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  • Do you wish books had ratings for sex, violence, and language? If so I want to chat with you.

    MarshmallowMateysBack in 2011 I wrote a post titled “Since when did young adult fiction become the cure for cancer?”  It was a response to all the YASaves hysteria. The main point of my amazing post (grin) was that the people complaining about some YA content wanted not to ban books, but to simply have a way to more easily evaluate if they wanted to buy a particular book in the first place.

    They want to avoid purchasing what they thought was a box of Marshmallow Mateys only to open it and find a bunch of bicycle sprockets.

    Last year I decided to work on a solution. I have some ideas. But before I get ahead of myself and build something, I want to really understand if it’s a problem worth solving. I want to chat with others who do care about content to see what aspects of this are important to them and what they’re doing now to find this information.

    So, if you wish books had ratings for sex, violence, and language, then I want to talk to you. It will take about 20 minutes. If you’re open to chatting, leave a comment, or click Contact above and fill in the form.

    Because I live up in the middle of nowhere, we’ll have to chat via a web meeting. But never fear: I’ll host that. All you’ll have to do is show up and answer my questions 🙂

     

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  • LTUE presentations

    Life, the Universe & Everything is coming up in a little over a month on Feb 12-14, 2015. It will be held at the Provo Marriott Hotel & Conference Center. Some reasons to go.

    Number one. Toni Weisskopf, the editor and publisher of Baen Books, is the guest of honor.

    Number two. LTUE and LDStorymakers are the best two cons in Utah for learning how to write, but LTUE is lots cheaper.

    Number three. Lots of local authors will be there. It’s a great forum for hearing their insights and finding out what they’re doing.

    I will be giving three presentations.

    • Plotting Secrets: Action. In this one, Larry Correia and I team up to share a model of plotting that should make developing your action story much easier. Attendees will be able to use the methods on a novel idea Larry, Joe (Larry’s son), and I came up with called Mech Runners. Basically, Larry turned to Joe and said, “What’s awesome?” Joe said, “Giant robots, bandits, and murderers.” We took it from there.
    • Plotting Secrets: Romance. In this one, I team up with romance author LL Muir to share a model of plotting that should make developing your romance plot or subplot much easier. Attendees will be able to use the methods on a story idea Lesli and I came up based on The Hobbit. It’s called My Precious.
    • The Story Setup: A Powerful Tool You’re Probably Overlooking. The story setup is a fabulous tool that’s not only helped me drastically cut down the time it takes me to develop my ideas, but it has also helped me develop better ideas. In this presentation, I will explain what the story setup is and how you can use it to help you nail your novel.

    I hope to see you there.

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  • |

    Do you want to meet authors and learn how to develop and write stories?

    Then you want to be in Provo, Utah this Thursday, Friday, and Saturday, February 11-13th, and attend Life, The Universe & Everything, the annual science fiction and fantasy writing conference. (I think students get in free.)

    If you live within a reasonable driving distance (I’m 2.5 hours away and consider that reasonable), then you should do everything you can to get down there. It’s going to be a blast. It and LDStorymakers are THE best conferences for writing that I know of in Utah, Nevada, Idaho, Wyoming, Colorado, and Arizona. And if you’re into SFF, then it’s the one. I mean, just check out the list of guests.

    I’ll be on the Role of Magic in Your Story and Distributing Your Novel panels. Look at the schedule and check out the guests who will be on those panels with me. Yeah. Awesome.

    And then I’ll be presenting Vivid and Clear by myself and Succeeding as a Writer with L.L. Muir, which is going to reveal some things that will surprise a lot of people.

    BTW, L.L. Muir is the best kept secret success story in Utah at the moment. She’s selling thousands of books, pleasing thousands of readers, and making, well, you’ll have to come to that presentation find out how much money she’s making. And what the secrets to her success are.

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  • “A Few Things Writers Can Learn from Harry Potter” by Cheryl Klein

    Klein (isn’t that a lovely photo with the arch, the girl, and the color? It feels Potterish and is perfect for Klein) is a senior editor at Arthur A. Levine Books, an imprint of Scholastic Inc. (Levine is the guy who purchased Potter in the US), and the continuity editor for the U.S. editions of the Harry Potter books. A “continuity editor” is responsible for ensuring that the world an author creates remains as consistent as possible through multiple books. A senior editor, on the other hand, finds likely books and acquires them for publication.

    Please look at this list of best selling books of all time. Rowling’s success is simply AMAZING. And Klein looks, as an editor, at some reasons why she feels Potter did so well. Of course, there are other factors like the fact that it was a book the whole family could enjoy and the wonder she created with things like quidditch and every flavor beans etc. But the points she makes here are marvelous. Take some time to think about and digest what Klein has to say. For more essays, here’s her website: http://www.cherylklein.com/.

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  • SODG out to first round of possible blurbers

    “Blurbers” is so much more fun than “endorsers.” Stacy has sent the manuscript of Servant of a Dark God out to the first round of people who said they would give the story a go. If they find they’re in the audience, they’ll write up a blurb for it. This is all in preparation for the launch meeting in December when my editors go to bat for me and sell the book to the salespeople inside Tor.

    While I hope the potential blurbers will all find themselves in the story’s audience, I do not assume it’s a given. If they’re not, I’m still a happy man (although a bit disappointed). There are many wildly successful tales that I myself am not in the audience for.

    I expect we’ll get reactions back in a month or two. I’ll post here the results.

    I can’t remember the last time I was this anxious. Yesterday I read Scott Card’s review of K.J. Parker’s stuff.  All his business about great writers. And I’m thinking, holy heck. I’m a nothing. Just a little dude with this nothing book. And then I thought, what if none of these readers find they’re in the audience for the book? It’s one thing to send out a manuscript. You can always change, improve. But this is it. This is the book. It either soars or plops in the mud.

    But then I read Mette Ivie Harrison’s first article on writing for IGMS and thought—you know what, I tell the stories I tell. While others may aspire to “greatness,” that’s not something I care to strive for. I want to write stories that entertain and move. And while I can learn how to write and tell better stories, they’re always going to be John Brown stories. If they plop, they plop. And I just have to forget all the greatness-everybody-must-love-me nonsense and write John Brown

    I met Mette at Card’s boot camp in 2002. We’ve read each other’s manuscripts every once in a while. I respect her ideas, loved MIra, Mirror, and am grateful for that article. If you’re a writer, I recommend it to you highly.

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3 Comments

  1. Thank you for this presentation. It was well-prepared and well-presented with the examples. I loved that you were able to share examples to help us notice the Trigger, Delay, Deliver. Looking forward to seeing more presetations in the future.

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