to them about your novel. I certainly took advantage of this, but I also wasn’t afraid to approach them outside of those sessions. At conferences in particular, I think the invited guests are open to being approached at the bar, at the dinners, and at the parties. Again, though, I tried to keep things as casual as I could, and I kept the pitch short and sweet so that they could determine quickly whether it was a project that interested them. Most often I got a “Sure, send me 50 pages” type of answer, but I got a few requests for fulls by doing this as well.

    Conventions are another beast. It’s a looser environment than a conference, so I was much more choosy about when I approached agents and editors. I’ve never encountered annoyance, but I’ve certainly felt stiffness from those who perhaps would rather not be approached. I learned from this early on and adjusted my approach. I would try to meet them first and strike up a conversation and see where it went. Often, if you can just be humans with one another, the subject of what you write and what projects you might have ready will come up. Try to take that approach, because there’s nothing to put off an editor that already keeps unknown writers at arm’s length than the smell of desperation. In the words of Monica Geller, keep it breezy.

    JOHN: Well, I’m excited for you. Night Shade is a great publisher. So I have one more question: what’s next?

    BRADLEY: I’m contracted for two more books, so that’ll occupying my time for a little while yet. But I’ve started brainstorming the next project. (I like to let things germinate for quite a while, so it’s important for me to get my hindbrain working on these as early as possible.) I have two possibilities that I’m mulling over. The first is a science-fantasy called The Days of Dust and Ash. Think Nausicaä of the Valley of the Wind meets The Coldfire Trilogy. I’m excited about this story, because it’s a departure from what I’ve written in the past, though it will still be fantastic and wide in scope. The story focuses on a young girl who is summoned from the dust, a global consciousness that was created as the last great age of technology fell under a nanite plague.

    The other is called From the Spices of Sanandira. I sold a novella with the same title to Beneath Ceaseless Skies last year, and it will be appearing sometime this spring. It’s a story that springs from Sanandira, a large desert oasis known for its caravan trade and spice bazaars. It’s got a strong Thousand and One Nights feel to it. The novel is not so much an expansion of the novella as it is a re-imagining of it. It will probably focus on a pair of twins: one boy, one girl. The sister is sold to one of Sanandira’s famed assassin rings at a young age. The boy (the protagonist) finds his sister by happenstance years later, and because of this chance meeting is drawn into the world of intrigue his sister walks every day.

    ***

     JOHN SEZ: I just love hearing how other authors work. As I said before, after this interview I decided to use the image technique myself on my current thriller project. Images of people and places and thing. I’m finding it helpful to help the story come to life. I also think Bradley’s breaking in story illustrates one key thing: work. And that’s exactly what I need to do right now 🙂

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  • Bartimaeus & The Time Traveler’s Guide to Medieval England

    Pure Delight

    One of the most delightful literary characters to appear in the last decade is the cheeky Bartimaeus–a five-thousand-year-old djinni (“genie”) who plays the lead role in Jonathan Stroud’s trilogy The Amulet of Samarkand, The Golem’s Eye, and Ptolemy’s Gate.

    In Stroud’s world, magicians have no magic in themselves, but they do have the lore to summon and enslave demons, who can work magic. There are demons of various levels and powers. The lowest regularly summoned and enslaved are Imps, who can be crude and like to tell outright whoppers, but are good for standing watch and carrying messages. Next come Foliots, which Bartimaeus describes as “cut price djinn.” In the middle of the great chain of beings are the Djinn themselves, whose clever intelligence Bartimaeus extols, followed by Afrits, and finally Marids, who are rarely summoned because they are too strong for any but the most powerful magicians to control. Of Marids, Bartimaeus insightfully reveals that they are “dreadfully full of themselves.”

    In the trilogy, Bartimaeus is summoned and enslaved to do the bidding of a sometimes jerkish young magician who learns to be a better person, despite himself. Of course, along the way the magician sends Bartimaeus in great peril, which he eludes with cunning, sardonic wit, and many good one-liners. I read the first book, loved it, then listened to all three read by Simon Jones, who makes these stories even better. The sad news is that I finished them. I simply wasn’t ready to let Bartimaeus go.

    Which is why I was so happy to find that Stroud recently released a fourth book: The Ring of Solomon, which is a stand-alone prequel to the trilogy. The family and I just finished listening to it, and it is every bit as good, if not better, than the first three.

    This story is set in biblical times where King Solomon has risen to uncontested power because of his possession of an all-powerful ring which allows him to summon hordes of powerful demons in a blink. Bartimaeus is enslaved to one of Solomon’s magicians.  A mean man, who Bartimaeus catches in a mistake and escapes, principally by devouring him. But Solomon doesn’t take kindly to that, and orders Khaba, a sinister and cruel magician, to summon him back to make an example for the other demons.

    Meanwhile, the Queen of Sheba, having denied Solomon’s marriage proposal three times, is sent an extortion threat.  Angry and frightened, she sends Asmira, a young woman and loyal captain of the guard, to Jerusalem to assassinate Solomon.

    Bartimaeus and Asmira hook up and find themselves in quite a pickle as they attempt to solve their problems. The story provides lots of humor, adventure, peril for both Bartimaeus and Asmira, and a number of surprising turnarounds. It also, in its own way, makes a comment on leadership, loyalty, and zealotry.

    You’ll find it in the middle-grade section of your bookstore, but don’t let the placement fool you into thinking it’s not for adults. Like the best stories, it offers something for everyone. It’s a perfect blend of insight and entertainment and had my whole family, oldest to youngest, spellbound for the duration as we listened to it riding in the car. This is one of my favorite books this year. And if you want to really indulge yourself, listen to the audio book read by Simon Jones.

    Travel to Medieval England

    I love learning new things about places and peoples, even if it’s a place I’ve “been” to before, which is why Ian Mortimer’s The Time Traveler’s Guide to Medieval England intrigued me. The first page convinced me to buy to book. And I’m so happy I did.

    I’ve read my fair share of interesting and well-written texts on this subject, including, among others, Life in a Medieval City and Life in a Medieval Village by Frances and Joseph Gies, Standards of Living in the later Middle Ages by Christopher Dyer, The Medieval Castle by Philip Warner, Daily Life in the Middle Ages by Paul B. Newman, and Power and Profit: The Merchant In Medieval Europe by Peter Spufford. All engrossing reads. What sets Mortimer’s book apart is that he not only approaches the topic as a travel guide that leads to you interesting sights and shares fascinating tidbits about the place, but he also helps you imagine how it would be, as a 21st century person, to actually travel there.

    For example, where would you go if you got sick? What happens if you’re robbed, where do you report the crime, and should you? Where might you get food and would it be something you’d find palatable? How will you get from place to place? Why kind of entertainment can you expect? And what can you wear without offending your hosts?

    Mortimer focuses on the fourteenth century England, since this period comes closest to the popular idea of the medieval times. He tackles the topics of the landscape, people, the Medieval character, basic essentials, what to wear, traveling, where to stay, what to eat and drink, health and hygiene, the law, and what to do. And he does it all in a chatty, clear, and informative manner, with a bit of humor thrown in for spice.

    Each page was a delight, and I found myself feeling like I was there. Furthermore, I learned a number of things that I hadn’t picked up in my previous readings. I’m tempted to quote all sorts of interesting tidbits he shares about the age, but I’ll refrain. If you are at all interested in the Middle Ages, I think you’ll love this book.

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  • Check out Dave Farland’s new cover

    Isaac Stewart pointed this out to me. Wow. And what a change. Farland’s got a whole new look and feel. I don’t know much about cover art/marketing and how well various colors and styles do in the book store (will buyers gloss over this because of its dark color?–I hope not). But however this performs on the shelf, it’s a great illustration.

    See more images on Irene Gallo’s blog about it. Compare with the old style.

    david-farlands-sons-of-the-oak

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  • Good Stuff! Extinct, RadioWest, and Ruca’s

    I’ve been looking forward to watching Extinct, a brand-new TV series. I watched the pilot with my wife and teenage daughter, and we enjoyed it. I watched the next episode, and then a few days later couldn’t help but binge-watch three more. And I’m happy to report it’s full of good stuff and interesting stories.

    First of all, it starts with a killer concept. Aliens invade earth and wipe us out, but that’s been done to death. This story doesn’t start there. This story is set four hundred years in the future after the extinction of the human race, when a small group of humans is revived by an alien civilization.

    But this isn’t Star Wars, Star Trek, Blade Runner, Battlestar Glactica or anything like that. It feels more like the TV series Lost or The Maze Runner. The heroes are three humans who have been brought back and are trying to figure out what’s happening and how to survive in a place that’s low tech and is the home to a dangerous band of other humans that were also brought back. They’re dangerous, by the way, because they have been taken over by spores that latch other their nervous system and use their bodies as a host.

    This series transports you to a world of cool tech and alien stuff like the sparks that regenerate the humans in pools of water, two interesting drones, and alien ruins and glyphs. But the best part about this isn’t the spectacle of the technology. It’s the stories. There’s suspense and action, but also mystery and a lot of stuff that’s human and warm and, surprisingly enough, thought-provoking.

    We try to hold a family night once a week to have fun together and discuss important topics. And I can see us easily watching one of these episodes and finding ourselves in a deep discussion about free will, or the creation, or whether Duncan, one of the skin riders, looks like someone right out of The Hobbit.

    I liked episodes one and two, but it was episode three that kicked it into high gear for me. If you liked Lost or The Maze Runner or the series Once Upon a Time, I think you’ll really enjoy this. Right now you can stream the first eight episodes for free from byutv.org/extinct or extinct.tv.

    EDIT: I just finished episode 8. I really like this series.

    #

    Do you like listening to interesting ideas? If so, you will love tuning into RadioWest. It’s a daily program from KUER in Salt Lake City that features hour-long interviews of folks who are experts on some of the most interesting things or have an interesting story to tell.

    Doug Fabrizio is the host and has to be the best interviewer on the planet. I love his voice, but it’s his skill in drawing out the fascinating meat of the topic from his guests is what sets him apart. And unlike some interviewers who don’t even read the books they’re talking about, you can see that Fabrizio has done his homework. He’s really thought about what they have to say.

    For example, just this last week, I got to listen to compelling interviews of (1) Tom Christofferson, the gay brother of Elder Todd Christofferson, a Mormon apostle, (2) Ben Shapiro, an orthodox Jew who is an up and coming voice on the Right and was recently protested at Berkeley and the University of Utah, and (3) science writer Ben Mezrich who has written a book about the scientists and researchers who are trying to bring back the wooly mammoth.

    Week after week, Fabrizio brings amazing people and ideas into my car and home. You can listen to his interviews every morning at 11 a.m. and 8 p.m. on the radio at FM 90.1 (Salt Lake Area), FM 90.5 (Logan and Bear Lake), and FM 88.3 (Randolph and Woodruff). Or you can listen live online at radiowest.kuer.org, which is also where they keep all the recordings so you can catch up on any you miss.

    #

    New restaurants come and go all the time in Garden City, Utah. Most of them don’t last more than a few seasons. Often this is because they charge lots of money for food that’s really not worth it. So it’s with great delight that I tell you about Ruca’s, a little spot on the block between the city park and Bear Lake Pizza on the main drag.

    Not only are the prices reasonable, but the food is delicious. They have sandwiches and other stuff, but we have gone back multiple times for their ebleskivers (AY-bill SKEE-vurs). These are Danish pancakes in the shape of a ball that can be filled with all sorts of stuff. My wife and daughter love the ones filled with peaches and the others filled with Nutella and strawberries. I like the savory ones filled with bacon and cheese with eggs on top.

    They’re going to be closing up for the winter, so if you want some great food for a great price, get over there now and enjoy a new delight.

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5 Comments

  1. It seems the search bots of the anti-Ehrmanites are working very well. I’d barely posted this when these comments came into the queue.

    I’m happy to allow all sorts of questions and challenges as comments. At the same time I prefer to have comments that actually respond to what I wrote. I’m definitely not interested in advertising or blanket advocacy. Nor am I interested in letting my website be used to gin up SEO rankings.

    But in my awesome spirit of generosity and voluminous magnanimity I did allow these and did watch the Wallace youtube. Wallace presents some interesting things, but unfortunately he doesn’t present anything that Ehrman doesn’t present in his own books. And the bulk of his time is spent on a strawman argument.

    And neither Tracey’s comments nor Wallace’s youtube are actual responses to my post. Alas.

    EDIT. I just had an email exchange with Tracey and have happily discovered these were not search bot alerted posts. Tracey is actually a long time visitor.

  2. A interesting debate between Ehrman and Wallace that discusses a part of the what the books do.

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