Cinefour theaters & the goodreads.com pricer

I think I could write a horror novel about some dollar movie theaters. The unsuspecting movie goers are lured in. They blindly walk into the theater and take a seat, but, no! When they sit down, they find they’re trapped, their feet glued to the sticky soda floor. The doors close behind them. Outside the theater a man walking by thinks he hears screams. He pauses, alarmed. Those sound like REAL screams, people dying? But no, he thinks, it’s just a movie theater, just a scary movie, and he walks away. Moments later blood begins to seep out from underneath the theater’s exit door.

Too gruesome? Okay, how about this. You go in, swim through a sea of popcorn to your seat only to find that all the seats flop back and leave you staring at the ceiling. This means that while you could listen to the movie, you actually have to crane your neck forward for two hours to see it. By the time the ending credits roll, you can’t walk. Instead, you have to hobble out like a troll. When you finally reach the exit, you swear you can hear the theater owner cackling. A man in a doctor’s coat shows up and slips the owner a manila envelope full of cash. Suddenly, it all becomes clear—it’s not a theater but a medical scam perpetrated by those who sell orthopedic suits and chiropractics. Mwuhahahaha!

So you can see why the dollar theater dread fell upon me when I went up to the ticket counter at Logan, Utah’s Cinefour theaters and found out the tickets were only $3 each. Sweat began to bead on my brow. I looked around for signs of monster cockroaches that might carry me and my family away to feed to their young, but, to my surprise, the theater was, well, clean. When we entered, we found no sea of trash. No sticky floor. And the seats didn’t flop back into the dentist chair position (unlike another theater on the other side of the street). They actually supported our backs nicely.

We sat in the dimly lit theater like the old days when you didn’t watch a steady stream of commercials. We chatted. Then the previews started up, the film ran, and nobody came out to murder us. It was great.

Cinefour. Cheap movies. Nice little theaters. You can take the whole family out and still have money left over to buy a sink at Angie’s.

***

If you love books as much as I do, you can easily spend your mortgage on them. Which is why libraries are so very nice. But even though libraries are great, there are still some books I want to own. One of the fab things about the internet is that it allows lots of companies and individuals to sell new and previously read (but in great condition) books for cheap. The bad news is that it’s hard to do comparison shopping to find the deals. But no longer–www.goodreads.com has solved that problem by doing the searching for you.

Simply go to the site and search for a book title. When the search results display, click on the book you’re interested in. When the book’s page comes up, you’ll see a little button below the cover that says “buy for” and lists a price. Click that button, and you’ll see a list of all the main vendors and prices. You can then link to one of the vendors and make your purchase.

So how much can you save? Sometimes a lot. For example, I looked up my own book. Its hard cover list price is $25.99. However, by using the goodreads.com feature, I found a brand new copy for $4.89. I could get a good used copy for one buck. ONE BUCK! Holy schnitzel, that’s a 96% discount. If you want to buy a book, go to goodreads.com to find the deals.

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  • Top 200 YA Authors of 2010, Part 2

    Okay, I’ve really got to get some writing done. But since I posted the idea of seeing which authors have the highest average checkouts per book, I now feel obligated to share it because some of those on the top 200 authors list drop off while others appear. So this one shows the authors getting the most readers per book. For more information on the lists and source of the data, please see the previous two posts.

    BTW, a number of Utahans made this list that we hadn’t seen on the others.

    1. Stephenie Meyer (3)
    2. Shannon Hale (4)
    3. Lisa Mangum (8)
    4. Jessica Day George (10)
    5. Aprilynne Pike (13)
    6. James Dashner (21)
    7. Bree Despain (32)
    8. Mette Ivie Harrison (40)
    9. M.L. Forman (52)
    10. Brandon Sanderson (64)
    11. Chris Heimerdinger (112)
    12. Julie Wright (145)
    13. Ally Condie (146)
    14. Kiersten White (151)
    15. Jack Weyland (188)

    If I’ve missed any Utah (or former Utah) authors, please let me know. Holy schnitzel, look at them all.

    EDIT: 1/16/2011 9:32 AM: Informed that Bree Despain is also a Utah author.

    EDIT: 1/18/2011 6:21 PM: Turns out Kiersten White grew up in Utah, but moved to San Diego after she married. I’m still claiming her, although I often wish I could trade subzero land for beaches and 70 degrees

    EDIT: 1/18/2011 10:20 PM: just informed that M.L. Forman is a Utah author.

    The List

    Author Times Checked Out Number of Titles Avg Check Outs per Title % Rank
    Suzanne Collins 888 3 296 2.68% 1
    Rick Riordan 989 8 124 2.98% 2
    Stephenie Meyer 529 5 106 1.60% 3
    Shannon Hale 517 6 86 1.56% 4
    J.K. Rowling 318 4 80 0.96% 5
    Cassandra Clare 309 4 77 0.93% 6
    Christopher Paolini 191 3 64 0.58% 7
    Lisa Mangum 124 2 62 0.37% 8
    P.C. Cast and Kristin Cast 393 7 56 1.19% 9
    Jessica Day George 328 6 55 0.99% 10
    Kristin Cashore 105 2 53 0.32% 11
    Cornelia Funke  51 1 51 0.15% 12
    Aprilynne Pike 101 2 51 0.30% 13
    Judy Blundell 48 1 48 0.14% 14
    John Flanagan 413 9 46 1.25% 15
    Kelley Armstrong 131 3 44 0.40% 16
    John Grisham  43 1 43 0.13% 17
    Michael Scott 165 4 41 0.50% 18
    Angie Sage 246 6 41 0.74% 19
    Maggie Stiefvater 153 4 38 0.46% 20
    James Dashner 75 2 38 0.23% 21
    Kimberly Derting 37 1 37 0.11% 22
    Frank Beddor 110 3 37 0.33% 23
    Carrie Ryan 69 2 35 0.21% 24
    Gail Carson Levine 34 1 34 0.10% 25
    Jay Asher 34 1 34 0.10% 26
    Becca Fitzpatrick 68 2 34 0.21% 27
    Libba Bray 136 4 34 0.41% 28
    Julie Berry 34 1 34 0.10% 29
    Richelle Mead 202 6 34 0.61% 30
    Elizabeth Knox 67 2 34 0.20% 31
    Bree Despain 66 2 33 0.20% 32
    James Patterson 257 8 32 0.78% 33
    Cornelia Funke 63 2 32 0.19% 34
    Lisa McMann 94 3 31 0.28% 35
    Carolyn MacCullough 31 1 31 0.09% 36
    Markus Zusak 124 4 31 0.37% 37
    Lauren Oliver 31 1 31 0.09% 38
    Emily Whitman 31 1 31 0.09% 39
    Mette Ivie Harrison 123 4 31 0.37% 40
    Ally Carter 152 5 30 0.46% 41
    Cameron Dokey 271 9 30 0.82% 42
    Jason Henderson 30 1 30 0.09% 43
    Caragh M. O’Brien 30 1 30 0.09% 44
    Scott Westerfeld 354 12 30 1.07% 45
    Carrie Jones 88 3 29 0.27% 46
    Lindsey Leavitt 29 1 29 0.09% 47
    Lois Lowry 86 3 29 0.26% 48
    Philip Pullman  57 2 29 0.17% 49
    Lauren Kate 57 2 29 0.17% 50
    Lili St. Crow 56 2 28 0.17% 51
    M.L. Forman 28 1 28 0.08% 52
    Alison Goodman 28 1 28 0.08% 53
    Marissa Doyle 55 2 28 0.17% 54
    Eoin Colfer 302 11 27 0.91% 55
    Rachel Hawkins 27 1 27 0.08% 56
    Joseph Delaney 240 9 27 0.72% 57
    Cyn Balog 26 1 26 0.08% 58
    Christine Johnson 26 1 26 0.08% 59
    Anna Godbersen 127 5 25 0.38% 60
    Shauna Cross 25 1 25 0.08% 61
    Veronica Bennett 25 1 25 0.08% 62
    Betty Smith 25 1 25 0.08% 63
    Brandon Sanderson 100 4 25 0.30% 64
    Melissa Marr 99 4 25 0.30% 65
    Tamora Pierce 634 26 24 1.91% 66
    Aubrey Mace 24 1 24 0.07% 67
    N.D. Wilson 70 3 23 0.21% 68
    Kami Garcia & Margaret Stohl 46 2 23 0.14% 69
    Lesley Livingston 68 3 23 0.21% 70
    Alex Flinn 68 3 23 0.21% 71
    Sara Shepard 181 8 23 0.55% 72
    Cinda Williams Chima 113 5 23 0.34% 73
    Melissa de la Cruz 154 7 22 0.46% 74
    Kay Cassidy 22 1 22 0.07% 75
    Louis Sachar 44 2 22 0.13% 76
    D.J. MacHale 328 15 22 0.99% 77
    Heather Brewer 108 5 22 0.33% 78
    Beth Fantaskey 43 2 22 0.13% 79
    Kimberly Pauley 43 2 22 0.13% 80
    Diana Wynne Jones 128 6 21 0.39% 81
    Herbie Brennan 106 5 21 0.32% 82
    Dia Reeves 21 1 21 0.06% 83
    Heather Hepler 21 1 21 0.06% 84
    Susanne Dunlap 21 1 21 0.06% 85
    Erica S. Perl 21 1 21 0.06% 86
    Linda Buckley-Archer 63 3 21 0.19% 87
    Lise Haines 21 1 21 0.06% 88
    Alyson Noel 188 9 21 0.57% 89
    Eva Ibbotson 41 2 21 0.12% 90
    Anne Osterlund 41 2 21 0.12% 91
    Sherrilyn Kenyon 20 1 20 0.06% 92
    Kenneth Oppel 80 4 20 0.24% 93
    story by Tohru Kai  20 1 20 0.06% 94
    M.R. Bunderson 20 1 20 0.06% 95
    Robin Palmer 59 3 20 0.18% 96
    Claudia Gray 59 3 20 0.18% 97
    Frewin Jones 155 8 19 0.47% 98
    Carl Hiaasen 58 3 19 0.17% 99
    Lisa Greenwald 19 1 19 0.06% 100
    Catherine Gilbert Murdock 76 4 19 0.23% 101
    Suzanne Harper 19 1 19 0.06% 102
    Suzanne Weyn 150 8 19 0.45% 103
    Rosalind Wiseman 18 1 18 0.05% 104
    Jen Nadol 18 1 18 0.05% 105
    Thomas W harton 18 1 18 0.05% 106
    Margaret Peterson Haddix 144 8 18 0.43% 107
    Ellen Schreiber 160 9 18 0.48% 108
    Patricia C. Wrede 158 9 18 0.48% 109
    Robin McKinley 105 6 18 0.32% 110
    Zoèe Marriott 35 2 18 0.11% 111
    Chris Heimerdinger 280 16 18 0.84% 112
    Amy Huntley 17 1 17 0.05% 113
    Rachel Ward 17 1 17 0.05% 114
    Sarwat Chadda 17 1 17 0.05% 115
    Nina Malkin 17 1 17 0.05% 116
    Chris Heimerd 17 1 17 0.05% 117
    Elizabeth Eulberg 17 1 17 0.05% 118
    Kathi Oram Peterson 17 1 17 0.05% 119
    Megan Whalen Turner 68 4 17 0.21% 120
    Chelsea M. Campbell 17 1 17 0.05% 121
    Rachel Vail 51 3 17 0.15% 122
    Becca Wilhite 34 2 17 0.10% 123
    Sarah Dessen 150 9 17 0.45% 124
    Debbie Viguie 100 6 17 0.30% 125
    Garth Nix 182 11 17 0.55% 126
    Michael Grant 49 3 16 0.15% 127
    Rachel Vincent 49 3 16 0.15% 128
    Jonathan Stroud 97 6 16 0.29% 129
    Lucy Christopher 16 1 16 0.05% 130
    Kay Lynn Mangum 48 3 16 0.14% 131
    Anna Jarzab 16 1 16 0.05% 132
    Sarah MacLean 16 1 16 0.05% 133
    Josh Berk 16 1 16 0.05% 134
    Lisa Klein 16 1 16 0.05% 135
    Jackson Pearce 16 1 16 0.05% 136
    Jacqueline Kelly 16 1 16 0.05% 137
    Caroline Goode 16 1 16 0.05% 138
    Kirby Larson 16 1 16 0.05% 139
    Lisa Shanahan 16 1 16 0.05% 140
    Katherine Applegate 16 1 16 0.05% 141
    Marthe Jocelyn 16 1 16 0.05% 142
    Ann Brashares 64 4 16 0.19% 143
    Holly Black 78 5 16 0.24% 144
    Julie Wright 31 2 16 0.09% 145
    Ally Condie 93 6 16 0.28% 146
    Juliet Marillier 31 2 16 0.09% 147
    Janet Lee Carey 46 3 15 0.14% 148
    Donita K. Paul 90 6 15 0.27% 149
    Tera Lynn Childs 45 3 15 0.14% 150
    Kiersten White 15 1 15 0.05% 151
    Jane Eagland 15 1 15 0.05% 152
    Sophie Jordan 15 1 15 0.05% 153
    Maureen Daly 15 1 15 0.05% 154
    Debbie Vguie 15 1 15 0.05% 155
    Leah Cypess 15 1 15 0.05% 156
    Jessica Brody 15 1 15 0.05% 157
    Rosie Rushton 15 1 15 0.05% 158
    Rachel Caine 134 9 15 0.40% 159
    R.D. Henham 104 7 15 0.31% 160
    Hilari Bell 178 12 15 0.54% 161
    L.J. Smith 326 22 15 0.98% 162
    Carol Lynch Williams 44 3 15 0.13% 163
    Laini Taylor 44 3 15 0.13% 164
    John Boyne 29 2 15 0.09% 165
    Victoria Hanley 58 4 15 0.17% 166
    Guillaume Prevost 43 3 14 0.13% 167
    Michelle Zink 28 2 14 0.08% 168
    Andrea R. Cremer 14 1 14 0.04% 169
    Lynn Weingarten 14 1 14 0.04% 170
    Kristopher Reisz 14 1 14 0.04% 171
    Andrew Klavan 28 2 14 0.08% 172
    Jessica Verday 14 1 14 0.04% 173
    Kim Harrison 14 1 14 0.04% 174
    L.K. Madigan 14 1 14 0.04% 175
    Heather Davis 14 1 14 0.04% 176
    Lauren Conrad 42 3 14 0.13% 177
    Sherman Ale 14 1 14 0.04% 178
    Alexandra Adornetto 14 1 14 0.04% 179
    Martine Leavitt 14 1 14 0.04% 180
    Morris Gleitzman 14 1 14 0.04% 181
    Charmian Hussey  14 1 14 0.04% 182
    Douglas Rees 14 1 14 0.04% 183
    Stephanie Hem 14 1 14 0.04% 184
    C.J. Omololu 14 1 14 0.04% 185
    Aimee Friedman 42 3 14 0.13% 186
    Kate Coombs 28 2 14 0.08% 187
    Jack Weyland 151 11 14 0.46% 188
    Michael Carroll 41 3 14 0.12% 189
    Philip Caveney 41 3 14 0.12% 190
    Pamela Wells 27 2 14 0.08% 191
    Grace Cavendish 27 2 14 0.08% 192
    Elizabeth Scott 54 4 14 0.16% 193
    Ridley Pearson 54 4 14 0.16% 194
    Laurie Halse Anderson 108 8 14 0.33% 195
    Gillian Shields 40 3 13 0.12% 196
    Simone Elkeles 93 7 13 0.28% 197
    Lisi Harrison 304 23 13 0.92% 198
    Patrick Carman 66 5 13 0.20% 199
    Darren Shan 313 24 13 0.94% 200
    Gary D. Schmidt 26 2 13 0.08% 201
    Gena Showalter 26 2 13 0.08% 202
    Michael Young 13 1 13 0.04% 203
    Miyuki Miyabe  13 1 13 0.04% 204
    J.V. Hart  13 1 13 0.04% 205
    Dandi Daley Mackall 13 1 13 0.04% 206
    Beatrice Gormley 13 1 13 0.04% 207
    Dodie Smith 13 1 13 0.04% 208
    Jaclyn Moriarty 52 4 13 0.16% 209
    Angela Morrison 26 2 13 0.08% 210
    James A. Owen 52 4 13 0.16% 211
    Nick Lake 13 1 13 0.04% 212
    E.E. Richardson 13 1 13 0.04% 213
    Fern Schumer Chapman 13 1 13 0.04% 214
    Priscilla Cummings 13 1 13 0.04% 215
    Stuart Hill 39 3 13 0.12% 216
    Jen Calonita 78 6 13 0.24% 217
    Valerie O. Patterson 13 1 13 0.04% 218
    Julie Kagawa 26 2 13 0.08% 219
    William golding 13 1 13 0.04% 220
    Lisa M. Klein 13 1 13 0.04% 221
    Lisa Mantchev 26 2 13 0.08% 222
    Gerald Morris 129 10 13 0.39% 223
    Cory Doctorow 25 2 13 0.08% 224
    Janette Rallison 125 10 13 0.38% 225
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  • Good Stuff! The audio production of Lockwood & Co.

    I’m excited to share the Lockwood & Co. series by Jonathan Stroud. It’s a delightful audiobook experience for the whole family.

    Nellie introduced me to it on our road trip to Yosemite last October.

    And, oh my gosh, how we’ve enjoyed listening.

    They’re young adult paranormal thrillers with a good dose of humor and English charm.

    Yes, Netflix, launched a show based on the books, but Nellie and I tried it, and the Netflix productions don’t hold a candle to the audiobooks.

    It’s not even close.

    If you’re going to do this series, listen to the audiobooks or read them.

    The story is set in England in, I’d say, the 1980s, before cell phones and the internet became a thing. The problem is that ghosts, specters, tommy knockers, etc. are appearing all over the place and causing havoc. Because, in this world, when you’re touched by a visitor from the other side, you can easily become ghost locked, basically put in coma, or die.

    And while the ghosts can touch anyone, children and teens are the only ones who can see them. And so it’s children and teens who must fight them. Of course, large ghost protection agencies are formed, but our story is about Lucy Carlisle, who joins a tiny agency run by a daring young man named Anthony Lockwood.

    There are five books in the series, which translates to about fifty-nine hours of delightful listening. Perfect for the long road trips, cleaning, fixing dinner, walks, etc.

    Miranda Raison is the reader for the first book, Katie Lyons the second, and Emily Bevan for the final three. And they’ve all been a joy to listen to.

    I’m not normally a paranormal kind of guy, but this is making me reconsider. We loved Stroud’s Bartimaeus series. And he brings the same fast action, interesting characters, and wit to these. 

    If you enjoy delightful characters and derring-do leavened with some humor, give these a try. I think you’ll be glad you did.

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  • |

    Nancie Atwell and Real Learning

    If you’ve read my article on the Teachers section, you know I think a good portion of what we do in our public schools is a waste of time because it’s not driven by any natural motivation. The result is that  students are bored more than they need to be. They develop a distaste for many subjects that could provide them great joy. Finally, when they do learn, it’s for a test, not life. And so when the test is over the promptly forget what they’ve learned. 

    This is not to say that I’m against testing or teaching to a test. Far from it. A good test demonstrates that you’ve learned what you’re supposed to have learned. A good test focuses on the main things you want to learn. Good tests (and there are many types of tests) are critical.  The problem is the objectives the tests are built on. If the objectives are idiotic then teaching to the test becomes idiotic.

    Now Nellie just got a job (we’re so happy!) teaching 7th and 8th grade English. For some of you that will elicit groans. The memories of supreme boredom produced by endless grammar lessons and assigned readings with worksheets are still that strong. And Nellie and I had the same feelings. If her job was to teach grammar et al for nine months, she was going to shrivel and die.

    Because grammar is bad? No, for heaven’s sake. Because grammar isn’t the point. Nor are assigned readings. Or iambic pentameter, rising action, theme, character, plot, induction, deduction, the six traits and all the rest of the usual suspects. The point is to enjoy writing and reading for the things writing and reading do.

    So we’ve been working and disussin how she might still meet all the state requirements yet teach the practical joy. Becasue if she teaches the joy, then the students will become better readers and writers than they ever could be otherwise. Which means they’ll be able to do and enjoy the things that can be enjoyed and done when you know how to write and read.  Case in point: our girls. Nellie’s done such a good job teaching the joy of reading that we have to ground them from books every once in a while.

    So anyway, I came up with some ideas, a first draft of a curriculum. Of course, starting from scratch is a huge project. There were issues with it. More importantly, would it work? You don’t want to risk your first year on the job. Luckily, Nellie is smarter than I am and found someone who already discovered this wheel. Nellie handed me Nancie Atwell’s In the Middle.

    I began to read, and I didn’t stop until almost 1 AM. Everything I’ve learned about teaching in the last 20 years, everything I’ve learned about learning how to write in the last 20 years–it’s all there. The key principles are all there. And the implementation of those principles is simple and proven (they actually test results).

    What are the principles? What is the program?

    Read the book. Heck, just read the first chapter.

    I cannot tell you how excited I am for Nellie. We ordered these books and can’t wait to devour them.

    • In the Middle: New Understanding About Writing, Reading, and Learning
    • The Reading Zone: How to Help Kids Become Skilled, Passionate, Habitual, Critical Readers
    • Lessons That Change Writers
    • Naming the World: A Year of Poems and Lessons
    • Side by Side: Essays on Teaching to Learn

    Nellie is also going to apply for a four-day intership at the Center for Teaching and Learning in Edgecomb, Maine. I hope she gets in. She’s also going to do a week-long writer’s workshop at BYU.

    Stay tuned. I’m going to twist her arm and see if she won’t blog about her experience this first year.

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  • | |

    One of Orson Card’s best essays

    Scott Card recently wrote “Marriage needs lots of humor.” It’s an awful title for one of the best articles of his that I’ve ever read.

    I’m not going to spoil it for you. But I will say that I’ve found that it’s the small things that seem to make the biggest difference in relationships. And this is one of those small things that packs a HUGE punch. But not until this article did I realize it.

    And for you writers who are wanting insights on what makes characters interesting and sympathetic–there’s a little treasure trove here for you as well.

    Enjoy!

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  • Miss Potter, Downton Abbey, Human Planet

    Miss Potter, a true romance

    How many shows are good enough that you can walk into them partway through and within a minute become completely engrossed? I found two this week. The first is the 2006 film Miss Potter, which tells the story of Beatrix Potter (1866-1943), who is the best selling children’s author of all time. You might know her by the most famous of her 23 illustrated children’s stories: The Tale of Peter Rabbit.

    As a side note, Potter spent a lot of time at her family’s country home in the Lake District. I was lucky enough to be able to vacation there once, but never knew until I saw this film that the gorgeous landscapes that had been preserved were partially due to her donation of 4,000 acres.  

    The movie opens with the fact that Potter, who is played so well by Renée Zellweger, has missed her early chances of marriage. She’s a young spinster, and, having a number of her illustrations purchased, is determined to make some money publishing her own illustrated stories. The movie follows her journey to publication, which met with opposition from both publishers and her family, but the real heart of the film is the story of her meeting and falling in love with Norman Warne, whom her parents, especially her mother, don’t approve of because he’s a tradesman. The film is full of wonderful drama, humor, tragedy, and solace. I can’t recommend it highly enough. In fact, I found myself watching it a second time two days later with my girls with just as much enjoyment.

    Downton Abbey, a period drama

    The second show is the BBC miniseries Downton Abbey.  Its first season of seven episodes aired last year in the USA on PBS’s Masterpiece Theater.  The second season will air at the beginning of 2012.  

    The series is set in the fictional Downton Abbey and follows the lives of the aristocratic Crawley family and their servants. The stories take place over the time period that starts with the sinking of the Titanic in April 1912 to the outbreak of the First World War on 4 August 1914.

    The main story line running through the episodes is the fact that the Crawley family must give up the estate to a distant relation because they have no male heir. But what I find so refreshing is that the stories of various servants are included. Some are funny. Some pull at your heart strings.

    So far I’ve met and enjoyed some truly delightful characters as well as a couple of villains. If you enjoyed the BBC’s Pride & Prejudice or the Cranford series, I think you’ll enjoy this.

    Human Planet, an amazing documentary

    These last two weeks I’ve watched with fascination the eight episodes of the BBC and Discovery documentary series Human Planet. One species on our planet has adapted to every environment on earth—that’s us. The series looks at a number of remarkable ways humans have adapted to the various habitats.

    You’ll see people from all over the globe who do things you never would imagine. Here’s just a small sample:

     

    • -Folks in Churchill, Manitoba Canada who trick or treat on Halloween with hungry polar bears stalking the streets
    • -A man in Papua New Guinea practicing the ancient art of shark calling in a small canoe
    • -Dolphins that help humans fish in Brazil
    • -A wild honeyguide bird working with Maasai boys to steal honey from wild African bees
    • -Mongolians using tamed golden eagles to hunt fox
    • -People in the eastern Amazon who love their pet monkeys so much they breastfeed them
    • -Inuit Canadians who risk death going under the arctic ice during low tide to gather mussels
    • -Three Dorobo in Kenya stealing food from a lion pride of more than twenty lions

     

    Oh, and how could I not mention the three children who hunt tarantulas in Venezuela, roasting them up as tasty treats that taste a little like crab. I could go on and on. There are sixty-three of these stories in all, grouped into eight episodes that each focus on a certain habitat, including deserts, the Arctic, jungles, mountains, grasslands, rivers, and cities. Each episode also includes a behind-the-scenes story about the filming of one of the episodes. And some of these are as thrilling as the stories themselves.

    In fact, that’s one of the things I love about this series. In addition to showing me fascinating things I’ve never seen, a number of the stories also raise the adrenaline just a bit. And yet, that’s not all. Because while presenting “strange” cultures, the stories humanize these folks so that instead of presenting aliens, these people feel more like fascinating distant relations. This is storytelling at its finest. If you like nature shows at all, you’ll be totally delighted with Human Planet.

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6 Comments

  1. John,

    I hope it didn’t stress you out to see your book listed at a low price. If it makes you feel better, I’ll be picking up Curse at full price when it comes out. 🙂

  2. Ah, that makes sense. I bought your book because Lord Sanderson commanded it… in a round about, “This guy is good so we have him on Writing Excuses” kind of way. Perhaps when Curse comes out you can do another guest appearance? I always enjoy listening to you talk about the craft, particularly the hardships you faced and overcoming them.

  3. I’ll be on again around November. And I’m sure again when Curse comes out in 2011. I’m looking forward to it. I’ve learned a lot this last year with the release of book 1 and writing book 2. A LOT! Of course, won’t be able to share it all there. Happy to hear it helps, Andrew.

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