Sherlock Holmes, Mission Impossible, The Art of Shaving, Wages

Sherlock Holmes & Mission Impossible

I have been looking forward to two movies this holiday season. One of them was as good as I’d hoped it would be. The other disappointed me because the story tellers forgot to make things clear. The two movies were Mission Impossible: Ghost Protocol and Sherlock Holmes: A Game of Shadows.

I loved the first Sherlock Holmes movie—the story was intriguing and plotted well, the atmosphere and music were amazing, and the characters and relationships were even better. In fact, the movie presented some of the most delightful characters I’ve enjoyed over the last few years. So it was a no-brainer to plan in a date to see this new episode.

Sherlock Holmes: A Game of Shadows provided the same great atmosphere and music as I enjoyed before. Holmes and Watson were as wonderful as they’d ever been. The film introduced a wonderful new character: Madam Simza Heron, a gutsy gypsy who you can’t help but want to know better. And it brought on Professor James Moriarty, the uber-villian. There was plenty of the wit that we enjoyed in the first one. It had all the elements to work.

However, the film fell down in its plotting. There were many times when I had no idea why the characters were doing what they were doing or how it fit into the overall threat. At other times, it appeared Sherlock could have taken out the villain but didn’t only because it would have ruined the plot.

The film makers also decided to kill off one of the characters, and therefore relationships, that had provided so much satisfaction in the first movie. And they did it without much fanfare. Who thinks it’s a good idea to kill off beloved characters like that? If you’re going to kill someone we love, you’d better make it meaningful and the core of the film. Alas, they didn’t.

In fact, it felt like there was too much stuffed into this film. Cool ideas that couldn’t be explored or have much impact including facial surgery for spies, a lost brother, European politics, resistance fighters, a henchman we hardly see. The wonderful Madam Simza Heron didn’t play the pivotal role she could have. So unlike Irene Adler in the first movie who becomes central to the story, she’s more of a bit of the setting.

If you loved the first film, you’ll have to see this. There’s a lot of good. But you must go knowing it’s a grade lower than the first film.

Now, I stopped liking the Mission Impossible movies about thirty minutes into the second in the series. But the previews for Mission Impossible: Ghost Protocol intrigued me. I like Tom Cruise as an actor. And so we decided to give it a try.

Mission Impossible: Ghost Protocol didn’t provide the atmosphere or super-delightful characters and relationships of Sherlock Holmes. But that’s not to say its characters were tepid. On the contrary, the cast was great with a lot of funny interplay. Furthermore, unlike some action films where everything seems to work for the hero, a lot of things go wrong for Tom Cruise’s character. These problems and his reactions are part of what make the movie.

The story also provided plenty of “action” but did it in a new way. This is the first time, for example, I’ve seen a car chase in a sandstorm. And it was a fab chase. It’s also the first time I’ve seen a final battle in an automated parking lot. The director and writers did a good job choosing new twists on common action elements.

But a story needs more than characters and new sights—the plot has to make sense. Especially when the plot takes center stage, which it does in action movies. And I’m happy to say that I never once wondered why our characters were doing something or how it affected the main threat. Furthermore, every one of the characters made a difference. The result was that I thoroughly enjoyed the film from start to finish. I can’t wait to watch it again. If you like action films, I think you’ll enjoy Ghost Protocol.

The Art of the Shaving

When I was on a mission in the Netherlands I was an idiot and did not take care of my face in the winter. I’d hop onto the bicycle with the temperature hovering around zero degrees (not counting the wind chill) and bike out with Fearless Companion to an area to meet with people or knock on doors. And I’d do it with hardly a thing covering my face and ears. As a result, I damaged my skin.

So now when I’m exposed to cold, my face flushes and stays that way for some time even when I’m in a warm house. I can’t wear cologne. And I’ve had a love/hate relationship with shaving. I can’t stand the prickle of a beard and so love to shave, but I hate the fact that when I shave, my face turns the color of a tomato for four to six hours. And this is when I use shaving cream specifically formulated for “sensitive skin.”

But then I walked into The Art of Shaving store in Fashion Place Mall and learned that those shaving creams designed for sensitive skins weren’t super gentle. They just numbed the skin so you didn’t feel the shave. The folks at The Art of Shaving suggested, of course, I use their product.

I bought a kit (I’m a sucker for good sales pitches even when I know I’m being suckered) which included: a badger hair brush (they say it is optional, but I love mine and wouldn’t do this without it), pre-shave oil, shaving cream, and after-shave balm. They had five types to choose from: unscented, lemon, sandalwood, ocean kelp, and lavender. I selected the lavender because it was formulated for sensitive skin. At first I was worried about being overpowered with the smell, but was pleasantly surprised to find the scent as light as a feather. I didn’t need a new razor; they said my Mach3 was just fine.

I came home with my bag expecting a huge dose of buyer’s remorse. Except after my first shave with their product, my face didn’t flush. Could this really be a product that worked? I wasn’t willing to make that conclusion at the time. But now, after about a month of shaving, I can honestly say that this is the best shave I’ve had in years. My face doesn’t flush. The after-shave balm does what a balm is supposed to do–soothe. There’s no alcohol burn. In fact, I use the after-shave balm on non-shave days. If your skin hates shaving, let me suggest you visit theartofshaving.com and order some product or go to one of their stores. I think you’ll also become a fan. 

Info for Choosing a Career

There are many things I wished I’d done differently when choosing a career. I wish I’d broadened my horizon on the horde of different careers possible. I wish I’d really looked at what the various careers earned on average. Luckily for those looking to select a new career today, Utah’s Department of Workforce Services compiles data on more than 700 occupational wages and shows you the average and median annual wage as well as the average for inexperienced folks in that occupation.

Not only does looking through the list help you see options you might not have considered, it also helps you get a realistic expectation for what you might earn in that profession. Now, the list, although large, doesn’t show every possible occupation (FBI agent, Marine) or every permutation of the occupations shown. For example, there’s one line for accountants and auditors, but there are tax accountants, fraud accountants, security accountants, auditing accountants, etc. Nevertheless, this is an excellent list to begin a search.

To get the list, go to this state website: http://jobs.utah.gov/jsp/wi/utalmis/default.do. Click on “Utah Occupational Wages.” That will open a page with a map of Utah. Click on the link on the right “Utah Occupational Wages” to get the Excel spreadsheet of all 700+ occupations listed.

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  • Top 200 YA Novels of 2010

    USA Today just published their list of the top 100 bestsellers of 2010. Publishers Weekly  and other places will soon follow. But sales don’t always capture the full picture. Some books may be purchased once and read once. Others are passed around until they’re ragged. Furthermore, many books sell well over a number of years but don’t get the volume in any week or year to put them on the list. That’s why I like to also look at circulation numbers. And I just happen to have the YA circulation numbers for the Logan, Utah library (thank you Super Librarian Melanie), which serves the 115,000 folks of Cache County, 50,000 of which are in Logan itself. Not a bad population size to get an idea of what’s being read.

    Of course, I know each area in the country will have a slightly (or hugely) different list, which makes sense because tastes differ from region to region (for example, I’m betting Chris Heimerdinger isn’t really big in, say, Alabama), but also because collections differ as well. For example, I was surprised Dan Wells didn’t show up with I Am Not A Serial Killer, but the Logan library doesn’t even have that book. So this method does have limitations. It would be nice to get a national breakdown. But until someone is able to cobble that together, this gives a good picture of what’s being read in this part of the world. Regardless of where you live, this should constitute a list of books that ought to be great reads for teens and adults.

    In 2010, 3,574 YA titles were checked out a total of 33,156 times (by adults and youth–whoever has a card). Books in the collection but not checked out didn’t make the list, of course. Here are the top 200 books. The Total column shows how many times the book was checked out. % shows what percent of the total circulation that represents. Rank is rank. I was very happy to see quite a few Utah authors (or former Utahans) on this list. Congrats to the following (# titles in top 200):

    • Shannon Hale (6)
    • Jessica Day George (6)
    • Stephenie Meyer (5)
    • Brandon Sanderson (3)
    • Mette Ivie Harrison (3)
    • Aprilynne Pike (2)
    • Lisa Mangum (2)
    • Chris Heimerdinger (2)
    • Jack Weyland (1)
    • James Dashner (1)

    BTW, here are the companion lists: Top 200 YA Authors of 2010 (showing total volume, not by book, but by author) and Top 200 YA Authors of 2010, Part 2 (showing the authors with the most readers per book)

    The List

    EDIT: 1/13/2011 11:42 AM. I just found out the first set of data I posted included more than checkouts: things like renewals, searches, bills, etc. So the numbers were wacked. This changed both the rankings and the numbers of books included by some of the authors. What you see now are the correct numbers for checkouts.

    EDIT: 1/14/2011 3:31 PM. Okay, one more edit. Silly us–we left off books shelved in the “New Book” category. These numbers are checked, double-checked, and rock solid.

    Title Total % Rank
    The hunger games / Suzanne Collins 374 1.13% 1
    Catching fire / Suzanne Collins 273 0.82% 2
    Mockingjay / Suzanne Collins 241 0.73% 3
    The lightning thief / Rick Riordan 197 0.59% 4
    The last Olympian / Rick Riordan 194 0.59% 5
    The short second life of Bree Tanner : an Eclipse novella / Stephenie Meyer 181 0.55% 6
    Harry Potter and the deathly hallows / J. K. Rowling  160 0.48% 7
    Forest born / Shannon Hale 155 0.47% 8
    The red pyramid / Rick Riordan 143 0.43% 9
    The sea of monsters / Rick Riordan 139 0.42% 10
    Princess of glass / by Jessica Day George 113 0.34% 11
    The Titan’s curse / Rick Riordan 110 0.33% 12
    City of bones / Cassandra Clare 109 0.33% 13
    The book thief / by Markus Zusak 108 0.33% 14
    Brisingr / Christopher Paolini 101 0.30% 15
    The battle of the Labyrinth / Rick Riordan 99 0.30% 16
    Book of a thousand days / by Shannon Hale 96 0.29% 17
    New moon / Stephenie Meyer 94 0.28% 18
    Harry Potter and the half-blood prince / by J. K. Rowling 87 0.26% 19
    Breaking dawn / Stephenie Meyer 87 0.26% 20
    Tempted : a house of night novel / P.C. Cast and Kristin Cast 86 0.26% 21
    Eclipse / by Stephenie Meyer 86 0.26% 22
    Twilight / by Stephenie Meyer 81 0.24% 23
    Night world / L. J. Smith 81 0.24% 24
    River secrets / by Shannon Hale 79 0.24% 25
    City of ashes / Cassandra Clare 79 0.24% 26
    City of Glass / Cassandra Clare 78 0.24% 27
    Princess Academy / Shannon Hale 76 0.23% 28
    Uglies / Scott Westerfeld 69 0.21% 29
    Chosen : a house of night novel / P.C. Cast and Kristin Cast 69 0.21% 30
    Princess of the Midnight Ball / by Jessica Day George 68 0.21% 31
    The hourglass door : a novel / by Lisa Mangum 65 0.20% 32
    Pretties / Scott Westerfeld 63 0.19% 33
    Shiver / Maggie Stiefvater 62 0.19% 34
    The lost hero / Rick Riordan 62 0.19% 35
    Witch & wizard / James Patterson and Gabrielle Charbonnet 61 0.18% 36
    The dark Divine / Bree Despain 61 0.18% 37
    Untamed : a house of night novel / P.C. Cast and Kristin Cast 59 0.18% 38
    The golden spiral / Lisa Mangum 59 0.18% 39
    Enna burning / Shannon Hale 59 0.18% 40
    Fire / Kristin Cashore 58 0.17% 41
    Erak’s ransom / John Flanagan 58 0.17% 42
    Wings / Aprilynne Pike 57 0.17% 43
    Spirit bound / Richelle Mead 57 0.17% 44
    The siege of Macindaw / John Flanagan 57 0.17% 45
    Blood promise : a Vampire Academy novel / Richelle Mead 57 0.17% 46
    Syren / Angie Sage 56 0.17% 47
    Betrayed : a house of night novel / P. C. Cast and Kristin Cast 56 0.17% 48
    Specials / Scott Westerfield 54 0.16% 49
    The golden compass / by Philip Pullman  54 0.16% 50
    The awakening / Kelley Armstrong 54 0.16% 51
    Marked : a house of night novel/ P. C. Cast and Kristin Cast 53 0.16% 52
    Magyk / Angie Sage  53 0.16% 53
    Fang : a Maximum Ride novel / James Patterson 53 0.16% 54
    The burning bridge / John Flanagan 53 0.16% 55
    The ruins of Gorlan / John Flanagan 52 0.16% 56
    The goose girl / Shannon Hale 52 0.16% 57
    The alchemyst : the secrets of the immortal Nicholas Flamel / Michael Scott 52 0.16% 58
    The maze runner / James Dashner 51 0.15% 59
    Inkdeath / Cornelia Funke  51 0.15% 60
    Hush, hush / Becca Fitzpatrick 50 0.15% 61
    The Looking Glass Wars / by Frank Beddor 49 0.15% 62
    Burned : a house of night novel / P. C. Cast and Kristin Cast 49 0.15% 63
    What I saw and how I lied / Judy Blundell 48 0.14% 64
    Eragon / Christopher Paolini 48 0.14% 65
    The merchant of death / by D.J. MacHale 47 0.14% 66
    Graceling / Kristin Cashore 47 0.14% 67
    The necromancer / Michael Scott 46 0.14% 68
    Beauty sleep / Cameron Dokey 46 0.14% 69
    Artemis Fowl / Eoin Colfer 46 0.14% 70
    A great and terrible beauty / Libba Bray 45 0.14% 71
    The demigod files / Rick Riordan  45 0.14% 72
    The Van Alen legacy : a Blue Bloods novel / Melissa de la Cruz 44 0.13% 73
    Spells / Aprilynne Pike 44 0.13% 74
    The sorcerer of the north / John Flanagan 44 0.13% 75
    The battle for Skandia / John Flanagan 44 0.13% 76
    Artemis Fowl. The Atlantis complex / Eoin Colfer  44 0.13% 77
    Theodore Boone : kid lawyer / John Grisham  43 0.13% 78
    Evermore / Alyson Noèel 43 0.13% 79
    Clockwork angel / Cassandra Clare 43 0.13% 80
    Physik / Angie Sage  42 0.13% 81
    Eldest / by Christopher Paolini 42 0.13% 82
    Captivate / Carrie Jones 42 0.13% 83
    Twice upon a Marigold / Jean Ferris 41 0.12% 84
    The Shadow Project / by Herbie Brennan 41 0.12% 85
    The reckoning / Kelley Armstrong 41 0.12% 86
    The kings of Clonmel / John Flanagan 41 0.12% 87
    Gone / by Lisa McMann 41 0.12% 88
    Fallen / Lauren Kate 41 0.12% 89
    Don’t judge a girl by her cover / Ally Carter 41 0.12% 90
    Tennis shoes among the Nephites / Chris Heimerdinger 40 0.12% 91
    The princess and the hound / Mette Ivie Harrison 40 0.12% 92
    Heist society / Ally Carter 40 0.12% 93
    Golden / Cameron Dokey 40 0.12% 94
    Dragon spear / by Jessica Day George 40 0.12% 95
    Dragon flight / Jessica Day George 40 0.12% 96
    Queste / Angie Sage  39 0.12% 97
    Need / Carrie Jones 39 0.12% 98
    Messenger / Lois Lowry 39 0.12% 99
    Bloodhound / Tamora Pierce 39 0.12% 100
    Wild orchid : a retelling of “The ballad of Mulan” / by Cameron Dokey 38 0.11% 101
    The chronicles of Vladimir Tod : eleventh grade burns / Heather Brewer 38 0.11% 102
    Terrier / Tamora Pierce 38 0.11% 103
    Revenge of the witch / Joseph Delaney 38 0.11% 104
    Inkheart / Cornelia Funk 38 0.11% 105
    Howl’s moving castle / Diana Wynne Jones 38 0.11% 106
    The diamond secret / by Suzanne Weyn 38 0.11% 107
    Darklight : a novel / Lesley Livingston 38 0.11% 108
    Pretty little liars / Sara Shepard 37 0.11% 109
    Just Ella / Margaret Peterson Haddix 37 0.11% 110
    The icebound land  / John Flanagan 37 0.11% 111
    Harry Potter and the goblet of fire / by J.K. Rowling 37 0.11% 112
    Dreamhunter / Elizabeth Knox 37 0.11% 113
    Destiny’s path / Frewin Jones 37 0.11% 114
    Crocodile tears / Anthony Horowitz 37 0.11% 115
    The body finder / by Kimberly Derting 37 0.11% 116
    Violet eyes : a retelling of “The princess and the pea” / Debbie Viguie 36 0.11% 117
    They never came back / Caroline B. Cooney 36 0.11% 118
    The summoning / Kelley Armstrong 36 0.11% 119
    The soldiers of Halla / D.J. MacHale 36 0.11% 120
    Shadowland / Alyson Noèel 36 0.11% 121
    The princess and the snowbird / Mette Ivie Harrison 36 0.11% 122
    The magician / Michael Scott 36 0.11% 123
    The luxe / Anna Godbersen 36 0.11% 124
    Gathering blue / Lois Lowry 36 0.11% 125
    Blue moon : the Immortals / Alyson Noèel 36 0.11% 126
    Sun and moon, ice and snow / Jessica Day George 35 0.11% 127
    The princess and the bear / Mette Ivie Harrison 35 0.11% 128
    Once upon a Marigold / Jean Ferris 35 0.11% 129
    The lost city of Faar / D.J. MacHale 35 0.11% 130
    Lord Sunday / Garth Nix 35 0.11% 131
    Linger / Maggie Stiefvater 35 0.11% 132
    The Forest of Hands and Teeth / Carrie Ryan 35 0.11% 133
    Extras / Scott Westerfeld 35 0.11% 134
    Betraying season / Marissa Doyle 35 0.11% 135
    Thirteen reasons why : a novel / by Jay Asher 34 0.10% 136
    Squire / by Tamora Pierce 34 0.10% 137
    Midnight pearls : a retelling of  “The little mermaid” / Debbie Viguie 34 0.10% 138
    Harry Potter and the Order of the Phoenix / by J.K. Rowling 34 0.10% 139
    Ever / Gail Carson Levine 34 0.10% 140
    The dead-tossed waves / Carrie Ryan 34 0.10% 141
    Clash of the demons / by Joseph Delaney 34 0.10% 142
    Cameron Meets Madison./ Jack Weyland 34 0.10% 143
    Belle : a retelling of “Beauty and the beast” / by Cameron Dokey 34 0.10% 144
    Before midnight : a retelling of “Cinderella” / by Cameron Dokey 34 0.10% 145
    Beastly / Alex Flinn 34 0.10% 146
    Artemis Fowl : the Arctic incident / Eoin Colfer 34 0.10% 147
    The Amaranth enchantment / Julie Berry 34 0.10% 148
    Alcatraz versus the Knights of Crystallia / by Brandon Sanderson 34 0.10% 149
    Alanna the first adventure / by Tamora Pierce 34 0.10% 150
    Splendor : a Luxe novel / Anna Godbersen 33 0.10% 151
    Shadow kiss : a Vampire Academy novel/ by Richelle Mead 33 0.10% 152
    Seeing Redd / by Frank Beddor 33 0.10% 153
    Claim to fame / Margaret Peterson Haddix 33 0.10% 154
    Beautiful creatures / by Kami Garcia and Margaret Stohl 33 0.10% 155
    White cat / Holly Black 32 0.10% 156
    The sweet far thing / Libba Bray 32 0.10% 157
    Radiant shadows / Melissa Marr 32 0.10% 158
    Incarceron / by Catherine Fisher 32 0.10% 159
    Gadiantons and the silver sword / by Chris Heimerdinger 32 0.10% 160
    Dragon slippers / Jessica Day George 32 0.10% 161
    A coven of witches / by Joseph Delaney  32 0.10% 162
    Being Nikki : an airhead novel / Meg Cabot 32 0.10% 163
    Artemis Fowl. The time paradox / Eoin Colfer 32 0.10% 164
    The woman who rides like a man / by Tamora Pierce 31 0.09% 165
    Winter’s child / Cameron Dokey 31 0.09% 166
    The sorceress / Michael Scott 31 0.09% 167
    Rules of attraction / Simone Elkeles 31 0.09% 168
    Radiant darkness / Emily Whitman 31 0.09% 169
    Once a witch / by Carolyn MacCullough 31 0.09% 170
    A kiss in time / Alex Flinn 31 0.09% 171
    Heroes of the valley / Jonathan Stroud 31 0.09% 172
    First test / Tamora Pierce 31 0.09% 173
    The crimson thread : a retelling of “Rumpelstiltskin” / by Suzanne Weyn 31 0.09% 174
    Blue bloods / Melissa de la Cruz 31 0.09% 175
    Before i fall / Lauren Oliver 31 0.09% 176
    Alcatraz versus the Scrivener’s Bones / by Brandon Sanderson 31 0.09% 177
    The warrior heir / Cinda Williams Chima 30 0.09% 178
    Vampire rising / Jason Henderson 30 0.09% 179
    Rebel angels / Libba Bray 30 0.09% 180
    Princess Ben / Catherine Murdock 30 0.09% 181
    The never war / D.J. MacHale 30 0.09% 182
    Max : a Maximum Ride novel / James Patterson 30 0.09% 183
    In the hand of the goddess / by Tamora Pierce 30 0.09% 184
    Flyte / Angie Sage 30 0.09% 185
    Faerie wars / by Herbie Brennan 30 0.09% 186
    Dreamquake : book two of the Dreamhunter duet / Elizabeth Knox 30 0.09% 187
    Cross my heart and hope to spy / Ally Carter 30 0.09% 188
    Cirque du freak : a living nightmare / by Darren Shan 30 0.09% 189
    Birthmarked / Caragh M. O’Brien 30 0.09% 190
    Artemis Fowl : the eternity code / Eoin Colfer 30 0.09% 191
    Alcatraz  versus the evil Librarians / by Brandon Sanderson 30 0.09% 192
    Wicked lovely / Melissa Marr 29 0.09% 193
    Water song : a retelling of “The frog prince” / by Suzanne Weyn 29 0.09% 194
    Wake / Lisa McMann 29 0.09% 195
    Violet wings / Victoria Hanley 29 0.09% 196
    Strange angels / Lili St. Crow 29 0.09% 197
    Princess for hire / Lindsey Leavitt 29 0.09% 198
    Maximum Ride : the final warning  / James Patterson 29 0.09% 199
    Maximum Ride : school’s out– forever / by James Patterson 29 0.09% 200
    Lament : the faerie queen’s deception / Maggie Stiefvater 29 0.09% 201
    Lady knight / Tamora Pierce 29 0.09% 202
    House of many ways / Diana Wynne Jones 29 0.09% 203
    Going bovine / Libba Bray 29 0.09% 204
    The enchanted quest / Frewin Jones 29 0.09% 205
    The dragon heir  / Cinda Williams Chima 29 0.09% 206
    Black water / D.J. MacHale 29 0.09% 207
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  • Hunger Games the Movie – Excellent, but marred . . .

    So is the movie as good as so many are saying?

    I liked the book a lot. You can see my review here: http://johndbrown.com/2010/09/amano-jasons-deli-and-the-hunger-games/

    Yes, but is the movie as good as the book?

    Let’s start with the beginning of the movie. During the first 10 or 15 minutes I was so annoyed and angry that I almost rose up out of my seat to shout “Stop it! Stop it! Stop it!” at the screen.

    Was this because the movie wasn’t faithful to the book?

    Because the actors sucked?

    Because the popcorn triggered a terrible case of restless leg syndrome?

    No, no, and no. 

    Then, why, John? Why?

    Because the director, Gary Ross, who wrote the wonderful Seabiscuit and Big, just couldn’t trust the material, the story, to work its magic. No, he thought that it would be a really good idea to MAKE ME SICK by overexaggerating and overusing HANDHELD CAMERA MOVEMENT. You know, the idea that if you confuse the viewer and make them uncomfortable, that will help them FEEL the wrongness, the stress, and the fear of the situation.

    A common technique for doing this is the tilted shot. Tilt the shot just a little and viewers subconsciously get the idea that something is wrong. You don’t notice it. The movie plays on, but you do feel that something is wrong, that trouble is brewing somewhere or someone is lying. A similar technique is used in action scenes. To help the viewer feel the “speed” of the action, they give us quick cuts. But the traditional tilted shot and quick cuts preserve understanding. They’re more of an unconscious effect. You still see the movie unfold and understand it. 

    However, some directors in the last few years, maybe with Spielberg’s use of this in the beginning of Saving Private Ryan (is there a movie history buff out there who can confirm?), decided that if a little was good, good golly, ten times that would be a LOT better.  So instead of realizing that action sequences like the one in the beginning of Casino Royale or the fights in Inception, ones you can easily follow, are the kinds audiences want, they figure they need to push the shots and cuts until audiences can’t make heads or tails of what’s happening.

    Instead of giving the audience tremendous thrills and suspense, they give them confusion.

    Wow, that’s a good trade off.

    And now, Gary Ross, who seems to have inexplicably bought into this, decides that what he needs to do is not only deliver confusion but nausea and annoyance as well.

    Stop, people. Stop. PLEASE! A little spice enhances a dish and takes it to the next level. But when you dump a cupful of thyme on my plate, all you do is make me want to gag.

    I’m not the only one who noticed. My 14 year old and my 19 year old noticed it as well and were bugged by it. It got so bad I told myself if it didn’t stop, I was going to walk out and ask for my money back.  Luckily, Ross toned his nonsense down and finally let the actors and story take center stage. 

    Which is what he should have done from the beginning because the acting was great. I loved Jennifer Lawrence (Winter’s Bone) as Katniss. Loved Willow Shields as Primrose and Josh Hutcherson as Peeta. Stanley Tucci playing Ceasar Flickerman, the blue-haired talk show host, was perfect. And the story was indeed a faithful translation of the book. I’m sure a huge part of that is due to the fact that Suzanne Collins, the author of the novel, helped write the screen play.  The other writers were Gary Ross and Billy Ray. 

    They did change a few minor things like Buttercup the cat is now black and white (I’m so utterly devastated I won’t be right for years), and Primrose gives the mockingjay pin to Katniss instead of Madge. They added scenes with the President of Panem.  They cut some scenes with minor characters and some twists in the plot. For those who read the book, even though the lost and changed parts added texture to the story, I think you’ll still be very pleased. For those who haven’t read the book, I think you’ll be wowed and sobered by the end. You’ll think about the Romans and their gladiators. You’ll wonder how we can we humans can do things like this. And I think you’ll feel a great indignation take root in your breast against the villains who control the world of the story.

    So, the move is a great experience that would have been over-the-top excellent if the director hadn’t marred it with way too much of something that should be used as spice instead of the main course.  Nevertheless, I recommend it. If you like action and drama, I think you’ll love the movie and the book. And hopefully my comments above will innoculate you to the opening scenes because you know to expect them going in.

    EDIT: Matthais Stork writes about “Chaos Cinema: The Decline and Fall of Action Filmmaking“. And his response to his critics. Anne Billson of The Guardian agrees that “Action sequences should stir, not just shake“.  But here’s a fellow trying to defend chaos cinema in a way that reminds me way too much of those I met in my English degree who assumed that the highest reading was one that focused on meaning, one that assumed the story was really not a story about people to be experienced, but a clever puzzle that needed to be decoded.

    EDIT: The issue with chaos cinema is that it replaces showing with telling.

    It presents “big fight” and “exciting chase” instead of showing the big fight and exciting chase. It’s similar to voice over narration: using the soundtrack to tell us about what’s happening instead of showing it to us. But it goes beyond even that because at least the narration told us what was happening. Chaos cinema at its most extreme doesn’t do even that. It replaces clarity with confusion. And this is its biggest downfall.

    For someone to react with emotion to a situation, they must (1) understand what’s going on AND (2)believe that the situation is real. The moment you deliver confusion, you take away one of the two necessary antecedents, and prevent the audience from responding emotionally. They now can only respond intellectually, e.g. Ah, I congnitively see that we are having a fight; I have no idea what’s happening and how that affects the guy I’m rooting for, but I see we’ve inserted the “fight” concept. (For those interested in the excellent discussion of emotion and stories, you’ll want to read Jenefer Robinson’s DEEPER THAN REASON: Emotions and it’s role in literature, music, and art.)

    Take it too far and you remove the second antecedent as well because now, instead of reacting to the story, you’re thinking about the camera man. Which is what happened with me when I just about came out of my chair to shout at the screen at the beginning of HUNGER GAMES. And what happened to half a dozen others I know who couldn’t look up because it would make them dizzy, and another half dozen who did look up and got sick.

    Chaos cinema trades in the super powers of cinematic storytelling for a bunch of rocks.

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  • Good Stuff: Mexican Hummus

    I have been giving a new way of eating a go for the last few months. It’s high-fat, medium-protein, low-carb (HFLC).

    Zoinks!?

    High freaking fat, you exclaim. Has he gone mad!

    Well, possibly.

    One thing I do know is that I’ve lightened the load my godlike thighs have to carry by about twenty pounds, which is a nice thing. Oh, and by the way, I’ve paired this with intermittent fasting.

    Horrors!

    Yes, it is Halloween. Or was a few days ago.

    In a few more months, when I’ve given this method a good long test, I’ll explain exactly what this is all about. But I’ll tease you by saying that it seems the scientific community isn’t immune to bias and jumping the gun. Not even close. We’d like to think they are, all those men and women in their white lab coats, but they aren’t. In fact, there are a number of doctors and researchers right now demonstrating that the advice we’ve been getting about fat and carbohydrates since the late 1970s was wrong. Like 180 degrees wrong.

    Let me point you to some presentations you can watch about this right now.

    “The Two Big Lies of Type 2 Diabetes” by Jason Fung, MD

    “Reversing Type 2 diabetes starts with ignoring the guidelines” by Sarah Hallberg, MD

    “Therapeutic fasting” by Jason Fung, MD

    Okay, so with that lead up, who’s up for a delicious, high-fat meal? Here’s one of my favorites.

    I call it “Mexican Hummus.” I found it in Always Hungry? By David Ludwig, MD, PhD. He calls it “Cheesy Pinto Bean Dip.” Which isn’t a bad name, but isn’t inspiring. You might call it modern refried beans, but that sounds like something out of a can or glopped onto the side of your dish. But Mexican Hummus, that has some class. A little zip.

    Whatever you call it, it tastes great.

    Use as a dip for red, orange, or yellow bell peppers cut into strips. Or eat it as a side. I like it with baked chicken thighs. It’s also good with fajita veggies—sautéed peppers and onions cooked with lots of butter, salt, and a bit a chili powder—and some slices of avocado.

    MEXICAN HUMMUS

    1. Mix the following in food processor for 30 seconds or until smooth
      1. 1 C cooked pinto beans, drained and rinsed
      2. 4 tsp extra-virgin olive oil
      3. ¼ C water
      4. ½ tsp chili powder
      5. ¼ to ½ tsp salt
    2. Mix in ¾ C shredded cheddar cheese (you want cheddar cause it melts well)
    3. Heat in microwave or on stove until cheese just melts. Stir.

    HOMEMADE CHILI POWDER

    I don’t like the chili powder you get in the stores—it’s too strong, overwhelms everything I put it into, and gives me heartburn. So I found a recipe that’s awesome and make my own.

    Mix the following together. Choose the amounts in the ranges shown based on your tastes.

    • 2 tablespoon paprika
    • ¾  to 1½ teaspoon onion powder
    • 1½ to 2 teaspoon dried oregano
    • ½  to 1 teaspoon cumin
    • 1½ t garlic powder (optional)
    • ½ to 1½ teaspoon cayenne (optional, I put in barely a pinch; I do NOT like it spicy)

    HERB-ROASTED CHICKEN THIGHS

    This has got to be the easiest recipe on the planet for chicken.

    • 6 to 8 bone-in, skin-on chicken thighs (about 2 pounds)
    • 1 tablespoon extra-virgin olive oil
    • 1 to 2 teaspoons dried herb blend (Italian herb mix, poultry mix, lemon chicken mix, or chili powder above)
    • ½ to ¾ teaspoons of salt
    • ¼ teaspoon ground black pepper

    Instructions.

    1. Preheat oven to 350 degrees
    2. Grease a 9×9 inch baking dish with butter or some extra-virgin olive oil
    3. Put chicken skin side up in baking dish
    4. Brush with the olive oil
    5. Sprinkle on the herb blend, salt, and pepper
    6. Bake for 45 minutes.
    7. If you want, you can baste a couple of time through the cooking by spooning the juices in the baking dish over the thighs.

    Bon appetite.

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  • The Last Apprentice, Path Finder

    The Last Apprentice

    Revenge of the Witch by Joseph DelaneyMy wife is always telling me I need to write a young adult or middle grade adventure series. One that’s directed at boys.

    Not because we have something against girls. We have four daughters, and my wife is adamantly pro-woman. But she finds very few books for her sixth-, seventh-, and eighth- grade male readers. I haven’t done a count, but I’m pretty sure that most YA is targeted at females. And this isn’t just me. I remember visiting a Barnes & Noble in Arizona with my voracious-reader nieces a few years ago and riding the escalator to the YA section. They told me that they called it the “girl-book section” because they figured that basically 90% of it was indeed for girls.

    Anyway, I think writing such an adventure would be a blast. I can already think of a number of near future or fantasy settings that would rock. But the time constraints I have right now just won’t allow me to start another series. Nevertheless, we sat down the other day and listed out all of the authors and books we knew that had a more male focus.

    For about the twentieth time she told me about Joseph Delaney’s The Last Apprentice series. It’s about a boy who apprenticed to the county Spook who is someone that takes care of witches, ghasts, ghosts, etc.  Her students love the stories. She loves them. She has bought the first ten volumes for her classroom. Why the heck wasn’t I reading them?

    Well, for starters, I just don’t like books about witches. And the first book in the series is called Revenge of the Witch. I don’t know what it is. Witches aren’t as bad a zombies–I am SO bored with zombies; I just don’t get the appeal. But even if they’re better than creatures that make no sense at all to me, I just don’t like spooky horror all that much. I loved to be scared, startled, and filled with dread. But not with witches.

    Witches? The gals with pointy hats?

    No.

    But this was, as I said, like the twentieth time she’d brought it up. We were driving over to Logan (that’s the big city for us), and stopped at the library, and we went over to the YA section. Unfortunately, they didn’t have volume one. But I did see many other volumes on the shelf and figured I needed to see what the competition was doing. So I perused. A few night later we went to her classroom, and there was volume one. The one about the witch.

    I sighed and opened it and began to read. And when I finished chapter one, I realized I kind of liked it. It was like the old Life cereal commercials—hey, Mikey!—and I wanted to read more. And so I took it home, read the whole book, and was delighted with the story. I liked it so much I promptly borrowed volume two, Curse of the Bane, from my wife’s classroom and read it as well. And I liked that one so much I checked out the third.

    The story is about Thomas Ward, the aforementioned apprentice. In book one, he is forced to face down some witches. But it’s Alice, the girl with pointy shoes, who made the story for me. Adding her as a character transformed it from a run-of-the-mill booger man story, into something special. No, I’m not going to give you a peek at the plot. Just know that this is the book where Thomas starts his apprentice, has to deal with that new life (and I thought Delaney captured that so well), and makes some apprentice mistakes that he then has to fix.

    In book two, we get to meet Alice and Thomas again, but this time they have to face down a different creature. And again, while the adventure is all cool, it’s the interactions with Alice that put it over the top.

    Having praised the books, I will say that I think Delaney has something against priests and religion in general because he paints it all with a negative broad brush. It’s too bad. Not only is such a view inaccurate, but showing the good and bad could add so many delicious dimensions to the tale. Maybe we’ll see that in later books. But even if we don’t, book two was still a great read.

    I’m looking forward to book three. If you’re in the mood to try something new, something about a young man and young girl that doesn’t revolve around romantic smoldering, something that a guy would like to read, let me recommend you join me in reading the volumes of The Last Apprentice.

    Pathfinder

    Pathfinder by Orson Scott CardI was once in a discussion about religion with a friend who happens to be an atheist and fellow science fiction and fantasy writer. He’s a great guy. The blog posts he wrote about the passing of the woman he loved who was lost to cancer were poignant and wonderful–full of beauty. I read them and wanted to be a better man. Still, he and I disagree about God.

    I remember telling him that science fiction is the one genre that makes God more plausible than any other. At least, it makes my view of God more plausible.  Now, I do not want to talk religion in this essay. But it’s just hard for science fiction to leave the idea of creation and Adam and Eve alone. Witness the many stories over the years about these very things.

    Heck, even the recent movie Oblivion has references—are not Jack and Victoria much like Adam and Eve? Just think about it. Their paradise together as a team, the knowledge, the fall. The echoes are simply marvelous.

    Well, I just read another science fiction tale that provided a wonderful opportunity to think about these things. It’s Orson Scott Card’s novel Pathfinder. Now, the story isn’t about God. It’s not a biblical allegory. It’s not dressed-up doctrine. It’s a tale about a boy named Rigg with special abilities on a quest to find his real family and who he is. Along the way we meet some interesting people, especially one character named Loaf who leavened the whole tale. So there’s an interesting adventure and speculations about faster-than-light travel. But one of the chief delights for me was the questions and ideas this story raised in my mind about the creation of our own world—“Garden,” the name of the world, just begged for it.

    For example, a long-time staple of science fiction is the idea of terraforming—changing face of the flora, fauna, atmosphere, and climate of the planet to be hospitable to your species. If you believe in a God that is more a being of advanced technology than one of unknowable fantasy, doesn’t that present a new and interesting way of viewing the creation story? It does for me, and Pathfinder sparked ideas about this.

    The book also led me to think about life. First, Card has these characters called “Expendables.” They’re robots, but not really. They’re artificial intelligence. But not really. The way Card presents the expendables, you don’t think of silicon and steel and gears. You think of biology.

    You think of mosquitoes.

    You think about the fact that if we humans use intelligent machines, surely God must use intelligent machinery. So what kind of intelligent machinery does God employ? (Dude, that idea is just pregnant with stories!)

    Are viruses and bacteria machines? Are mosquitoes and beetles (please, let there be no mosquitoes in heaven)?

    The book prompts me to wonder. It prompts me to look at the life about me on our wonderful world with new eyes. It prompts me to think differently about some of my core definitions. In fact, there are some exchanges between a character and an expendable where they talk about the difference between humans and expendables and the definition of what it means to be human, especially given evolution.

    This is a book about an adventure, but also a book about ideas, which is as it should be. Science fiction is the one genre, more than any other, that marries character and plot with exploration of ideas. If you’re looking for an interesting tale that will make you think about our world differently, give Pathfinder a try.

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  • Check out Dave Farland’s new cover

    Isaac Stewart pointed this out to me. Wow. And what a change. Farland’s got a whole new look and feel. I don’t know much about cover art/marketing and how well various colors and styles do in the book store (will buyers gloss over this because of its dark color?–I hope not). But however this performs on the shelf, it’s a great illustration.

    See more images on Irene Gallo’s blog about it. Compare with the old style.

    david-farlands-sons-of-the-oak

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  • |

    Update and The Shape-Changer’s Wife

    Assassin is moving along. I’m heading into the last quarter of the book, which is where the fireworks start. I appreciate all of you who have been so patient. My goal is to end this arc of the series with a bang. 

    In the meantime, I’d like to recommend a fantasy novel. I enjoyed it many years ago and recently reread it, finding myself swept away with as much intrigue and delight as the first time. 

    It’s The Shape-Changer’s Wife by Sharon Shinn. 

    The story follows an aspiring wizard named Aubrey who is nearing the end of his training. He asks his mentor, the wizard Cyril, to teach him transmogrification—the art of changing form—but Cyril refuses. Aubrey protests. Cyril knows the spells. He has cast them himself. Still, he refuses. 

    Eventually, however, Cyril’s conscience gets the better of him. A well-rounded wizard should know every branch of magic, even the ones Cyril dislikes. So he writes to another wizard, a shape-changer named Glyrenden, and asks if he will take Aubrey as a student. Glyrenden agrees. 

    As Aubrey sets off, Cyril gives him a warning: “Learn everything he teaches you so well you can cast his own spells back at him. Glyrenden respects only those stronger than he is, and those he hates. If you cannot beat him, he will destroy you.” 

    And so begins the tale. 

    There’s mystery, wonder, betrayal, loss, battle, and even love. Best of all, it’s a complete stand-alone novel, a rarity these days. 

    If you’re hankering for a fantasy adventure that can be read in one volume, I think you’ll be very pleased with this one. 

    Happy reading,  

    John 

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4 Comments

  1. You mentioned the Art of Shaving badger hair brush was “optional.” Did you use it? If you didn’t you really should try: not only will you use less cream (so its a better value) but it will hydrate the cream more effectively and gently clean the little bits of debris from around each hair so you will get an even better shave! I have a bunch of videos (at website link) that will help you build a good lather and shave more effectively.

  2. John,
    Good review of “Game of Shadows” that I agreed with.
    Having developed a distrust of Guy Ritchie films, I was hesitant to even go see the movie.
    Friends talked me into it.
    Having read all the Sherlock Holmes stories at an early age, I believe it helped me follow the story better, understand his restraint at killing Moriarty and in general “suspend disbelief” at the cinema.
    I also have not seen the first movie.
    This made the movie work a little better for me than most but I did notice a lot of “how did we get here?” moments.
    The actress playing “Madam Simza,” Noomi Rapace, did so well that I went home and spent a few days watching the three Swedish “Girl who…” movies based on the books by Stieg Larsson.
    The digression above represents some of the experience while watching “Game of Shadows” – it goes off on tangents and the action takes viewers places with little explanation why.
    I believe I enjoyed it more than most because of my earlier time spent at 221b Baker St. with Sir Arthur Conan Doyle’s hero / anti-hero Holmes.
    Such knowledge should not be a pre-requisite for a movie, though.
    John, did you think the writers had this in mind when scripting the movie? That it would attract audiences based on Doyle’s and Downey’s fan base? Therefore, they could cut some explanation?
    Overall, it was still an entertaining movie with Downey mastering “The Art of the Close Shave.”
    -Sam

  3. Sam,

    I have no idea. But I would think they wouldn’t want to do that in this case. This is a blockbuster film, which means they want to make money, which means you want as wide an audience as possible. Why would you want to limit your audience to those who have read the stories? Everyone knows who Sherlock is, but not very many have read even one story. Now you can throw in lines and little things here and there that only devoted fans will catch. But the main story needs to be accessible and clear.

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