Author: John Brown

  • Library Journal gives Servant of a Dark God a starred review

    Library Journal just gave Servant of a Dark God a starred review. Yesss! BTW, that’s not one star out of four or five. The review gets a star or it doesn’t. Those with a star are “highly-rated.” I just wish I could lick it and put it on my forehead.

    Brown, John. Servant of a Dark God. Tor. Oct. 2009. (The Dark Gods, Vol. 1). c.448p. ISBN 978-0-7653-2235-7. $25.99. FANTASY

    Suffering under the oppressive rule of their Mokaddian conquerors, the Koramites hide ancient magics that draw power from a person’s “days,” thus shortening the lives of the donors. A young boy becomes caught up in a personal and political struggle when one of the Divines who knows how to wield this power disappears. Brown’s first novel, the opener in a new fantasy series, creates an elaborate new world with a rich and deep spiritual and political background. VERDICT Reminiscent of L.E. Modesitt Jr.’s “Recluce” novels and David Drake’s “Lord of the Isles” series and David Farland’s “Runelords” books, this well-wrought tale of families in conflict against both politics and religion represents a welcome addition to large-scale fantasy.

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    John guest posts about writing memorable fiction on ReidWrite

    Luc Reid is the author of, among other things, Talk the Talk: The Slang of 65 American Subcultures.  He is also the lizard king of Codex, which he started and of which I’m so happy to be a member. He’s always starting provocative threads on Codex, making us all think and reexamine the principles of story and the whole writing business. He recently posted some insights about what makes memorable stories. A lot of other fellow Codexians joined in the discussion. Happily, he asked me to share some of my thoughts on his site, ReidWrite. They begin as follows:

    YOU’RE MINE, DEAR READER

     Mwuhahaha.

     Okay, maybe not. But you are wired to be mine. And you wouldn’t have it any other way.

    Let’s back up. Luc wrote about writing memorable. I agree with the idea that the stories that produce a strong emotional reaction are the most memorable. In fact, I believe that triggering of emotion is THE reason why linear narrative that puts us into the trance has lasted so long in so many forms and makes so much money.

    But can writers guide reader emotions? Or is it all just by accident?

    Read the rest here: http://reidwrite.livejournal.com/8331.html.

    BTW, when you’ve finished that, you might want to check out Luc’s new site, WillpowerEngine.com. It’s a place where he shares what he’s found in his research for his current book project, The Willpower Engine, on how self-motivation works. I think you’ll find a number of the posts there very interesting.

  • I Am Not A Serial Killer by Dan Wells

    IAmNotASerialKillerYou can scare the crap out of me (Aracnaphobia), and I will love you forever. You can make me bite my nails in terrible suspense (Wait Until Dark, The Village) or throw supernatural at me (Poltergeist) and I will sing with praise. But the moment you do gruesome, the moment you start showing me entrails and organs, my discomfort level shoots through the roof.

    And this is why I would not have finished  I Am Not A Serial Killer by Dan Well’s if I had just picked it up off a shelf–because the main character is the son of a woman who owns a mortuary. We get to see him help process a mutilated body very early in the book, pumping fluids in etc., and Wells knows his craft so I was THERE. I’m sure it’s not too gruesome for some, but I just have issues with organs. I don’t know why. I also have an issue with clowns.

    Clowns are, by far, the scariest things around. And this is not because I read the book IT by Stephen King as a wee lad because I didn’t. It’s because they’re painted vessels of evil. End of story. They’re perfect examples of the freakazoids that lurk in the uncanny valley.

    Anyway, I’d heard Wells read a portion of this book that had all of us in the room crying because we were laughing so hard. So I read on, telling myself I had to at least get to that part. And I am so very happy I did. 

    I Am Not A Serial Killer is young adult story about a good-hearted teen named John Cleaver who is a sociopath with all the traits shared by serial killers. John’s in counseling, but more importantly, he is convinced he can prevent himself from becoming a serial killer by keeping rules he’s made for himself like not watching people for too long and complimenting someone when they make him angry. Such rules, he hopes, will keep him from feeding compulsions he won’t be able to resist.  The problem is a real serial killer has come to town (but unlike any you’ve seen before). And John may be the only one who can stop him. Will he let go of his rules to save the town? Or will he keep his monster asleep while others die around him?

    It’s a fascinating situation (without a clown in sight, may the writing gods be praised). And Wells takes the reader on a journey through it that includes mystery, dread, and humor. In the hands of some other author, that would be enough. But Wells does more than entertain us. He gives us things to think about. He gives us great characters to boot–come on, when was the last time you read a book where the hero was a likeable sociopath? And most of the gruesome is up front anyway.

    Read this book. Skim the body processing if you must. But you simply don’t want to miss the rest. It was a fabulous read and I recommend it highly.

    The US version comes out in March of 2010. But you can get the UK version now on Amazon UK, Borders UK, etc. The links are all here on Well’s site.

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    John guests on Writing Excuses season 3 episode 16

    writing-excuses-the-guys2-300x139A while ago the Writing Excuses team asked me to record with them, and last Friday I got to do it and had a blast.

    We recorded three episodes. In the first podcast we talk about putting and not putting ourselves in our writing and making characters who don’t all sound like the author. As usual, the guys had some great insights. Check it out: The Anti-Mary Sue Episode.