Good Stuff! Savory Thai, Planters Medley, Everest, The Arrival

I love finding little, non-chain restaurants with excellent, reasonably priced food. And I just found another one this week. It’s called Savory Thai, and it’s on 182 W Center Street in Orem, UT.

Oh, baby. If you decide to go, you are in for a treat. We ate there in celebration of my third daughter’s call to do missionary work in the middle and western Pennsylvania area (go Steelers, Amish, and “yous all”).

I learned to love Thai food because it’s so close to Indonesian food. And I learned to love that because I lived in the city of Nijmegen in the Netherlands for five months and in Amersfoort, which is maybe an hour away, for seven. In Nijmegen, I lived in the attic of a row house with a series of missionary companions. In Amersfoort, I lived in a spare bedroom with another series of companions. Both homes were owned by Indonesian grandmothers who cooked one or two Indonesian meals a day for us. Think about that—home cooked Indonesian food every day. It was marvelous. When I came back to the States, Indonesian restaurants were few and far between, but to my delight I found that the Thai cuisine is very close, and so that became my stand in.

If you’ve never had Thai food, it’s kind of like Chinese, but it’s got curries, so it’s a little like Indian as well, but that doesn’t describe it either because it has its own separate taste that’s entirely wonderful.

This place is in a little strip of stores. It’s small enough that you could drive right past and never know it existed. But when you walk in, you’ll see that they know how to make a good first impression. It’s clean, smells good, and the host is friendly, but these guys go farther than that. You’ll notice, of all things, the menu cover. Instead of handing out some flimsy paper or laminated thing, they hand out these thick menus covered in what looks like some kind of leather. It gives a feel of permanence, of solidity, as if the restaurant has been there for years (it’s two months old). But of course we weren’t there for menus or friendly servers. We were there for the food. And we were not disappointed.

I can happily report that their green curry (spicy), pineapple curry, massaman curry (a lovely peanuty sauce), orange chicken, chicken cashew, fried rice, and pad Thai were all excellent. They use no MSG, cook it fresh, and keep it reasonably priced, $8-$10 per dish. I can promise you that we’ll be back.

If you’re in the area and want some great food, stop at Savory Thai.

*

I love almonds and have been for many years a big fan of the W?nderful brand bags of roasted and salted almonds you can find in Sam’s Club. However, this last week, I came across something new from Planters called their Almond Lover’s Medley, which is a blend of four different varieties of almonds, dry roasted and unsalted. It includes the Marcona, Nonpareil, Fritz, and Butte-padres, which is the variety used in the W?nderful bags. I can report that this mix from Planters is delicious. The differences in taste and texture between the varieties is subtle, but real. And I was surprised at how much I enjoyed them unsalted. If you love nuts, you’ll want to give this blend a try.

*

I did not want to watch a movie about climbing Mt. Everest. Everest? Were you kidding me? I couldn’t think of anything more boring, but this is what my daughters wanted, and it was Thanksgiving weekend, and so we watched Everest, the 2015 movie.

I am happy to report that it ended up being a great, disaster thriller, based on a true story, which was captured in the book Into Thin Air by Jon Krakauer. I cared about the characters, was on pins and needles during great portions, and exclaimed out loud during a number of tense parts. And after all that sweating, the story made me think about the things we do and how to prioritize when life is on the line.

If you like stories about survival, you’ll love this. If you don’t, I still think there’s a good shot you’ll really enjoy it.

*

My wife is a sport. We were in the big city to watch a movie with our youngest daughter who is in high school. Our daughter, with her teenage brain, had the wild idea of a double-feature. My original man brain thought that sounded capital—how long had it been since we’d squandered five or six hours watching movies! The wise man brain didn’t think it was a very practical idea, and suggested it would be much better to do a double-feature next week we we could start at three in the afternoon. But the wise man brain was outnumbered and soon succumbed. And then all of the crazy brains ganged up on my wife, who graciously relented, and so we watch The Arrival and Fantastic Beasts and Where to Find Them and got home at like 1:30 am.

As for Fantastic Beasts, if you like Harry Potter stuff, you’ll love it. If you’re not mad for Harry Potter, it’s not going to rock your world (although you still might have a good time). Enough said.

What about The Arrival?

This is a movie about the arrival of aliens, but it’s not a shoot-em-up like Independence Day or War of the Worlds. It’s more like Contact, the one with Jodie Foster. It’s a film that makes you think and is for those who are willing to be a little patient. If you can slow down and just enjoy the film, I think you’ll end up loving it because it’s about far more than meeting mysterious creatures. It ends up being about the choices a woman makes about her family. If you go and give it the space it needs, I guarantee you’ll chat about it and savor it afterwards.

I won’t tell you anything more because you’ll only understand what’s going on in the woman’s life when you get to the last fourth of the movie, and I don’t want to spoil the delicious revelation for you. So just know that the alien tech and the alien themselves are strange and mysterious and cool, but that this movie is about so much more.

If you liked Contact or even Inception (sans the frustrating non-ending), you’ll love this.

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    Camille Paglia, Word Ninja

    I think I must disagree with half of everything Paglia says (I’m a Republican, she’s a Democrat). But when you can write like a kung fu master, you have to be read:

    Advanced whack-a-mole is clearly needed for that yammering smarty-pants Newt Gingrich, who is always so very, very pleased with himself but has yet to produce a single enduring thought.

    Holy schnitzel, that’s what words are for. I’m still laughing and nodding my head. Can I be Camille for a while?

    The fact is while Paglia is clearly liberal, she’s not a party lemming. This is one of the things that is so refreshing about her. She’s not afraid to call ’em as she sees them, even if that means roasting her own party or praising the other.

    More here: Too late for Obama to turn it around? Plus: The left’s visionaries lost their bearings on drugs — but the GOP is led by losers

    And here: Paglia page.

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  • Why I’m gonna purchase Correia’s MONSTER HUNTER ALPHA on Monday

    I’m going to be purchasing MONSTER HUNTER ALPHA by Larry Correia on Monday.  Here’s why.

    Reason #1: Correia delivers the goods

    I read MONSTER HUNTER INTERNATIONAL.  I ended my review of MHI saying Correia was going to be a writer to watch.  Well, for those of you who haven’t been watching, not only did Correia  sell tons of copies of MHI, he also made the New York Times best seller list with his second book AND sold TV rights to the MHI series to a major TV producer.

    Why would his books generate such a response? Because they’re so dang fun. That’s why. And Correia isn’t just a flash in the pan one-trick pony. Far from it, as demonstrated by Reason #2 below.

    I told you in my review of INTERNATIONAL that I don’t read books that don’t suck me in. I don’t give them 70 pages to warm up and get going.  I don’t care who wrote the book. I don’t care if the author is a big lug with guns. I don’t care if he has status and money or friends who can put the hurt on me. I don’t care if the author is my girl’s godmother and brings me Walker Shortbread Rounds (which are evil cookies that exert mind control). If the book bores me, I put it down. That doesn’t mean that books which bore me aren’t wonderful. Sales and numerous reader exclamations of delight and satisfaction attest to the the fact that many are. It’s just that I’m a reader of little patience. I love it when a book starts with a bang and keeps me hooked. And Correia’s books do exactly that.   

    Reason #2: Correia’s getting better

    I read MONSTER HUNTER VENDETTA recently.  I should have reviewed it, but I’ve been so freaking busy I barely have time to shave or appear in public because I’ve begun to look like the Unabomber. But here’s the deal with VENDETTA–it’s better than INTERNATIONAL.  

    Yes. Better.

    Well, expect for maybe the opening paragraphs. The quote and first few paragraps that opened INTERNATIONAL are hard to beat. This doesn’t mean the opening of VENDETTA is weak. Heck, no. VENDETTA trounces the openings of most novels and steals their lunch. And then it continues to delight all the rest of the way through. It’s just that it didn’t quite deliver the same jolt as MHI. But 500 or 503 watts, what’s the difference?

    So with VENDETTA, are there guns? Yes.

    Monsters? Check.

    Action? There’s action galore.

    It appeals to my testosterone right off the bat (even though Larry reports that a good number of his readers are women). But there are guns, monsters, and action in a lot of stories that stink. What Correia does is not only give us great action, but he also gives us wonderful new situations.  For example, you will never see the scene set in the ghetto of Birmingham, Alabama that appears here in any other book. Never. It’s a Correia original. But even more important than great new situations, is that he gives us a first-person narrator who is delightful to be around. I’m talking about Owen Zavasta Pitt, the accountant monster hunter. His responses to the situations he gets in just make me laugh, as do a number of the responses of the other characters. My only wish is that Correia would tone down some of his language just a bit.  It is possible even when writing about military characters.  But you can’t have everything, and Owen’s such a loveable lug, I overlook it.  Hey, maybe Milo will help him out on that as the series progresses.

    Furthermore, Pitt isn’t the only character who I find delightful or interesting.  In VENDETTA there is also Holly, Agent Franks, and G-Nome, one of Correia’s best yet. Of course, there’s also the Doctors Nelson, the former hunter Carlos, Melvin the troll, and Earl Harbinger who have their own moments to shine. As do Owen’s dad and brother. And Dorcas, MHI’s secretary with the plastic leg. Heck, I even like Susan.

    So how many is that–eleven already? How many wonderful characters do most authors give you in one book? Two or three?

    And that’s one of the things that is is better with VENDETTA than INTERNATIONAL.  In INTERNATIONAL, as good as it was, some of the characters just didn’t get the stage time they needed to shine. But here Correia declutters his scenes so we’re not trying to focus on too many people. The result is that those we do focus on each have the their moments and lines. The other thing I noticed was that Correia deftly orients us to each new situation. For those of you who are writers, let me suggest you look at Correia’s technique in VENDETTA for introducing characters and settings. 

    Another good thing: he wipes out a Girls Gone Wild camera crew in the first chapter. Anyone who does that gets a few points in my book.

    VENDETTA doesn’t attempt to become bigger in scope than INTERNATIONAL (as if it could). Instead, it feels like another episode in a great tale. And I’m happy with that because it promises more to come. I’m back with characters I like and situations that make me laugh and magic crap that evokes some oohs and aahs and every now and again makes me wish I’d come up with it for my own use.

    Finally, VENDETTA leavens the humor and action with a couple of poignant moments. I’m thinking of a chapter with Carlos, another scene with Owen’s dad, and one with G-Nome.

    As you can see, VENDETTA’S packed with goodness.

    With ALPHA, I’m expecting to hook up with at least one of the gang for more exploits and laffs. Will Correia get even better? I have no doubt he will. But who cares–he’s already delivering great stuff.  

    Reason #3 Did I mention that Correia makes me laugh?

    Just didn’t want to forget that. Furthermore, I swear I read somewhere that laughter increases your health and makes you live longer. So not only am I getting a great read, I’m extending my days upon the land.

    Reason #4 Monday is a special day

    Not any old Monday. But the 25th of July.

    Why is this special?

    Because it’s the first day of the first week of the book’s release.

    Now I know I’m going to buy this book sometime. But buying it in the first week lets me do something I might not be able to do at some other time.

    Because Correia has given me hours of pleasure, I figure I can tip him for his good service by helping him make the best seller list again.  And a book has the best chance of making that list in the first week of release. (For those of you interested in how that works, Larry gives a good explaination here.) Making a best seller list does all sorts of good things for an author, and, as a result, that author’s readers.

    So Monday’s my day to leave the tip on the table and tell the owner to keep up the good work.

    The New York Times list is a good one. But I’d like to see him on the USA Today list, which measures sales so much better than any other list out there. My fingers are crossed.

    For those of you who are Correia fans or who have been putting off giving his stuff a go, now’s the time to either get MHI and begin the series or ALPHA and continue the delight.

    EDIT: After I posted, I couldn’t wait and just went ahead and processed my order. Pre-orders will count in that first week, and after writing this I couldn’t resist. Looking forward to more hours of laughter and some great characters.

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  • |

    Diagnosing Quantum of Solace

    ***SPOILERS***

    Last night I went out with my wife and some friends to watch QUANTUM OF SOLACE. I was so excited. But when the movie ended, I was totally unsatisfied. There was no release. Nothing. It just ended.

    There was lots of great stuff in it. Love the character and style of this new bond. Loved CASINO ROYALE, but this just didn’t work for me. My diagnosis has two parts.

    MINOR ISSUE: clarity in story. The chase scenes were so choppy I couldn’t get a feel for what was going on so I could worry for Bond. All I did was get sick to my stomach. Part of the way through I told my wife I was going to write death threats to the freaking director. Who in the world thought that was a good idea? It doesn’t mimic battle etc. In battle you are HYPER alert and focused. Your world doesn’t turn into chaos.

    But it was more than the chase scenes. There were times when I did not know what was going on. Why was Bond going to his friend from movie 1, why was he watching that guy pick up a bag at the play, why was he going to the party, etc.?

    If he’d shared any of his plans, I could have gotten worried when antagonistic forces thwarted him. As it was, I was just watching him do stuff and only realizing at the end what the goal was.

    The basic principle of suspense is to let me know what they need to do and why they need to do it, then let me worry as I see the operation fall apart. Or let me know the danger and see them walking into it. But time and again they didn’t provider the viewer with the necessary information in this movie. 

    MAJOR ISSUE: ineffective story structure. I think for a film to build to a huge climax and release, the hero has to find himself in more and more desperate circumstances. His situation has to become darker and darker until we see no way out for him. By the end of act 2 his plans etc. should all be in shambles. He’s out of options.

    In this Bond I rarely felt he was in danger. Yes, there were some fight sequences which were tense, but he never ended up in worse shape afterwards. We got messages that he was being framed for murders, but I never really felt the screws tightening on him. So it never got darker and darker for him.

    His plans seemed to only be delayed, not destroyed. In Casino Royale, his car is wrecked and he’s taken captive and is going to die. He loses. In this one, nothing. Even when his plane is shot down going out to the desert, it’s just a delay. They walk to the bustop and are soon back on track.

    There might be another point about something being at stake. The water grab is a great idea, but we’re talking a 50 year plot. It’s not THAT urgent.

    A FIX?

    I think they could have done more by playing up the revenge/mystery of the last one. Yes, have the water grab, but make this personal to him. He’s searching for the answers to who was behind his lover’s death. Why not?

    Then get the villain, the US CIA, and the British hunting him down with real resources. He evaded everyone fairly easily in this one. He’s running FROM all these forces, barely one step ahead, until he gets caught by them. And it’s one of Green’s guys in the CIA or something like that who captures him. So he’s totally screwed. Then have the Black CIA officer do something to spring him. He’d probably have to die for it.

    I’m sure there are more and better options. But do something so that Bond is running for his life, FAILS, then pulls it out. Not chasing down the bad guys one by one with relative ease.

    Just one option. Thoughts?

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  • Tales From Earthsea

    Tales from Earthsea (The Earthsea Cycle, Book 5) 

    When I was in 7th grade I read Tolkien’s The Lord of the Rings trilogy. Of course, I wasn’t the sharpest literary tack back then, and so great sections of The Two Towers and The Return of the King went over my head and, therefore, bored me. But, with the help of the Hildenbrant calendars, enough came through to thrill. I wept at the events in the mines of Moria with Gandalf, geeked out over the elves, orcs, and Nazgul, was fascinated with the Ents and wizards, and generally wanted to stay in that world forever.

    When I finished the trilogy, I mourned–the dream was over. I read Smith of Wootton Major and Farmer Giles of Ham. Both were delightful, but neither was the same as LOTR. Then I saw The Silmarillion. It had a cool cover, a map.

    Oh, joy! I bought it and took it home.

    Alas, that book was about as much fun as reading a ten-pounder on the history of baroque cornices. I tried mightily to push through, but I don’t think I was able to finish more than 15 pages total from all the sections. So I mourned again, and then, still feeling the loss, went looking for something else that might whisk me away.

    One of those whisking stories was Ursula LeGuin’s A Wizard of Earthsea. Of course, the fact that there was a wizard in it was important, but as equally delightful to my then puny literary prowess, was that the story was a slim thing. As were its two companions The Tombs of Atuan and The Farthest Shore.

    Here’s the cover the drew me in so long ago.

    I relished all three and moved on to other stories.

    Time passed and I forgot about LeGuin. Almost 10 years later I was newly married. My wonderful new wife started reading to me as we’d drive. And on one of the three-hour drives to her parents, she pulled out this little book and began to read.

    It was A Wizard of Earthsea! And it was just as marvelous the second time with a bigger brain as it was the first time with a smaller one. In fact, Nellie’s reading to me was so enjoyable I slowed down to 40 mph so I could extend the 3-hour drive. Of course, she quickly caught on to my scheme, shut the book, and told me she wouldn’t read another word unless I drove 65 mph, at the very least.

    What can a guy do? I kept it at 65 (well, 60) and joyed in the wonderfulness of a new wife who would read aloud to me (you mean this model reads, too?!), the night and the stars spread above those lonely Utah and Wyoming roads, and the amazing story unfolding before me.

    And this is the cover of the one my wife read to me.

    We read all three to each other and moved onto other stories.

    More than 15 years passed and I’d mostly forgotten LeGuin (I really never could get into her Hainish stuff). I was in the library looking for some good audio. And there on the shelf stood Tales from Earthsea by Ursual LeGuin.

    Just a little slim container of cassettes. Why not? I thought.

    Holy heroes, Batman—it was gold. LeGuin’s a master of building that feel: the wonder of fantasy, the mystery of things long forgotten or rumored to exist, the pull of learning arcane powers. I loved every minute of it (well, except for the slogging first four pages of backstory, but get through that, which isn’t too bad with Karr’s reading, and you’re into the kingdom). The first story, “The Finder,” read by Amanda Karr was incredible. It takes us back to how Roke became was it was in the first trilogy. But the delights do not end there. Four more stories follow.

    I liked them all so much, I just checked the audiobook out again so I could listen a second time. And, it appears, LeGuin was busy in my absence because she has more Earthsea than this.

    • A Wizard of Earthsea, 1968
    • The Tombs of Atuan, 1971
    • The Farthest Shore, 1972 (Winner of the National Book Award)
    • Tehanu: The Last Book of Earthsea, 1990 (Winner of the Nebula Award)
    • Tales From Eathersea, 2001 (a collection of short stories)
    • The Other Wind, 2001

    I just got the last two from Amazon. I can’t wait to enter into LeGuin’s magic spell yet again.

    More cool Earthsea stuff.

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  • Top 200 YA Authors of 2010, Part 2

    Okay, I’ve really got to get some writing done. But since I posted the idea of seeing which authors have the highest average checkouts per book, I now feel obligated to share it because some of those on the top 200 authors list drop off while others appear. So this one shows the authors getting the most readers per book. For more information on the lists and source of the data, please see the previous two posts.

    BTW, a number of Utahans made this list that we hadn’t seen on the others.

    1. Stephenie Meyer (3)
    2. Shannon Hale (4)
    3. Lisa Mangum (8)
    4. Jessica Day George (10)
    5. Aprilynne Pike (13)
    6. James Dashner (21)
    7. Bree Despain (32)
    8. Mette Ivie Harrison (40)
    9. M.L. Forman (52)
    10. Brandon Sanderson (64)
    11. Chris Heimerdinger (112)
    12. Julie Wright (145)
    13. Ally Condie (146)
    14. Kiersten White (151)
    15. Jack Weyland (188)

    If I’ve missed any Utah (or former Utah) authors, please let me know. Holy schnitzel, look at them all.

    EDIT: 1/16/2011 9:32 AM: Informed that Bree Despain is also a Utah author.

    EDIT: 1/18/2011 6:21 PM: Turns out Kiersten White grew up in Utah, but moved to San Diego after she married. I’m still claiming her, although I often wish I could trade subzero land for beaches and 70 degrees

    EDIT: 1/18/2011 10:20 PM: just informed that M.L. Forman is a Utah author.

    The List

    Author Times Checked Out Number of Titles Avg Check Outs per Title % Rank
    Suzanne Collins 888 3 296 2.68% 1
    Rick Riordan 989 8 124 2.98% 2
    Stephenie Meyer 529 5 106 1.60% 3
    Shannon Hale 517 6 86 1.56% 4
    J.K. Rowling 318 4 80 0.96% 5
    Cassandra Clare 309 4 77 0.93% 6
    Christopher Paolini 191 3 64 0.58% 7
    Lisa Mangum 124 2 62 0.37% 8
    P.C. Cast and Kristin Cast 393 7 56 1.19% 9
    Jessica Day George 328 6 55 0.99% 10
    Kristin Cashore 105 2 53 0.32% 11
    Cornelia Funke  51 1 51 0.15% 12
    Aprilynne Pike 101 2 51 0.30% 13
    Judy Blundell 48 1 48 0.14% 14
    John Flanagan 413 9 46 1.25% 15
    Kelley Armstrong 131 3 44 0.40% 16
    John Grisham  43 1 43 0.13% 17
    Michael Scott 165 4 41 0.50% 18
    Angie Sage 246 6 41 0.74% 19
    Maggie Stiefvater 153 4 38 0.46% 20
    James Dashner 75 2 38 0.23% 21
    Kimberly Derting 37 1 37 0.11% 22
    Frank Beddor 110 3 37 0.33% 23
    Carrie Ryan 69 2 35 0.21% 24
    Gail Carson Levine 34 1 34 0.10% 25
    Jay Asher 34 1 34 0.10% 26
    Becca Fitzpatrick 68 2 34 0.21% 27
    Libba Bray 136 4 34 0.41% 28
    Julie Berry 34 1 34 0.10% 29
    Richelle Mead 202 6 34 0.61% 30
    Elizabeth Knox 67 2 34 0.20% 31
    Bree Despain 66 2 33 0.20% 32
    James Patterson 257 8 32 0.78% 33
    Cornelia Funke 63 2 32 0.19% 34
    Lisa McMann 94 3 31 0.28% 35
    Carolyn MacCullough 31 1 31 0.09% 36
    Markus Zusak 124 4 31 0.37% 37
    Lauren Oliver 31 1 31 0.09% 38
    Emily Whitman 31 1 31 0.09% 39
    Mette Ivie Harrison 123 4 31 0.37% 40
    Ally Carter 152 5 30 0.46% 41
    Cameron Dokey 271 9 30 0.82% 42
    Jason Henderson 30 1 30 0.09% 43
    Caragh M. O’Brien 30 1 30 0.09% 44
    Scott Westerfeld 354 12 30 1.07% 45
    Carrie Jones 88 3 29 0.27% 46
    Lindsey Leavitt 29 1 29 0.09% 47
    Lois Lowry 86 3 29 0.26% 48
    Philip Pullman  57 2 29 0.17% 49
    Lauren Kate 57 2 29 0.17% 50
    Lili St. Crow 56 2 28 0.17% 51
    M.L. Forman 28 1 28 0.08% 52
    Alison Goodman 28 1 28 0.08% 53
    Marissa Doyle 55 2 28 0.17% 54
    Eoin Colfer 302 11 27 0.91% 55
    Rachel Hawkins 27 1 27 0.08% 56
    Joseph Delaney 240 9 27 0.72% 57
    Cyn Balog 26 1 26 0.08% 58
    Christine Johnson 26 1 26 0.08% 59
    Anna Godbersen 127 5 25 0.38% 60
    Shauna Cross 25 1 25 0.08% 61
    Veronica Bennett 25 1 25 0.08% 62
    Betty Smith 25 1 25 0.08% 63
    Brandon Sanderson 100 4 25 0.30% 64
    Melissa Marr 99 4 25 0.30% 65
    Tamora Pierce 634 26 24 1.91% 66
    Aubrey Mace 24 1 24 0.07% 67
    N.D. Wilson 70 3 23 0.21% 68
    Kami Garcia & Margaret Stohl 46 2 23 0.14% 69
    Lesley Livingston 68 3 23 0.21% 70
    Alex Flinn 68 3 23 0.21% 71
    Sara Shepard 181 8 23 0.55% 72
    Cinda Williams Chima 113 5 23 0.34% 73
    Melissa de la Cruz 154 7 22 0.46% 74
    Kay Cassidy 22 1 22 0.07% 75
    Louis Sachar 44 2 22 0.13% 76
    D.J. MacHale 328 15 22 0.99% 77
    Heather Brewer 108 5 22 0.33% 78
    Beth Fantaskey 43 2 22 0.13% 79
    Kimberly Pauley 43 2 22 0.13% 80
    Diana Wynne Jones 128 6 21 0.39% 81
    Herbie Brennan 106 5 21 0.32% 82
    Dia Reeves 21 1 21 0.06% 83
    Heather Hepler 21 1 21 0.06% 84
    Susanne Dunlap 21 1 21 0.06% 85
    Erica S. Perl 21 1 21 0.06% 86
    Linda Buckley-Archer 63 3 21 0.19% 87
    Lise Haines 21 1 21 0.06% 88
    Alyson Noel 188 9 21 0.57% 89
    Eva Ibbotson 41 2 21 0.12% 90
    Anne Osterlund 41 2 21 0.12% 91
    Sherrilyn Kenyon 20 1 20 0.06% 92
    Kenneth Oppel 80 4 20 0.24% 93
    story by Tohru Kai  20 1 20 0.06% 94
    M.R. Bunderson 20 1 20 0.06% 95
    Robin Palmer 59 3 20 0.18% 96
    Claudia Gray 59 3 20 0.18% 97
    Frewin Jones 155 8 19 0.47% 98
    Carl Hiaasen 58 3 19 0.17% 99
    Lisa Greenwald 19 1 19 0.06% 100
    Catherine Gilbert Murdock 76 4 19 0.23% 101
    Suzanne Harper 19 1 19 0.06% 102
    Suzanne Weyn 150 8 19 0.45% 103
    Rosalind Wiseman 18 1 18 0.05% 104
    Jen Nadol 18 1 18 0.05% 105
    Thomas W harton 18 1 18 0.05% 106
    Margaret Peterson Haddix 144 8 18 0.43% 107
    Ellen Schreiber 160 9 18 0.48% 108
    Patricia C. Wrede 158 9 18 0.48% 109
    Robin McKinley 105 6 18 0.32% 110
    Zoèe Marriott 35 2 18 0.11% 111
    Chris Heimerdinger 280 16 18 0.84% 112
    Amy Huntley 17 1 17 0.05% 113
    Rachel Ward 17 1 17 0.05% 114
    Sarwat Chadda 17 1 17 0.05% 115
    Nina Malkin 17 1 17 0.05% 116
    Chris Heimerd 17 1 17 0.05% 117
    Elizabeth Eulberg 17 1 17 0.05% 118
    Kathi Oram Peterson 17 1 17 0.05% 119
    Megan Whalen Turner 68 4 17 0.21% 120
    Chelsea M. Campbell 17 1 17 0.05% 121
    Rachel Vail 51 3 17 0.15% 122
    Becca Wilhite 34 2 17 0.10% 123
    Sarah Dessen 150 9 17 0.45% 124
    Debbie Viguie 100 6 17 0.30% 125
    Garth Nix 182 11 17 0.55% 126
    Michael Grant 49 3 16 0.15% 127
    Rachel Vincent 49 3 16 0.15% 128
    Jonathan Stroud 97 6 16 0.29% 129
    Lucy Christopher 16 1 16 0.05% 130
    Kay Lynn Mangum 48 3 16 0.14% 131
    Anna Jarzab 16 1 16 0.05% 132
    Sarah MacLean 16 1 16 0.05% 133
    Josh Berk 16 1 16 0.05% 134
    Lisa Klein 16 1 16 0.05% 135
    Jackson Pearce 16 1 16 0.05% 136
    Jacqueline Kelly 16 1 16 0.05% 137
    Caroline Goode 16 1 16 0.05% 138
    Kirby Larson 16 1 16 0.05% 139
    Lisa Shanahan 16 1 16 0.05% 140
    Katherine Applegate 16 1 16 0.05% 141
    Marthe Jocelyn 16 1 16 0.05% 142
    Ann Brashares 64 4 16 0.19% 143
    Holly Black 78 5 16 0.24% 144
    Julie Wright 31 2 16 0.09% 145
    Ally Condie 93 6 16 0.28% 146
    Juliet Marillier 31 2 16 0.09% 147
    Janet Lee Carey 46 3 15 0.14% 148
    Donita K. Paul 90 6 15 0.27% 149
    Tera Lynn Childs 45 3 15 0.14% 150
    Kiersten White 15 1 15 0.05% 151
    Jane Eagland 15 1 15 0.05% 152
    Sophie Jordan 15 1 15 0.05% 153
    Maureen Daly 15 1 15 0.05% 154
    Debbie Vguie 15 1 15 0.05% 155
    Leah Cypess 15 1 15 0.05% 156
    Jessica Brody 15 1 15 0.05% 157
    Rosie Rushton 15 1 15 0.05% 158
    Rachel Caine 134 9 15 0.40% 159
    R.D. Henham 104 7 15 0.31% 160
    Hilari Bell 178 12 15 0.54% 161
    L.J. Smith 326 22 15 0.98% 162
    Carol Lynch Williams 44 3 15 0.13% 163
    Laini Taylor 44 3 15 0.13% 164
    John Boyne 29 2 15 0.09% 165
    Victoria Hanley 58 4 15 0.17% 166
    Guillaume Prevost 43 3 14 0.13% 167
    Michelle Zink 28 2 14 0.08% 168
    Andrea R. Cremer 14 1 14 0.04% 169
    Lynn Weingarten 14 1 14 0.04% 170
    Kristopher Reisz 14 1 14 0.04% 171
    Andrew Klavan 28 2 14 0.08% 172
    Jessica Verday 14 1 14 0.04% 173
    Kim Harrison 14 1 14 0.04% 174
    L.K. Madigan 14 1 14 0.04% 175
    Heather Davis 14 1 14 0.04% 176
    Lauren Conrad 42 3 14 0.13% 177
    Sherman Ale 14 1 14 0.04% 178
    Alexandra Adornetto 14 1 14 0.04% 179
    Martine Leavitt 14 1 14 0.04% 180
    Morris Gleitzman 14 1 14 0.04% 181
    Charmian Hussey  14 1 14 0.04% 182
    Douglas Rees 14 1 14 0.04% 183
    Stephanie Hem 14 1 14 0.04% 184
    C.J. Omololu 14 1 14 0.04% 185
    Aimee Friedman 42 3 14 0.13% 186
    Kate Coombs 28 2 14 0.08% 187
    Jack Weyland 151 11 14 0.46% 188
    Michael Carroll 41 3 14 0.12% 189
    Philip Caveney 41 3 14 0.12% 190
    Pamela Wells 27 2 14 0.08% 191
    Grace Cavendish 27 2 14 0.08% 192
    Elizabeth Scott 54 4 14 0.16% 193
    Ridley Pearson 54 4 14 0.16% 194
    Laurie Halse Anderson 108 8 14 0.33% 195
    Gillian Shields 40 3 13 0.12% 196
    Simone Elkeles 93 7 13 0.28% 197
    Lisi Harrison 304 23 13 0.92% 198
    Patrick Carman 66 5 13 0.20% 199
    Darren Shan 313 24 13 0.94% 200
    Gary D. Schmidt 26 2 13 0.08% 201
    Gena Showalter 26 2 13 0.08% 202
    Michael Young 13 1 13 0.04% 203
    Miyuki Miyabe  13 1 13 0.04% 204
    J.V. Hart  13 1 13 0.04% 205
    Dandi Daley Mackall 13 1 13 0.04% 206
    Beatrice Gormley 13 1 13 0.04% 207
    Dodie Smith 13 1 13 0.04% 208
    Jaclyn Moriarty 52 4 13 0.16% 209
    Angela Morrison 26 2 13 0.08% 210
    James A. Owen 52 4 13 0.16% 211
    Nick Lake 13 1 13 0.04% 212
    E.E. Richardson 13 1 13 0.04% 213
    Fern Schumer Chapman 13 1 13 0.04% 214
    Priscilla Cummings 13 1 13 0.04% 215
    Stuart Hill 39 3 13 0.12% 216
    Jen Calonita 78 6 13 0.24% 217
    Valerie O. Patterson 13 1 13 0.04% 218
    Julie Kagawa 26 2 13 0.08% 219
    William golding 13 1 13 0.04% 220
    Lisa M. Klein 13 1 13 0.04% 221
    Lisa Mantchev 26 2 13 0.08% 222
    Gerald Morris 129 10 13 0.39% 223
    Cory Doctorow 25 2 13 0.08% 224
    Janette Rallison 125 10 13 0.38% 225
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One Comment

  1. The Arrival was great. The ending was everything. Where Interstellar left me feeling hollow and unfulfilled, The Arrival pulled fulfilled it’s promises perfectly.

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