Basic Economics, Avatar: the Last Airbender

How to not be duped by political blarney

Karl Marx was not a scientist. Nor was Adam Smith before him. They were philosophers. Theorists. Idea men. That’s what all economists in those days were. They had little tested knowledge, and so which economic system was best was all a matter of opinion.

But things are now much different. Nations and local governments tried the various theories. And we’ve seen the results. We now have a whole century of data. Furthermore, economists now are scientists. They use scientific methods and deal with tested knowledge. Sure, there are still controversies, just as there are in any science, but the basic principles of economics today are NOT matters of opinion.

For example, we know what happens when governments impose price controls in all their many varieties—rent caps, minimum wages, laws against price gouging, and medical care cost limits. These last few years we’ve seen a dramatic demonstration of what happens when they meddle with the prices of home loans. We know what happens when they impose tariffs or give subsidies to special groups like farmers or steel producers. We know what happens when they create barriers to people entering a market to compete, like they’ve done with immigrants. We know what taxes do.

The unfortunate thing is that many of these principles seem to be ignored by our politicians. And by those who vote them in. And so we can have a Congress pass massive health care legislation that will cause health care shortages just as similar laws caused shortages in other countries. This is how we have a president who in a recent speech to the U.S. Chamber of Commerce suggested, in good Marxist fashion, that it was business owners who kept the American workers down by hoarding all the profits. Has he not looked at the data which shows that huge profits invite more competition, which tries to get ahead of the leader by cutting prices, which allows the American workers to get more for less, thus raising their standard of living?

In the 1980’s and 1990’s India and China began to make fundamental changes to their economic policies, doing the things that have been proven to work. Suddenly, the economies of those nations started to grow. It’s estimated that 20 million people in India rose out of poverty in a decade. In China, more than a million people rose out of poverty EACH MONTH.

But this seems lost on a number of politicians. Don’t let it be lost on you. We have critical elections coming up. One of the best things we can do is educate ourselves about these basic economic principles so we can cut through all the political blarney. I haven’t found a better, more enjoyable book on the subject than Basic Economic Principles: A Common Sense Guide to the Economy by Thomas Sowell. Sowell is an economist and Senior Fellow on Public Policy at the Hoover Institution at Stanford University. His book is written for the general public and so foregoes dry charts and theoretical ho-hum for lots of real-life examples and straight-forward explanations. There are times when I wish he would have gone into more detail on a few subjects, but what he lacks in depth in a handful of areas, he makes up with breadth. Furthermore, the way he presents the topic was interesting enough to make me stay up late a number of nights well past my bedtime. 

Great family entertainment

Do you want some fun family entertainment that includes laughs, wonder, and moments of poignancy? Something you can watch and enjoy with the kids? Then let me recommend the animated TV series Avatar: The Last Airbender. This is NOT the movie Avatar by James Cameron with all the big blue people Nor is it the movie The Last Airbender, based on the TV series, which many fans disliked. This is the original. The one that millions love.

Through the miracle of Netflix, I started watching it with my girls a few months ago. And we’ve all been sucked in. It’s unlike any “cartoon” I’ve seen. In fact, you can’t call it a cartoon just as you can’t call The Incredibles or Lion King cartoons. This is great story telling. Furthermore, instead of it being a bunch of unconnected episodes, this series is telling a long story. It ran for three years on Nickelodeon and includes more than sixty 22-minute episodes.

The series follows the adventures of the main protagonist Aang and his friends, who must save the world by ending the destructive war with the Fire Nation. Aang’s world is divided up into four nations—Air, Earth, Water, and Fire. In each nation are “benders” who can powers with the element of that nation. So Air Benders can fly and create huge winds; Fire Benders can generate and throw fire; Water Benders can create ice and waves.

So it’s fantasy, and all of that is cool, but it’s the characters that we enjoy the most. We quote and laugh at some of their lines. And then there are the episodes with true dramatic moments.

Avatar has been nominated for and won many awards, including the Annual Annie Awards, the Genesis Awards, the primetime Emmy awards and a Peabody Award. It’s excellent entertainment.

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    Jolie, Salt, & trading suspsense for surprise

    Last week I went and saw Salt. Wow. The movie started with a bang and was off to the races with lots of great action. Unlike many action films where the characters perform stunts which are simply too hokey for me to buy into, I found myself believing in all but two of Salt’s. So I was wowed most of the time instead of thinking about whether they were using wires or what or that it was all so wrong and geeze don’t these guys have consultants? They weren’t as stunning as the opening of Casino Royale, but what is? 

    But it wasn’t just action. The premise and acting were all great as well (yes, I recant, I slammed Jolie a while back as an actress cast only for her face value; and while you know that’s one of the reasons why she was here, she still was convincing in her role). Furthermore, the story had a lot of great reversals and reveals. But this was also its ultimate downfall.

    When I got to the ending, I did not feel a climax release. No catharsis. No afterglow. It just ended and left me feeling empty. It’s an awful feeling. Totally unsatisfactory. Such a maddening cut off. 

    But why? It was all so good up to that point.

    *** SPOILERS ***

    As I was talking it over with Nellie I believe I indentified the answer: in their effort to be surprising, the director and writers removed everything that would have built suspense. So instead of getting a Sixth Sense ending where the surprise adds to the climax and gives it a wonderful texture, we got a slap of surpise and then nothing.

    For me to feel relief, triumph, and the desire to stand up and cheer–all those great climax emotions–I have to be worried about a character. Stressed, thinking they’re going to fail. They need to fight courageously against insurmountable odds and actually come to a point where it appears all is lost. Where I groan inside. All this creates massive pent up worry and anxiety for them. And at that point, the character snatches victory from the jaws of defeat.

    Boom! The climax floods me and it’s delight, relief, cheer, joy.

    It’s just like a football game where we bite our nails until the very end. Where our non-ranked team is playing the #3 team in the nation. Maybe we jump ahead in the second quarter, but in the third we fall behind. We make some great plays but can’t catch up. And when we do put points on the board, the other team immediately responds. There are three seconds left. We’ve stalled at the twenty yard line. We have one more play. From the moment it starts it appears to be broken, our QB is going down, and then . . . he passes to a running back who has made some space. Who is standing open in the end zone! Yeeeeeaaaaaaahhhhhh!

    In order to feel a release a climax, something has to build up. The thing that builds is worry, fret, desperate hope. This is what we mean when we talk about suspense. We know the team’s goal, see their predicament, see the overwhelming odds. See them about to lose it all. The dread of defeat and what will be lost rises.

    But in Salt the director and writers went for the effect of surprise instead of suspense and triumph. The moment Salt starts in on the Russian president I thought she was the bad guy. Yes, there was the bit about the spider that had me wondering. Yes, I knew she felt anguish about her husband being killed (that smart little reveal in her expression). I knew all of that. But the movie kept me busy thinking she was the bad guy up until almost the very end. Everything in the film lead me to believe this. Not because I didn’t get it. I got it precisely. It’s exactly what the director wanted. It was the setup for the big surprise/reversal at the end.

    But when they went for surprise by not letting the audience know what Salt was really up to, the immediately removed the possibility of suspense. So I didn’t feel any suspense at her infiltrating the old group of spies. No relief at her killing them–that was just her revenge. No suspsense when she went to the White House. Nothing when she chased the president down the elevator shaft. The whole time I was thinking, crap, they really did indoctrinate her. She’s bad.

    More importantly, there was no rooting, no worry building to release proportions.

    Not until the very end do we realize what she’s been trying to do. Oh, the role reversal with her and Ted Winter (btw, like Liev Schreiber who plays the part) was all a big surprise, as it was designed to be. But the surprise faded and there was . . . nothing to replace it. That’s how surprise works. It’s a relatively short effect. 

    Yes, she kills Winter. Yes, he was a threat at the end with his scissors, but I didn’t care that much. I hadn’t been whipped into a fever pitch. Not like I was in Gladiator with the emperor and the lead in the coliseum. There was no pressurized worry ready to burst. There wasn’t any because we hadn’t had any time for it to build and because by that time nothing for Salt was really at stake. The one meaningful thing she stood to loose–her relationship with her husband–was taken away from us in an earlier scene when he was shot dead. So what was at stake? A big old nuclear war. Well, who cares about that? Nobody. It’s too generalized. We cared about Salt and her husband.

    The result was that the director and writers traded climax for surprise. Alas.

    So here’s my conclusion. Surprise is a relatively easy effect to create. You simply have something unexpected but logical occur. Relief, triumph, climax needs something much different. And surprise can be a part of it. But in our effort to build surprise we must not remove the conditions necessary for please-dear-mother suspense. Suspense requires we root for and worry about a character for a significant period, our unease growing until it’s drawn taut, straining. All the time something significant has to be at stake. Something we can sympathize with. Something personal to the person we care about. Only then can we feel the climactic release. Only then will we stand up and cheer in holy-crap-no-way relief and delight.

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  • Brown Family Christmas Fun — I Hope

    I like paintball.

    My wife and girls do not. Something about bruising and pain.

    We could get pantywaist nerf guns. We do have some PVC marshmellow shooters. But a man wants something with a bit more kick.

    I think I’ve found it. They’re called AirForce BlowGuns. Like PVC guns, you power them with your own breath. Unlike a lot of those guns, these seem to have some power.

    Watch the video here to see them in action: http://www.indiegogo.com/projects/airforce-blowguns-toy-foam-dart-gun

    We just ordered six. I really, really hope this one funds.

    If you’re looking for some family fun on Christmas morning, maybe this is it.

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  • Good Stuff! Mitty, Non-Stop, and The Winter Soldier

    the-secret-life-of-walter-mitty-poster-bigThe previews for The Secret Life of Walter Mitty didn’t look interesting at all. Furthermore, I’m not the biggest Ben Stiller fan. He’s a fine actor; I just haven’t been in the audience for a lot of his movies. Then someone I know recommended the film, and I decided to give it a go with Nellie.

    We didn’t have high hopes. I mean, look at the movie poster. Does that get you excited? She thought it was going to be dumb. I thought it was going to be dumb. But after five minutes, we found ourselves enjoying the characters and story. We finished it, both of us absolutely delighted. I liked it so much I corralled my two daughters into watching it with me. Then I watched it again. I think I watched it four times total. And I enjoyed it as much, maybe more, each time.

    Walter is a great guy who has had to play it safe and practical his whole life. When his and his co-worker’s jobs are threatened, he takes action and finds himself on a journey that starts in, ta-dum, Greenland. The movie’s got adventure, a slow-burn romance, and a cast of funny and quirky characters. But it isn’t mad-cap humor. It’s not a gushing love story. It’s something else. Something that left me feeling like my life had been leavened with a fine light joy. Give it a shot; I think you’ll be glad you did.

    * * *

    non-stop-movie-posterThe previews for Non-Stop with Liam Neeson and Julianne Moore looked great. I’m happy to report that it was every bit as good as the previews promised.

    Neeson plays a federal air marshal. While on a flight from New York to London, he gets a text telling him that unless 150 million dollars is transferred to an offshore account, someone will die every 20 minutes. But it’s not so easy finding the killer. The deaths are almost inexplicable. And things soon start to spin out of control.

    This movie is filled with surprises and suspense. And it moves. Thrillers normally move quickly, but this one was on turbo. But that doesn’t mean the story was a bunch of light and noise. Quite the contrary. The writers skillfully balance the mystery, action, suspense, and even the character backstories. A lot of folks liked Taken. I liked this better than that film. In fact, it’s one of the better thrillers I’ve seen these last few years.

    * * *

    winter-soldier-poster-no-maskI’m a superhero lover, have been since I was a kid watching the Superfriends cartoon every Saturday morning. But I never know if I’m going to enjoy a superhero movie. I love the genre, but for some reason so many of the films go for effect over story. It drives me nuts. The movie ends, the lights turn on, and I sit in my seat and go “huh.” So I’m happy to report that Captain America: The Winter Soldier actually delivers.

    I cannot say the same for Captain America: The First Avenger, the first in this series. That movie fell apart halfway through the film. The beginning was this wonderful story about a runt trying to do his duty and volunteer. The second half lost all its heart and turned into one big yawn. So for those of you who didn’t like that first film, know that this is a case of the sequel being far better than the original.

    In this one, SHIELD, the organization that directs the Avengers, comes under attack from within. Captain America and Black Widow have to uncover who is behind it and stop them before it’s too late. There are a lot of cool visuals and awesome action scenes. For example, I loved how Captain America “parachutes” into the opening mission. I enjoyed watching him and Black Widow fight in their distinctive ways. But the film didn’t focus on the tech or the super powers. It focused on the characters and the story. The plot includes a number of delicious surprises and reveals. There are funny moments and some poignant ones. And not only did this movie, unlike the first one, develop a single story all the way through, but it also echoes with our current search for national security.

    If you liked Iron Man and Iron Man 3, I think you’ll enjoy Captain America: The Winter Soldier.

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  • Miss Potter, Downton Abbey, Human Planet

    Miss Potter, a true romance

    How many shows are good enough that you can walk into them partway through and within a minute become completely engrossed? I found two this week. The first is the 2006 film Miss Potter, which tells the story of Beatrix Potter (1866-1943), who is the best selling children’s author of all time. You might know her by the most famous of her 23 illustrated children’s stories: The Tale of Peter Rabbit.

    As a side note, Potter spent a lot of time at her family’s country home in the Lake District. I was lucky enough to be able to vacation there once, but never knew until I saw this film that the gorgeous landscapes that had been preserved were partially due to her donation of 4,000 acres.  

    The movie opens with the fact that Potter, who is played so well by Renée Zellweger, has missed her early chances of marriage. She’s a young spinster, and, having a number of her illustrations purchased, is determined to make some money publishing her own illustrated stories. The movie follows her journey to publication, which met with opposition from both publishers and her family, but the real heart of the film is the story of her meeting and falling in love with Norman Warne, whom her parents, especially her mother, don’t approve of because he’s a tradesman. The film is full of wonderful drama, humor, tragedy, and solace. I can’t recommend it highly enough. In fact, I found myself watching it a second time two days later with my girls with just as much enjoyment.

    Downton Abbey, a period drama

    The second show is the BBC miniseries Downton Abbey.  Its first season of seven episodes aired last year in the USA on PBS’s Masterpiece Theater.  The second season will air at the beginning of 2012.  

    The series is set in the fictional Downton Abbey and follows the lives of the aristocratic Crawley family and their servants. The stories take place over the time period that starts with the sinking of the Titanic in April 1912 to the outbreak of the First World War on 4 August 1914.

    The main story line running through the episodes is the fact that the Crawley family must give up the estate to a distant relation because they have no male heir. But what I find so refreshing is that the stories of various servants are included. Some are funny. Some pull at your heart strings.

    So far I’ve met and enjoyed some truly delightful characters as well as a couple of villains. If you enjoyed the BBC’s Pride & Prejudice or the Cranford series, I think you’ll enjoy this.

    Human Planet, an amazing documentary

    These last two weeks I’ve watched with fascination the eight episodes of the BBC and Discovery documentary series Human Planet. One species on our planet has adapted to every environment on earth—that’s us. The series looks at a number of remarkable ways humans have adapted to the various habitats.

    You’ll see people from all over the globe who do things you never would imagine. Here’s just a small sample:

     

    • -Folks in Churchill, Manitoba Canada who trick or treat on Halloween with hungry polar bears stalking the streets
    • -A man in Papua New Guinea practicing the ancient art of shark calling in a small canoe
    • -Dolphins that help humans fish in Brazil
    • -A wild honeyguide bird working with Maasai boys to steal honey from wild African bees
    • -Mongolians using tamed golden eagles to hunt fox
    • -People in the eastern Amazon who love their pet monkeys so much they breastfeed them
    • -Inuit Canadians who risk death going under the arctic ice during low tide to gather mussels
    • -Three Dorobo in Kenya stealing food from a lion pride of more than twenty lions

     

    Oh, and how could I not mention the three children who hunt tarantulas in Venezuela, roasting them up as tasty treats that taste a little like crab. I could go on and on. There are sixty-three of these stories in all, grouped into eight episodes that each focus on a certain habitat, including deserts, the Arctic, jungles, mountains, grasslands, rivers, and cities. Each episode also includes a behind-the-scenes story about the filming of one of the episodes. And some of these are as thrilling as the stories themselves.

    In fact, that’s one of the things I love about this series. In addition to showing me fascinating things I’ve never seen, a number of the stories also raise the adrenaline just a bit. And yet, that’s not all. Because while presenting “strange” cultures, the stories humanize these folks so that instead of presenting aliens, these people feel more like fascinating distant relations. This is storytelling at its finest. If you like nature shows at all, you’ll be totally delighted with Human Planet.

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  • Hunger Games the Movie – Excellent, but marred . . .

    So is the movie as good as so many are saying?

    I liked the book a lot. You can see my review here: http://johndbrown.com/2010/09/amano-jasons-deli-and-the-hunger-games/

    Yes, but is the movie as good as the book?

    Let’s start with the beginning of the movie. During the first 10 or 15 minutes I was so annoyed and angry that I almost rose up out of my seat to shout “Stop it! Stop it! Stop it!” at the screen.

    Was this because the movie wasn’t faithful to the book?

    Because the actors sucked?

    Because the popcorn triggered a terrible case of restless leg syndrome?

    No, no, and no. 

    Then, why, John? Why?

    Because the director, Gary Ross, who wrote the wonderful Seabiscuit and Big, just couldn’t trust the material, the story, to work its magic. No, he thought that it would be a really good idea to MAKE ME SICK by overexaggerating and overusing HANDHELD CAMERA MOVEMENT. You know, the idea that if you confuse the viewer and make them uncomfortable, that will help them FEEL the wrongness, the stress, and the fear of the situation.

    A common technique for doing this is the tilted shot. Tilt the shot just a little and viewers subconsciously get the idea that something is wrong. You don’t notice it. The movie plays on, but you do feel that something is wrong, that trouble is brewing somewhere or someone is lying. A similar technique is used in action scenes. To help the viewer feel the “speed” of the action, they give us quick cuts. But the traditional tilted shot and quick cuts preserve understanding. They’re more of an unconscious effect. You still see the movie unfold and understand it. 

    However, some directors in the last few years, maybe with Spielberg’s use of this in the beginning of Saving Private Ryan (is there a movie history buff out there who can confirm?), decided that if a little was good, good golly, ten times that would be a LOT better.  So instead of realizing that action sequences like the one in the beginning of Casino Royale or the fights in Inception, ones you can easily follow, are the kinds audiences want, they figure they need to push the shots and cuts until audiences can’t make heads or tails of what’s happening.

    Instead of giving the audience tremendous thrills and suspense, they give them confusion.

    Wow, that’s a good trade off.

    And now, Gary Ross, who seems to have inexplicably bought into this, decides that what he needs to do is not only deliver confusion but nausea and annoyance as well.

    Stop, people. Stop. PLEASE! A little spice enhances a dish and takes it to the next level. But when you dump a cupful of thyme on my plate, all you do is make me want to gag.

    I’m not the only one who noticed. My 14 year old and my 19 year old noticed it as well and were bugged by it. It got so bad I told myself if it didn’t stop, I was going to walk out and ask for my money back.  Luckily, Ross toned his nonsense down and finally let the actors and story take center stage. 

    Which is what he should have done from the beginning because the acting was great. I loved Jennifer Lawrence (Winter’s Bone) as Katniss. Loved Willow Shields as Primrose and Josh Hutcherson as Peeta. Stanley Tucci playing Ceasar Flickerman, the blue-haired talk show host, was perfect. And the story was indeed a faithful translation of the book. I’m sure a huge part of that is due to the fact that Suzanne Collins, the author of the novel, helped write the screen play.  The other writers were Gary Ross and Billy Ray. 

    They did change a few minor things like Buttercup the cat is now black and white (I’m so utterly devastated I won’t be right for years), and Primrose gives the mockingjay pin to Katniss instead of Madge. They added scenes with the President of Panem.  They cut some scenes with minor characters and some twists in the plot. For those who read the book, even though the lost and changed parts added texture to the story, I think you’ll still be very pleased. For those who haven’t read the book, I think you’ll be wowed and sobered by the end. You’ll think about the Romans and their gladiators. You’ll wonder how we can we humans can do things like this. And I think you’ll feel a great indignation take root in your breast against the villains who control the world of the story.

    So, the move is a great experience that would have been over-the-top excellent if the director hadn’t marred it with way too much of something that should be used as spice instead of the main course.  Nevertheless, I recommend it. If you like action and drama, I think you’ll love the movie and the book. And hopefully my comments above will innoculate you to the opening scenes because you know to expect them going in.

    EDIT: Matthais Stork writes about “Chaos Cinema: The Decline and Fall of Action Filmmaking“. And his response to his critics. Anne Billson of The Guardian agrees that “Action sequences should stir, not just shake“.  But here’s a fellow trying to defend chaos cinema in a way that reminds me way too much of those I met in my English degree who assumed that the highest reading was one that focused on meaning, one that assumed the story was really not a story about people to be experienced, but a clever puzzle that needed to be decoded.

    EDIT: The issue with chaos cinema is that it replaces showing with telling.

    It presents “big fight” and “exciting chase” instead of showing the big fight and exciting chase. It’s similar to voice over narration: using the soundtrack to tell us about what’s happening instead of showing it to us. But it goes beyond even that because at least the narration told us what was happening. Chaos cinema at its most extreme doesn’t do even that. It replaces clarity with confusion. And this is its biggest downfall.

    For someone to react with emotion to a situation, they must (1) understand what’s going on AND (2)believe that the situation is real. The moment you deliver confusion, you take away one of the two necessary antecedents, and prevent the audience from responding emotionally. They now can only respond intellectually, e.g. Ah, I congnitively see that we are having a fight; I have no idea what’s happening and how that affects the guy I’m rooting for, but I see we’ve inserted the “fight” concept. (For those interested in the excellent discussion of emotion and stories, you’ll want to read Jenefer Robinson’s DEEPER THAN REASON: Emotions and it’s role in literature, music, and art.)

    Take it too far and you remove the second antecedent as well because now, instead of reacting to the story, you’re thinking about the camera man. Which is what happened with me when I just about came out of my chair to shout at the screen at the beginning of HUNGER GAMES. And what happened to half a dozen others I know who couldn’t look up because it would make them dizzy, and another half dozen who did look up and got sick.

    Chaos cinema trades in the super powers of cinematic storytelling for a bunch of rocks.

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  • Witchbreaker by Author James Maxey

    I’m supposed to do this tag thing where one author tells about his or her latest project and then tags other authors to tell about theirs and so on and so on until we turn into some weird internet author borg and eat your brains out. 

    Heck with that.

    I want to simply share something cool with you instead. James Maxey (who tagged me in the borg fest) writes stories with lots of action, fun, and character that also make you think. They always start with a bang and never let up. For example, look at how GREATSHADOW, his last book, starts.

    When Infidel grabbed me by the seat of my pants and charged toward the window, I didn’t protest. Partly this was due to the speed of her action, but mostly due to my inebriation from the sacramental wine we’d stolen.

    If an opening like that isn’t going to make you want to read more, I don’t know what will. Especially when the wine was stolen from a lava-pygmy temple carved into the sheer cliff face of a volcano.  I’m not alone in my appreciation of Maxey’s writing. Orson Card wrote this glowing review of GREATSHADOW earlier this year.

    Here is the opening to Maxey’s “To The East, A Bright Star” which was published in Asimov’s.  It has one of my favorite beginnings.

    There was a shark in the kitchen. The shark wasn’t huge, maybe four feet long, gliding across the linoleum toward the refrigerator. Tony stood motionless in the knee-deep water of the dining room. The Wolfman said that the only sharks that came in this far were bull sharks, which were highly aggressive. Tony leaned forward cautiously and shut the door to the kitchen. He’d known the exact time and date of his death for most of his adult life. With only hours to go, he wasn’t about to let the shark do something ironic.  

    Which brings us to the fact that Maxey has another book out called WITCHBREAKER. That’s such a cool title I wish I could off Maxey and steal it for myself. The book has, as you have seen to the right, a fabulous cover as well. About 5000% better than the horrid thing Solaris put on GREATSHADOW.

    Maxey talks about what inspired WITCHBREAKER in this blog post, which I recommend you read in full. But just in case you’re a lazy son-of-a-gun like me, here’s the meat of the thing. WITCHBREAKER is about a woman named Sorrow. Says Maxey:

    Her father was a judge who hung his own mother after she was accused of being a witch. Sorrow rebelled by becoming a witch herself, but her hatred isn’t directed directly at her father, it’s directed at the religious and political institutions that empowered him. So, Sorrow’s life mission is to overthrow that system. She’s one woman against the world, fighting to make it a better place even though everyone she meets keeps insisting that the world isn’t so bad. I’ve got a soft spot in my heart for characters locked into a lifelong battle against forces more powerful than they will ever be.

    Blast that dang Maxey and his character genius. I’m not envious at all. No, sir. Which is why I suggest you give Maxey a go. Maybe you’ll appreciate him as much as thousands of other readers do. Read the first few pages of WITCHBREAKER here with Amazon’s look inside.

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12 Comments

  1. First off, Love the work in progress bar you have on your site! Even though it doesn’t really give me any specific details I still feel completely up to date. And its leagues above a Meandering guesstimation date.

    Economics and Politics; not the best combination for keeping people listening unless they already agree.

    As for Avater: the last airbender I totally agree. It won all of the awards for a reason. To bad for the horrible movie though.

    -Rehcra

  2. The aftermath of the subprime lenders debacle or BP’s mismanagement have been felt worldwide. The problem isn’t that these companies are putting profits ahead of everything else, it’s that they’re being dishonest to themselves and in their reporting to shareholders by cutting corners for short term benefit. Ultimately, that works well for the current management who can hope to walk away before the proverbial hits the fan; it works badly for everyone else left to pick up the pieces. Business needs unbiased oversight as much as nuclear weapons – they both stand to ruin lives.

    As an American who lives abroad I am often infuriated by the right wing rhetoric back home that obstinately refuses to allow progress. Labelling anyone who disagrees with the status quo as a communist may get one side of politics all fired up, but to the rest of the world we just end up looking churlish. Stepping beyond the propoganda and rhetoric is easy – but it takes stepping outside the US with our eyes open, living in other progressive countries, and seeing for ourselves.

    But then, it’s easier to buy the party line and believe the rest of the world has fallen behind us, that change is bad, or that the American way of life is the best in the world. After all, if we didn’t, what would it make us?

  3. Thanks for the recommendations! I always look forward to these posts. What age group is Avatar: The Last Airbender aimed at? My oldest is 5, and he’s easily scared. But I’d love to have a fantasy themed show I can watch with him.

  4. He’ll be fine. It’s not scary. It’s aimed at middle-grade. I have an 8 year old watching it and she loves it.

  5. If folks are turned off by my thoughts on politics then I suppose they’ll have to be turned off. If they have information to share, I’m happy to hear it.

  6. Not sure how to respond to this or what specific thing your post is taking issue with. I lived in a progressive European country for a few years. Does that mean my views suddenly have clout? The review of the book highlights that economics is not about philosophy anymore. If you have economic studies to share that shed light on something in the post you take issue with, then please share them. If your issue is that I said the President made a statement in good Marxist fashion, please show me how he’s not suggesting that the government allocate goods and services instead of letting prices take care of that coordinating.

  7. I don’t think any of your remarks are inappropriate, John. But they will offend plenty of people. Plan on it. Any time you venture a personal opinion, there is bound to be somebody who gets annoyed. At this point, the kind of people who get offended at the idea of fiscal responsibility deserve to be offended.

  8. Firstly John, I’d like to say I’m a fan. Servant of a Dark God is on the same shelf as my books by Brandon Sanderson, Kate Forsyth and Raymond E. Feist.

    Secondly, I’d like to apologise for the length of this post. This is the shortened version, honest.

    My science major taught me that even in empirical studies, interpretation plays a major role.
    At a recent lecture I heard ~2% of climate scientists say the jury is out on climate change (although if you think about it, if 2% or even 4% of a jury said ‘not guilty’, that jury would be telling the judge ‘throw the book at him/her/them’).
    Unless these scientists are researching on different planets, the difference must be how they interpret their data, and which data they choose to analyse. [Yes, analyse with an ‘s’. I’m Australian. No promises about the rest of my spelling 😉 ]
    Let me put it this way. I think of economics as applied sociology: http://xkcd.com/435/
    Before anyone points out the obvious, I am of course at least as guilty as anyone else.

    I have not read Thomas Sowell’s book, only drawn on some undergraduate classes and some quick research. I note Sowell considers welfare as promoting poverty. For an example of alternate economic views, Wikipedia links to academic studies which contradict this position (for example http://www.u.arizona.edu/~lkenwor/sf1999%28poverty%29.pdf). But as you did not make note of this in your summary, it may not be relevant.

    As for whether it is good economics to let money pool in the hands of the rich, we must consider marginal propensity to consume (MPC) (1). MPC is the portion of new income that an individual will spend when their disposable income increases. People with low income tend to have a higher MPC than those with a high income (2). If you have lots of money, you are less inclined to spend any extra you receive. So if you want lots of cashflow in your economy, you want to give it to those with little money.
    Therefore, in an economic sense, President Obama would be correct in stating that allowing the rich to hoard profits is harmful.
    This isn’t about government allocation of goods, this is about the government regulating anti-competitive practices and helping people lead happy lives.

    I agreed wholeheartedly with your summary when you pointed out that governments seem not to do their research when trying to make their policies a reality. I wonder if my government, also struggling with the health care system, is working to emulate France (3), or whoever has the best system now…

    What is all this telling us? Well, I am with your recommendation 100%. We need to educate ourselves and use the limited information we possess to make the best decisions we can.

    As for economics having no room for philosophy, whatever happened to ethics?

    Thank you for providing a forum to express this. I hope I have not bruised anyone’s psyche too deeply. I also hope no one is planning to bruise (or puncture, maim, poison, etc.) me too deeply. An opinion was invited and mine was given,
    Like you stated earlier, if someone can’t sit with my political views, they are free to stand up and find a chair they like better. Unfortunately, I doubt I have time to discuss this further myself. I guess it’s a good thing I’m posting where I am. This discussion can continue without any contribution from or to me. The same cannot be said for my next essay.

    Respectful Regards

    (1) Bernanke, Olekalns and Frank, Principles of Economics (2006) [textbook]

    (2) Cervantes-Godoy, D. and J. Dewbre (2010), “Economic
    Importance of Agriculture for Poverty Reduction” in OECD
    Food, Agriculture and Fisheries Working Papers no. 23 [journal]

    (3) http://www.who.int/whr/2000/media_centre/press_release/en/

  9. Heath,

    These are precisely the kinds of comments I love. Thanks for taking the time to post.

    I think your comments on MPC makes a lot of sense. However, forcing those that make profits to share all those profits with others eliminates the incentive to make the profit in the first place. Which then removes some or all of those profits. Which then dries up the cash stream or keeps it artificially low. People want that service, which is why they were willing to pay the prices stated to begin with. But now they can’t get it because it’s not worth the time of producers to provide it. Furthermore, because the opportunity attracts fewer entitites, prices stay higher.

    If instead, you let the companies keep the cash they’ve earned, what happens? If they get to keep the cash, then they usually do not distribute it all to their owners. Most of it is kept in the company. Because there’s even more profit to be made they will try to increase production which requires them to purchase more equipment and/or increase labor. It also attracts other companies to move or expand operations to get some of the profits. Jobs are preserved and created. So the cash still flows through the system, but in this case it creates jobs. Futhermore, it creates incentives to continue generating the profit. As more companies compete, prices usually drop. This makes the product or service cheaper for the consumer. Finally, it gives incentives to allocate resources to delivering this product or service that people want.

    The intent of helping those poorer than ourselves I think is a good one. But using a method that removes the incentives of production seem to actually work against that. I think it’s stunning how many people rose out of poverty when India and China made the reforms they did.

    I think a better approach in many cases is for the individual to seek out ways to help and places to send money and time. And the help will be sent to the causes people place the most value on because each individual will be prioritizing their causes.

    This is not to say that I think that a government can never do a better job, given all the pros and cons. For example, I think it’s probably best for the government to maintain a military and fire department etc.

    But the thread of Obama’s comments on this matter from his campaign until now haven’t been about weighing each case. He talks about forcing an allocation of wealth from those who have more to those who has less as a general principle. And it is this general principle that has been shown in the last century to not allocate resources as effectively and raise the standards of living of a nation as an economy that uses prices and individual choice to allocate the resources.

    Also, I know some people think the rich just sit on piles of money. But actually they put that money into investments. Some of those savings or investments are in the banking system, which lends money to small and large businesses and individuals wanting homes etc. Some of those investments are in companies. Some in bonds (so the US government, companies, and local municipalities can get the cash they need to do things for the public good). The cash doesn’t sit in a pile somewhere. And even if it is in a bank account, it’s being lent out.

    So the cash flows through the system either way. It flows through when government does the spending. But when individuals and individual companies are allowed to make the decisions on where it goes, and let prices self-regulate so they can provide accurate information to consumers and producers, the funds are allocated more efficiently, although not perfectly, to the products and services valued most. The incentives to produce remain, increasing the overall cash flow and getting the resources to where they’re wanted.

  10. Dannyboy, true. Civil disagreement is always welcome on my site. I don’t expect everyone to agree with me. Therefore I see no reason not to post something just because someone may disagree. If someone gets torqued about something, then they can be torqued as well on my site. Just as long as they keep it within bounds. 🙂

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