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More info on the American Fork Arts Council Gig

Fat head alert.     

Not to be missed – the most useful speech on writing you will ever hear! Keynote speaker John D. Brown will present ‘Three things you MUST know to write killer stories.’ John Brown is a prize-winning short story writer and novelist. His epic fantasy novel, “Servant of a Dark God” will be released in North America in September 2009. 

“Most useful” is nice. Let’s hope I can live up to that one.  🙂 I’m looking forward to this event. A lot of other great authors will be there as well as editors from Deseret Book, Covenant, and Cedar Fort. If you’re a regional writer, you won’t want to miss this. Full information here on the American Fork Arts Council council for writers.

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  • Zing Generators

    Where do you get your ideas? How do you turn them into story?

    Those are fabulous questions. The answer is a bit longer than I have time for today. But I have posted my list of idea generation methods, structured ways of performing creative Q&A.

    These have been collected over the years from a number of sources and are now passed on to you, faithful reader. Use them, cherish them, and, if you wish, start an order of crazed monks to preserve the fabulous secrets.

    John Browns’s Idea Generation Method List

    Enjoy!

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  • The Drovers: Update

    Folks, I have finally finished draft 1 of The Drovers.

    Let there be much rejoicing.

    It clocked in around 75,000 words, and as soon as I finished, I realized I had two shorter novels. And this is exactly what I had originally planned. I wanted to tell a very long story in many shorter chunks. So I now have two 35,000 short novels. Since only writers think in word counts, here are some other books to give you a comparison.

    • Louis L’Amour’s westerns: most average around 50,000 words.
    • James Patterson’s Maximum Ride and Witch & Wizard series: average around 60,000 words.
    • Richard Paul Evans’s Michael Vey series books: average around 77,000.
    • The first three of Horowitz’s Alex Rider books: around 55,000.
    • Brandon Sanderson’s Steelheart books: around 100,000.

    My books usually get a bit larger with the second draft, so I expect these will probably end up around 45,000 words. We’ll see.

    What I’m really looking forward to is telling a long story in these smaller chunks and unrolling the story like it’s done on TV.  You can do things over 20 or 30 episodes that you simply can’t in one big novel. This doesn’t meant I won’t be able to have big climaxes. Of course, I will. It just means that I’m going to do it in a slightly different form. I already have the basic ideas for the next dozen or so books. And now that I’m rolling, I expect things will go faster.

    The working title of book 1 is “Hireling.” The working title for book 2 is “Outcast.

    The cast so far:

    • Ferran: the main character, a scrappy boy that’s trying to keep his mam and sister from bondage
    • Itch: his dog
    • Krov: the big woodsman’s son, aka the Lover
    • Winwalom: Ferran’s best friend who is manifesting forbidden powers
    • Ranoc: the boy who wants to be one of the king’s rangers
    • Caswal: the mean one who has it out for Ferran
    • Borros: the drover and former grimsman
    • Lagash: the cook and foreigner who once beat Borros in battle
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  • Indie Thoughts: What drives book sales?

    gallup-poll-how-readers-select-booksWhat are the biggest factors influencing which book a person will read next?

    Many surveys have been conducted over the years to answer just that question. I’ve pasted one on the right and summarize the results of others here. One factor sits at the top of almost all of those surveys. Did you look at those other surveys? According to these surveys, folks tend to buy books by authors they already like.

    This phenomenon is called a lot of things. One of the most common is “brand loyalty.” Some might be wondering how you define a brand and what could be branded in publishing. KKR has a great piece here that answers those questions.

    So brand loyalty. How does it develop? Well, any time you please readers, their loyalty grows and inches them toward the loyal fan end of the spectrum. Your brand may not have the power of a Dean Koontz because you don’t have near the number of loyal customers as Koontz, but you still have a brand. And people who like your stuff are going to be loyal to some degree, but not the same degree.

    I think that last point is important to remember: readers that know and like your brand won’t all have the same degree of loyalty.

    You have hard-core fans who are totally dedicated to you and make an effort to know what’s happening. You’ve pleased them so much, your brand is gold to them.

    You have others who will buy your book the minute they hear it’s out, but don’t make an active effort to keep up to date on things.

    There are others who will mark it to be read when they hear about it, but don’t make a big effort to get it unless it’s convenient.

    You have others who like your stuff but are still in that period where they like but haven’t yet committed to being a fan. That sometimes may take a few books.

    That’s how it was with me and Lee Child. I read the first and liked it. Some time later I saw another and was predisposed to like it. I read that one and liked it too. I wasn’t a Child fan yet. But then I read the third. And that’s when I became a true fan. I’m not hard-core. But I now read everything he puts out within a few months of the release.

    From what I can see, branding and brand loyalty matter no less in publishing than they do in any business where you’re relying on repeat customers.

    JD Robb Celebrity in DeathI see the effect of brand loyalty all over. It was the force behind the dramatic explosion of sales when it was revealed that Robert Galbraith, the author of The Cuckoo’s Calling, was J.K. Rowling. It was the force behind the midnight book store events when Stephanie Meyer would release a Twilight book (and the Twilight balls). And other similar events with many other authors. It’s the reason why publishers make the names of a lot of authors so prominent on the cover. Good grief, sometimes that’s all you need. Look at some of the Nora Roberts or JD Robb covers. On many of those the name, the brand, takes up 75% of the cover. You can see customer loyalty blossoming in reviews on GoodReads and Amazon and elsewhere where readers say in essence, “I loved this author and I will be looking for the next book.”

    Building a base of loyal customers is they goal in businesses that rely on repeat sales. Because not only do those folks come back for more, but the also tell other folks about the product.

    Go back an look at those surveys. What was usually the number two reason someone selected a book?

    Word of mouth.

    Word of mouth comes in many forms. Recommendations from folks you know. Recommendations from other influencers–folks like Rush Limbaugh or review sites you frequent. Recommendations from some other type of social influence mechanism like a bestseller list on Amazon.

    The key takeaway for me is that top two factors driving book sales all stem from a loyal customer base. Which means building that base should be one of my main goals as a writer.

    So how do you do that?

    The same way everyone else in a repeat customer business does it. At a general level, you:

    1. Create a product (a book in this case) that’s likely to delight a certain set of consumers (readers).
    2. Let those consumers (readers) know about it.
    3. Make it enticing for them to give it a try.
    4. Make it easy for those who liked it to know when they can get another.
    5. Get more product (another book that’s similar to the last) out the door so your repeat customers can come back for more.

    I’ll be sharing more of my ideas about aspects of those five steps in upcoming posts. And I’ll be wanting to hear what you’ve found that works. Because ultimately we’re all testing various strategies. And the more we share with each other, the more we’ll each benefit.

    While you’re waiting, you might want to look at an awesome book on customer loyalty called The Loyalty Effect by Frederick F. Reichheld.

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  • |

    Will readers completely die off?

    For many years people have been predicting the death of literature because the stats on the reading public  show fewer and fewer books are being sold because fewer people are reading. For an author it’s a bit depressing. However, you might find this article provides some hope: http://www.newsweek.com/id/136961.

    Generation R (R Is for Reader)
    The book business may be flat, but there’s at least one bright spot: the booming sales of books for teens–and no, it’s not all Harry Potter… Contrary to the depressing proclamations that American teens aren’t reading, the surprising truth is they are reading novels in unprecedented numbers. Young-adult fiction (ages 12-18) is enjoying a bona fide boom with sales up more than 25 percent in the past few years, according to a Children’s Book Council sales survey…”

    If that trend holds, it means we’ll have a fine wave of readers to replace all of us who die off, and then some. Someone praise JK Rowling for Hogwarts and for awakening pleasure reading in the hearts of children (and adults).

    And take it as a lesson. The future is in the next generation. Perhaps reading provides just as much entertainment as anything else. The kids just have to discover it.

    Hopefully, Nellie will be doing her part to awaken that joy in the hearts of the marvelous youth of our small town. As I wrote before, she’s going to be following the steps of Nancie Atwell who has done amazing things for 20+ years up in Maine.

    http://www.amazon.com/Middle-Understanding-Writing-Learning-Workshop/dp/0867093749
    http://www.c-t-l.org/about.html

    It’s all about reading and writing for the intrinsic joy of reading and writing. Only 15 minutes of her 65 minute class will be spent in traditional lecture. The rest is for the kids to read and write. This isn’t study hall. It’s rigorous. And again, it follows the principles I learned in my last 20 years of teaching and learning how to write.

    I cannot wait to see what happens this fall!

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