Bartimaeus & The Time Traveler’s Guide to Medieval England

ByJohn Brown

Pure Delight

One of the most delightful literary characters to appear in the last decade is the cheeky Bartimaeus–a five-thousand-year-old djinni (“genie”) who plays the lead role in Jonathan Stroud’s trilogy The Amulet of Samarkand, The Golem’s Eye, and Ptolemy’s Gate.

In Stroud’s world, magicians have no magic in themselves, but they do have the lore to summon and enslave demons, who can work magic. There are demons of various levels and powers. The lowest regularly summoned and enslaved are Imps, who can be crude and like to tell outright whoppers, but are good for standing watch and carrying messages. Next come Foliots, which Bartimaeus describes as “cut price djinn.” In the middle of the great chain of beings are the Djinn themselves, whose clever intelligence Bartimaeus extols, followed by Afrits, and finally Marids, who are rarely summoned because they are too strong for any but the most powerful magicians to control. Of Marids, Bartimaeus insightfully reveals that they are “dreadfully full of themselves.”

In the trilogy, Bartimaeus is summoned and enslaved to do the bidding of a sometimes jerkish young magician who learns to be a better person, despite himself. Of course, along the way the magician sends Bartimaeus in great peril, which he eludes with cunning, sardonic wit, and many good one-liners. I read the first book, loved it, then listened to all three read by Simon Jones, who makes these stories even better. The sad news is that I finished them. I simply wasn’t ready to let Bartimaeus go.

Which is why I was so happy to find that Stroud recently released a fourth book: The Ring of Solomon, which is a stand-alone prequel to the trilogy. The family and I just finished listening to it, and it is every bit as good, if not better, than the first three.

This story is set in biblical times where King Solomon has risen to uncontested power because of his possession of an all-powerful ring which allows him to summon hordes of powerful demons in a blink. Bartimaeus is enslaved to one of Solomon’s magicians.  A mean man, who Bartimaeus catches in a mistake and escapes, principally by devouring him. But Solomon doesn’t take kindly to that, and orders Khaba, a sinister and cruel magician, to summon him back to make an example for the other demons.

Meanwhile, the Queen of Sheba, having denied Solomon’s marriage proposal three times, is sent an extortion threat.  Angry and frightened, she sends Asmira, a young woman and loyal captain of the guard, to Jerusalem to assassinate Solomon.

Bartimaeus and Asmira hook up and find themselves in quite a pickle as they attempt to solve their problems. The story provides lots of humor, adventure, peril for both Bartimaeus and Asmira, and a number of surprising turnarounds. It also, in its own way, makes a comment on leadership, loyalty, and zealotry.

You’ll find it in the middle-grade section of your bookstore, but don’t let the placement fool you into thinking it’s not for adults. Like the best stories, it offers something for everyone. It’s a perfect blend of insight and entertainment and had my whole family, oldest to youngest, spellbound for the duration as we listened to it riding in the car. This is one of my favorite books this year. And if you want to really indulge yourself, listen to the audio book read by Simon Jones.

Travel to Medieval England

I love learning new things about places and peoples, even if it’s a place I’ve “been” to before, which is why Ian Mortimer’s The Time Traveler’s Guide to Medieval England intrigued me. The first page convinced me to buy to book. And I’m so happy I did.

I’ve read my fair share of interesting and well-written texts on this subject, including, among others, Life in a Medieval City and Life in a Medieval Village by Frances and Joseph Gies, Standards of Living in the later Middle Ages by Christopher Dyer, The Medieval Castle by Philip Warner, Daily Life in the Middle Ages by Paul B. Newman, and Power and Profit: The Merchant In Medieval Europe by Peter Spufford. All engrossing reads. What sets Mortimer’s book apart is that he not only approaches the topic as a travel guide that leads to you interesting sights and shares fascinating tidbits about the place, but he also helps you imagine how it would be, as a 21st century person, to actually travel there.

For example, where would you go if you got sick? What happens if you’re robbed, where do you report the crime, and should you? Where might you get food and would it be something you’d find palatable? How will you get from place to place? Why kind of entertainment can you expect? And what can you wear without offending your hosts?

Mortimer focuses on the fourteenth century England, since this period comes closest to the popular idea of the medieval times. He tackles the topics of the landscape, people, the Medieval character, basic essentials, what to wear, traveling, where to stay, what to eat and drink, health and hygiene, the law, and what to do. And he does it all in a chatty, clear, and informative manner, with a bit of humor thrown in for spice.

Each page was a delight, and I found myself feeling like I was there. Furthermore, I learned a number of things that I hadn’t picked up in my previous readings. I’m tempted to quote all sorts of interesting tidbits he shares about the age, but I’ll refrain. If you are at all interested in the Middle Ages, I think you’ll love this book.

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  • Good Stuff: The Free State of Jones

    ByJohn Brown

    I recently watched a moving and surprising film called The Free State of Jones, starring Matthew McConaughey. It’s about Newton Knight and how he led three counties in Mississippi to break away from the Confederacy during the Civil War.

    Think of that. On January 9, 1861, Mississippi declared it’s independence from the United States over the issue of slavery. They were the second state to do so. South Carolina was the first. On reflection, it makes sense these two states seceded first because they had the highest portion of the population as slaves. South Carolina’s population was 57% slave. Mississippi’s was 55%.

    Mississippi’s declaration of independence from the Unites States starts with this paragraph.

    “Our position is thoroughly identified with the institution of slavery—the greatest material interest of the world. Its labor supplies the product which constitutes by far the largest and most important portions of commerce of the earth. These products are peculiar to the climate verging on the tropical regions, and by an imperious law of nature, none but the black race can bear exposure to the tropical sun. These products have become necessities of the world, and a blow at slavery is a blow at commerce and civilization. That blow has been long aimed at the institution, and was at the point of reaching its consummation. There was no choice left us but submission to the mandates of abolition, or a dissolution of the Union, whose principles had been subverted to work out our ruin.”

    The rest of the declaration simply elaborates on that theme. However, not everyone in Mississippi agreed. The folks in Jones County, way down in the southeastern part, were mostly non-slave holders and cattle herders and had little use for a war over a state’s right to maintain the institution of slavery.

    Led by Knight, on October 13, 1863, with the war still raging, folks in Jones County and adjacent counties formed a separate government known as the “Free State of Jones”. They fought at least fourteen skirmishes with Confederate forces and went so far as to raise an American flag over the courthouse in Ellisville and send a letter to Union General William T. Sherman declaring Jones County’s independence from the Confederacy and asking for support.

    This movie is based on those events and, importantly, some that occurred after the war ended.

    The film is rated R for a scene with some Civil War battle injuries. And perhaps because of the use of the n-word. What it delivers is a powerful depiction of the issues of the time and the courage of one man who’d had enough. If you like history and action, I think you’ll enjoy this movie.

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  • Stonefather by Orson Scott Card

    ByJohn Brown

    stonefather_72dpi“When Runnel was born, he was given a water name even though there had never been a wetwizard in the family.

    In the old days such names were given only to those babies as would be sacrificed to Yeggut, the water god. Later, such names were given to those whould would live to serve as priests to Yeggut. Still later, wetnames went to children of families thath pretended they once had a watermage in their ancestry.

    But now, in the village o Farzibeck, wetnames were given because the mother was fond of a nearby brooklet or because the father had a freind with such a name.”

    So begins Stonefather by Orson Scott Card. It tells the tale of Runnel who is the ninth son and fifteenth child of a farmwife who likes all her children well enough but calls them all “by each other’s names and didn’t know enough numbers to take a census and notice when one or two were missing.”  He’s also the son a man who beats him. Eventually, Runnel leaves home and seeks his fortunes in Mitherhome, the big city far to the south.

    This isn’t a full novel, but a novella of 112 pages. However, the Subterranean Press edition has a glorious cover and ink illustrations inside. More importantly, the story tells a tale that’s full of wonder, humor, and a number of delightful characters. It reminded me of the best of Card’s Hatrack books. But, of course, this world is very different. It’s strange, and I was happy to explore it with Runnel as my guide. Take an hour to read this. You won’t be disappointed. Then you can look forward, as I do, to the first of the Mithermage novels based on this world.

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  • Good Stuff! Simply Three

    ByJohn Brown

    The joy of music. Pure, unadulterated joy–this is what I recently stumbled across on YouTube.

    I was watching the The Piano Guys and thought I saw something new from them. I clicked, but it wasn’t The Piano Guys. It was Simply Three doing a cover version of the popular “Wake Me Up” by Avicii.

    For those unfamiliar with the term, a “cover” or “cover version” is a reworking, updating, or interpretation of an existing song. And this cover simply blew me away.

    SimplyThreeWakeMeUp

    Simply Three is an electrifying trio made up of cellist Zack Clark, bassist Nicholas Villalobos, and violinist Glen McDaniel, although they have switched in other violinists, including Alex Weill and Olivia Lemmelin. But don’t let the instruments fool you–this isn’t some stuffy classical music gig. And it’s not muzak in the elevator. Not even close.

    They are doing what Lindsey Stirling and The Piano Guys are doing: taking modern songs in wonderful new directions and, in the process, making these classical instruments cool again.

    I went on to watch a number of their other covers, and then I had to purchase the songs because I simply had to be able to listen to their great beats and interpretations on the road.

    Here’s their cover of “Wake Me Up.” The joy Zack Clark (the cellist) exhibits sells the whole thing for me.

    Here is their cover of “Demons” by Imagine Dragons.

    And finally their cover of “Counting Stars” by OneRepublic.

    If you like them, you can get each of these on Amazon for less than a buck with these links:

    Buying them not only supports the artists, but it lets them know there’s a demand for it and encourages them to make more. And I hope they make more.

    ***

    By the way, “Counting Stars” has some interesting lyrics. Ryan Tedder, the songwriter, is a professed Christian. He grew up in a Charismatic household and graduated from Oral Roberts University.

    However, you might look at some of the lyrics and think he’s given all that faith up.

    I feel something so right
    Doing the wrong thing
    I feel something so wrong
    Doing the right thing
    I could lie, could lie, could lie
    Everything that kills me makes me feel alive

    But you need to look at the lyrics in context of the rest of the song and the artist’s statements about the song to see he’s singing about something totally different.

    Some poets, and songwriters are poets (song is where poetry lives these days), think being obscure is cool. Tedder follows that more obscure approach in this song, which is unlike the immediate clarity he put into the lyrics of the fantastic “Halo,” performed by Beyonce, or his own OneRepublic’s “Apologize.”

    Sometimes the artist writing gnomic lyrics doesn’t want to pin down a message for the listener—they think it’s cool for each person to make up their own message (I prefer clarity). Other times they do have a message, but they want the listener to work for it, and so they try to be subtle. Or sometimes they simply goof and don’t realize their lyrics are being so vague.

    I have no idea which path Tedder was trying to take with these lyrics, but I do know that he’s made statements about the song. And these statements give us a guide.

    In an interview with 5280, the Denver magazine (Denver is where Tedder lives) we get the first glimpse.

    At 15, he began writing his own songs. “I obsessed over music and just loved it,” Tedder says. “But I never considered it as a career. Where I grew up you go to high school, you go to college, you find a wife in college, you get married, you have 2.3 kids, and if that hasn’t all happened by the time you’re 24, some people think there’s something wrong with you—or the assumption is that maybe you’re not into the opposite sex.”

    But he couldn’t keep away.

    Back in Oklahoma, at Oral Roberts University, the largest charismatic Christian university in the world, Tedder majored in public relations and advertising. At least that’s what his diploma says. Based on the time he put into sneaking into the Timko-Barton Performance Hall’s piano rooms, he probably could have been a double major. He spent hours on the piano and the guitar deconstructing his favorite albums—like Eric Clapton and B.B. King’s Riding with the King—figuring out the chords and then trying to write new songs using those same chords. He was skipping classes—even meals—to write songs.

    No one knew. Not friends. Not his roommate. He sang in secret. He was in the school choir, but his friends always thought it was odd that a person who didn’t seem overly musically inclined would be taking a singing class. When he was in one of the piano rooms he would tape a piece of notebook paper over the small window in the door so that no one could see him.

    Tedder says there were two reasons he hid his passion. The first was that he believed there were so many bad singers and bad songs in the world that he didn’t want to add to the noise. He wanted to be certain he would be successful before he revealed himself. The second reason was more deep-seated: Being raised in a religious home, Tedder had been taught that there was a purpose for his life, and that because God had ordained that purpose, he should live the life expected of him—one that was pious and humble. “Deciding you want to go into the music business is about the most narcissistic thing in the world,” Tedder says. “I had this constant battle—and to some degree I still do.”

    So Tedder felt “wrong” about songwriting. But he eventually began to see it as his gift to share.

    In an interview with Billboard magazine, we learn that he wants his OneRepublic to sing about different themes than the norm.

    Billboard: Given “Counting Stars”‘ uplifting, faith-based message, it must be gratifying to be connecting with such a meaningful song.

    Tedder: I think it’s our responsibility as a band, and what separates us from everyone else. I took that from being a fan of U2 for two decades now, since “Achtung Baby.” To this day, they might be the only band on that level who sings about things other than just boy-girl troubles or the kind of selfish, “I’m a badass” stuff. I’ve spoken with Bono about this when we toured with him, and he said the same thing. I felt a responsibility to actually write and sing about things that have a level of human gravity to them. If everybody else sings about sex and love and lust and money, then somebody’s gotta be singing about life and faith and hope and things of that nature.

    So if “Counting Stars” isn’t about sex, lust, and money, what’s it about?

    In another interview with Radio.com, he indicated that the whole counting stars bit was for anyone who loses sleep wondering how they’re going to be able to afford their rent or provide for their family. When he was first starting out, things were rough.

    “A lot of time I just lay in bed awake, stressing out,” Tedder said. “Everybody does it. And I just thought, I can’t wait until I’m counting stars and not counting dollars anymore. Things will be so much better.”

    To me, it’s clear that Tedder is singing about his story. And he’s singing for people like him who have a passion, but society says it’s not the practical thing to follow or dedicate your life to. Songwriting is what makes him feel alive. Furthermore, he had flashing signs indicating that if he sought, he would find—in other words, it was the thing God wanted him to do. And he just had to have hope, a four-letter word for those who are practical- and money-minded, and follow that passion.

    We can argue the merits of that follow-your-passion message, but I think we’re all happy Tedder followed his.

    ***

    And while we’re talking about the joy of music, how about this baritone saxophone and drum.

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  • “Clockwork Chickadee” by Mary Robinette Kowal

    ByJohn Brown

    Mary Robinette Kowal is a professional puppeteer and a dang good story teller. I ran across her “Clockwork Chickadee” this last summer and forgot to blog about it. Then she won the Campbell Award. And I thought to blog it again. Now it’s November and you see what it means to run on “Brown time.” But however belated my review, this story is marvelous. The images have stuck in my mind since that first reading. And the chickadee, well, let me share the beginning with you.

    The clockwork chickadee was not as pretty as the nightingale. But she did not mind. She pecked the floor when she was wound, looking for invisible bugs. And when she was not wound, she cocked her head and glared at the sparrow, whom she loathed with every tooth on every gear in her pressed-tin body.

    The sparrow could fly.

    He took no pains to conceal his contempt for those who could not. 

    I am an impatient reader: if the story doesn’t grab me within the first few lines, I usually pass. I’m trying very hard not to be so demanding and extend this to two pages (no, I do not have the fortitude some readers do to extend this to twenty, forty, or sixty pages). But sometimes I slip back into my old ways. However, with Clockwork Chickadee I didn’t need to remember to be patient. I just read and read and read some more.  

    For those who care about story, you’ll notice it doesn’t run on the normal fuel of sympathy and suspense. This is a curiosity story. And Kowal does it so well.

    Here’s the text version. But if you have no time to read, that’s no problem. Listen to the audio version right now or download it to your iPod or MP3 player and listen while you’re out and about.

    Enjoy!

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  • Author Interview: David Farland

    ByJohn Brown

    David Farland has been a big influence on me. It was his workshop back in the 90’s that actually made me think I could write professionally and led directly to my first publication as a Writers of the Future winner. Later Dave gave me comments on my first novel which helped me write a second, much better one that attracted Tor Books. And it was Dave who showed me the ropes on my first ever author tour.

    But long before all that, Dave was a writer whose work I loved. I read ON MY WAY TO PARADISE when it first came out and enjoyed the heck out of it. SERPENT CATCH and PATH OF THE HERO were next. I gobbeled them up too. Then came the THE GOLDEN QUEEN. By the way, SERPENT CATCH and THE GOLDEN QUEEN are two of my favorite novels. Now, all of those were written under Dave’s given name–Dave Wolverton. When he switched over to fantasy he used the Farland pseudonym.  His first Farland book was RUNELORDS. Folks, RUNELORDS is, in my opinion, one of the top 10 epic fantasies ever written. Ever.

    Of course, Dave has written many other novels and was involved with some Hollywood producers. Now he’s doing something new. He’s started his own publishing company–East India Press–and is releasing the first of his enhanced books through it.  Enhanced meaning far more than a book in print or electronic form–there’s also a soundtrack and art. NIGHTINGALE is that book. I asked him to share with my readers a bit more about it. Here’s his reply.

    *

    JOHN:  Tell us about how you came up with the idea for Nightingale?

    DAVE: Years ago, in the late 1980s or early 1990s, I read a book by a doctor who had worked for the CIA, experimenting with drugs that would erase both long- and short-term memories.  It was fascinating work, and he eventually won the Nobel Prize for it.  So I became interested in memory transfer.

    Later on, one Christmas, I got to thinking about the three “Wise Men” from the bible.  Normally, a “wise man” is called a wizard.  A “maji” is called a magician.  Why was it that the writers of the bible were using double-speak when discussing these guys?  Weren’t they astrologers?  Doesn’t the Old Testament condemn these folks to death?

    So I went back to the Hebrew and found out that indeed these three gentlemen were in the same class of magicians that the Old Testament condemned to death, the m’khashepah—which originally referred to a class of magicians that hung around royal courts.  Of them the bible says, “Thou shalt not suffer a m’khashepah to live.”

    So the thought occurred to me, “What if they weren’t just coming to give Jesus gifts?  What if they really had come to be . . . advisors.  What if they wanted to give him wisdom?”

    That started a whole train of thought dealing with memory transfer—transfer of memories, the possibility of training reflexes, transfer of memories on a cellular level, and so on—which led to the creation of my magic system. 

    The questions arose, what would people do with such power? 

    And of course from that a novel was born.

    Nightingale tells the story of a young man named Bron Jones, who is abandoned at birth.  Raised in foster care, he’s shuffled from home to home.  At age 16, he’s kind of the ultimate loner, until he’s sent to a new foster home and meets Olivia, a marvelous teacher, who recognizes that Bron is something special, something that her people call a “Nightingale,” a creature that is not quite human. 

    Suddenly epic forces combine to claim Bron, and he must fight to keep from getting ripped away from the only home, family, and girlfriend that he has ever known.  He must risk his life to learn the answers to the mysteries of his birth: “What am I?  Where did I come from?  Who am I?”

    This is a big project, an enhanced novel with illustrations and animations from half a dozen talented illustrators.  It has a sound track by the head of the National Composer’s Guild, James Guymon, with a dozen professional musicians and vocalists.  We’re releasing the novel in several formats, as an enhanced novel, a normal e-book, an audiobook, and as a hardcover.

    But we did one last cool thing.  The enhanced book was designed for the iPad, though you will also be able to read it on just about any other pad or smartphone.  But we had our programmers create a web app so that you can enjoy the book on your computer—read a few chapters, take it for a test drive, or simply buy it for reading online.  You’re free to go check out the results at www.nightingalenovel.com.  If you like it, remember to “Like” us on Facebook.  Better yet, re-post our site info and tell your friends on Facebook.

    Oh, and while you’re there, check out our short-story contest, where you can win $1000.

    *

    John sez: I’m very excited to see where this goes. I’ve loved Dave’s stories for a long time. And the premise of this book sounds great. Samples are available at: www.nightingalenovel.com

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  • Good Stuff! Grandpa O’s Stories

    ByJohn Brown

    There are a boatload of characters that live in Rich County, Utah.

    One of them is Gary Ogilvie.

    If you were to see him at church or waiting in line for a raspberry shake at one of the fast food joints by Bear Lake, you’d just see a pleasant, mild-mannered gentleman.

    But Gary has quite the past.

    He’s been a police officer down on the Wasatch Front, a sheriff in Rich County, a Utah highway patrol officer, an internal affairs investigator for the Utah Department of Corrections, and an adult probation and parole supervisor. And a miner and many other things.

    And, boy, does he have some stories.

    Most with him wearing the badge, but others when he wasn’t wearing the badge. For example, Gary was himself hauled in by the cops when he was a teen.

    Gary wrote many of his stories down in a journal, and I had the privilege of reading them one day a year or two ago. They were fabulous. Some were funny, some shocking, some poignant.

    The good news for you is that Gary has recorded a number of them on YouTube. He did this for his  grandkids, but you and I get to benefit.

    If you enjoy real life cop stories, many with a humorous twist, and good-humored narrators, then you’re going to love listening to Grandpa O’s Stories over on YouTube.

    In fact, I don’t think you’ll be able to listen to just one.

    My bet is you’ll want to hear the next and the next.

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2 Comments

  1. I am really happy to see you recommending the Bartimaeus books to everyone. I loved these when I read them a couple of years ago (I’m 27, but like so many others enjoy a good YA book now and then). They’re fantastic books, and I really think that if they hadn’t come out at the same time as the unstoppable juggernaut that was Harry Potter, they could have been VERY popular indeed. People, trust John Brown! His tastes will not lead you astray. There, rant finished.

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