Update on Curse of a Dark God

I just turned in a 35 page chapter outline of Curse of a Dark God to my editor. This is the third iteration of the outline since December. Hopefully, at last, we have a story we can all agree on. Keep your fingers crossed.

Of course, since this back and forth has been a process of write like mad then wait a few weeks then write like mad and wait again, I’ve been working on another project during the waits. It’s a straight-up thriller.

Leon is ex-Special Forces (or an Army Ranger, but I’m leaning SF). He left the service when a colonel decided it was his job to make Leon’s life hell. He did security and a number of other things. Tried to be a plumber, but fell into bad company and then crime. And then was send to the big house and learned about a whole new theater of war. During his stay, he saw the light. Changed. He shaped up, and despite the swastika tatoos on his feet, flew straight when he got out. He had his odd jobs, but figured it was easiest to avoid all the questions and fuss that arise when you tell a prospective employer that you’re a felon. So he got himself a laundromat. Then another. Then he invested in a car wash. There’s good money in cleaning. And with the proceeds he bought himself a little ranch.

Leon’s a big man. Knows a lot about guns (although he can’t possess one), security, and crime. He lives in Rock Springs, Wyoming. On occassion, the sheriff is known to ask for his services. On more frequent occassions, the sheriff’s wife keeps trying to set him up with an unending line of women. But he doesn’t know if he’s ready for women. He doesn’t know if he’s ready for his nephew that his sister wants him to reform.

Then two old buddies from prison show up one night. They’ve got a girl with them. They need a place to stay. But it’s clear the girl isn’t there of her own accord. He figures they’re either holding her for ransom or blackmail. He’s not sure which. He knows these boys are connected to some bad men. Then his nephew breaks her free. The excons get in their car and chase after her. Leon gets in his car and chases after them. And soon he finds himself in the middle of something bigger than he could imagine.

Or something like that. I should have the chapter outline ready to go as soon as I finish Curse. I can’t wait to write it.

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    No, I wasn’t having issues with the then/than confusion.  

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    Your first example is correct as is, with no AND: “Frank backed out of the parking stall then rumbled out onto Dewar Drive.”

    The only time you grammatically need AND before THEN is if we’re connecting two independent clauses, because THEN isn’t one of the conjunctions that can do that. You’ll find those in a text box in the book, and they include AND, OR, FOR, NOR, YET, BUT, SO.

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    And wouldn’t you know, I opened A Wanted Man by Lee Child, and what did I see? A bunch of then’s illustrating exactly what Ms. Lyon suggested.

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  • Faithful Readers, Nominate Awful Intent for the Whitneys before Dec 31st!

    Awful-Intent-originalSend Frank, Sheriff Hood, and the Knitters of Death club to kick some award patootie!

    Here’s how: go to: http://whitneyawards.com/ and click “Nominate” at the top.

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  • First draft done!!!

    Holy schmoly, has this been a ride. I projected the CURSE OF A DARK GOD to be 140,000 words. When I blew by that, I projected it would be 170,000. Today I just typed the last word of the first draft. It’s 230,000 words. For reference SERVANT OF A DARK GOD is 170,000 words.

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    Having told you my scheduling woes, I am very excited about the characters and storylines and expect readers to enjoy this as much or more than the first in the series. However, I do wish I could get this process down so that I was 99% of the way there in one draft. There are some authors who can do that. Perhaps that will come with more experience. Until then, I get to enjoy revision.

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    • 550 hours to write, from pre-draft to the end, not including thinking thinking on walks and drives and discussion time with my wife who saved me thrice.
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     For those who don’t know, an average young adult book as from 40,000 to 80,000 words. An average adult novel is from 70,000 – 120,000 words. I’m very pleased I was able to finish this monster. I might not be the fastest writer, but what this tells me is that I should be able to finish two big novels a year if I should ever be so lucky as to go full time.

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11 Comments

  1. So, John, what do you think? Are you going to shop this one around New York or are you going to put it out digitally? It sounds like it’d be a good fast read, which make it a perfect fit for indie publishing.

  2. I think my strategy will be to do both. My job as a business man is to maximize my profits and grow an excited customer base. Indie and traditional publishing offer two different methods for doing that. Both have their pros and cons. Neither comes with guarantees. But I don’t see them as mutually exclusive. I can be selling it online while it’s being shopped. If I don’t get a publisher deal that’s attractive, I stay indie. If I do, I’m happy to use that method. I really don’t care which method I use as long as I maximize and grow.

  3. Crossing my fingers for Curse! This other sounds like a great read. I’m always a sucker for bad boys in books. As always I wish you the best of luck. I finally got my boyfriend to read Servant. He doesn’t have a lot of reading time, which is why I say “finally”. He enjoyed it as much as I did!
    I hope you come back to Scottsdale to sign for us again when Curse comes out. We had fun.

  4. I should say even bad boys who are reformed. I think those hold even higher appeal because you know you won’t be caught up in something bad but there still might be something a little dangeous about them. Hey, every gal loves a bad boy. The smart ladies stick with the nice guys, but they still love a bad boy. 😉

  5. John,

    I think that’s a wise strategy! I love your thriller’s setup and premise–it seems like it would be a fine candidate for indie publishing. Also, you won’t be forgoing any present income from the novel. J.A. Konrath and Dean Wesley Smith both stress the monetary opportunity cost of not having a novel for sale while it is going through the traditional publishing submission route. This way it will be earning some money from the day you complete it.

    Another indie advantage is you aren’t bound by publisher expectation–as I understand it, traditional publishing still tends to place authors into what they consider marketable boxes (e.g. once a fantasy author, always a fantasy author). As an indie you are free to write a thriller, and let that book connect with thriller readers.

    I look forward to seeing it up at Amazon (I own a Kindle 😉

  6. John, this sounds like the plot worked up at LTUE two years ago at yours and Larry’s seminar.
    Now I just have to know, when do we find out about the pies?

  7. Dale, this one will go out under a pen name. Thrillers are just a different product and so I think it’s wise to use a different brand. As for the name, I’m still narrowing down the possibilities. I’ll probably post a list here and get feedback. Of course, going out under a penname allows me to keep the fantasy side dark, so I don’t know that thrillers would limit me with traditional publishers. Regardless, I think you’re right. No sense letting a product sit on a shelf when it can be making money.

  8. Suuuuure, you want the reformed ones, Valerie 🙂 I’m glad to hear your boyfriend liked it. And I plan on coming back to Poisoned Pen. We’ll see if it works out.

    Jon, actually it’s not. Although I am using the bit about pies. I just loved that. But there are a lot of similarities, aren’t there.

  9. This sounds awesome! A guy who knows all this stuff about guns but can’t use them–love it. Sold it to me at least.

    Also I second the motion about Scottsdale.

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