Interview on Fantasy Dreamer’s Ramblings
This was a fun interview with Donna of Fantasy Dreamer’s Ramblings.
This was a fun interview with Donna of Fantasy Dreamer’s Ramblings.
The cover illustration for SERVANT is finished!
(and there was much rejoicing.)
yea.
Actually, there was DANCING. Because I think the final piece rocks. The artist is Victor Minguez. Here are two of his pieces that I really enjoy.
The first is “Angel.” I love the bright contrast, the face, and the fact that there’s so much rich detail.

The next is “Champagne Havoc.” Again, a wonderful face, but also an awesome idea (a robot carrying a woman in the palm of its hand), and then the lines and chopper give the whole piece a lot of energy.

Click here to see other works in his portfolio.
So we kicked the project off by me sharing the goals I had for the cover and tons of reference on everything from color scheme to character costume. I asked Victor to develop some concepts for an ensemble of Hunger, Sugar, and Talen as well as some for the cave scene towards the end of the book. He came back with these sketches.
I liked the first because it would allow us to see the figure’s faces more clearly. And there was a lot of interesting detail with the cave. Look at the roots by the entrance. I also liked the structure. I liked the third because it included Hunger, and Victor was taking Hunger in a new direction. I also thought we could do some neat things with the energy of Sugar on the horse and that long sash. The fourth one, however, just felt right. It had so much potential energy. I was immediately drawn to the body language. And so this is the one we decided to develop. Then one of my beta art viewers suggested moving closer and putting in more strong diagonals. It was a perfect idea. Victor agreed and came back with this.
I liked the lines of her stance but wondered if she needed something stronger with her legs. Victor adjusted, but my idea just wasn’t an improvement.
So we decided to stick with the previous version. However, this was all too dark. Way too much gray. When looking at things in thumbnail, the cover has to pop. I shared more reference images. And Victor went back and delivered this.
Boom! That was exactly what I was looking for. Bright, dynamic. However, we needed a more neutral bit at the top for the title and author’s name. And the brightest spot had to be behind Sugar to draw the eye to her. Here was the next version.
At this point I started to dance. This was IT! There was a lot going on here. We had the high contrast I wanted. We had the energy. The wind with the hair and leaves and sash and torch all add kinetic energy. As do all the diagonals. Notice as well the cave details–we have hints at previous habitation, runes, and some interesting contrast with the dark foreground. I had shared a number of N.C. Wyeth and Tim and Greg Hildebrandt pieces as reference, and I think this captured elements of those and gave them a new twist. Note as well the sharp projections on Sugar’s behind. Victor put them in there purely for aesthetic reasons. He had no idea what they were. I loved them. He loved them. They worked. We would just have to make them make sense.
After a few more iterations, he delivered the final.
I think it’s gorgeous. And will advertise the book perfectly. In a few days I will reveal the final cover with title etc. Shortly after that, SERVANT will be available again to please English readers worldwide.
The Utah chapter of the Romance Writers Association is holding a writing conference on October 7th and 8th at the Davis Conference Center in Layton, Utah where FIVE New York Times and USA Today bestselling authors will sharing key insights into writing stories. I’m talking about:
If you write stories and want an opportunity to learn from some major pros, then you will want to be at this event.
If you’re not a romance writer, you might be tempted to think that the topics won’t apply to you. Don’t be fooled. Story is story. And these storytellers are pleasing huge numbers of readers.
I will be there. I have two presentations. But I can tell you that when I’m not sharing what I’ve prepared, I’m going to be in the sessions listening to these superstars.
I hope to see you there.
A true story.
There once was a spider who climbed into a lush, seven-foot fir tree somewhere in Oregon. This happened sometime in September or October. She wove a small, silken pad deep among the needles and laid hundreds of eggs upon it. Then she spun layer after layer of silk over them, sealing them in a warm, white chamber. Her life’s work.
Having fulfilled the measure of her creation, she went where all spiders go. But where is that? Are spiders elegant biological machines, or are they living souls? I don’t know. Perhaps at some future date we’ll be blessed to understand such things.
What we do know is this: as autumn cooled, the temperature dropped below fifty degrees, and her eggs slipped into dormancy. October passed into November. And sometime in the last days of November or early December, humans with chainsaws arrived for the final harvest.
The tree was cut, loaded onto a truck, bundled into a refrigerated trailer, and shipped hundreds of miles away to a Smith’s Marketplace in Logan, Utah. There is stood with a number of other trees in the area just outside the front doors in the snow and cold and fluorescent lights. How many days and nights it waited there, we don’t know. But one evening, a mother and father and their four girls arrived to find their Christmas tree.
They walked among the evergreens, feeling for soft needles, breathing in the deep, resinous smells. They found the tree. It was perfect. They paid for it, tied it to the top of their minivan, and drove home over the mountains to the south end of the lake. Then they set it up, the father complaining, as he always did, about the goofy screw-stabilizers, strung the lights, and hung ornaments from past Christmases. The little tree filled the room with warmth, scent, and memory.
On Christmas morning they came down to open presents. As the sun rose, the light through the front window illuminated the tree. And something was different.
The branches shimmered.
The girls peered closer to investigate.
And found thin silk filaments. Everywhere. And then, to their shock, they saw that the whole tree was alive, moving with hundreds of baby spiders. A small horde that had warmed over the days and hatched silently sometime in the deep night after Santa and Mrs. Claus had gone to bed. A small horde that had then gotten to work—tiny, mad elves weaving their own gossamer garlands through the branches.
When the girls realized what they were seeing, there were shrieks of horror. Then the father, not knowing what else to do, escorted the tree, its decorations, and mad elves outside into the cold. The father returned, closed the door, and the whole family stood there, looking at the tree out on the deck, a bit stunned.
All these years later, it’s one of our family’s warm and funny memories. But if you ponder it just a little longer, it’s also one that lingers.
Are spiders merely elegant machines? Or are they living souls? Do they have claim upon us? Should a swarm of locusts or an infestation of roaches be preserved?
I will leave such questions to you, Dear Reader.
In the meantime, I wish you the merriest of Christmases. Whatever you believe or don’t, may you receive a measure of divine light this season—and reflect it, to brighten the world, if even just a little, for creatures both great and small.
John
Bow to the dark god, ye minions. Here’s some of what’s coming in book 2:
The end is in sight on the first draft of book 2 in the Dark God series, and because this one has been a roller coaster, I had to post some of the coolness before I have to go back into frantic mode. My word count estimates for this book have been so consistently off it hasn’t been funny. Literally. It’s made me panic and stress. It should clock in around 220k. And then it’s going to be cut, cut, cut.
In the meantime…dogmen of Toth (give it the James Earl Jones).
Oh, baby.
If you enjoyed Bad Penny, you can nominate Frank, Sam, Carmen, and the gang to be considered for The Whitney Award.
Here’s how it works. The public nominates novels they like by LDS authors. A panel of judges reads through all the nominations and selects no more than 5 finalists for each genre. Then a “panel of industry professionals, including authors, publishers, bookstore owners, distributors, critics, and others” vote on the nominations. The winners get some good PR and exposure. It’s not Oprah, but getting the word out is critical, and every bit helps.
To tell the judges to consider BAD PENNY go here: Whitney Nominations. You have until December 31st.
Hope you all had a wonderful holiday.
Just finished chapter 20. It’s been a rough month for writing, but I believe life has settled down a bit, and I should be able to get the time in that I need. I hate giving targets publicly because the last time I did that I just missed and missed and missed. So we’ll stay with the progress gauge. Although I have to say that I might go over thirty chapters. I normally write chapters about 2,500 words long. But these are averaging 2,000. We’ll see. The outline always changes during the first draft.
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Wonderful interview. You make me laugh.
And I never really thought I possessed much humor-fu.