Positive Review from James Maxey on Orson Card’s Intergalactic Medicine Show

James Maxey is a writer I admire. For his work ethic. For the quality of his prose. For his imagination. His story “To Know All Things That Are In The Earth” is one of my favorites. So you can be sure I was pleased to find and read this today.

I will say, in utter candor, that Servant of a Dark God is a work that truly stands out from other fantasy books on the market. What makes this book work so well is that it’s a story about family first, and a fantasy adventure second. Full review.

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  • Writing update: Curse Draft 3 FINISHED, The Book Academy

    Fanfare!

    Draft 3 of Curse of a Dark God is finished.

    Finished!

    Finished!

     

    FIIIIINIIIIIIISHED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

    245,000 words. 873 manuscript pages.

    That’s a big book. SERVANT was only 170,000. A “normal” novel is somewhere around 90,000 – 120,000 words. I just emailed it to my agent with a huge sigh of relief. And a hope that the editoral sword of Damocles has been lifted a bit. I’m sure my editor will want some changes–most certainly fewer words–but hopefully this is a draft we can agree on and, therefore, set a release date.

    I want to thank the following folks for reading the opening and giving me their feedback. I’ll be incorporating their comments, along with those of my beta readers, agent, and editors, in my review for the edits I’ll make to draft 4. Some of the comments, actually, made it into draft 3.

    • Adam Teachout
    • Alexis Cooper
    • Alex Lamborn
    • Amy Lamborn
    • Cameron Wilson
    • Darren Eggett
    • David C. Walton
    • David West
    • Eric Allen
    • Garrett Winn
    • Hyrum Grissom
    • Justin Fisher
    • Krista Hoeppner Leahy
    • Laurel Amberdine
    • Lindsey Tolis
    • Lynette Wood
    • Martin Cahill
    • Melanie Goldmund
    • Merrill Nielson
    • Mette Ivie Harrison
    • Nick Dianatkhah
    • Rachel Gao 
    • Robert Thompson
    • Steve Diamond
    • Wesley Amodt

    Again, all of you listed above–THANK YOU SO VERY MUCH FOR READING AND RESPONDING!! We luvs you, Precious. And if I missed anyone, please send me an email smack. Your name needs to be there. I’ll move it over into the fiction section later.

    For those who missed out, I’m planning on posting the beginning of Dark God’s Glory for review as well. Although I don’t know how it’s going to work out with pub dates. We’ll have to see.  

    By the way, here’s the opening chapter as it now stands. It may very well change.

    1.   The Harvester

    Berosus saw the girl the first day he arrived on the shores of the New Lands. She was a beautiful Koramite mix. Dark hair. Clear skin the color of caramel. A full set of teeth. But it was her stunning jade eyes that decided him. That and the playful but firm way she handled the sailors wanting more than just a few pints of her grog. He found lodging in a barn that night then ordered three of his men to kidnap her.

    When the time was right, they brought her to him up on the hill. It was in the afternoon of the sixth day. The sun shone brightly in the blue autumn sky. The breeze rustled through the grass and trees. He untied the bonds around her wrists and told her to sit down. He said, “Some of the spark’s gone out of your eyes.”

    She said, “Six days in a hole will do that to you.”

    He gave her credit. She was scared and hiding it very well. He said, “You’re destined for great things.”

    She looked at the tattoos on his wrists, which would tell her nothing, and said, “I’ve a father to tend to, and three brothers.”

    He said, “What’s your name?”

    “Jade.”

    “Of course. Well, Jade. You’re good stock.” He motioned at her. “Wide hips, good bone structure. You would have born many fine children and increased the Mother’s herd. But there’s a higher purpose.”

    She said, “You’re one of those Shimites, aren’t you. One of his sleth.”

    “Ho,” he laughed. “No, lovely. Shim is a nothing. A gnat. A beetle. No, I am a Seeker. A servant of the Sublime. And you will serve me. Does that please you?”

    “You’re not marked.”

    “No, Seekers never are. We can’t announce our coming, now, can we?”

    She swallowed. “They say Shim’s brought on a curse.”

    “That he has,” Berosus replied. “And you’re going to help remove it.” He pulled the rough, black gloryhorn from its pouch. “Do you know what this is?”

    “Not a simple horn,” she said, “or you wouldn’t have asked.”

    She was smart. Brave. Oh, but he liked this one. He had indeed chosen well. “No, not a mere horn. It’s a weave. And like all weaves it needs soul to bring it to life. This one needs a lot of soul.”

    He saw she understood what that meant, for the last of her feisty spirit drained away. She glanced down the hill. She was going to run; he could see it in her eyes. He gave her credit again. She was real quality. By this point many females would have been in a panic, in tears or begging him for mercy. But this one still had her wits.

    He snatched her by the wrist. “Don’t spoil it. You’ll be remembered. I will remember you, this hill, the smell of the autumn leaves, and your eyes under the blue sky.”

    She tried to wrench her arm free, but Berosus had an iron grip. Her tattoo marked her as property of the Mother and gave him access. He pushed through the barriers of her flesh to the soul within and felt her scream.

    #

    When Berosus finished, the husk of Jade’s body stared past him at the trees. Her body and the remnant soul which lingered there might live on for a few days, maybe even a few weeks, but there was no point in allowing that to occur. It would seek the familiar; it would walk back to her home, go about its old habits. Maybe it would sit in a favorite chair, maybe eat a piece of bread or go through the motions of drawing water. But it wouldn’t respond to the conversations of her loved ones or their later pleadings. All this would only raise questions, and questions at this point would not be useful. So Berosus killed the body with a sharp twist to the neck and laid it down upon the dried autumn grass at his feet.

    The captain of Berosus’ dreadmen had brought a small meal. Berosus picked up a salted herring that lay in the cloth the captain had spread upon the grass and took a bite. “Life is meant to be lived consciously,” Berosus said, “deliberately.”

    “Yes, Bright One,” the dreadmen said.

    With his free hand, Berosus ran a handful of the female’s luxurious dark hair through his fingers. He traced her brow and the ridge of her cheek bone, traced the delicate curve of her lips. She was so beautiful in her repose. As graceful and sensuous as the rich petals of an iris.

    “Every day a banquet is spread, Captain. And if you’re not careful, you’ll miss it.” Berosus disdained the Divines who sent others to do their work. Life was full of gifts, full of scenes such as these. And every day they missed it.

    He took another bite of herring.

    The captain said, “We have a report, Bright One.”

    Berosus ignored him. The scene was perfect. The breeze blew gentle waves through the dry meadow grass about Jade. The heads of the grass nodded to and fro, as if reaching out to touch her.

    He contemplated her a moment more then picked up the leather pouch that held the rough, black gloryhorn where the essential parts of the girl’s soul still lived on and put the strap over his neck.

    The gloryhorn was the weave he would use to harvest the fruit of this land. He’d needed a soul to quicken it. He could have used anyone’s soul, but it pleased him to think of Jade in there, for every time he saw the horn, he would also think of her, this hill, and the grass rippling in the breeze. He would think of how poignant it was for something of such beauty to bring forth such destruction.

    He finished the herring and sucked his two fingers clean. In the distance, the towers of Shim’s fortress rose above the trees. “What is the report?”

    “The Mungonite priest has been spotted.”

    Berosus nodded. “Good. We need to find him before he talks.”

    “I’ve already dispatched men.”

    Berosus looked out at Shim’s fortress. He’d been watching Shim’s army for the past six days, and his orders were to harvest every last one of them.

    It was clear to him this army was sleth. They were using weaves of might, but none were in the pattern of any of the houses of Kains he knew. There were no Guardian Divines, no tethered skir, no Fire sacrifices. There simply were no signs that would indicate an enemy Mother was here, claiming this human herd. But there was the sleth Argoth and his Grove.

    When Berosus had received his orders, he’d been informed by the glorious Mother of Mokad herself that this nest of sleth had killed two Divines and perhaps even one of her sisters. He saw now they were starting to build an army of dreadmen. It was all very impressive for sleth. But their time was at an end.

    He looked down upon the body of Jade. She would have been harvested anyway. This outbreak of slethery had to be stopped before it grew too large. A small sleth nest could be useful at times in managing the herd or in attacking another Mother’s holdings. But an army of them would only cause problems. And you couldn’t just kill the leaders. Ideas and knowledge spread like disease. In this situation, it was best to simply destroy them all. 

    Berosus smoothed one side of his long blond moustache and then the other. About him in the woods, his dreadmen kept watch. He’d received message via the weave that bound his chief general to him that the ships with the troops and the other Divines were making good progress. They expected to arrive in just a few days, which gave him just enought time to put himself in place.

    In the distance, banners and wreaths were being hung at the fortress. He thought it fitting: on the morrow, the inhabitants of this land would celebrate the good gifts of the harvest with their annual apple dance feast. In truth, they were only fattening themselves for the real harvest.

    Harvesting humans was essentially the same as harvesting any animal. You gathered them together. Then you killed them. Like many social animals, humans banded together when under threat. Provide the right motivation, and the herd would gather itself.

    “Captain,” he said. “Tomorrow evening at the feast, we set things in motion. You will send in someone with poison. Let him clearly demonstrate our intent.”

    “It will be done, Bright One.”

    Berosus took in a great breath of the sweet air. The day was brisk, the sky sunny and clear. He hoped the sunshine held. It was such fine weather for slaughter.

    Edit. See, it’s already changed. I had two versions when I posted this blog. I let Nellie read both. And she reports that this one created much more interest (curiosity, in this case) much faster. Sigh. It’s a good thing I’m taking a break.

    1.   The Harvester

    The young girl was beautiful. Dark hair. Stunning jade eyes. Clear skin the color of caramel. But her body was merely a husk now because Berosus had removed the vast majority of her soul.

    The husk of her body and the remnant soul which lingered there might live on for a few days, maybe even a few weeks, but there was no point in allowing that to occur. The body would seek the familiar; it would walk back to its home, go about its old habits. Maybe it would sit in a favorite chair, maybe eat a piece of bread or go through the motions of drawing water. But it wouldn’t respond to the conversations of her loved ones or their later pleadings. All this would only raise questions, and questions at this point would be inconvenient. So Berosus killed the girl’s body with a sharp twist to the neck and laid it down upon the dried autumn grass at his feet.

    The captain of Berosus’ dreadmen had brought a small meal. Berosus picked up a salted herring that lay in the cloth the captain had spread upon the grass and took a bite. “Life is meant to be lived consciously,” Berosus said, “deliberately.”

    “Yes, Bright One,” the dreadmen said.

    With his free hand, Berosus ran a handful of the female’s luxurious dark hair through his fingers. He traced her brow and the ridge of her cheek bone, traced the delicate curve of her lips. She was so beautiful in her repose. As graceful and sensuous as the rich petals of an iris.

    “Every day a banquet is spread, Captain. And if you’re not careful, you’ll miss it.” Berosus disdained the Divines who sent others to do their work. Life was full of gifts, full of scenes such as these. And every day they missed it.

    He took another bite of herring.

    The captain said, “We have a report, Bright One.”

    Berosus ignored him. The scene was perfect. The breeze blew gentle waves through the dry meadow grass about Jade. The heads of the grass nodded to and fro, as if reaching out to touch her.

    He contemplated her a moment more then picked up the leather pouch that held the rough, black gloryhorn where the essential parts of the girl’s soul still lived on and put the strap over his neck.

    The gloryhorn was the weave he would use to harvest the fruit of this land. He’d needed a soul to quicken it. He could have used anyone’s soul, but it pleased him to think of Jade in there, for every time he saw the horn, he would also think of her, this hill, and the grass rippling in the breeze. He would think of how poignant it was for something of such beauty to bring forth such destruction.

    He finished the herring and sucked his two fingers clean. In the distance, the towers of Shim’s fortress rose above the trees. “What is the report?”

    “The Mungonite priest has been spotted.”

    Berosus nodded. “Good. We need to find him before he talks.”

    “I’ve already dispatched men.”

    Berosus looked out at Shim’s fortress. He’d been watching Shim’s army for the past six days, and his orders were to harvest every last one of them.

    It was clear to him this army was sleth. They were using weaves of might, but none were in the pattern of any of the houses of Kains he knew. There were no Guardian Divines, no tethered skir, no Fire sacrifices. There simply were no signs that would indicate an enemy Mother was here, claiming this human herd. But there was the sleth Argoth and his Grove.

    When Berosus had received his orders, he’d been informed by the glorious Mother of Mokad herself that this nest of sleth had killed two Divines and perhaps even one of her sisters. He saw now they were starting to build an army of dreadmen. It was all very impressive for sleth. But their time was at an end.

    He looked down upon the body of Jade. She had solid bone structure, wide hips for bearing children, even teeth. She was good stock. In regular circumstances, she would have grown up to bear many fine children and increase the herd. She would have provided many souls as meat for the Mothers. But she would have been harvested anyway. This outbreak of slethery had to be stopped before it grew too large. A small sleth nest could be useful at times in managing the herd or in attacking another Mother’s holdings. But an army of them would only cause problems. And you couldn’t just kill the leaders. Ideas and knowledge spread like disease. In this situation, it was best to simply destroy them all. 

    Berosus smoothed one side of his long blond moustache and then the other. About him in the woods, his dreadmen kept watch. He’d received message via the weave that bound his chief general to him that the ships with the troops and the other Divines were making good progress. They expected to arrive in just a few days, which gave him just enought time to put himself in place.

    In the distance, banners and wreaths were being hung at the fortress. He thought it fitting: on the morrow, the inhabitants of this land would celebrate the good gifts of the harvest with their annual apple dance feast. In truth, they were only fattening themselves for the real harvest.

    Harvesting humans was essentially the same as harvesting any animal. You gathered them together. Then you killed them. Like many social animals, humans banded together when under threat. Provide the right motivation, and the herd would gather itself.

    “Captain,” he said. “Tomorrow evening at the feast, we set things in motion. You will send in someone with poison. Let him clearly demonstrate our intent.”

    “It will be done, Bright One.”

    Berosus took in a great breath of the sweet air. The day was brisk, the sky sunny and clear. He hoped the sunshine held. It was such fine weather for slaughter.

    ***

    In other news, I was invited to present at The Book Academy conference that will be held at UVU in Orem, UT on Thursday, September 30th. It looks like it’s going to be a great time.

    Date & Time Event Type Area Notes
    Thursday, September 30 Writers conference Orem, UT The Book Academy is a one-day conference designed to give authors, aspiring authors, and avid readers the opportunity to learn more about writing, the publishing industry, and the books they love while networking with other authors, publishing professionals, and book lovers. Classes will be taught by successful authors and publishing professionals on writing basics, publishing, marketing, book clubs, and more.*This year it will be hosted by Utah Valley University. The theme is “Power up your writing.” I’ll be teaching a one-hour class on how to make a good idea great. More details to come.
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  • Curse Update: Copy Edits, 2 Books

    CurseV2FinalV1My copy editor just delivered the marked up manuscript. I will be making the edits over the next few days. Once those are made, it’s time to publish.

    Ah, but publish just one book?

    Nope. It looks like this is going to be two:

    • CURSE: The Dark God Book 2
    • RAVELER: The Dark God Book 3

    Each book would be about 120k words. Novels can range from around 30-50k words like many middle grade novels (or most of the books written by Louis L’Amour) to the 50-70k length of a lot of romance novels to the 70-100k words of many thrillers to the 300-400k epic behemoths that George R.R. Martin and Sanderson have recently written.  I think most adult novels are around 100k.  I think most fantasies are in the 80-130k area, although many epics can be in the 200’s.  The bottom line is that both volumes will be chock full of story.

    This is all part of a strategy to tell the same long, big story as originally planned, but do it in quicker chunks so that the series can become viable financially more quickly, but also so readers aren’t waiting so long between books.  I have tormented those who enjoyed book 1 and wanted more far too long. I want to remedy that in the future, and more frequent installments will allow me to do this. Getting these two volumes out will help set the expectation, I think.

    So a release of CURSE in July seems more than feasible. Then we’ll release RAVELER early August. Why August? Because we need to commission a new cover illustration. The soonest the artist can have it done would be August. Stay tuned. I can’t wait to see what art Victor comes up with next.

    And if you want to get in on the new release sale for both, please sign up for the notification in the left sidebar.

    Happiness.

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  • |

    The Pareto Principle, Form Follows Function, and Story

    There are a thousand things to “remember” when writing story. New writers who make lists of these things soon begin to drown in them. But I’ve come to realize that many of these “rules” don’t matter.

    They don’t matter because many ignore the function of story. And so you can’t know how and when to apply them, or if they’re even something you should apply in the first place. Furthermore, a good number that do tie back to function often have little impact.

    The more I develop and write, the more I begin to see that the key is to focus on a liminted number of fundamentals. To focus on the things that matter most.

    So what really matters when you’re writing a story?

    I’m going to be speaking for an hour at the Book Academy tomorrow. It’s at Utah Valley University. The week after I’ll be presenting all day at the American Fork Arts Council’s autumn writer’s conference. I will probably write up all my thoughts and post them to my site at some time.  But for right now this is where you can hear them.  

    I truly believe the Pareto Principle applies to writing. But you can’t go searching for those vital few factors until you know the effects they’re supposed to produce. Form follows function. And the function is something that happens in the reader.

    Here’s a nibble. This quote from David Howard is an example of what I’m talking about.

    “As we’ve seen, what the audience hopes for and what the characters hope for need not be the same thing. The same is true of our fears versus their fears. But how do hope and fear fit into the scheme of storytelling? Hope and fear are about the future. They derive from uncertaintly about future events in the story, future decisions the characters might make, future discoveries or revelations that might be unearthed, future outside forces and how they will influence the journey of the characters. When we discuss hope verusus fear in dramaturgical terms, this uncertainty is a function solely of the audience and its experience [my emphasis]. This is dramatic tension. We hope the man with the cobra in the shoe box won’t open the box; we fear he might and get himself or someone else bitten. We don’t know what will happen, but we know what might happen and therefore feel tension about those possibilities” (How to Build a Great Screenplay, 52).

    Readers buy novels because novels provide a service. They provide something to the reader. They DO something to the reader.  That’s why readers pay good money for them, and stay up late at night (well past smart bedtimes) with them, and spend hours of their lives reading them.  

    What do stories do? What are the key factors that have to be present in the stories for them to be able to do these things? How do you help readers hope and fear for what might happen?

    I’m no story guru, but I do hope to share some of the vital few factors I see in the presentations I’ll be giving this week and next.

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  • Send Frank to kick some award patootie!

    Awful-Intent-originalThe Whitney Awards are open for the public to nominate books they think are great and which are written by LDS authors. Those books that get at least 5 nominations are read and rated by a panel of judges. The judges then send on the finalists in each category to the Academy for voting.

    Servant won an award in 2009. Awful Intent is doing well, and if the reviews piling up are any indication, it could win another.

    If you liked the story, please take a few moments to nominate Frank, Sheriff Hood, and the Knitters of Death club.

    1. Go to: http://whitneyawards.com/
    2. Click “Nominate” in the menu at the top
    3. Fill in the form

    Let’s hope Frank can use some guns legally this time.

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    Your local zombie author appears on Writing Excuses, Plus the Writing Debrief explained

    After a cancerous death, I appeared on Writing Excuses this week to groan and hold forth with the guys on writing second novels and second books in a series.

    During the podcast I talked about my practice of debriefing after every writing project. A reader just asked what that was, and so I thought I’d explain it here.

    The debrief is a simple thing. I learned it back when I worked as a business consultant. It always provides great insights. Sometimes  it provides massive insights. The principle is to pull back and look at the big picture every once in a while. So here’s what I do. When I finish a project, I sit down and simply list out what I struggled with, what went well, and anything I learned. I list out things I’d do again that worked particularly well and things I’d do differently. This might be about craft or process. Sometimes I might take some time to reflect on the nature of story and read a favorite book about the craft or perform a story analysis on another movie or book. Then I write up my insights in a form that I can read later and know what the heck I’m talking about. This can take a few hours or a few days. This last debrief after draft 3 of CURSE coincided with my preparation for a day-long workshop I had agreed to give on story, and so the insights came thick and fast. I recommend the practice highly.

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  • What changed in the author’s cut of SERVANT?

    Because a number of folks have emailed or posted asking this question, I figured I should address it in a post.

    This edit of SERVANT was signficant, but it involved mostly line edits, copy edits, resequencing, and one important adjustment and addition.

    Line edits are things that make individual sentences or paragraphs read more clearly. I made line edits to almost every page. I think most readers won’t notice these. But then that’s the point.

    Copy edits catch small things like typos and misspellings. There were a number of maddening copy issues that were introduced into the manuscript in the publisher’s version and others that weren’t flagged. I fixed a number of these and then had two copy editors read over the manuscript to find more. No book is perfect. I’m sure there are still some gremlins lurking in the text. But we caught a lot of the little buggers. 

    Resequencing is moving chapters or sections around and does affect the experience. The biggest resequence was switching the first eight chapters back to the original order I intended. This is an important change and will have a large effect on the reader for the first quarter of the book. Then there were three other smaller sections inside the story that needed to be moved around to make the chronology clearer and improve the suspense.

    The line, copy, and resequencing edits make up the bulk of the edits. But I did adjust and add a short section to the ending immediately after the climax to clarify a few things that should have been revealed in the first version and that lead into book two.

    What does this all mean?

    It means that while this is a superior version of the tale, the base story remains the same. I care about the stories of Sugar, Talen, Argoth, Hunger, and the dilemmas they face. So I did not change their tales. However, I did significantly change the experience of those tales for the reader.

    If you have already read SERVANT, you know everything that happens. However, you will want to get a hold of a copy of the new version to review the updated ending for the new information it includes.  To avoid spoilers and confusion, I will not be releasing the ending in a separate document. But if you sign up for my release notification, I’ll let you know when I have my release sale so you can get it cheap. 

    One final note. Because I feel this is a superior version of the story, and because I do not want readers to be confused about which version to read, I’m releasing it with a different title and different cover art. It will be called “Servant” and include the series label “The Dark God Book 1.” 

    I think readers are going to be very pleased with this version. I know I am. And then we can move on to “Curse,” the next in the series, followed by “Glory.”

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