Boom–And I’m A Dean Koontz Fanboy!

PIC03011So after finishing The Husband I wrote a letter to Dean Koontz. I never expected a reply. Today I got a package in the mail. I picked it up, thinking it was a book from Amazon. The sender was Mr. Dean Koontz. What? Dean Koontz?!

I opened it up. There was a form letter folded in half over a book. The part I read said:

At certain times of the year, I’m able to answer readers’ letters with a line or two, more personally than I am able to do right now. Currently I’m so overwhelmed by book and film deadlines that I’m going to have to resort to this less than satisfying form response.

I’m all, cool, a form letter and a book! He then talks about how he reads virtually all his letters even though he gets over 10,000 a year. Then he says he’s included a FAQ and his Useless News newsletter which talks about his latest books etc. The last part of the letter I could see was:

I hope you’ll understand why this less personal reply is necessary for the time being. And I hope

So I thought, hey. The man sent me a book. Holy cow. Talk about your customer service. Then I actually cut away the plastic wrapping and unfolded the letter and saw, despite his busyness, he had indeed written a note.

John–thanks for your great letter and kind words. Most of my career, I’ve been told–subtly and less than subtly–that my world view is that of a minority that won’t long–or much longer–sustain a large audience. Worldwide sales now are past 400 million copies. I tremble, wondering when it will all end! Congratulations on the TOR sale! From me to you, a book close to my heart.

Merry Christmas!

Dean

Duuuuude! And it wasn’t some admin either. The last paragraph of the letter says:

For what it’s worth, the signature below is mine. I don’t use legions of monkeys trained to forge my name, in part because they don’t seem quite smart enough to learn what’s wanted of them; and although dolphins are no doubt smart enough, they don’t have hands.

The signature is in blue ink. The same hand as the note. By this time I was totally geeking out.

Dean Koontz. He’s like one of the top 10 most popular novelests in the world. I LOVE his stuff. Then I opened the book. He’d signed it.

To John–WOOF. Dean Koontz 12-18-09

At that moment I was in total fanboy heaven. And I don’t do fanboy or any of that other wussy stuff.

I sent my letter on December 14th. 2 days down. 2 or 3 days back. That means he read it almost the day he got it. What a class act. And I was expecting nothing. I only sent my original letter because I truly appreciated his books and had to let him know.

So I guess one of the next books I’ll be reading is his A Big Little Life: A Memoir of a Joyful Dog. I expect it will be great.

BTW, here’s the text of my letter.

Dear Mr. Koontz,

I just finished reading The Good Guy. Thank you. Loved the interaction between Tim and Linda. And the reveals of their back stories. Loved Mary and Pete. Loved the situation. Krait was interesting and horrible. But the thing that put me over the top was the ending. [SPOILERS DELETED] I finished and said, “Yes!”

Thanks for the thousands of hours you’ve put into writing that have allowed you to deliver these kinds of stories and characters who are interesting, funny, and, despite some flaws, deep down good. I appreciate your view of the world, a place where great evil can exist, but also people like Mary, Tim, and Pete.

Thanks for stories that entice me to be more. The Husband enticed me to be that kind of man for my wife. The Good Guy enticed me to be a man of courage. Odd Thomas, on the other hand, has inspired me to make heavenly light and fluffy pancakes. I know you’re not sermonizing, but that’s probably why the tales move me the way they do.

I’m a new author; my debut from Tor (an imprint of Macmillan) just came out this October. I’m working like a madman to learn the craft and produce. And it’s wonderful to be able to see someone like you at the top of his game, writing these kinds of stories and sharing these kinds of characters. I hope, when I get to the end of my career (big or small), that I will have been able to deliver suspense, laughs, and goodness as you have.

Sincerely,

John Brown

And now I hope I can not only be the kind of author that delivers stories like Koontz, but also one who isn’t one whit behind in graciousness with my readers.

A few years ago I was going on and on about a couple of authors whose work I love. It drove Nellie nuts. But she finally got over the eye-rolling stage. At least I thought she’d put it aside. However, on that Christmas she gave me a 4×6 inch piece of material that looks like a Persian rug with votive candles and the names of those favorite authors on little cards that had been folded in half, tent style. She thought that was the best joke ever. Yeah, until she caught me praying in the basement. (Actually, I never prayed, dang it! Why does it take me seven years to think up these comebacks?!)

Of course, when I rushed back up stairs after having opened today’s package, she sighed. “I guess this means I gotta make a card for Koontz now, doesn’t it.” 

Oh, yeah. Votives for the man.

Share

Similar Posts

  • Awful Intent #33 of Top 100 on Amazon

    Today Awful Intent went on sale and is currently ranked #33 in the whole Kindle store. You can enlarge the screenshot below. Nice to be on a list with Harry Potter and James Patterson 🙂 To see it in it’s full glory, click on the screen shot, then click it again to zoom.

    AwfulIntent_AMZ_Top100ebooks_2016-08-21

    Edit 8/21/16: And it looks like its #5 in the Nook store.

    AwfulIntent_Nook_Top100_2016-08-21

    Share
  • Behold, the Opening Chapters of CURSE OF A DARK GOD

    For your reading pleasure, I have posted the current version of the first 12 chapters of Curse of a Dark God below. (And there was much rejoicing, yea.)

    Read and enjoy!

    CURSE OF A DARK GOD draft 3 chapters 1-12 reader 

    Note: these are draft chapters and may change in the final version.

    If you would like to be part of a test audience, please open the document and begin reading just as you would any book that you picked up because it looked interesting. Stop where you normally would. Then email me by clicking on the Contact John link under my photo up on the left. I’ll send you a couple of questions. Please make sure you don’t ask for the questions before you’ve given the bit above a go (I don’t want the questions to affect your reading). Also, don’t put any critique hat on. Just read as you normally would. 🙂 The deadline for test audience responses is January 15th.

    Share
  • |

    Killer Story Workshop to be held at CONduit

    I will conduct The 3 Things You Must Learn to Write Killer Stories workshop at CONduit this year. It’s being held at the downtown Raddison hotel. Here’s my schedule.

    Friday, May 22nd

    • Culture-Building in F&SF:  3:00  PM  (with Lee Modesitt, Roger White, Dave Wolverton, Elisabeth Waters, & Brandon Sanderson)
    • The 3 Things You Must Learn to Write Killer Stories Workshop: 8:00 pm – 10:00 pm

    Saturday, May 23rd

    • Mike Oberg asks questions from the audience: 4:00 PM (with Dave Wolverton, James Dashner, & Larry Correia)
    • Reading of Servant of a Dark God: 6:00 PM
    Share
  • |

    Writing Update: 6/13/11 – reviewing the beginning

    I’ve finished chapter 17 of CURSE. I’m up to 50,000 words and have moved from the presentation phase into the struggle. And I’m stopping at this point to review the what I’ve got. I’ve learned that if the foundations of the story–the presentation phase–has fundamental flaws in it, you’re only going to create a HUGE rewrite mess if you push on.

    I know this from experience. When writing the first draft of CURSE back in 2009 (oh my heck, it feels like forever ago), I ignored my Spideysenses and told myself I could fix anything that was wrong in post production.  And it IS possible to fix many things afterwards–you can change scenes, improve clarity and transport, remove continuity errors, layer in character tags and things like that.

    And it IS true that sometimes you do just have to write to the end to figure out the story.  Sometimes you have to just write to the end, and do it in a substandard way, because if you don’t you’ll never finish anything. Sort of like sketching first and then painting. But if there’s something wrong with the basic premise of a story line, and you keep writing, then that story line affects everything it touches. The fractures ripple out all the way to the end of the book. And you might end up, like I did, having to toss a huge amount of what you’d written.

    Which is not all bad. I learned a lot and invented a lot of cool stuff while writing that. But when you’re on a deadline, it can be a killer.  And I’m not doing that this time. I worked out the big issues in my chapter outline.

    So I’m pulling back and reviewing. I’m delighted with everything but the villain. He’s still not right. I love his chapters, the scenes. I love the name I’ve given him–Endless. But the structure isn’t right. I’ve inadvertantly created two main villains. And that’s not useful. Having two “main” villains doesn’t double the power of the opposition. It splits it. The villain/henchman model works well. But I don’t have that either. Over the next few days I’ll be rectifying the setup. Then moving forward.

    For those of you who are writers, I thought you’d be interested to know that there were a few times these last two weeks when I dreaded the writing. I had a large problem before me or had to invent a new chapter (as opposed to using something from the previous draft), and a dread filled me. But I sketch/drafted my way to the end, and soon found the writing a joy again. 

    I can’t say enough about the sketch/draft method. I’ve found it works in creative activities OUTSIDE writing as well. When working up a lesson plan for my day job, designing landscaping for our house, developing a talking script for a sales call, writing a technical manual, or a hundred other things I’ve had to do–it’s always easier to work from something than create everything all from scratch.

    Sketching allows me to create that first draft. And it allows me to do this without having to worry about quality. Sketches can be silly. Weird. Full of crap. They can be all this because I can throw them away. They’re not meant to be permanent. And so there’s no pressure to perform. There’s no staring at a blank screen or page. Sketching is a free-wheeling joy. It fills me up with ideas. And then, when I’ve got the general idea of what I want to do, I can start in on the “real” draft knowing WHAT I want to accomplish which leaves me free to think about the HOW. And if I run into problems and realize the draft isn’t going to work, or I run into something better, I just call the current draft a sketch (or “take” as used in the movie business) and move on to the real one.

    Sometimes a chapter or section requires 1 sketch or take, sometimes I’ve run up into the 20’s. Sometimes I haven’t needed any at all. It’s not the number that’s important, it’s the process that has really freed me.

    Share
  • Nameless Thriller Started

    Those who check the progress bars, will notice that I’ve started the first draft of the thriller, which remains nameless.  Poor thing. You’ll also notice I haven’t finished the working outline. That’s because sometimes–well, often–I need to do some drafting to get the feel of the story and characters before I finish that working document. And also because story development has never been a linear thing for me. 

    I did a lot of work on the premise (the story setup) these last few weeks. Ran into a lot of dead ends.  However, it was all good. I got snippets of scenes throughout the process. Did a lot of useful research. Developed characters. I wrote a few drafts of another beginning that I realized didn’t feel right. It was telling the wrong story, had the wrong angle. A few days later, I figured out the right angle on the premise.  And it is so delicious to me.  Then during another work session–letting my mind run while I showered–I got the outline of the first chapter. I give you the first 300 words below. I’m sure they’ll change, but it’s a taste of what’s to come.

    CHAPTER 1: Cowboy Donut 

    Trying to get a straight job as an ex-con was a lovely experience.  Kind of like being dragged behind a bus.

    No matter how tidy you looked or how sharp your resume was, it all came down to one question: “And what were you in for?”  Frank knew it would be stupid to lie about that.  First of all, he was trying to go straight.  Second, any employer who didn’t have a carrot for a brain was going to run a background check.  So there was no use trying to hide. 

    Frank was now sitting in the back office of Cowboy Donut in Rock Springs, Wyoming across from Mary Rogers, the sun-wrinkled owner.  She was probably in her fifties and had two-tone hair that seemed to take its inspiration from a skunk or badger: all bleached up on top and dark underneath.

    Ms. Mary had just asked the question.  Frank had just dropped his bomb—voluntary manslaughter, a security job gone bad.  He’d been protecting the wrong kind of noun for the wrong kind of people.

    Ms. Mary narrowed her eyes.  “What else am I going to find on your RAP sheet?”

    “That’s it,” Frank said.  “Just the one unfortunate incident.”

    “Murder is a pretty big incident.”

    “Manslaughter,” he corrected.  “Not murder.”

    She made a noncommittal sound and looked down to study his resume a bit more.  Like maybe something new would pop up there. 

    This was always the fun part, waiting for the reply.  First interviews were like first dates.  And Frank had basically told his date he had an Ebola monkey virus that would make her eyes bleed, and would she now like to kiss?  He’d done this now a couple dozen times and knew the best thing was just to be quiet. 

    Poor Frank. And in just a few pages things are going to get so much worse when he finds two old associates waiting for him at his house.

    Share
  • Servant of a Dark God Tour & Release Updates

    I will be doing a book tour this Fall. Many of the events will be with David Farland (Runelords) and Larry Correia (Monster Hunters International). Here’s the list so far. I will be making updates as we get closer.

    Trade Show: Friday & Saturday, September 25-26, Denver, CO

    Mountains & Plains Independent Booksellers Association Trade Show at the Crowne Plaza Hotel, Denver International Airport More

    Book Signing & Panel Discussion: Saturday, October 10, Salt Lake City, UT

    Sugarhouse Barnes & Noble, will include panel and multiple  SF/Fantasy authors.

    Official Book Release Day: Tuesday, October 13, North America & UK

    Yea!

    In truth it’s not a firm, fast day. The books will begin shipping from the warehouses in late September, so your bookstore may have the books a bit earlier.

    Book Signing: Thursday, October 15, Seattle, WA

    University Books, Seattle, WA
    4326 University Way N.E.
    Seattle, WA 98105
    206.634.3400

    Book Signing: Friday, October 16, Redmond, WA

    Borders, Redmond, WA
    Redmond Town Center
    16549 N.E. 74th St.
    Redmond, WA, 98052
    425.869.1907 (Near Microsoft Campus)

    Book Signing: Saturday, October 17, Beaverton, OR

    Powell’s Books, Beaverton, OR
    3415 SW Cedar Hills Blvd.
    Beaverton, OR 97005
    503.228.4651

    X96 radio and book giveaways: Monday – Saturday, October 19-24, Utah and streaming online

    Starting on Monday, October 19th and running all week long, X96 will be doing book giveaways of Servant of a Dark God. Listen to the morning Radio From Hell program (Gina, Bill, & Kerry), Kerry Jackson’s Geek Show, and Todd Nuke ‘Ems afternoon shows.

    Book Signing: Thursday, October 22, Logan, UT

    Logan Borders, 6-8pm
    435-787-0678

    Book Signing: Friday, October 23, Orem, UT

    Orem Barnes and Noble, 4-6pm

    Book Signing: Saturday, October 24, Layton, UT

    Layton Barnes & Noble, 12-2pm

    Book Signing: Saturday, October 24, West Jordan, UT

    West Jordan Barnes & Noble, 3-5pm

    Book Signing: Thursday, October 29, Mountain View, CA

    Books Inc., Mountain View, CA
    301 Castro St.
    Mountain View, CA 94041
    650.428.1234

    Book Signing: Friday, October 30, Fairfield or Half-Moon Bay, CA

    Bay Book Company in Half-Moon Bay

    Or

    Barnes & Noble, Fairfield, CA
    1600 Gateway Boulevard
    Fairfield, CA 94533
    707.435.0484

     We’ll also be hooking up with editors at World Fantasy in San Jose.

    Book Signing: Thursday, November 12, San Diego, CA

    Mysterious Galaxy, San Diego, CA
    7051 Clairemont Mesa Blvd.
    Suite #302
    San Diego, CA 92111
    858.268.4747

    Book Signing: Friday, November 13, Torrance, CA

    Borders
    3700 Torrance Blvd
    Torrance, CA 90503
    Phone: 310.540.7000

    Book Signing: Saturday, November 14, Los Angeles, CA area

    Locations TBD

    Book Signings & Possible School Visits: Thursday – Saturday, November 19 –  21, Phoenix-Mesa, AZ area

    Locations TBD

    Book Signings & Possible School Visits: Thursday – Saturday, December 3-5, Denver, CO area

    Locations TBD (this one is still iffy with my schedule)

    Share