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More info on the American Fork Arts Council Gig

Fat head alert.     

Not to be missed – the most useful speech on writing you will ever hear! Keynote speaker John D. Brown will present ‘Three things you MUST know to write killer stories.’ John Brown is a prize-winning short story writer and novelist. His epic fantasy novel, “Servant of a Dark God” will be released in North America in September 2009. 

“Most useful” is nice. Let’s hope I can live up to that one.  🙂 I’m looking forward to this event. A lot of other great authors will be there as well as editors from Deseret Book, Covenant, and Cedar Fort. If you’re a regional writer, you won’t want to miss this. Full information here on the American Fork Arts Council council for writers.

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  • An absolutely perfect and maddening turn in the story

    You’ll note the word count on CODG is steadily rising. Today, I experienced a delightful AND maddening turn.

    I find outlines to be immensely useful tools for story development. Of course, there are many more tools in the box–outlines can’t do everything. For example, there are times when you’re drafting a story that you write something and it suddenly generates new options for the story that you in no way could have imagined without getting to that point in the draft. You can get a lot of ideas with an outline, but drafts generate still more. Sometimes the options that present themselves while you’re drafting are so right they give you goosebumps. I got one of those today. Of course, part of why it was so good was not only that it put the character in a perfect dilemma and the reader in a perfect chapter cliffhanger, but also because it was completely unexpected yet logical. 

    This all sounds so good, right? Well, the story turn was so unexpected, it startled me. It’s thrown my outline off. Which means I’m going to have to now revise the working outline. I was tempted to make the story fit. After all, I DO have a deadline. But this story turn is so freaking juicy that I cannot justify the hackery. Besides, working outlines are made for revision.

    I’m riding by the seat of my pants today folks, and it’s exciting. I think readers are going to love this turn.

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  • World-building the history of a place

    writing-excuses-the-guys2-300x139The Writing Excuses guys have posted another good podcast: this one on world-building a history.

    I wanted to add a few comments. You’ll notice that a lot of the blurbs for my novel mention my world-building, so I guess it’s a strength in my writing. However, I don’t write huge world building documents in the pre-draft stage. I do write some history, of course. But I don’t think it would take up more than a few pages. A lot of world-building happens in draft.

    It seems to me there are two levels of “history” and a lot of it can be done on-the-fly.

    1. There are small hints of CHANGE in places and people.

    Dave Wolverton taught me this one. You come upon an orchard in the woods that’s gone wild and is overgrown. It takes two lines to describe it and it gives a strong feel of past. The reader wonders who was there, what happened. Maybe you tell them. Maybe you don’t. You mention that the village Knight used to be fat but is wasting or vice versa. I find I can do these types of things usually on-the-fly as I’m writing. And I don’t need to know much about them. I just ask myself if anything has changed with the location or characters in the current scene.

    A few touches of CHANGE throughout the novel give a strong sense of history.

    2. There are events, groups, and individuals who impact or impacted your characters and their community in large ways.

    There was a war with a neighboring country not five years ago. Your characters have to travel through that land, or maybe half the male population went to war and never came back. Or perhaps your character lost his sister in a drowning he could have prevented. Or he lost her to slavers. Or perhaps there is a secret police (like the Roman couriers) who arrived two years ago.

    Again, many of these things can be thought up on the fly as you look for conflict and the stories of a place and community. However, I’ve found that it helps to ask a few key questions in the pre-draft stage to lay some (NEVER ALL) the groundwork.

    — What kind of conflicts do these nations and groups have?
    — What events have had a large impact on my character and his community? They can be terrible or wonderful events.
    — Who in the community are my characters friends and enemies? What’s the history?
    — What are the local and regional stories of events (or people) that were eccentric, odd, mysterious, dangerous, or revolutionary?

    I never get all my answers up front. But I will get some. And then as I write I just keep in mind that it’s neat to indicate change every once in a while and to briefly bring up stories from the past that relate to the current matter at hand in the present story.

    Finally, I really like the idea the Writing Excuses guys brought up of sharing multiple explanations for an event (multiple histories) when it fits and to include more than one cause, although I’m pretty sure the 80/20 rule applies to causation.

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  • Calendar updates

    I’ve added a number of entries to the calendar, including three conferences I plan on attending.

    I know I’ll be presenting at the first two. The title and description of the League of Utah Writers presentation are:

    TITLE: The Secret to Getting Story Ideas

    DESCRIPTION: How to stop generating great story ideas by accident and start generating them on purpose, whenever you need them.

    I don’t know what I’ll do for LTUE. I might do a repeat of the “The Secret to Getting Story Ideas,” or I might do something on how to write scenes or how genre is the key to plot. Stay tuned!

    Date & Time Event Location Notes
    Right now Writing Office It’s all for you, Dear Reader
    2015, Summer Release of Awful Intent, a Frank Shaw novel All major online retail venues The date is not firm.
    2015, Aug 28-29 League of Utah Writers Fall Conference Logan, UT League of Utah Writers
    2016, Winter Release of Hard Target, a Frank Shaw novel All major online retail venues The date is not firm.
    2016, Feb 11-13 Life, the Universe & Everything Provo, UT LTUE website
    2016, May LDStorymakers Conference Provo, UT LDStorymakers website
    2016, Summer Release of Glory: The Dark God Book 4 All major online retail venues The date is not firm.
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  • |

    Lesson 8 finished

    If you write poopy-slow like me, you will finish 500-700 words of your draft in an hour. Let’s see what that means for various novel sizes.

    • 25,000 words: 50 hours
    • 50,000 words: 100 hours
    • 75,000 words: 150 hours
    • 100,000 words: 200 hours
    • 200,000 words: 400 hours

    And those requirements don’t count time you might need to spend re-imagining a piece or researching some gap in your knowledge or figuring out some knotty bit you couldn’t see was problematic when you first set out. A novel can be a big project and stretch over a few weeks, especially when you don’t have eight hours a day to write.

    In this lesson, you will learn that you need to treat the draft like what it is–a project–and use basic project management techniques to help you get the work done.

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  • Final Cover for Servant of a Dark God

    Shiny.

    They moved the David Drake blurb to the side, lightened the lettering and moved things so the title wasn’t covering the top of Hunger’s head. At first I thought they moved the lettering, but they didn’t. It appears the shrunk Hunger a bit so we could see more of him. Small changes, but I think they make a significant effect. I think the overall effect is better. I like how Hunger looks more menacing in this one. Sugar is different. Don’t know which version of her I like better. I’m leaning to the original. Your thoughts? Either way, we luvs Tor’s art and production department. Here’s the before and after.

    ServantDarkGod_compSODG_hb_final_cover

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