Why I’m gonna purchase Correia’s MONSTER HUNTER ALPHA on Monday

I’m going to be purchasing MONSTER HUNTER ALPHA by Larry Correia on Monday.  Here’s why.

Reason #1: Correia delivers the goods

I read MONSTER HUNTER INTERNATIONAL.  I ended my review of MHI saying Correia was going to be a writer to watch.  Well, for those of you who haven’t been watching, not only did Correia  sell tons of copies of MHI, he also made the New York Times best seller list with his second book AND sold TV rights to the MHI series to a major TV producer.

Why would his books generate such a response? Because they’re so dang fun. That’s why. And Correia isn’t just a flash in the pan one-trick pony. Far from it, as demonstrated by Reason #2 below.

I told you in my review of INTERNATIONAL that I don’t read books that don’t suck me in. I don’t give them 70 pages to warm up and get going.  I don’t care who wrote the book. I don’t care if the author is a big lug with guns. I don’t care if he has status and money or friends who can put the hurt on me. I don’t care if the author is my girl’s godmother and brings me Walker Shortbread Rounds (which are evil cookies that exert mind control). If the book bores me, I put it down. That doesn’t mean that books which bore me aren’t wonderful. Sales and numerous reader exclamations of delight and satisfaction attest to the the fact that many are. It’s just that I’m a reader of little patience. I love it when a book starts with a bang and keeps me hooked. And Correia’s books do exactly that.   

Reason #2: Correia’s getting better

I read MONSTER HUNTER VENDETTA recently.  I should have reviewed it, but I’ve been so freaking busy I barely have time to shave or appear in public because I’ve begun to look like the Unabomber. But here’s the deal with VENDETTA–it’s better than INTERNATIONAL.  

Yes. Better.

Well, expect for maybe the opening paragraphs. The quote and first few paragraps that opened INTERNATIONAL are hard to beat. This doesn’t mean the opening of VENDETTA is weak. Heck, no. VENDETTA trounces the openings of most novels and steals their lunch. And then it continues to delight all the rest of the way through. It’s just that it didn’t quite deliver the same jolt as MHI. But 500 or 503 watts, what’s the difference?

So with VENDETTA, are there guns? Yes.

Monsters? Check.

Action? There’s action galore.

It appeals to my testosterone right off the bat (even though Larry reports that a good number of his readers are women). But there are guns, monsters, and action in a lot of stories that stink. What Correia does is not only give us great action, but he also gives us wonderful new situations.  For example, you will never see the scene set in the ghetto of Birmingham, Alabama that appears here in any other book. Never. It’s a Correia original. But even more important than great new situations, is that he gives us a first-person narrator who is delightful to be around. I’m talking about Owen Zavasta Pitt, the accountant monster hunter. His responses to the situations he gets in just make me laugh, as do a number of the responses of the other characters. My only wish is that Correia would tone down some of his language just a bit.  It is possible even when writing about military characters.  But you can’t have everything, and Owen’s such a loveable lug, I overlook it.  Hey, maybe Milo will help him out on that as the series progresses.

Furthermore, Pitt isn’t the only character who I find delightful or interesting.  In VENDETTA there is also Holly, Agent Franks, and G-Nome, one of Correia’s best yet. Of course, there’s also the Doctors Nelson, the former hunter Carlos, Melvin the troll, and Earl Harbinger who have their own moments to shine. As do Owen’s dad and brother. And Dorcas, MHI’s secretary with the plastic leg. Heck, I even like Susan.

So how many is that–eleven already? How many wonderful characters do most authors give you in one book? Two or three?

And that’s one of the things that is is better with VENDETTA than INTERNATIONAL.  In INTERNATIONAL, as good as it was, some of the characters just didn’t get the stage time they needed to shine. But here Correia declutters his scenes so we’re not trying to focus on too many people. The result is that those we do focus on each have the their moments and lines. The other thing I noticed was that Correia deftly orients us to each new situation. For those of you who are writers, let me suggest you look at Correia’s technique in VENDETTA for introducing characters and settings. 

Another good thing: he wipes out a Girls Gone Wild camera crew in the first chapter. Anyone who does that gets a few points in my book.

VENDETTA doesn’t attempt to become bigger in scope than INTERNATIONAL (as if it could). Instead, it feels like another episode in a great tale. And I’m happy with that because it promises more to come. I’m back with characters I like and situations that make me laugh and magic crap that evokes some oohs and aahs and every now and again makes me wish I’d come up with it for my own use.

Finally, VENDETTA leavens the humor and action with a couple of poignant moments. I’m thinking of a chapter with Carlos, another scene with Owen’s dad, and one with G-Nome.

As you can see, VENDETTA’S packed with goodness.

With ALPHA, I’m expecting to hook up with at least one of the gang for more exploits and laffs. Will Correia get even better? I have no doubt he will. But who cares–he’s already delivering great stuff.  

Reason #3 Did I mention that Correia makes me laugh?

Just didn’t want to forget that. Furthermore, I swear I read somewhere that laughter increases your health and makes you live longer. So not only am I getting a great read, I’m extending my days upon the land.

Reason #4 Monday is a special day

Not any old Monday. But the 25th of July.

Why is this special?

Because it’s the first day of the first week of the book’s release.

Now I know I’m going to buy this book sometime. But buying it in the first week lets me do something I might not be able to do at some other time.

Because Correia has given me hours of pleasure, I figure I can tip him for his good service by helping him make the best seller list again.  And a book has the best chance of making that list in the first week of release. (For those of you interested in how that works, Larry gives a good explaination here.) Making a best seller list does all sorts of good things for an author, and, as a result, that author’s readers.

So Monday’s my day to leave the tip on the table and tell the owner to keep up the good work.

The New York Times list is a good one. But I’d like to see him on the USA Today list, which measures sales so much better than any other list out there. My fingers are crossed.

For those of you who are Correia fans or who have been putting off giving his stuff a go, now’s the time to either get MHI and begin the series or ALPHA and continue the delight.

EDIT: After I posted, I couldn’t wait and just went ahead and processed my order. Pre-orders will count in that first week, and after writing this I couldn’t resist. Looking forward to more hours of laughter and some great characters.

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  • Excellent advice from author Larry Correia

    Larry just wrote a great post about Writing Gun Stuff. Down at the bottom, he says this:

    I’m not one of those people who gets hung up on “rules of writing”. . .  If it is awesome, and your readers like it, write it. [emphasis added]

    Amen to that. And if you’re going to write about characters with guns, read the rest of the of the post.

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    Superstars Writing Seminar DVDs

    Aspiring authors, I wasn’t able to attend, but heard from a few who were that the Superstars Writing Seminar in Pasadena with Eric Flint, Brandon Sanderson, Dave Wolverton, Rebecca Moesta, and Kevin J. Andersen was EXCELLENT. 

    See clips of parts of the videos here (still a lot of good info): http://www.youtube.com/view_play_list?p=2F211054CBD822A8

    Purchase the full recordings on DVD or MP3 here: www.writerscanon.com

    Topics include:

    • Econ 201 for Writers: Economics of Commercial Publishing
    • Inside Editors: How editors look at manuscripts, novels & short fiction
    • Dirty Secrets: What you need to know about being a Professional Author
    • From Slushpile to #1 New York Times Bestseller in 4 Years
    • Intellectual Property: How to Exploit Yours
    • Balancing Acts: Writing World & Real World
    • Agents: the A Word
    • Networking for Writers
    • Self-Promotion for Authors
    • Novel Contracts
    • Self-Publishing: Realities & Pitfalls
    • Pitching the Big Proposal
    • Two Heads Are Better than One: Collaborative Writing
    • New Media: Using It to Get an Edge
    • E-Publishing
    • Movies, TV and Authors
    • Anatomy of a Major Book Release
    • Myths of Publishing
    • Eleven Tips to Increase Your Writing Productivity
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  • Murder, Courts, and Bart D. Ehrman

    I’m going to talk a bit about some murderers in Detroit, Jesus, and a couple of books I recently read that I think are just awesome.

    MURDER

    Highers BrothersSo, the murderers.

    Let me start by asking this question: can you establish the truth in a court of law?

    Is that what the judge and jury are deciding? The Truth, with a capital T?

    Think about Tommy and Ray Highers, brothers from Detroit. They were convicted of murder. Open and shut case. No parole. They were two nasty buggers who shot a man down over some dope.

    But then twenty-five years later (last year, in fact) they were back in court because new evidence had come to light that undermined the original conviction. For the curious, this fascinating Dateline episode reveals the amazing way the evidence came to light and what happened because of it: http://www.nbcnews.com/dateline/full-episode-graduation-night-n72666. Watch it. You’ll be happy you did.

    So the Truth. Capital T. Can you establish that in a court of law?

    No.

    What the justice system does is try to determine which story about the evidence available is the most convincing.

    It’s about telling and judging stories.

    There are many types of evidence folks use when telling their stories. Some of it is very strong. Some is so unreliable, like hunches and hearsay, that the court won’t even allow it to be presented.

    Whatever the evidence, the fundamental nature of this is that you can often tell a number of different stories using the same set of data, the same evidence. Sometimes the stories are variations with minor differences. Sometimes the stories are radically different.

    It’s like having only some of the pieces of a 100 piece puzzle. You look at the four, twenty, or thirty pieces you have and imagine what the rest of the puzzle looks like. And then you invent something that seems reasonable.

    You invent it.

    And if that story meets certain standards of proof, then our system allows the authorities to take certain actions. If the standard of a “reasonable suspicion” is met, it allows a police officer to stop someone. If the standard of “probable cause” is met, a higher standard than reasonable suspicion, an officer can arrest you. If a jury in a criminal case decides the defendant is guilty “beyond a reasonable doubt,” an even higher standard of proof, then the justice system authorizes the authorities to sentence the defendant.

    But at no time does the system seek to establish the absolute truth, the truth with a capital T. It only seeks to establish some level of probability that the story being told about the evidence is true.

    All of this is made more complex because what’s “reasonable” is based on other people’s opinion. We have guidelines and rules to help folks be “reasonable.” But reasonableness is still affected by culture, background, history, etc.

    It’s still opinion.

    OTHER PUZZLES

    What other realm of knowledge works like the justice system and consists of inventing stories about missing parts of the puzzle?

    Well, history does.

    In fact, if you think about it, history is what courts do. The processes and principles of our justice system guide everyone involved in how they go about telling the stories that make up that specific type of history.

    And all historians (lawyers, judges, and juries included) have no means of establishing the absolute truth.

    They can’t use science. Science requires you conduct experiments and reproduce results. But how is a historian going to reproduce the same events? What, they’re going to get Lincoln shot all over again and let the rest of us watch it? Dang, John Wilkes Booth did shoot the man. We all saw it happen down in the lab.

    Sure, they can use science to date a manuscript, or determine what something is made of, or establish some other fact. But all science is doing is providing facts about the pieces of the puzzle you have. About the claims the evidence makes.

    But science can’t fill in the missing pieces of the puzzle. It can’t tell the story. The historian has to invent the story that makes the pieces all make sense.

    And then the rest of us determine if that story, that sketch of the full puzzle, is reasonable.

    But that isn’t all there is to it.

    STANDARDS OF PROOF

    Think about conspiracy theories like the ones that claim that the US government perpetrated the 9/11 bombings. Conspiracy theorists are practicing history. They are inventing a story that seems to fit the evidence available to them.

    But what happens when you have only five or ten pieces of a 1,000 piece puzzle? What happens when you don’t thoroughly vet the evidence? What happens when someone screws around with the evidence? And I’m not just talking about tampering or invalidating it by thoughtless handling (contaminating DNA, for example). Folks with the best intentions have biases. In fact, we all have biases that lead us to include and exclude various pieces of evidence based on whether they support or oppose the ideas we want to believe.

    Jonathan Haidt explains these biases in his excellent book The Righteous Mind. He explains that with things we want to believe, we often use the standard of “Can I Believe It”?  We look for anything at all that would allow us to believe our position. If we find it, even if it’s flimsy, we discount all the other evidence that may point another way and conclude we have met the burden of proof for our view.

    For things that we don’t want to believe, we often use the standard of “Must I Believe It”? When falling prey to this bias, we look for anything at all that would undermine the thing we don’t want to believe, even if that evidence is flimsy. If we find it, we ignore all the other evidence, even if there’s a mountain of it pointing another way, and claim we have met the necessary burden of proof.

    In court there are all sorts of procedures and standards that need to be followed to help us avoid invalidating evidence or falling prey to our biases. Those procedures and standards don’t remove all risk. But they do remove a lot.

    Which court system would you want to be processed through? The current American justice system or the medieval witch trials?

    Oh, for sure I’d want to be someone accused of witchcraft back when a claim of “I saw her as a witch in my dream” was admissible, as was the test of poking a mole on the accused’s body with a needle to see if said witch flinched enough. I’d be so happy to go back to the days when a confession obtained by torture was incontrovertible evidence.

    So when practicing history, it’s important to have some guidelines, some rules to establish which bits of evidence are more likely (not guaranteed, but more likely) to be reliable. And it’s important that when folks tell their story, they not only share the evidence, but also all the assumptions they’re making.

    JESUS

    Where does Jesus of Nazareth come into all of this?

    Misquoting Jesus by Bart D Ehrman

    Well, Jesus has affected the world more than any other person who has lived on it. The stories we tell about him (the history we have practiced about him for the last 2,000+ years) have changed the world. And those stories will continue to affect us, especially folks in Western cultures, on everything from foreign policy to which clothes think are fit to be worn in public.

    Who was Jesus? Did he really exist? Was he a god? What did he really teach? Have his teachings been changed?

    These are all fundamental questions. And for the last two-hundred years historians have been re-examining the pieces of the puzzle, finding new pieces, and telling new stories to explain it all.

    Some of these historians believe in Jesus as a god. Some don’t. Either way, the conversation is fascinating.

    Jesus Interrupted  Bart D Ehrman

    I just read three historical books about Jesus that were awesome. AWESOME. Not because I agreed with all of the author’s conclusions, i.e. his stories. I don’t. But because of the way he practiced his history. The way he told his stories. And because what he shared gave me new insights to my stories about Jesus.

    The three books, all by Bart D. Ehrman, a professor of religious studies at the University of North Carolina, Chapel Hill, are:

    1. Misquoting Jesus: The Story Behind Who Changed the Bible and Why
    2. Jesus Interrupted: Revealing the Hidden Contradictions in the Bible (And Why We Don’t Know About Them)
    3. Did Jesus Exist? The Historical Argument for Jesus of Nazareth

    I’ve read the Bible many times, and I’m a believer. Of course, the question is a believer in which story?

    Did Jesus Exist Bart D Ehrman

    What Ehrman so engagingly makes clear is that there have indeed been many stories about Jesus. In fact, the gospels (Matthew, Mark, Luke, and John) and the writings of Paul (most of the rest of the New Testament) seem to all portray a different man and message. Not only do they say things that flat out contradict each other on some details, but if you look at each book separately, each author seems to have a slightly different take on Jesus.

    Furthermore, it appears that what we now have has changed over time. For example, it seems the last twelve verses of Mark were not in the oldest manuscripts. There have been other changes. One of the more notable ones occurs in John 5:7-8.

    Our earliest texts say:

    “For there are three that bear record, the spirit, and the water, and the blood: and these three agree in one.”

    But later texts say:

    “For there are three that bear record in heaven, the Father, the Word, and the Holy Ghost: and these three are one. And there are three that bear witness in earth, the spirit, and the water, and the blood: and these three agree in one.”

    Nowhere else in the New Testament do we have anything that states that creedal doctrine so explicitly. Did John write that? Or was the extra material added to make the idea of the trinity scriptural?

    And what do we make of the fact that we have no manuscript that dates to anywhere close to when Jesus lived? We have some small fragments of manuscripts with a few verses of John, Revelation, and Matthew dated around 150 AD. But the oldest manuscripts we have that contain the majority of any of the gospels are for the gospels of Luke and John, and these are dated around 200 AD. The oldest manuscripts with the full New Testament are dated around 350 AD.

    That’s more than 300 years after Jesus died!

    Have you played the game of telephone? Are we sure that the oral traditions that were written down weren’t changed? What happened to the books mentioned in the Bible that we don’t have now? For example, Jude mentions a prophecy of Enoch that we don’t have in our current Bible. Are we sure that the copyists didn’t add to the text like it seems some did to John?

    And what about the term “Christ”? It’s actually the Greek word for “messiah” which just means one anointed with oil to perform a special service for god. Christ wasn’t Jesus’s last name. It was a title: Jesus the anointed one.

    The anointed ones in those days were kings and prophets and priests. It appears most of the historical sources suggest that a “messiah” to the Jews of that time was someone who would throw off foreign rule and establish the kingdom of Israel as David had. In fact, there were a whole bunch of people who claimed to be messiahs. Here’s a nice list: http://en.wikipedia.org/wiki/Jewish_Messiah_claimants.

    Judas Maccabeus was considered a messiah because he threw off Greek rule in 164 BC. But then around 63 BC Israel was taken over by Rome. And Rome wasn’t too keen on revolts, so around 4 BC they crucified Judas the Galilean for claiming to be the messiah, the king of the Jews. Crucifixion, it seems, was the punishment reserved for seditionists. They crucified Jesus and a whole bunch of other guys claiming to be the king of the Jews. And their crimes were written on a board above them, which is why they hung the words “King of the Jews” over Jesus’s head on the cross. Here’s the criminal, and here’s his crime. These other messiahs were not claiming to be a god that came to earth to atone for sins, but anointed by God to throw off foreign rule and establish his earthly kingdom again.

    Jesus talks a lot about the kingdom of God. Was Jesus just another one of the seditionists?

    Ehrman examines these and many other questions as a historian, providing all sorts of insights.

    But the fabulous thing is that he doesn’t just tell his story. He gives his evidence. Exposes his assumptions. And in all three books he explains the guidelines or “rules” historians use to when trying to determine which stories are more likely and which evidence is more reliable.

    I was enlightened, challenged, and delighted. I learned things about Jesus’s life and times that have helped me understand what I read in the Bible better.

    LIMITS

    Of course, the historical method has its limits.

    Historians, because they are looking for explanations (stories) that are more probable, automatically select against things that are improbable. They exclude miracles. They exclude any story that says Christ was actually resurrected.  They may establish that a lot of folks thought he was resurrected, but they don’t have any methods to establish something like a resurrection actually occurred. And so they ignore it. Historians exclude modern revelation. If someone today were to have a visitation from Jesus as Paul did, the historians would exclude that.

    But we all know that truth is sometimes stranger than fiction. We all know that sometimes the less likely thing is exactly what occurred.

    Historians are looking for what is most probable. Not what actually happened. Because they can’t go back and time and verify their story.

    Excluding “improbable” things changes the types of stories the pieces of the puzzle support. For many of us, me included, we do accept evidences many historians don’t as pieces of the puzzle. And because we have these pieces, we’re able to tell different types of stories.

    The cool thing about Ehrman is that he explains this. He’s not trying to hide anything. Instead, he’s explaining how to approach the Bible from a historical point of view, and where the principles of the historical method lead him.

    And I have found that those methods in his hands have a lot to offer.

    If you’re someone who is interested in religion–as a believer, agonistic, or atheist–you will love these books. Ehrman himself was once an ardent believer, but is now agnostic. However, his respect for believers, including other scholars in his field who believe in the divine Jesus, comes through loud and clear. Ehrman has no axe to grind. He is simply sharing the stories of Jesus that make sense to him and many other historians. And he does it in a very interesting and easy-to-read style.

    If these books sound like something you want to try, I’d start with Misquoting Jesus, move to Jesus Interrupted, and then finish with Did Jesus Exist? And if you enjoy those, let me recommend two more of Ehrman’s books. The first is The Lost Gospel of Judas Iscariot: A New Look at Betrayer and Betrayed, which looks at the discovery and content of a very ancient manuscript that calls itself The Gospel of Judas. The second is Lost Christianities: The Battles for Scripture and the Faiths We Never Knew, which explores the variety of Christian faiths that existed in the few hundred years after Jesus’s death.

    Happy reading!

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    Ender’s World: Fresh Perspectives on the SF Classic Ender’s Game

    Smart Pop publishes smart, fresh, and engaging articles on the best of pop culture TV, books, and film, with a particular focus on science fiction and fantasy television and literature.

    You want to hear what Scott Westerfield (Uglies, Pretties, etc.) has to say about Buffy?  Go to Smart Pop.

    What about Orson Card’s thoughts on Joss Whedon’s Firefly universe? Smart Pop.

    What about the venerable Lawrence Block on Robert B. Parker’s Spenser series? Um, Smart Pop.

    Strange.  Do you see a pattern emerging? 

    Whether it’s Mad Men, House, Hunger Games, George Martin’s epic fantasies, Halo, True Blood, or Alias, Smart Pop gathers together New York Times bestselling authors, television writers, psychologists, philosophers, and others–folks who love of pop culture and have something worth sharing about it–and asks them to share their insights.   

    Recently, they’ve been putting together just such a collection on Ender’s Game.  It’s called Ender’s World: Fresh Perspectives on the SF Classic Ender’s Game. It’s coming out February 2013.  You can read more about it here.

    I’m announcing this now because The Man was fortunate enough to be invited to contribute.  I love Ender’s Game.  LOVE IT.  How cool is it that I get to write about it in an anthology edited by the folks at Smart Pop and Card himself? And then get to read what everyone else has to say, including military strategists Colonel Tom Ruby and Captain John Schmitt.  As well as the little bits they’ll include on things like why the battle room is the shape it is and why they were recruiting kids.

    But I’m also announcing this because in addition to the essays all we Ender-lovers get to write, Smart Pop is also going to include a series of Q&As with Scott Card, and they are currently soliciting the question from readers. FROM YOU. Right now.

    You ever wonder about a character or part of the setting or event in Ender’s Game?  Ever wanted to know what inspired Card? Ever wanted to ask any question at all about Ender’s Game?  Now’s your chance. Just submit you question here: http://www.smartpopbooks.com/ask-orson-scott-card-a-question-about-enders-game/

    You can see questions already submitted at Smart Pop’s Tumblr.

    From a writer’s pov, I have to tell you that the folks at Smart Pop have been nothing but enjoyable and insightful to work with. I’m looking forward to this book!

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  • Good Stuff: Poldark, Monk, and the cure for dragon feet

    For all of you longing for just one more season of Downton Abbey, I’ve found a new series from the BBC I think you’ll enjoy (thank you Duane Robinson for the recommendation).

    It’s called Poldark and is set in the late 1700s in Cornwall, that little southwestern leg of England that juts out into the Atlantic. The dark-haired and handsome Ross Poldark returns to England after having fought in the American War of Independence and finds that his father has died, and he’s inherited the estate. Except the estate is in ruins.

    The house, which is a long way from being anything grand, is a mess and being inhabited by the deceased father’s last two servants. A man and a wife who are equal parts louts and lushes. The land isn’t producing. The mine is closed. And Poldark has very little money.

    By the way, when we think of British aristocracy, we most often think of dances and fine clothing and large tracts of lands. We seldom think of mines. But Cornwall has been mining tin for a very long time, and so were its lords. In fact, Cornwall was known outside of the Isles anciently, and some historians suggest that Cornwall was probably selling tin to the seafaring Greeks and Phoenicians many hundreds of years B.C.

    So our young and handsome lord has come home to a mess and very little money. But he immediately sets about trying to repair things. And what unfolds is a wonderful story with love, action, humor, injustice, and villains plotting Poldark’s downfall.

    We loved Downton in part for the refinement and high society (and Lady Grantham’s hilarious one-liners). However, Poldark isn’t about the top of the aristocracy. It’s about a man almost at the bottom. And many of those of the lower class who are his friends. There’s a refreshing earthiness about it even while you still have scenes of the high society and all that goes with it.

    We just finished the first season and are hooked. In fact, I stood up and cheered at the end of the last episode we watched. So if you love English historicals, you’re going to enjoy Polkdark.

    *

    The humorous detective series Monk debuted in 2002 and ran for eight seasons. It was a huge hit. But because I’m a cave dweller I didn’t get to it until now. But, boy, I’m happy I did.

    If you haven’t seen it yet, you’re in for a treat. Monk is one of those brilliant detectives like Patrick Jane in The Mentalist or Sherlock Holmes who sees all sorts of details that so many others miss. But unlike those guys, Monk has obsessive-compulsive disorder plus a number of phobias.

    And so he can’t just walk in and stun everyone with his brilliance because at any moment he might get sidetracked straightening pictures or moving lamps or trying to avoid germs. In one funny scene he’s being chased on foot by someone intent on killing him, and he can’t help but touch the poles as he runs by. However, he’s not all helpless because he’s hired a female nurse, Sharona Fleming, to help him. And the interaction between the two of them adds another enjoyable dimension.

    And so you get to experience all the awe of watching someone like Sherlock solve crimes plus laugh along the way. I couldn’t help but laugh out loud during a number of episodes.

    If you like The Mentalist, Elementary, or Psych, I think you’ll really enjoy Monk.

    *

    This last review is for all of you who have dragon feet.

    That’s what I had until two months ago. Dry dragon feet. So dry and with such sharp and jagged calluses that I regularly wore the area on my sheets around my feet to shreds. Nellie’s side of the sheets were nice and smooth. My side, after a year or two, looked like the dog had attacked it.

    The calluses were so bad I periodically sanded them off with 400 grit sandpaper.

    I also got stress cracks in the winter, which I tried to heal with band-aides and Neosporin. And that worked a decade ago. But the stress cracks were just getting more frequent and longer-lasting. This last winter I had three that stayed for weeks and weeks.

    And so when I went into my dermatologist for my annual skin cancer check, I asked him if there was anything to be done. He said, “Get CeraVe cream with SA, salicylic acid. It has to have SA.”


    After the appointment, I promptly drove to Walmart and walked down to the cosmetic aisle and purchased a little tub of CeraVe Renewing SA Cream. And I began to use it that night, putting socks on after I applied it. I applied it every morning and night.

    And, miracle of miracles, a few weeks later my feet were normal human feet again. The calluses were gone. The stress cracks gone. The pain gone. My sheets love me. My wife loves me. I’m saving money on sand paper.

    Folks, if you have dragon feet and want to be human again, let me suggest CeraVe with SA.

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  • Good Stuff! Million Dollar Arm, Remember the Titans

    I wanted to let you know about two films I recently watch with the family and enjoyed. Both are based on real events.

    The first is Million Dollar Arm. This is a great film based on the true story of the search for the first pro American baseball players from . . . India.

    MillionDollarArm

    They were hoping to find some pitchers. But it’s not about what you’re thinking. Because there were no pros in India. There was no baseball. There was only the game of cricket, and bowling in cricket requires a totally different arm movement than pitching in baseball.

    This film features plenty of good humor, a cast of very enjoyable characters, and a romantic subplot that’s more about becoming something better than it is about the romance.

    The next is Remember the Titans. I know. It was released in 2000. So I’m late to the party, arrest me. With the internet, the party goes on forever.

    RememberTheTitans

    This is another film based on real events. This time its about a the introduction of racial integration at a West Virginian high school in 1971. Denzel Washington plays Herman Boone, the new black coach.

    This one has plenty of drama, food for thought, and was so good daughter number 3 wants if for her personal library.

    If you like sports movies, you’ll love these. If you don’t like sports movies, you’ll love them, because these two films aren’t about the sports. They’re about something more important. Do yourself a favor, sit down with the family and give them a go.

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21 Comments

  1. Don’t talk to me about it 🙂 go over to Correia’s site and post it there. I have absolutely no idea why Baen does what they do with ebooks. Seems to me that they’re missing out on boatloads of cash. Still, you can get an edition for your Kindle from the Baen site somewhere that’s non DRM.

  2. Yup, all of Baen’s stuff is available in just about every format DRM-free, for cheaper than Amazon would sell it. And you can even mail it straight to your Kindle after purchasing.

    I suspect, but don’t know for sure, that the reason the Baen books aren’t on Amazon directly in e-editions is that Amazon insists on getting the lowest price available and paying a particular percentage of that, and the fact that the books are also offered in the monthly Webscription complicates things. Because with that you get 6-7 books, usually 3-4 new ones and 3-4 back-catalog ones for $18, so they want it at, effectively, $3 or so. But I’ve seen notes off and on in Baen’s fora that they’re in negotiations, so it may happen sooner or later.

  3. I bought all of Correia’s books for my Kindle from Baen’s website. It’s cheaper than what Amazon normally charges (especially for new releases), it doesn’t have DRM, and the electronic version is usually out a week earlier than the paperback. I’m more than happy to pay Baen directly instead of Amazon.

  4. Well, actually the Baen business model for ebooks, in my opinion is better. You get the book for cheaper (6.00 for MHA) than Amazon and sans DRM in just about any format you can imagine. The only downside is that their site (www.webscriptions.net) isn’t as well known as the Amazon juggernaut.

  5. I read the second Monster Hunter on my Kindle. So it is available. I’m just curious if my purchases through Baen’s Webscription store count toward Correia getting on the Bestsellers lists. It’s such an obscure store it worries me. I’ve already bought Alpha but since I’ve passed it on in digital form to pretty much everyone in my family I’m planning on just purchasing about 20 more copies digitally on Monday so that all my readers count towards his book sales. I want this man to write forever.

  6. There is a Kindle Edition but not on Amazon.

    Larry is a author with Baen books and all Baen ebooks are sold on their website http://www.webscription.net/default.aspx . All new ebooks are $6 unless you go for the pre release E-ARC.
    When you find the one you want it gives you the choice to download it in whatever format you want DRM free. I have a nook so I get the Epub.

  7. Sadly, I must wait till Friday when I get paid. But then, oh yessss. Alpha will be mine.
    I hope things are going well with YOUR book 2. I can hardly wait.

  8. Using the Amazon Kindle
    with WebScriptions

    http://www.webscription.net/default.aspx

    With the introduction of the Amazon Kindle wireless eBook reader, WebScription users have a new device for reading eBooks. All of the WebScription eBooks are available in a Kindle format for direct use. To download them, follow these steps:
    Download the WebScription Ebook in the Mobipocket/Palm/Kindle Format. If you download the Zipped version, unzip the file to a directory of your choice.
    Connect the Kindle reader to your computer using the USB cable supplied with the Kindle. The Kindle device will appear as a new drive attached to your computer.
    Copy the Ebook file into the Documents directory on the Kindle.
    Disconnect the USB cable. The new Ebook should appear in the Kindle’s directory.

    Emailing books directly to your Kindle

    Note: Amazon charges you 15 cents per megabyte sent to your Kindle by email.

    On the WebScription download page for a book, click the Email book to My Kindle link and follow the directions. Note that you must authorize Amazon to receive email from WebScription first (ebooks@webscription.net).

    Alternatively, you can email books to your Kindle for free through a Wi-Fi connection by emailing the .Mobi file format to youraccount@free.kindle.com (replacing youraccount with your actual kindle account name).

    Using Kindle for PC

    Kindle for PC is Amazon’s free application that enables you to read Kindle books on Windows computers.

    To use a Baen Kindle file with Kindle for PC, download the file to your computer and place it in the directory Amazon sets up for storing your Kindle files. This is typically the Documents/My Kindle Content directory. You will need to restart your Kindle for PC program after moving the file before Kindle for PC will recognize the new file. Amazon does not let you email files to your Kindle for PC program.

    Using Kindle for Mac

    Kindle for Mac is Amazon’s free application that enables you to read Kindle books on Apple computers.

    To use a Baen Kindle file with Kindle for Mac, download the file to your computer and place it in the directory Amazon sets up for storing your Kindle files. Click on the file you downloaded and wish to read, and Kindle for Mac will open the file automatically.

    The Mobipocket/Palm/Kindle format uses several file extensions: .PRC, .PalmDOC, .DOC, and the newest extension, .MOBI.

    If the software for moving the file from your PC to the Palm doesn’t recognize the new .MOBI extension, rename the file with a .PRC extension and it will load properly. This only applies to Palm devices. The Kindle accepts either extension.

  9. Look at the love and Baen-fu in the Monster Hunter Nation come out.

    WEKM @ 15, Just passed the 50% mark on this draft of CURSE and loving it.

    Josh @ 11, I doubt it will count. The New York Times samples books stores. Some indies, some B&N stores, etc. I doubt they include the Baen site. USA Today does a much much better job. You can see what they include here: http://www.usatoday.com/life/books/booksdatabase/2011-05-11-about-usa-todays-top-150-books-list_n.htm. But again, the Baen area isn’t part of it. But I wouldn’t stress. I’m sure Larry wants you to read it in what ever format you prefer. However, for those of us who do read it in other formats, this is a great way to leave a tip.

  10. Bought the paperback from Amazon yesterday and looking forward to it. I actually haven’t read Vendetta yet, but based on the first book I’m sure all 3 will be awesome.

  11. I bought the e-ARC of Larry’s book in preparation for a trip to Denver. Couldn’t have been happier. I wish that more authors were allowed to put their books out earlier for those that wanted them. I’m not a huge fan of a lot of Baen’s authors, but I do love their business model. John, Any news on the possibility of putting some of your short stuff out in ebook? I remember we talked about it on here a long while back, but I never followed up. 🙂

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