Leah Cypess says, “After selling my first story (Temple of Stone) while in high school, I gave in to my mother’s importuning to be practical and majored in biology at Brooklyn College. I then went to Columbia Law School and practiced law for almost two years at Debevoise & Plimpton LLP, a large law firm in New York City. I kept writing and submitting in my spare time, and finally, a mere 15 years after my first short story acceptance, I sold my first novel, Mistwood, to Greenwillow Books (HarperCollins).”
Leah lives in Brookline, Massachusetts (right outside of Boston) with her husband Aaron, a researcher and doctor at the Joslin Diabetes Center, and their two daughters. She majored in biology, minored in journalism, went to law school, worked as a lawyer, and has just started to learn about hawking and hunting. She’s published a number of short stories, which are all available for free on her website.
I just had the opportunity to interview Leah about her writing process and books. Enjoy!
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JB: MISTWOOD, published by HarperCollins in April, 2010, is your debut novel. But is it the first you’ve written?
LC: Most definitely not. I wrote, revised, and submitted four manuscripts before Mistwood. (Technically, five; but I don’t count the first one, because it wasn’t very good, and I didn’t know what I was doing with the submissions process either. I was fifteen years old.) In fact, after getting the offer from HarperCollins, I acquired an agent, who asked me to send him a list of my previous manuscripts and their submission histories. The list was sixteen pages long.
JB: Holy cow, five novels and 16 pages of submission history. That’s a lot of dedication. And faith in the face of rejection. I’m intrigued. How did the sale of this novel come about? Was it just another submission to yet another editor or did you have some connection? What was different with this book?
LC: Both the faith and the sale were helped by the fact that I could see incremental improvements. My first novel received mostly form rejection letters, a couple of letters inviting me to submit further, and one revision request. My second received a lot of personal rejection letters, many more requests from various editors to submit future works, and one two-page revision request. The third made it to the acquisition committee at two houses. So I could tell I was getting closer, though it was still pretty dispiriting to think I might never make that final leap into publication. (After Novel #3 was turned down by both acquisition committees, even though it was being championed by senior editors in both cases, I had a couple of bad days.)
In the end, I think what was different about Mistwood was mostly luck.
It wasn’t my most perfect manuscript – there was a lot of revising to do after it was accepted! – but it was the one that resonated with the right editor at the right time. This was an editor who had asked me to submit future books after rejecting the query for Book #3, then requested Book #4 and written me a detailed and regretful email about why she didn’t feel it was right for her. By the time I sent her the query for Mistwood, she was obviously confident enough in my abilities to request that I email her the full manuscript, and to read it right away. After all those years, the acceptance for Mistwood came just a few months after I started submitting it.
JB: I’m betting your persistence and work made some of that luck. Work seems to be a little bit of magic all by itself and has been used by a lot of other authors I know. Hum (grin). So let’s talk about the book. You should know you made The Top 200 YA Authors list I just published on my site. It ranks YA authors by average number of readers per book. And while the list can’t purport to be anything but a reflection of the tastes of the area’s library patrons, I think it’s probably representative of what’s going on in my region. So congrats! The book starts right off with a bang. It’s about a shape shifter. I know shape shifters have been around forever, but most fantasy these days seems to be about vampires and werewolves. Tell us a little bit about the core idea of the novel and its genesis.
LC: That’s awesome that I’m on the Top 200 YA Authors list – thanks for letting me know!
I’ve been reading fantasy/science-fiction “forever” (I cut my teeth on the Edgar Rice Burroughs books my father had stored in our garage), so shapeshifters are just as familiar to me as vampires and werewolves.
The core idea of the novel is that of an inhuman creature grappling with the fact that she seems to be turning human — while trying to figure out why, exactly, this has happened to her, and who and what she truly is. (And, of course, fending off assassins and dealing with palace intrigue.) That idea developed over the course of writing the novel – I started out with a scene of men riding into a misty forest in search of the magical creature who lived there, with no clear idea of what that creature was or why they wanted her. Then I kind of made the rest up as I went along. (This writing process is one of the reasons the novel was revised nine times before being published!)
JB: I really liked the beginning. No wonder you felt compelled to follow the idea. And nine revisions! It sounds like you use drafts, as opposed to outlines or other tools, to help you discover your stories. Were these big revisions, almost complete rewrites?
LC: Thanks! I’m glad you liked it
I usually don’t rewrite scenes completely – most of my editing of already-written material consists more of snipping unnecessary parts and adding little bits and pieces. (Especially of description, which I tend to leave out entirely in the first draft.) But I do a lot of moving scenes around, deleting some scenes, and writing some new ones.
Though I don’t use an outline when I first write, I usually create one during the revision process so I can keep track of the jigsaw-puzzle my manuscript has become.
JB: That’s interesting. Well, I have just one more question for you. Tell us what’s coming next.
LC: What’s next is NIGHTSPELL, a stand-alone companion novel to MISTWOOD, which will be published in May 2011. It’s about a country where an ancient spell allows murder victims to return as ghosts to seek vengeance on their killers… and if they don’t manage that, they remain ghosts forever. After a couple of hundreds of years of this, the kingdom – Ghostland – has evolved into a place where the living and the dead co-exist, albeit uneasily. My main character, Darri, is a foreigner to Ghostland; she is a barbarian princess who abhors the idea of ghosts and is only there to rescue her younger sister Callie, who was sent as a hostage four years ago. But Callie has changed in those four years, and now has secrets of her own. In her quest to save her sister from herself, Darri will ultimately face a decision that will force her to reexamine beliefs she has never before questioned – and lead her into the heart of a conspiracy that threatens the balance of power between the living and the dead.
JB: Oh my bleeping heck. That just gave me a case of massive author envy. I was thinking about writing a ghost story just yesterday and thought, “naw, ghosts are all played out.” Curse you, Cypess!
Sheesh, talk about a parting shot. Well, I would ask about the next book, seeing NIGHTSPELL must be ready to go if it’s coming out in May, but I can only stand so much punishment. The good news, if I put my reader hat on, is that it looks like I get to put a tickler in my Outlook for this May. In the meantime, I going to suggest to my readers to give MISTWOOD a go. Thanks, Leah, for your time. I enjoyed the interview.
LC: Thanks, John!
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John sez: folks, I think I’m going to make interviews a regular feature. I just loved finding out more about Leah. It’s also interesting to see just how much work she’s put into this. I know that a good number of authors sell their first or second novel (see the Hines stats in the on writing section), but for a good number of others it’s later novels that sell. In either case, I think it’s clear that good old fashioned work makes up a big part of the secret sauce.
Ah, that was fun. But, dang it, I should have asked her about her lawyer and biology background. Next time.
LINKS
Leah Cypess’s website
The first three chapters of Mistwood
Praise for Mistwood
Codex Author Blog Tour 2011
Richard Lindzen is wrong. On the quotes page as well as the myths page you will find over 30 times he is wrong.
https://www.skepticalscience.com/skeptic_Richard_Lindzen.htm
Here is a summary from 2012 of climate scientists taking on Lindzen.
https://www.skepticalscience.com/climate-scientists-take-on-Richard-Lindzen.html
And here is a dozen errors from 2017.
https://blog.ucsusa.org/brenda-ekwurzel/a-dozen-doozies-setting-the-record-straight-on-richard-lindzens-letter-to-president-trump
Will Harper – His 23 errors.
https://www.skepticalscience.com/William_Happer_arg.htm
A response to a 2018 lecture by Harper, on of many he gives.
“Happer argues that the current concern over human-caused greenhouse gases is overblown. Although he clearly understands basic climate science, his presentation includes claims that are exaggerated, misleading, or incorrect regarding human-caused climate change. His presentation is entertaining, but he argues in many places against claims that climate scientists do not make. He acknowledges that CO2 has an influence on climate, but emphasizes that the influence is small. Yet he gives no physical reason to conclude that the current scientific understanding on the response of climate system to CO2 (the “climate sensitivity”) is wrong, other than to say that he does not trust climate models. His claims that climate models do not work are exaggerated and misleading. He also claims that increased CO2 will be beneficial by increasing plant growth – it is true that plant growth will increase by the CO2 increase alone, but he does not show that it will be beneficial, especially when climate is changing at the same time as CO2. His presentation ignores the large number of studies available that show that through climate change, CO2 will be detrimental to agricultural productivity as well as to human well-being generally.”
and more:
https://www.unc.edu/~jjwest/climatechange.html
Patrick Moore is policy advisor to the Heartland Institute, the leading source of climate change disinformation which has spent many millions provided by energy companies and conservative foundations and billionaires with energy company ties to stop government regulations against climate change.
Greenpeace accuses him of leaving when he saw opposing Greenpeace was much more financially lucrative and his career now is speaking out against climate change.
https://www.desmogblog.com/patrick-moore
Bjorn Lomberg is pretty famous for being fully funded by energy companies to deny the severity of climate change.
https://www.desmogblog.com/2014/06/25/millions-behind-bjorn-lomborg-copenhagen-consensus-center
https://www.desmogblog.com/bjorn-lomborg
He got major funding and wrote a book called ‘The Skeptical Environmentalist’ he was mostly known for along with his later book ‘Cool It’. Another writer decided to write a book examining that books claims. He found every reference cited was wrong or misleading in two chapters. The book ‘The Longborg Deception’ was going to handle the entire book and every citation but it would take years so he skimmed checking the cites in the other chapters. It concludes Lomborg is ‘a performance artist disguised as an academic,’ ‘misrepresenting academic research, misquoting data, relying on irrelevant studies, (omitting important citations and sources), (using the lowest estimates of likely climate changes), and citing sources that seem not to exist.’ Many of the cites appear to be simply cited to build up the number of cites with multiple entries to simply show where a person worked for example.
https://www.jstor.org/stable/j.ctt1nq1hv
http://www.newsweek.com/debunking-lomborg-climate-change-skeptic-75173
A short critical analysis of recent articles.
https://climatefeedback.org/authors/bjorn-lomborg/
http://www.lomborg-errors.dk/
There is a reason climate change skeptics rely on lies and misrepresentations. The science and evidence of human-caused global climate change is overwhelming and the warming is accelerating.
Gary, thanks for the links.
At the same time, I can’t see that any of them address the claims made in the videos posted.
They’re a general attack on the reliability and motives of all of these individuals. I think potential conflicts of interest are important to raise, but they do nothing to address the specific claims in the videos.
You say Lindzen is wrong. That out of the 200 papers he’s written, people have challenged him on various points. That seems par for the course. How many scientific papers are written that aren’t challenged on various points? More importantly, is he wrong on what he claims in the video? I can’t find any evidence of that. It doesn’t seem any of the links refer to anything in the video.
Same with Harper.
On Moore, you repeat a claim about him leaving Greenpeace that sounds like rumor. He left in 1986. From what I can tell that was well before global warming became any type of issue. Al Gore wasn’t until 2002. Heck, in the 70s, it was global cooling that was all over the news.
More importantly, what about the specific claims made in the videos?
The fact that he advises Heartland doesn’t mean any of the claims he made in the videos are wrong. Heartland seems to be like all other think tanks–favoring one political view.
With Lomborg, I made a mistake. Somehow I thought he was an actual climate scientist. He’s not. At the same time, the question is whether his facts are correct in the video.
Finally, the purpose of this post is not to refute any current theory or model. It’s a call to get the politics out of climate science so we avoid exactly what happened with nutrition science.