Merry Halloween!

Poetry is a species of literature that struggles to flourish in written and spoken environments.  We forward the occasional insightful, funny, or sentimental poem in our emails. Once in a while speakers will quote a few verses. But we don’t share that form of poetry like we do the poetry in songs. Music is the environment in which poetry thrives.  People say you can’t make money writing poetry—tell that to lyricists and song writers.  I have three poems (songs) that I think you’ll enjoy.

First is “God Rest Ye Merry Gentlemen / We Three Kings” by Barenaked Ladies and Sarah McLachlan. This is one of the Brown family’s most favorite Christmas songs. It’s such a favorite that we can’t help but listen and sing along all year round. The Bare Naked Ladies put a mix of these two classics to a punchy beat with an acoustic guitar, but then they change the mood part way in by bringing in McLachlan’s haunting, beautiful voice. It is an upbeat, wonderful arrangement.

The next song is another remake of a classic: “I Heard the Bells on Christmas Day” by Casting Crows.  While the song is updated with modern instruments (drums, piano, guitar), this isn’t a raucous arrangement. It starts with a simple lovely melody and a solo male voice. It moves into a swell with a sweet child chorus that repeats the most important refrain in the song: “peace on earth, good will to men.” There are no bells in the song, but it makes me wish I was back in Europe so that when the bells in the towns there did peal, I would think of the message of this song.

Now, I know some of you are thinking, “Christmas. In October? Are you kidding me?” So to appease these strict seasonalists, I present “Calling All The Monsters” by China Anne McClain. The perfect groove Halloween song–upbeat and catchy. And you simply must watch the music video that goes with it. It’s good fun that hearkens back to the Michael Jackson “Thriller” music video but is much more playful.  

All of these songs can be purchased on Amazon for less than a buck each. If you want to preview them, you can on YouTube. Links below. Merry Halloween!

So what are some of your favorites?

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    What a hook!

    And soon I found myself reading a wonderful story about a boy and a teacher, who happens to be a witch.

    But the kind of witch Rainey writes about is not some gal with warts and a black hat. Nor is she some kind of Alice Hoffman Practical Magic type.

    She’s a Rainey witch.

    And this tale is about a boy caught in her class in school. I loved it. It evoked perfectly how some teachers affect us boys. I haven’t read any of the other stories in this issue yet. But I can still say the measley $2.50 subscription for issue 12 is worth it if only so you can read this one story. Besides, even if you don’t have time to read it, scroll down on the TOC and you’ll see you don’t have to–you can listen to Scott Card read the thing to you.

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  • Top 200 Juvenile Novels of 2010

    Two weeks ago I published the top 200 novels and authors of YA fiction. As I stated then, looking at bestselling novels only gives one view into what readers are enjoying. Looking at library circulation gives another view that complements sales. These rankings are based on the circulation (number of times the book was checked out) at the Logan Utah Libarary which serves a community of over 100,000 residents. 

    This week I present to you the top 200 Juvenile (these are mostly middle grade) novels of 2010. These are from the 5,377 different titles that were checked out. I can’t claim these lists show what’s most popular nationally. I’m confident the libraries in each region of the nation will have lists that vary a little or a lot from these. However, this does show what’s being read in this neck of the woods. Furthermore, all of these should be great reads for middle graders, teens, and adults.  

    As before, the list features a lot of authors who live in Utah or have ties to Utah. The number of titles are in ( ).

    • Obert Skye (8)
    • Brandon Mull (6)
    • James Dashner (3)
    • J. Scott Savage (2)
    • Matthew Buckley (1)

    I’m surprise at just how much these folks dominate this list. They’re rock stars! If I’ve missed anyone, let me know. For the previous lists, see these links:

    And now, the top 200 Juvenile Novels of 2010.

    The List

    Title Total % Rank
    Fablehaven book 5 : Keys to the Demon Prison / Brandon Mull* 319 0.98% 1
    Diary of a wimpy kid : dog days/  Jeff Kinney 261 0.80% 2
    Diary of a wimpy kid : Greg Heffley’s journal /  Jeff Kinney 239 0.74% 3
    Fablehaven / Brandon Mull* 236 0.73% 4
    Diary of a wimpy kid : Rodrick rules /  Jeff Kinney 235 0.72% 5
    Fablehaven Book 4 : Secrets of the Dragon Sanctuary / Brandon Mull* 226 0.70% 6
    Diary of a wimpy kid : the last straw /  Jeff Kinney 217 0.67% 7
    Fablehaven Book 3 : Grip of the Shadow Plague / Brandon Mull* 215 0.66% 8
    Fablehaven Book 2 : Rise of the Evening Star / Brandon Mull*  152 0.47% 9
    The candy shop war / Brandon Mull* 139 0.43% 10
    Leven Thumps and the ruins of Alder / Obert Skye* 110 0.34% 11
    Leven Thumps and the gateway to Foo / Obert Skye* 110 0.34% 12
    Harry Potter and the sorcerer’s stone /  J.K. Rowling  90 0.28% 13
    Harry Potter and the Chamber of Secrets /  J.K. Rowling  86 0.26% 14
    Harry Potter and the prisoner of Azkaban /  J.K. Rowling 85 0.26% 15
    Fairest / Gail Carson Levine 78 0.24% 16
    Charlie Bone and the Red Knight / Jenny Nimmo 78 0.24% 17
    The journal of curious letters / James Dashner*  76 0.23% 18
    Pillage / Obert Skye* 74 0.23% 19
    Leven Thumps and the whispered secret / Obert Skye*  74 0.23% 20
    The hunt for dark infinity / James Dashner* 69 0.21% 21
    The Blade of Shattered Hope / James Dashner* 69 0.21% 22
    The 39 clues. Viper’s nest /  Peter Lerangis 68 0.21% 23
    The lion, the witch, and the wardrobe / C.S. Lewis  67 0.21% 24
    Diary of a wimpy kid : the ugly truth /  Jeff Kinney 67 0.21% 25
    The 39 clues. The maze of bones /  Rick Riordan 67 0.21% 26
    The bad beginning /  Lemony Snicket  66 0.20% 27
    The field guide / Tony DiTerlizzi and Holly Black 64 0.20% 28
    How to train your dragon by Hiccup Horrendous Haddock III / Cressida Cowell 62 0.19% 29
    The Society of Unrelenting Vigilance / Glenn Dakin  62 0.19% 30
    The tales of Beedle the Bard / J.K. Rowling 61 0.19% 31
    Dragon rider / Cornelia Funke 59 0.18% 32
    Midnight for Charlie Bone / Jenny Nimmo 59 0.18% 33
    Leven Thumps and the eyes of the Want / Obert Skye*  59 0.18% 34
    The 39 clues. One false note / Gordon Korman 58 0.18% 35
    The 39 clues. In too deep /  Jude Watson 58 0.18% 36
    Peter and the Sword of Mercy /  Dave Barry and Ridley Pearson  57 0.18% 37
    The 39 clues. The emperor’s code / Gordon Korman 56 0.17% 38
    The reptile room /  Lemony Snicket  55 0.17% 39
    The 39 clues. Storm warning / Linda Sue Park 55 0.17% 40
    Choke / Obert Skye* 55 0.17% 41
    Leven Thumps and the wrath of Ezra / Obert Skye* 54 0.17% 42
    The wide window /  Lemony Snicket  53 0.16% 43
    Gregor the Overlander / Suzanne Collins 53 0.16% 44
    The miserable mill /  Lemony Snicket  52 0.16% 45
    The 39 clues. The sword thief / Peter Lerangis 52 0.16% 46
    Peter & the Starcatchers /  Dave Barry and Ridley Pearson 51 0.16% 47
    The 39 clues. Beyond the grave / Jude Watson 51 0.16% 48
    The 39 clues. The black circle / Patrick Carman 51 0.16% 49
    Fantastic Mr. Fox / Roald Dahl  50 0.15% 50
    Into the wild / Erin Hunter 49 0.15% 51
    The city of Ember / Jeanne DuPrau 49 0.15% 52
    The seeing stone / Tony DiTerlizzi and Holly Black 49 0.15% 53
    The witches / Roald Dahl  48 0.15% 54
    The end /  Lemony Snicket  47 0.14% 55
    Charlie and the chocolate factory / Roald Dahl  46 0.14% 56
    Gregor and the prophecy of Bane / Suzanne Collins 46 0.14% 57
    Redwall / Brian Jacques  45 0.14% 58
    Land keep / J. Scott Savage* 45 0.14% 59
    Charlie Bone and the time twister / Jenny Nimmo 45 0.14% 60
    Professor Winsnicker’s book of proper etiquette for well-mannered sycophants / Obert Skye* 45 0.14% 61
    Found /  Sarah Prineas  45 0.14% 62
    The people of Sparks / Jeanne DuPrau 43 0.13% 63
    Beezus and Ramona / Beverly Cleary 42 0.13% 64
    The austere academy /  Lemony Snicket  42 0.13% 65
    39 clues. Into the gauntlet/  Margaret Peterson Haddix 42 0.13% 66
    Lucinda’s secret /  Tony DiTerlizzi and Holly Black 42 0.13% 67
    Ramona’s world / Beverly Cleary  41 0.13% 68
    Midnight / Erin Hunter 41 0.13% 69
    Captain Underpants and the attack of the talking toilets / Dave Pilky 40 0.12% 70
    The penultimate peril /  Lemony Snicket  40 0.12% 71
    The nixie’s song / Tony DiTerlizzi and Holly Black 40 0.12% 72
    The magician’s nephew / C.S. Lewis  39 0.12% 73
    Fading echoes / Erin Hunter 39 0.12% 74
    Charlie Bone and the shadow / Jenny Nimmo 39 0.12% 75
    The capture /  Kathryn Lasky 39 0.12% 76
    The fairy-tale detectives / Michael Buckley 39 0.12% 77
    The inside story / Michael Buckley  39 0.12% 78
    Gregor and the curse of the warmbloods /  Suzanne Collins 39 0.12% 79
    The mouse and the motorcycle / Beverly Cleary 38 0.12% 80
    The wide-awake princess / E.D. Baker 38 0.12% 81
    Ella enchanted / Gail Carson Levine 38 0.12% 82
    Water keep / J. Scott Savage* 38 0.12% 83
    Little house in the big woods / Laura Ingalls Wilder 38 0.12% 84
    The vile village /  Lemony Snicket  38 0.12% 85
    Prince Caspian : the return to Narnia / C.S. Lewis  37 0.11% 86
    The fourth apprentice / Erin Hunter 37 0.11% 87
    The prophet of Yonwood /  Jeanne DuPrau 37 0.11% 88
    Among the hidden / Margaret Peterson Haddix 37 0.11% 89
    The Wrath of Mulgarath / Tony DiTerlizzi and Holly Black 37 0.11% 90
    The diamond of Darkhold / Jeanne DuPrau 36 0.11% 91
    The ersatz elevator /  Lemony Snicket  36 0.11% 92
    Rani in the Mermaid Lagoon /  36 0.11% 93
    Gregor and the Code of Claw / Suzanne Collins 36 0.11% 94
    The Ironwood tree / Tony DiTerlizzi and Holly Black 36 0.11% 95
    The Sable Quean / Brian Jacques  35 0.11% 96
    Fire star / Chris d’Lacey 35 0.11% 97
    Bluestar’s prophecy / Erin Hunter 35 0.11% 98
    Gregor and the marks of secret /  Suzanne Collins 35 0.11% 99
    How to speak dragonese by Hiccup Horrendous Haddock III / Cressida Cowell 34 0.10% 100
    Charlotte’s web /  E. B. White. Pictures by Garth Williams 34 0.10% 101
    The grim grotto /  Lemony Snicket  34 0.10% 102
    The Everafter War / Michael Buckley  34 0.10% 103
    The Dark Hills divide / Patrick Carman 34 0.10% 104
    Magic thief /  Sarah Prineas  34 0.10% 105
    Forest of secrets / Erin Hunter 33 0.10% 106
    Found / Margaret Peterson Haddix 33 0.10% 107
    Chickens in the headlights ; a novel / Matthew Buckley* 33 0.10% 108
    In the realm of the Never Fairies / Monique Peterson 33 0.10% 109
    The Thief Lord / Cornelia Funke  32 0.10% 110
    The last wilderness / Erin Hunter 32 0.10% 111
    Charlie Bone and the invisible boy / Jenny Nimmo 32 0.10% 112
    Tunnels / Roderick Gordon, Brian Williams 32 0.10% 113
    Ramona the brave / Beverly Cleary 32 0.10% 114
    How to be a pirate by Hiccup Horrendous Haddock III / Cressida Cowell 31 0.10% 115
    Captain Underpants and the wrath of the wicked Wedgie Woman / Dave Pilky 31 0.10% 116
    Fire in the sky /  Erin Hunter 31 0.10% 117
    Charlie Bone and the castle of mirrors / Jenny Nimmo 31 0.10% 118
    Little house on the prairie /  Laura Ingalls Wilder  31 0.10% 119
    The slippery slope /  Lemony Snicket  31 0.10% 120
    The wyrm king / Tony DiTerlizzi and Holly Black 31 0.10% 121
    The fire within / Chris D’Lacey 30 0.09% 122
    Captain Underpants and the perilous plot of Professor Poopypants / Dave Pilky 30 0.09% 123
    Fire and ice / Erin Hunter 30 0.09% 124
    The princess test / Gail Carson Levine  30 0.09% 125
    A Giant Problem / Holly Black 30 0.09% 126
    Charlie Bone and the beast / Jenny Nimmo 30 0.09% 127
    Dealing with dragons /  Patricia C. Wrede 30 0.09% 128
    Over sea, under stone / Susan Cooper 30 0.09% 129
    How to twist a dragon’s tale / Cressida Cowell 29 0.09% 130
    The adventures of Captain Underpants : an epic novel /  Dav Pilky 29 0.09% 131
    Once upon a curse / E.D. Baker 29 0.09% 132
    Cats of the Clans /  Erin Hunter  29 0.09% 133
    The sight / Erin Hunter 29 0.09% 134
    Moonrise / Erin Hunter 29 0.09% 135
    Charlie Bone and the hidden king / Jenny Nimmo 29 0.09% 136
    The carnivorous carnival /  Lemony Snicket  29 0.09% 137
    The hostile hospital /  Lemony Snicket  29 0.09% 138
    Matilda / Roald Dahl  29 0.09% 139
    The frog princess / E.D. Baker 28 0.09% 140
    Long shadows / Erin Hunter 28 0.09% 141
    The darkest hour / Erin Hunter 28 0.09% 142
    Lanie /  Jane Kurtz  28 0.09% 143
    Wayside School gets a little stranger / Louis Sachar  28 0.09% 144
    Atherton : the house of power /  Patrick Carman 28 0.09% 145
    The dark is rising / Susan Cooper  28 0.09% 146
    Icefire / Chris D’Lacey 27 0.08% 147
    Sunset / Erin Hunter 27 0.08% 148
    Sunrise / Erin Hunter 27 0.08% 149
    Fawn and the mysterious trickster / Laura Driscoll 27 0.08% 150
    The unusual suspects / Michael Buckley  27 0.08% 151
    Charlie and the great glass elevator / Roald Dahl 27 0.08% 152
    The Twits / Roald Dahl  27 0.08% 153
    Ramona Quimby, age 8 / Beverly Cleary  26 0.08% 154
    Peter & the shadow thieves /  Dave Barry and Ridley Pearson 26 0.08% 155
    Peter & the secret of Rundoon /  Dave Barry and Ridley Pearson 26 0.08% 156
    Twilight / Erin Hunter 26 0.08% 157
    The quest begins / Erin Hunter 26 0.08% 158
    Dawn / Erin Hunter 26 0.08% 159
    Fairy Haven and the quest for the wand / Gail Carson Levine  26 0.08% 160
    For Biddle’s sake / Gail Carson Levine  26 0.08% 161
    Myka finds her way / Gail Herman 26 0.08% 162
    The Boxcar children / Gertrude Chandler Warner  26 0.08% 163
    Dear Dumb Diary #1: Let’s pretend this never happened / Jim Benton 26 0.08% 164
    Tales of a fourth grade nothing / Judy Blume 26 0.08% 165
    Rosetta’s daring day / Lisa Papademetriou 26 0.08% 166
    Among the enemy / Margaret Peterson Haddix 26 0.08% 167
    Beyond the Valley of Thorns / Patrick Carman 26 0.08% 168
    Dork diaries : tales from a not-so-fabulous life / Rachel Renee  26 0.08% 169
    Where the red fern grows / Wilson Rawls 26 0.08% 170
    Ramona and her father / Beverly Cleary  25 0.08% 171
    Captain Underpants and the big, bad battle of the Bionic Booger / Dave Pilky 25 0.08% 172
    Dragon kiss /  E.D. Baker 25 0.08% 173
    Code of the clans / Erin Hunter  25 0.08% 174
    The two princesses of Bamarre /  Gail Carson Levine 25 0.08% 175
    Silvermist and the ladybug curse / Gail Herman 25 0.08% 176
    Iridessa, lost at sea / Lisa Papademetriou 25 0.08% 177
    Sideways stories from Wayside School /  Louis Sachar  25 0.08% 178
    A long way from Chicago : a novel in stories / Richard Peck 25 0.08% 179
    Island of the giant Pokâemon / adapted by Tracey West 24 0.07% 180
    How to cheat a dragon’s curse / Cressida Cowell 24 0.07% 181
    Firestar’s quest / Erin Hunter 24 0.07% 182
    Fira and the full moon / Gail Herman 24 0.07% 183
    Savvy /  Ingrid Law 24 0.07% 184
    Vidia and the fairy crown / Laura Driscoll 24 0.07% 185
    Sent / Margaret Peterson Haddix 24 0.07% 186
    NERDS : National Espionage, Rescue, and Defense Society /  Michael Buckley 24 0.07% 187
    Beauty : a retelling of the story of Beauty & the beast /  Robin Mckinley 24 0.07% 188
    The popularity papers / Amy Ignatow 23 0.07% 189
    Ramona forever / Beverly Cleary  23 0.07% 190
    Dark fire / Chris d’Lacey 23 0.07% 191
    The salamander spell /  E.D. Baker 23 0.07% 192
    Outcast / Erin Hunter 23 0.07% 193
    Eclipse / Erin Hunter 23 0.07% 194
    The hound of Rowan / Henry H. Neff 23 0.07% 195
    Erec Rex : the dragon’s eye /  Kaza Kingsley  23 0.07% 196
    Beck beyond the sea / Kimberly Morris 23 0.07% 197
    Prilla and the butterfly lie / Kitty Richards 23 0.07% 198
    Utterly me, Clarice Bean / Lauren Child 23 0.07% 199
    Among the Barons / Margaret Peterson Haddix 23 0.07% 200
    Into the mist / Patrick Carman 23 0.07% 201
    This book is not good for you / Pseudonymous Bosch  23 0.07% 202
    George’s marvelous medicine / Roald Dahl  23 0.07% 203
    A hero’s guide to deadly dragons : the heroic misadventures of Hiccup Horrendous Haddock III / Cressida Cowell 23 0.07% 204
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  • The Profiler, Almond Milk, and Uncle Sam

    Real crime 

    It’s 1990. You’re a housewife, homeschooling your children, and renting a room upstairs to a young man to make ends meet. There are a few odd things about the young man, but you overlook them. Then one day a woman is strangled on a jogging path near your home, and your first thought is that the young man living in your house has something to do with it.

    What do you do?

    Pat Brown found herself in this exact situation. She voiced her suspicions to her husband, but it was all too farfetched. However, the nagging thought wouldn’t let her go, and she soon uncovered evidence that made the young man a strong suspect.

    She took the evidence to the police, but they dismissed her as a bored housewife with an overactive imagination. She evicted the young man, but it would be six years before the authorities would finally bring him in for questioning.

    Dismayed and frustrated, Brown started down a path that would lead to her become a professional criminal profiler, assisting police departments and victims’ families by analyzing both physical and behavioral evidence to make the most scientific determination possible about who committed a crime.

    In The Profiler: My Life Hunting Serial Killers and Psychopaths Brown tells about what happened with that young man and her journey to becoming a profiler, then she opens a number of other cases she’s worked on, giving the reader a behind-the-scenes look at how profilers work, and how their methods bring new investigative avenues to light. She also brings home very clearly just how many murders go unsolved. It’s an absolutely fascinating read.

    Milk that doesn’t moo

    I used to think soy milk was either for the lactose intolerant or hippies. And so I always avoided that milk section of the grocery store. But, having embarked on a new way of eating that I’ll explain in another column, I was induced to approach the alternative milk shelves. I purchased a carton of soy milk, but then I saw cartons of something even more strange: almond milk.

    Puzzling. I knew, of course, that almonds did not have udders. So nobody was out there hooking them up to tiny milking machines. And they were nuts, so it’s not like you can squeeze them to make them release their tasty juices. Instead, I learned that almond milk is made by finely grinding almonds together with water. I thought this was something new, invented perhaps by a Californian who’d had too much weed, but it appears many Medieval European recipes called for almond milk, and it has always been a popular beverage in the Middle East. So almond milk has been around for some time.

    But I didn’t know any of this. I just knew I loved almonds and that they provide all sorts of goodies for the human body. Besides, I have a hard time resisting adventures. So along with the soy, I picked up a carton of Silk’s PureAlmond regular, vanilla, and chocolate milk.

    The soy was okay, but it left a weird zingy taste in my mouth. Furthermore, soy contains estrogen. I’m sure it’s a fine product, but I live with four daughters and don’t need any more estrogen. And I certainly don’t need it mutating me in any, um, feminine ways. So I put the soy aside and gave the almond milk a go.

    It was delicious. I love the vanilla and regular flavors the best. In fact, I like it so much I only drink cow’s milk when the last drop of almond milk is gone, and I try to make sure that never happens. Some might worry that I’ll deplete my calcium stores, but not so. Almond milk actually has MORE calcium than cow’s milk along with vitamin D that allows the body to absorb the mineral. It also has 50% of the RDA of vitamin E, of which cow’s milk has none. But that’s all technical vitaminy stuff. It wouldn’t matter if the milk itself didn’t taste so dang good.

    The American breakfast

    I love cereal. We have our standard favorites as a family, but I also like to get a box of something new when we shop. I recently saw, perched up on the top shelf at Wal-Mart, boxes of  Uncle Sam.

    What the heck? Was this a Tea Party product? I know Utah is conservative, but come on. And what kind of nut sings “The Stars and Stripes” for breakfast?

    Well, I might.

    So I promptly snagged a box and read that it’s been around since 1908, thus making it politically neutral. Then I read the ingredients. It’s a simple cereal made of wheat berries that are steamed, rolled, and toasted to provide killer whole grain nutrition. Those wheat flakes are then mixed with flax seeds (omega 3’s anyone?). That’s it.

    I purchased a box, felt patriotic, and then gave it a try when we got home. I’ve been buying it regularly ever since. It’s slammed with 10 grams of fiber and 7 grams of protein, and goes great with Silk’s vanilla almond milk and a piece of fruit.

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  • |

    This American Life: Superpowers

    What superpower would you rather have–flight or invisibility? What do others choose? Why? What does it say about you?

    Want to hear about a gal named Zora who, as a teen, made a list of everything that a superhero would have to know how to do, things like flying helicopters and diffusing bombs, and then set out to do it. Zora finished her list, btw. She’s a bounty hunter now.

    You can hear this right now on  This American Life episode 178: Superpowers .

    It’s a fabulous hour-long program.

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  • Good Stuff! The Highwayman by Alfred Noyes

    Alfred Noyes (1880-1958) wrote poetry that thundered and sang. It’s the kind of stuff that begs to be read aloud. And I want to share with you one of my favorites–“The Highwayman.” I love it for the sound, the story, and the awesome images (note all the color).

    All you need to know is that back in the 1600s and 1700s, a highwayman was a robber, often on horseback, who held up travelers. And that when it mentions “priming,” it’s talking about the charge of powder used to ignite a musket.

    For maximum pleasure, let me suggest you start Loreena McKennitt’s killer ballad version I’ve embedded at the end, then scroll back up and read along as she sings.

    THE HIGHWAYMAN
    By Alfred Noyes

    The wind was a torrent of darkness among the gusty trees.
    The moon was a ghostly galleon tossed upon cloudy seas.
    The road was a ribbon of moonlight over the purple moor,
    And the highwayman came riding—
    Riding—riding—
    The highwayman came riding, up to the old inn-door.

    He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
    A coat of the claret velvet, and breeches of brown doe-skin.
    They fitted with never a wrinkle. His boots were up to the thigh.
    And he rode with a jewelled twinkle,
    His pistol butts a-twinkle,
    His rapier hilt a-twinkle, under the jewelled sky.

    Over the cobbles he clattered and clashed in the dark inn-yard.
    He tapped with his whip on the shutters, but all was locked and barred.
    He whistled a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter,
    Bess, the landlord’s daughter,
    Plaiting a dark red love-knot into her long black hair.

    And dark in the dark old inn-yard a stable-wicket creaked
    Where Tim the ostler listened. His face was white and peaked.
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord’s daughter,
    The landlord’s red-lipped daughter.
    Dumb as a dog he listened, and he heard the robber say—

    “One kiss, my bonny sweetheart, I’m after a prize to-night,
    But I shall be back with the yellow gold before the morning light;
    Yet, if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I’ll come to thee by moonlight, though hell should bar the way.”

    He rose upright in the stirrups. He scarce could reach her hand,
    But she loosened her hair in the casement. His face burnt like a brand
    As the black cascade of perfume came tumbling over his breast;
    And he kissed its waves in the moonlight,
    (O, sweet black waves in the moonlight!)
    Then he tugged at his rein in the moonlight, and galloped away to the west.

    He did not come in the dawning. He did not come at noon;
    And out of the tawny sunset, before the rise of the moon,
    When the road was a gypsy’s ribbon, looping the purple moor,
    A red-coat troop came marching—
    Marching—marching—
    King George’s men came marching, up to the old inn-door.

    They said no word to the landlord. They drank his ale instead.
    But they gagged his daughter, and bound her, to the foot of her narrow bed.
    Two of them knelt at her casement, with muskets at their side!
    There was death at every window;
    And hell at one dark window;
    For Bess could see, through her casement, the road that he would ride.

    They had tied her up to attention, with many a sniggering jest.
    They had bound a musket beside her, with the muzzle beneath her breast!
    “Now, keep good watch!” and they kissed her. She heard the doomed man say—
    Look for me by moonlight;
    Watch for me by moonlight;
    I’ll come to thee by moonlight, though hell should bar the way!

    She twisted her hands behind her; but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years
    Till, now, on the stroke of midnight,
    Cold, on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

    The tip of one finger touched it. She strove no more for the rest.
    Up, she stood up to attention, with the muzzle beneath her breast.
    She would not risk their hearing; she would not strive again;
    For the road lay bare in the moonlight;
    Blank and bare in the moonlight;
    And the blood of her veins, in the moonlight, throbbed to her love’s refrain.

    Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;
    Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding—
    Riding—riding—
    The red coats looked to their priming! She stood up, straight and still.

    Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
    Nearer he came and nearer. Her face was like a light.
    Her eyes grew wide for a moment; she drew one last deep breath,
    Then her finger moved in the moonlight,
    Her musket shattered the moonlight,
    Shattered her breast in the moonlight and warned him—with her death.

    He turned. He spurred to the west; he did not know who stood
    Bowed, with her head o’er the musket, drenched with her own blood!
    Not till the dawn he heard it, and his face grew grey to hear
    How Bess, the landlord’s daughter,
    The landlord’s black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    Back, he spurred like a madman, shouting a curse to the sky,
    With the white road smoking behind him and his rapier brandished high.
    Blood red were his spurs in the golden noon; wine-red was his velvet coat;
    When they shot him down on the highway,
    Down like a dog on the highway,
    And he lay in his blood on the highway, with a bunch of lace at his throat.

    . . .

    And still of a winter’s night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a ribbon of moonlight over the purple moor,
    A highwayman comes riding—
    Riding—riding—
    A highwayman comes riding, up to the old inn-door.

    Over the cobbles he clatters and clangs in the dark inn-yard.
    He taps with his whip on the shutters, but all is locked and barred.
    He whistles a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter,
    Bess, the landlord’s daughter,
    Plaiting a dark red love-knot into her long black hair.

     

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  • Interview with Edmund Schubert, editor of IGMS

    I recently had the wonderful opportunity to interview Edmund Schubert, the editor for Orson Scott Card’s Intergalactic Medicine Show, about How To Write Magical Works: A Writer’s Companion, a collection of essays about the craft and the business of writing that he edited. Ed’s someone to listen to. But so are the authors whose essays fill the book: Faith Hunter, David Coe, C.E. Murphy, Misty Massey, A.J. Hartley, and Stuart Jaffe. Here’s what he had to say about this book.

    John: Edmund, you recently edited How To Write Magical Words: A Writer’s Companion. It’s chock full of advice from some pretty successful fiction authors, and an editor who, having purchased one of my stories, has shown exceptional taste (grin). But there are a lot of how-to’s by successful authors out there. What makes this book different, do you think? What’s the special value this book brings to the table?

    Edmund: I think the biggest thing that differentiates this book from others on the subject is its diversity of opinions. Most how-to books are written by one person, giving on perspective, but the truth is that there are many paths to success in this business. The Magical Words book was intentionally designed to replicate the give-and-take that exists on the MW blog. Sometime the MW writers agree, sometimes they don’t. The other thing that makes this book different is that it also includes some of the follow-up questions asked by readers of the blog, and the accompanying reply. That makes this book feel/read more like a writer’s conference than your basic info-dump book.

    John: I think the concept is great. And the contributors have quite a bit of experience. I know you can’t comment on every essay in the collection, but are there one or two that stood out to you while editing?

    Edmund: There were a few that stood out to me. One by Catie and one by David, both on the subject of money/advances. Those stood out to me because of how very blunt and honest they were about finances, and it’s information I think more people need to be aware of.

    The other one that stood out for me did so for personal reason. Catie’s essay about Visualizing The Story made me feel so much better about myself as a writer and my chances of success, because for years I’ve been hearing all these other writers at conventions talk about how their stories are like movies in their heads and all they have to do is record the action and the dialogue, and I used to hear that really worry because at best I might see a slide show of of bits and pieces of the action, but I’m totally making the rest up. Hearing Catie say that she didn’t/couldn’t visualize the story that way either gave me hope.

    John: I’m sure aspiring authors are going to be very interested in what Catie and David say about money. It’s also interesting that sometimes we writers hear other successful writers talk about how the invention process works for them, compare our process with theirs, and assume we’re lacking. In reality, the way we approach it might be just as effective. That’s one of the things I like about this book—it has multiple contributors. Let me ask one more question. You see a lot of stories as editor of Intergalactic Medicine Show. What are some of the topics addressed in this book that, based on the biggest issues you encounter in submissions, authors would be wise to carefully consider?

    Edmund: Magical Words as a group have two mantras: the first is that there is no one right way to do this crazy thing called writing, and the second is the exception that proves the rule: the one and only true answer to everything is BIC. Butt In Chair. You put your butt in the chair and you write. You figure it out as you go along. And the more you write, the more the other advice you hear will make sense. You want to be a writer? Write. The rest is details.

    ***

    John sez, amen to that. And amen to this book. I really enjoyed the format and the insights shared. I never tire talking about craft and business with other writers. With over 100 essays and 313 pages, this book has lots to share. If you want to hear what some very smart and a few very published authors have to say about writing, you’ll want to pick up your own copy.

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