Update on Curse of a Dark God

I just turned in a 35 page chapter outline of Curse of a Dark God to my editor. This is the third iteration of the outline since December. Hopefully, at last, we have a story we can all agree on. Keep your fingers crossed.

Of course, since this back and forth has been a process of write like mad then wait a few weeks then write like mad and wait again, I’ve been working on another project during the waits. It’s a straight-up thriller.

Leon is ex-Special Forces (or an Army Ranger, but I’m leaning SF). He left the service when a colonel decided it was his job to make Leon’s life hell. He did security and a number of other things. Tried to be a plumber, but fell into bad company and then crime. And then was send to the big house and learned about a whole new theater of war. During his stay, he saw the light. Changed. He shaped up, and despite the swastika tatoos on his feet, flew straight when he got out. He had his odd jobs, but figured it was easiest to avoid all the questions and fuss that arise when you tell a prospective employer that you’re a felon. So he got himself a laundromat. Then another. Then he invested in a car wash. There’s good money in cleaning. And with the proceeds he bought himself a little ranch.

Leon’s a big man. Knows a lot about guns (although he can’t possess one), security, and crime. He lives in Rock Springs, Wyoming. On occassion, the sheriff is known to ask for his services. On more frequent occassions, the sheriff’s wife keeps trying to set him up with an unending line of women. But he doesn’t know if he’s ready for women. He doesn’t know if he’s ready for his nephew that his sister wants him to reform.

Then two old buddies from prison show up one night. They’ve got a girl with them. They need a place to stay. But it’s clear the girl isn’t there of her own accord. He figures they’re either holding her for ransom or blackmail. He’s not sure which. He knows these boys are connected to some bad men. Then his nephew breaks her free. The excons get in their car and chase after her. Leon gets in his car and chases after them. And soon he finds himself in the middle of something bigger than he could imagine.

Or something like that. I should have the chapter outline ready to go as soon as I finish Curse. I can’t wait to write it.

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    Presentation for Brandon Sanderson’s writing course

    PDF of the slides

    Brandon asked me to substitute for him on March 1st and teach the students about indie publishing. For those of you who were there, here are the slides.

    2018 Sanderson Class – Indie Publishing Final PDF

    “If I Were Published”

    To start the presentation, I regaled the students with a surprise: my epic-fantasy-BYU-newbie-author version of the classic Fiddler on the Roof song which I called “If I Were Published.” Dylan Rowe, a student in the class with some serious violin chops, practiced with me in secret, then accompanied me during the performance. He was great. And the performance went well. We all had a great time. There’s a recording. Once I get it, I’ll post it here.

    Here’s how it went.

    Isaac introduced me. I said how happy I was to be there. I then asked for a show of hands: who was hoping to be published. Not all did, BTW. Some were taking the course for other reasons. I then said that the sight of such a vast assemblage of unpublished writers made me think of someone else. I displayed the slide of Tevye dancing. They all laughed, and I knew this was going to be a good crowd.

    And then Dylan, who was hiding off to the side, played the phrase for “If I were a rich man” and I put on my own black Tevye hat. There was more laughter and surprise, and I began.

    Dear Lord, you made many, many unpublished writers.
    I realize, of course, that it’s no shame to be unpublished
    But it’s no great honor, either.
    So what would have been so terrible if I had one small best-selling series?

    [Dylan began to play and I began to sing]

    If I were published,
    Yaba dibba dibba dibba digguh deedle daidle dum.
    All day long I’d biddy-biddy-bum
    If I were a published man

    Wouldn’t have to work hard,
    Yaba dibba dibba dibba digguh deedle daidle dum.
    If I were a biddy biddy pub
    digguh deedle daidle published man

    I’d write a big long epic–hundreds of characters!
    Swords and dragons and a lot of gore
    A snot-nosed lad who was prophesied for the fight

    There’d be a quest to one far side of the map
    And one to find a lovely ancient lore
    And one more leading out into the blight

    [I paused here, to think, then sang the tune to the last line again with the first four of these]

    To meet a sprite,
    and a dark knight,
    with an old birth right,
    read by moon light,
    that … cures snake bite.

    [Dylan produced a big scratch. I covered my eyes in shame.]

    Oy! Bad story development.

    I’d see my wife, my Nellie,
    Looking like a rich man’s wife,
    with a proper golden skin,
    rolling out the yoga mats to her heart’s delight.

    I’d see her driving the kids
    in something other than a minivan
    Oy! What a happy mood she’s in!
    Posting perfect selfies to day and night.

    Hordes of bright-eyed zoobie writers will come to fawn on me.
    They will ask me to advise them,
    like Sanderson the Wise.
    “If you please, Mister Brown?”
    “Pardon me, Mister Brown?”
    Posing problems that would cross a Shakespeare’s eyes
    Ya da dee da dum, ya dah da dum

    And it won’t make one bit of difference
    if I answer right or wrong.
    When you’re published they think you really know.

    If I were published, I’d have the time that I lack
    to go to the temple and to pray,
    seated in a corner of the celestial room.
    And I would serve on projects building Enoch’s Zion
    from here to Africa and beyond.
    And that would be the sweetest thing of all

    Oy!

    If I were pub-lished.
    Yaba dibba dibba dibba digguh deedle daidle dum.
    All day long I’d biddy-biddy-bum
    if I were a published man.

    Wouldn’t have to work hard.
    Yaba dibba dibba dibba digguh deedle daidle dum.
    Lord who made the lion and the lamb,
    You decreed I should be what I am.
    Would it spoil some vast, eternal plan,
    if I were a pub-lished man?

    Limericks

    I took a bunch of copies as my books as gifts to support the good cause of entertaining hard-working students. But there was a twist. To get a book, they had to pay me one limerick. It could be about anything and of any quality. But it needed to be a limerick. They had, like, 5 minutes to write one at the end. Thirty-three souls came up with the payment. Here they are for your enjoyment.

    1.
    A writer, a publisher, and a poet,
    And now, wouldn’t you know it,
    They’re debating a comma,
    and imagine the drama,
    When they’re divided on just how to cull it

    2.
    There once was a class of fiction
    Which had a stranger take up his position
    He was quite amusing
    He kept them from snoozing
    For he had quite a talent for diction.

    3.
    John Brown’s book could be greatness
    I hope it’ll be a hit, not a miss
    Your lecture was great,
    It did not stagnate
    I hope you will great me my wish! (to get your book)

    4.
    I want to write a book that is fun
    where an evil something kills someone
    And the people will fail
    ‘Til the heroes prevail
    But I fear I will never be done.

    5.
    I’m trying to write my own book.
    But, if you now went to look
    I fear you will find
    It’s all in my mind
    But, oh – all the effort it took!

    6.
    There once was a poodle named Paddle
    whose fur was cut into a saddle
    until in the park
    he ate too much bark
    And now his tight fur is a battle.

    7.
    There was a young woman whose head
    Had eyes that looked dead
    As boys approached her,
    Her sharp tongue they started to stir
    Filling others with dread

    8.
    A poet sat twiddling his thumbs
    He felt his ideas were dumb.
    He was lacking in time
    But just couldn’t rhyme
    So he loosened his thoughts with some rum.

    9.
    “In honor of your song”
    “You know I’d really love to be published
    Oh, the glam and the glory I would relish
    The hordes of fans my mind’s eye can see-
    Sanderson with John Brown bowing to me –
    And don’t (?) tell me my dreams are embellished”

    10.
    Homework I do not much like, you see
    But for your book a lim’rick it be
    and so i must do,
    with great thanks to you,
    this my small bit of lame poetry

    11.
    There once was a boy named John
    Who needed to mow the lawn.
    He pulled on the rope
    But oh, what a dope!
    Alas, the gas was all gone!

    12.
    Guardian Angel Limerick
    I’ve struggled to write since the phone call,
    when the maybe’s, the what-if’s turned actual
    and the grieving stretched on
    till the morn she was gone
    and the world lost, but I gained, an angel.

    The note with that one: “I was the girl who asked if the limericks had to be funny. Thank you for coming to class and giving us the books. I’ve included my limerick below. My mother passed away a couple weeks ago. This is my tribute to my loudest cheerleader and my harshest critic.” Boy, I’m definitely honored to have this one.

    13.
    There was a young man from Pocatello
    Who thought that he was a brave fellow
    But one dark, dark night
    He took quite a fright,
    And found that he was quite, quite yellow.

    14.
    There once was a sorcerer bloke
    Who traveled outside for a smoke
    He yawned, “curse this day”
    And that is to say
    The incantation now was spoke

    15.
    There once was a ship fresh-moored
    With my favorite couple on board
    But despite the large fanon
    It was destroyed by the canon
    And my ship, sunk quick, sailed no more

    16.
    There once was a sad unicorn
    Who had tragically lost his gold horn
    And thus ran away
    and still to this day,
    He stands but a horse all forlorn

    17.
    There once was a grandma so old
    on her birthday she had a bad cold
    as she blew out her candles
    her kids yelled, “Mad scandal!”
    as her dentures flew into the mould

    18.
    There once was a cat named caterer
    who keeps running into the mirror
    we got her some glasses
    form the shopping masses
    and now she sees everything clearer

    19.
    There once was a dust speck named Mike
    Who lived on the edge of a spike.
    He was bumped off that edge,
    then snagged on some sedge,
    ending up on the wheel of a bike

    20.
    I am a cat who is hip.
    Who likes to shoot from the lip.
    My songs are all crude.
    My stories are lewd.
    I like to make reality flip.

    21.
    There once was a bunny named Mopey
    Who had friends that were silly and dopey.
    They hopped on a train
    That took them to Maine
    Where someone threw them in a bath that was soapy

    22.
    I want something to teach me to cook
    but this sure and that kind of a book
    but bore shadiz tes (yeah, couldn’t read it, dang it)
    and this sure seems fair
    So now I guess I should take a look

    23.
    There once was a man named John
    Who put his books out to pawn
    Some students one day,
    Wrote limericks to say,
    “We love your free books–give us one.”

    24.
    My mother wanted to get a book,
    And she gave me that terrible look.
    A limerick the price,
    I wrote one down twice,
    So please give me that sought after book.

    25.
    There once was a man named Lam
    Who like to eat lots of Spam.
    When the aliens came
    He cooked them a meal
    And so his soul they did not steal

    26.
    There once was a tiger named Ted
    He went to town in a bed.
    Jeep in the rustle
    He spotted a tussle
    And now he has bumps on his head.

    27.
    Once I tried writing haiku;
    it seemed like a fun thing to do.
    But I fumbled the timing,
    and couldn’t stop rhyming,
    and now this haiku is just poo.

    28.
    Once I was writing a sonnet
    But my paper hand not a word on it.
    I sat there confused,
    My talents unused,
    Because nothing else rhymes except “bonnet”.

    29.
    I love me a good paper book
    But the digital have a nice look
    Shopped for a kindle all day,
    Tried to buy on eBay,
    But, somehow I just have a Nook.

    30.
    There once was a man with pink hair
    And all he ever got were rude stares.
    He said, “I know that I’m hot.
    There’s no need to gawk.
    Goodbye.” And left with great flair.

    31.
    There once was a lobster named Clyde
    Who was inexplicably snide.
    But he had some bad luck,
    from the sea he was plucked
    and now he’s been battered and fried.

    32.
    I was once walking home on the street
    When a woman, I happened to meet
    I said to her, “Hey.”
    She said to me, “Nay.”
    So I went out and bought me a treat.

    33.
    Tetris is the very best game
    My playing will put you to shame
    See… I am the best
    Put it to the test
    One day it may lead me to fame.

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  • Presentation this Saturday in Bountiful, UT

    League of Utah Writers Northern Area Spring Conference

    I’ll be presenting this Saturday at this conference that will be held at the Bountiful Art Center, 745 S. Main Street, Bountiful, UT 84010. I grew up in Bountiful, and so this is a special treat for me to go back.

    COST: Free for League of Utah Writers Members.   $25 for non-members. More info at http://www.luwriters.org/.

    • 8:30     Registration-
    • 9:00     Jennifer Nielsen- Psychology of Characterization- understanding your characters psychologically
    • 10:00   John Brown-   Secrets of Story Structure
    • 11:00   John Brown-   How to Get and Develop Killer Ideas
    • 12:00   Lunch- El Matador
    • 1:00     Margot Hovley- The Nuts and Bolts of Writing
    • 2:00     Marion Jensen- Using Social Media in Every Step of the Writing Process
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  • Passed the 75% mark on the final draft of BAD PENNY

    Working on the copy edits of BAD PENNY today and passed the 75% mark to general rejoicing.

    You normal folks may now go back to work. For you passionate grammarians, my fab copy editor marked a hundred uses of “then” in my manuscript.

    No, I wasn’t having issues with the then/than confusion.  

    I was having issues when using “then” when tying two clauses together. The question: did I always have to use “and” with “then”?

    EXAMPLE 1: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    Was “then” naked without an accompanying “and”? Should I make it read as “Frank backed out of the parking stall and then rumbled onto Dewar Drive”?

    And if it doesn’t need the full “and,” does it need at least a comma for a miniskirt so it reads “parking stall, then rumbled out onto . . .”?

    EXAMPLE 2: “The tension ratcheted up, then Senor Zombie’s eyes slid to the side.”

    Can you use “then” as a coordinating conjunction? Or must it always be used with “and,” as in “the tension ratcheted up, and then Senor Zombie’s slid to the side.”

    I looked in the Chicago Manual of Style. I looked in Garner’s Modern American Usage. I could not find the answer. So I emailed Annette Lyon, author of There, Their, and They’re: A No-Tears Guide to Grammar From The Word Nerd.

    Saint Annette’s response:

    Your first example is correct as is, with no AND: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    The only time you grammatically need AND before THEN is if we’re connecting two independent clauses, because THEN isn’t one of the conjunctions that can do that. You’ll find those in a text box in the book, and they include AND, OR, FOR, NOR, YET, BUT, SO.

    The only issue in the above sentence is whether to use a comma before THEN. The current stylistic trend is to leave out the comma, so you can leave it just like you have it above. Some people balk at that and want the comma for the pause it provides. Depending on the house style guide, that may be something you can argue, or maybe it won’t be. Neither is really grammatically more correct; the comma before THEN is more of a style issue. 

    In the next example, we do need AND or some other conjunction from the list, because both sides of the sentence are independent clauses. So this would be wrong: “The tension ratcheted up, then Senor Zombie’s eyes slid to the side.”

    But this would work: “The tension ratcheted up, and then Senor Zombie’s eyes slid to the side.”

    To avoid the issue altogether, we can rephrase it. A couple of variations:

    -The tension ratcheted up when Senor Zombie’s eyes slid to the side.

    -Senor Zombie’s eyes slid to the side; the tension ratcheted up. (Semicolons replace conjunction + comma)

    Rules of thumb:

    -If you’ve got 2 independent clauses, don’t use THEN as the conjunction. Add AND or another one.

    -It the sentence has just 1 independent clause, THEN is enough by itself.

    Thank you, Annette.

    And wouldn’t you know, I opened A Wanted Man by Lee Child, and what did I see? A bunch of then’s illustrating exactly what Ms. Lyon suggested.

    “Reacher heard the roar of the shot, quieter than some, but still deafening in a closed room, and simultaneously he heard the wallboard explode above and behind his head, and then he hit the floor, knees first, then his hip, then his side, sprawling, down low behind the counter, out of sight.” (159)

    I think all I’m going to see while reading for the next while are the then’s.

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  • Audio production of “Loose in the Wires”!

    starshipsofa-logoEarlier this year, Gary Dowell, an editor at Tony C. Smith’s District of Wonders,  contacted me, wanting to know if they could make an audio production of “From the Clay of His Heart”. I was, of course, delighted. Smith’s podcasts include the Hugo Award-winning Starship Sofa.

    During our conversation, I suggested that if they were looking for a shorter contemporary fantasy with some more humor, they might also want to consider “Loose in the Wires”.

    I can’t tell you how much I enjoyed writing that story.

    It all started with one sentence.

    I was generating ideas, brainstorming, and out popped this line: “Bill had two African gods in a Smucker’s jelly jar in his trunk.”

    That was the trunk of his car. And these were, of course, live gods. But what would fit in Smucker’s jar? How did they get there? What would they do? And what was going to happen with Bill?

    I loved the sound of that line, the image, the situation, but one snippet of an idea is not enough to build a story. I toyed around with the idea now and again. And then years later I was listening to O is for Outlaw by Sue Grafton. The voice of one of the characters was exactly what I needed. He was all hick. And as soon as I decided that’s what my character would be, the story began to hum with electricity. Very soon after that, I finished it. Orson Card published it in the debut issue of Intergalatic Medicine Show.

    For a long time, I’ve wanted to make an audio production, but just haven’t had the time. Well, District of Wonders decided to pick that one up too.

    The audio production of “Loose in the Wires” will be featured in their upcoming February, 17th episode.

    I’m told the production of “From the Clay of His Heart” should be done soon. I’ll let you know the date it will be available as soon as it’s scheduled.

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  • Curse Update: All we’re waiting for is the cover

    Yup. Interior formatted and finished. CurseV2FinalV1As soon as we put together the cover, I will announce to the early bird sale for my newsletter subscribers. 

    Now, do you remember the illustration to the side? Back in April I told you to look at it and see if you could find the issue. I will now direct you to Talen’s leg. Click on the image to see it full size. In a post this week, I will explain just what this is all about.

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  • Servant cover art

    The cover illustration for SERVANT is finished!

    (and there was much rejoicing.)

    yea.

    Actually, there was DANCING. Because I think the final piece rocks. The artist is Victor Minguez. Here are two of his pieces that I really enjoy.

    The first is “Angel.” I love the bright contrast, the face, and the fact that there’s so much rich detail.

    The next is “Champagne Havoc.” Again, a wonderful face, but also an awesome idea (a robot carrying a woman in the palm of its hand), and then the lines and chopper give the whole piece a lot of energy.

    Click here to see other works in his portfolio.

    So we kicked the project off by me sharing the goals I had for the cover and tons of reference on everything from color scheme to character costume. I asked Victor to develop some concepts for an ensemble of Hunger, Sugar, and Talen as well as some for the cave scene towards the end of the book. He came back with these sketches.

    Servant Sketch 1 cave Servant Sketch 2 horse ensemble

    Servant Sketch 3 ensemble Servant Sketch 4 cave

    I liked the first because it would allow us to see the figure’s faces more clearly. And there was a lot of interesting detail with the cave. Look at the roots by the entrance. I also liked the structure. I liked the third because it included Hunger, and Victor was taking Hunger in a new direction. I also thought we could do some neat things with the energy of Sugar on the horse and that long sash. The fourth one, however, just felt right. It had so much potential energy. I was immediately drawn to the body language. And so this is the one we decided to develop.  Then one of my beta art viewers suggested moving closer and putting in more strong diagonals. It was a perfect idea. Victor agreed and came back with this.

     

    Servant WIP 1

    I liked the lines of her stance but wondered if she needed something stronger with her legs. Victor adjusted, but my idea just wasn’t an improvement.

    Servant WIP 2

    So we decided to stick with the previous version. However, this was all too dark. Way too much gray. When looking at things in thumbnail, the cover has to pop. I shared more reference images. And Victor went back and delivered this.

    Servant WIP 3

    Boom! That was exactly what I was looking for. Bright, dynamic. However, we needed a more neutral bit at the top for the title and author’s name. And the brightest spot had to be behind Sugar to draw the eye to her. Here was the next version.

    Servant WIP 4

    At this point I started to dance. This was IT! There was a lot going on here. We had the high contrast I wanted. We had the energy. The wind with the hair and leaves and sash and torch all add kinetic energy. As do all the diagonals. Notice as well the cave details–we have hints at previous habitation, runes, and some interesting contrast with the dark foreground. I had shared a number of N.C. Wyeth and Tim and Greg Hildebrandt pieces as reference, and I think this captured elements of those and gave them a new twist. Note as well the sharp projections on Sugar’s behind. Victor put them in there purely for aesthetic reasons. He had no idea what they were. I loved them. He loved them. They worked. We would just have to make them make sense.

    After a few more iterations, he delivered the final.

    Servant Final

    I think it’s gorgeous. And will advertise the book perfectly. In a few days I will reveal the final cover with title etc. Shortly after that, SERVANT will be available again to please English readers worldwide.

     

     

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11 Comments

  1. So, John, what do you think? Are you going to shop this one around New York or are you going to put it out digitally? It sounds like it’d be a good fast read, which make it a perfect fit for indie publishing.

  2. I think my strategy will be to do both. My job as a business man is to maximize my profits and grow an excited customer base. Indie and traditional publishing offer two different methods for doing that. Both have their pros and cons. Neither comes with guarantees. But I don’t see them as mutually exclusive. I can be selling it online while it’s being shopped. If I don’t get a publisher deal that’s attractive, I stay indie. If I do, I’m happy to use that method. I really don’t care which method I use as long as I maximize and grow.

  3. Crossing my fingers for Curse! This other sounds like a great read. I’m always a sucker for bad boys in books. As always I wish you the best of luck. I finally got my boyfriend to read Servant. He doesn’t have a lot of reading time, which is why I say “finally”. He enjoyed it as much as I did!
    I hope you come back to Scottsdale to sign for us again when Curse comes out. We had fun.

  4. I should say even bad boys who are reformed. I think those hold even higher appeal because you know you won’t be caught up in something bad but there still might be something a little dangeous about them. Hey, every gal loves a bad boy. The smart ladies stick with the nice guys, but they still love a bad boy. 😉

  5. John,

    I think that’s a wise strategy! I love your thriller’s setup and premise–it seems like it would be a fine candidate for indie publishing. Also, you won’t be forgoing any present income from the novel. J.A. Konrath and Dean Wesley Smith both stress the monetary opportunity cost of not having a novel for sale while it is going through the traditional publishing submission route. This way it will be earning some money from the day you complete it.

    Another indie advantage is you aren’t bound by publisher expectation–as I understand it, traditional publishing still tends to place authors into what they consider marketable boxes (e.g. once a fantasy author, always a fantasy author). As an indie you are free to write a thriller, and let that book connect with thriller readers.

    I look forward to seeing it up at Amazon (I own a Kindle 😉

  6. John, this sounds like the plot worked up at LTUE two years ago at yours and Larry’s seminar.
    Now I just have to know, when do we find out about the pies?

  7. Dale, this one will go out under a pen name. Thrillers are just a different product and so I think it’s wise to use a different brand. As for the name, I’m still narrowing down the possibilities. I’ll probably post a list here and get feedback. Of course, going out under a penname allows me to keep the fantasy side dark, so I don’t know that thrillers would limit me with traditional publishers. Regardless, I think you’re right. No sense letting a product sit on a shelf when it can be making money.

  8. Suuuuure, you want the reformed ones, Valerie 🙂 I’m glad to hear your boyfriend liked it. And I plan on coming back to Poisoned Pen. We’ll see if it works out.

    Jon, actually it’s not. Although I am using the bit about pies. I just loved that. But there are a lot of similarities, aren’t there.

  9. This sounds awesome! A guy who knows all this stuff about guns but can’t use them–love it. Sold it to me at least.

    Also I second the motion about Scottsdale.

Comments are closed.