Join John on K-TALK radio, AM 630 – This Saturday 9 PM MTN

Sector 5 is a new radio program on K-TALK radio, AM 630. It’s hosted by Dickie Shannon, a long-time DJ, and is all about science fiction, fantasy, aliens, paranormal–the weird, fantastic, and inexplicable. Dickie says it’s Garrison Keillor meets Art Bell. We’re going to talk about my book, writing, and weird crap. He takes callers. So be ready to share your stories and enjoy the fun!

  • Saturday, April 17th, 9 – 10 PM Mountain
  • Sector 5 program
  • K-TALK radio
  • AM 630
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  • Awful Intent Update: Chapter 26

    I have now moved from the struggle into the resolution. It’s all down hill from here.  I expect the novel to be 70-80k words. The shortest novel I’ve written yet. But I always seem to add on most of my revisions. I hope to keep it shorter, but we’ll see.

    Now you may ask, hey, how does that compare with other thrillers? Well, here are the lengths of a few of James Patterson’s.

    Title Words
    Honeymoon 65,572
    4th of July 68,000
    Lifeguard 71,634
    Mary, Mary 72,426
    Judge and Jury 74,288
    Doublecross 70,753

    And here are some more by some other authors.

    Author Title Words
    Lee Child Gone Tomorrow 146,000
    Lee Child One Shot 124,000
    Lee Child Killing Floor 162,000
    Lee Child Persuader 164,000
    Michael Connelly The Brass Verdict 145,000
    Ridley Pearson Cut and Run 114,000
    Robert Crais The Watchman 82,000
    Robert Crais Taken 84,000
    Robert Crais The First Rule 76,000
    Robert Crais The Sentry 82,000
    Brad Thor Full Black 117,000
    Brad Thor Athena Project 102,000
    Dean Koontz The Good Guy 93,000
    Dean Koontz The Husband 94,000
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  • Story updates

    A couple of updates.

    First, the narrator for Bad Penny contacted me today, told me how much he enjoyed narrating the book, that it’s in post production and the audio should be done next week. I can’t wait.

    Next, I’m progressing on The Drovers. Next scene up is a night time battle with a korrog. It’s going to be a blast.

    Finally, I just got out of my ankle boot for a surgery I had a few weeks ago. It’s time to go back to lifting weights. I’ve also read an interesting book called The Obesity Code by Dr. Jason Fung. I’ve been testing it out, and the results so far are positive. More on that later.

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  • Bad Penny – working title

    I’ve decided to tentatively call the first book in my Frank Shaw series “Bad Penny.”  This is the thriller I’ve been talking about. It’s a working title, so it may change.

    As for progress, I’m close to 14,000 words. Huzzah! And I’m having a blast writing it. Every day I look forward to my writing time.

    For those curious, the book takes place in Rock Springs, Wyoming. The plot will move it across eastern part of the state and then down into Colorado.

    Frank Moses Shaw, ex-con . . .

    Ah, folks. I’m just loving it.

    I’m also generating options for a pen name.  Althought I know there’s overlap between readers of epic fantasy and thrillers (hey, look at me!), I still think the genres are too different to try to spread a brand name across both.  I read about Tess Gerritsen, who started in romance, using the same name for her thrillers, which is all I think she writes now. She reports that she had a number of the thriller readers pick up her romances and vice versa, and then get frustrated because her brand meant one thing to them, but they got another.

    If I was writing thrillerish SF, like Card’s Ender’s Game, or thrillerish fantasy, like Correia’s Monster Hunter, then maybe the stretch wouldn’t be so far.  For those of you who are thriller readers, I’ll be posting some possible names in the near future. I’d like your reactions on the options, so keep a look out.

    As for CURSE OF A DARK GOD, no word yet from ye Editors. I’m expecting a reply March or April. Yeah, I turned it into my agent end of November. She submitted it to Tor in December. No, I don’t like these lead times any better than you do. But it is what it is. My job is to produce. My target this year is two novels–DARK GOD’S GLORY (book 3 in the series) and BAD PENNY. My stretch goal is to finish the working outline for the second Frank Shaw book (already have the premise) and actually start on it before the end of the year. We’ll see what happens.

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  • Your input please

    Dear Readers,

    I currently have two options for opening BAD PENNY, my thriller that I’ll be sending to my agent next week. I’m looking, of course, for the most interesting first page. Please imagine you’re in a book store or browsing online. Tell me which option you find most interesting and by how much (a little more, a lot more).

    Thanks!! 🙂

    OPTION 1

    The two men had been keeping back, playing it safe, giving the woman plenty of room on the deserted interstate. It was just after five a.m., the sun still about an hour off. Hardly a soul out here. Just them and her driving in the dark, the two men waiting for her to make her mistake.

    Jesus Goroza, the man with tats running over his limbs like demons, thought she was FBI.  Dan Meese, the driver, the man with the prison scar on his neck, wasn’t so sure. Wouldn’t the FBI have sent backup at the first sign of trouble? Of course, maybe she’d convinced her bosses she was clear, and they’d pulled back the cavalry. If so, she hadn’t been very smart.

    Up ahead the woman slowed then took the exit to a small out-in-the-middle-of-nowhere Utah town called Coalville. In a big city, there would have been cars. There would have been some bustle. There would have been witnesses.

    There were no witnesses here. Not on these streets.

    There were hardly any homes in this town. Meese figured there were at most a few dozen, and they were all strung out along a main road that stretched for what looked like ten miles. All of them were dark. A bunch of hick farmers dreaming about cows.

    A brightly lit Best Western hotel and a Texaco gas station stood on one side of the interstate. A lone Sinclair gas station stood on the other. The woman came to a stop then accelerated up and across the overpass toward the Sinclair gas station on the other side, the one that you couldn’t see well from the interstate. The one she obviously thought might give her cover.

    “Bingo,” Jesus said.

    In a big city, the Sinclair would have been ready for business. In this no-nothing town, it was dark and locked. The pumps, of course, were on. And the station’s sign with a green dinosaur on a white background towered above the place and shone out into the fading night.

    But there was no attendant standing guard over the cash and cigarettes to observe the woman. No one to see her stop and start the pump. No one to see her go try the bathroom door around the side. No one to see the two men pull in just a few seconds later.

    Meese said, “Looks like the offerings to your White Lady paid off.”

    Jesus pulled the semi-automatic from the glove box.  “I told you she wanted mescal.”

    Mescal offered up in a glass five days in a row along with prayer and cigarette smoke blown into the Lady’s skeleton face.

    “They want her alive,” Meese said of the woman they were following.

    “She’ll be alive,” Jesus said.

    OPTION 2

    Frank Shaw sat facing the owner of Cowboy Donut in a back office heaped with stacks of paper in yet another job interview that was starting to swirl the toilet.  Trying to get a straight job as an ex-con was a lovely experience. Kind of like being dragged behind a bus.

    No matter how tidy you looked or how sharp your resume was, it all came down to two questions: “Have you ever been convicted of a crime?” and “What were you in for?”

    Frank knew it would be stupid to lie about either. First of all, he was trying to go straight. Second, any employer who didn’t have a carrot for a brain was going to run a background check. So there was no use trying to hide.

    The sun-wrinkled owner of the Rock Springs, Wyoming doughnut establishment was one Ms. Mary Rogers. She was probably in her fifties and had two-tone hair that seemed to take its inspiration from a badger—all bleached up on top and dark underneath.

    Ms. Mary had just asked the question, and Frank had dropped his bomb—voluntary manslaughter, a security job gone bad. He’d been protecting the wrong kind of noun for the wrong kind of people, which led to seven fine years in prison.

    Now came the fun bus part, the Judas-Priest-there’s-a-criminal-sitting-across-the-desk-from-me part. First interviews were like first dates. And Frank had basically told this date he had an Ebola monkey virus that would make her eyes bleed—would she now like a kiss? That, of course, was yummy to women everywhere.

    Ms. Mary narrowed her eyes. “What else am I going to find on your RAP sheet?”

    “That’s it,” Frank said. “Just the one unfortunate incident.”

    “Murder is a pretty big incident.”

    “Manslaughter,” he corrected. “Not murder.”

    She made a noncommittal sound and looked down to study his resume a bit more like maybe something new would pop up there.

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  • |

    You’re invited to join the novel writing workshop pilot

    I am developing an online novel writing course and am looking for folks to pilot it with me and give me feedback. I’m thinking I want to limit it to 10-12 folks.

    It’s free and will probably take two or three months to complete. If you join, your job will be to do the work. And there will be work. I’m thinking 10-15 hours of work per week. Please don’t ask to join if you don’t want to make this commitment. I only want folks who are serious and ready to give this a shot. In addition to the work, you’ll need to report your experience with the course as we go, sharing with me where you get stuck, what’s confusing, what’s helpful, what does and doesn’t advance your skill. In fact, if at some point the course just isn’t providing you any value, you are welcome to drop. That’s good feedback too.

    It’s going to be a blended format that includes self-paced work and some type of weekly online meeting. I will be guiding the class. At the very least, we’ll meet and chat at my site. I don’t know if we’ll do a live meeting or not. Still working that out.

    I struggled for many years, trying to figure this stuff out, then had a number of epiphanies during Orson Card’s boot camp and continued from there. Of course I still have lots to learn. But I want to share what I have.

    I love teaching and have been teaching in one form or another for the last 20 years. I’m currently an education program manager at a large software firm. What this is all means is that I’m trying to build a course that guides folks through a process that will help them learn to WRITE novels. Not just talk about them.

    So this is not a series of lectures with quizzes that test your ability to recall, although I will quiz you.

    It’s not a course with an end goal of teaching you what I’ve learned about the concepts and principles of plot, character, and setting, although you will need to learn that.

    This is about increasing your ability to get ideas, develop them, and then write.

    It’s about doing the work. It’s about production. It’s about finishing product. And having a good time doing it.

    If you already feel comfortable with your ability to finish novels, this is NOT the course for you.

    You can learn more about the course here by clicking The Path in the On Writing menu.

    Probably the only other thing you need to know is that the class is a PG-13’ish class. While the stories can deal with intense and adult themes, as the teacher, I’m not interested in working with stories with explicit or detailed sex or lots of language of the sort that would earn a movie rating more restrictive than PG-13.

    Remember, this is a pilot. Even though I’ve taught about writing for a number of years to various audiences, there might be some rough spots. We might find we need to change the work requirements or activities or any number of things.

    If you’re interested, click on the Contact link on the menu of my site, and shoot me an email.

    Edit 1/30/15: I’m getting a number of excellent questions about the time commitment and schedule. Let me answer them here.

    The gap I’m trying to fill

    First, you have to understand that I am not interested in talking about novels and writing novels. I’m interested in helping folks finish novels. That’s a big gap I see in most writing instruction. It’s the gap I had. There was nobody to help me move from the theory to the writing, and writing all the way to the end. So this isn’t a class about novels. It’s a class where I hope to help you learn a number of techniques for developing and finishing one. And to learn those techniques, you have to actually use them. Which means you have to develop and finish a novel 🙂

    So why 10 hours as a minimum?

    If you’re a slower writer, it’s going to take you around 50 hours to develop and write a novel of 25,000 words. That’s the size of one of Louis L’Amour’s smaller novels (which we call sometimes call “novellas” today). It’s the size of some smaller romances. A lot of indies are writing serials around this size. If you want to write a 50k book, it’s probably 100 hours, maybe more. A 75k novel? 150-200 hours. The development and first draft of a 100k novel? 200-300 hours.

    These are not exact times. Some writers are faster. But you get the picture. Writing a novel is a big project. And I’ve found that it’s just too hard to get any traction on less than 10 hours per week. When you spend much less time than that, you spend most of your time just trying to remember what the story is about. I’ve found it’s best to keep your writing engine hot, or at least warm.

    So will these 10 hours be in meetings?

    No. I don’t want to have a lot of meetings. That’s the beauty of online. We will have deadlines. But you should be able to complete you work during the times that suit you best.

    What’s the course schedule?

    I can’t give you an exact schedule. I haven’t timed everything. Figuring that out is part of what we’re doing in this course. But I do know what I want you to learn and how I hope to help you learn it. We’ll just have to see how far we get with each weekly 10-hour chunk.

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