New interview of The Man by Nancy Fulda
Nancy Fulda, creator of AnthologyBuilder.com, interviews me as part of the 2011 Codex Blog Tour.
Nancy Fulda, creator of AnthologyBuilder.com, interviews me as part of the 2011 Codex Blog Tour.
I finished draft three of BAD PENNY last week and have updated the progress bars.
I’ve given the book to my agent, but because there are some contract terms that I’m unwilling to sign going forward, I need to make sure she’s comfortable representing me on it. I don’t want her doing a lot of work and bringing back what she thinks is a good deal only to have me refuse it. I’d rather discuss these up front and make sure we’re both on the same page. I hope to have her response back this week.
I am now turning my focus to SERVANT and CURSE. I need to re-read both of them and then write up an outline of what I need to revise. I hope to finish SERVANT in June and CURSE in July. I’ll post my progress on the side bars as I go.
The cover artist I’d hoped to use for both of these is unavailable at this time, dang it! So I’m currently reviewing candidates. If you know of an up-and-coming artist who you think would be good, click on the Contact Me link under my photo in the sidebar or post it in the comments.
I am developing an online novel writing course and am looking for folks to pilot it with me and give me feedback. I’m thinking I want to limit it to 10-12 folks.
It’s free and will probably take two or three months to complete. If you join, your job will be to do the work. And there will be work. I’m thinking 10-15 hours of work per week. Please don’t ask to join if you don’t want to make this commitment. I only want folks who are serious and ready to give this a shot. In addition to the work, you’ll need to report your experience with the course as we go, sharing with me where you get stuck, what’s confusing, what’s helpful, what does and doesn’t advance your skill. In fact, if at some point the course just isn’t providing you any value, you are welcome to drop. That’s good feedback too.
It’s going to be a blended format that includes self-paced work and some type of weekly online meeting. I will be guiding the class. At the very least, we’ll meet and chat at my site. I don’t know if we’ll do a live meeting or not. Still working that out.
I struggled for many years, trying to figure this stuff out, then had a number of epiphanies during Orson Card’s boot camp and continued from there. Of course I still have lots to learn. But I want to share what I have.
I love teaching and have been teaching in one form or another for the last 20 years. I’m currently an education program manager at a large software firm. What this is all means is that I’m trying to build a course that guides folks through a process that will help them learn to WRITE novels. Not just talk about them.
So this is not a series of lectures with quizzes that test your ability to recall, although I will quiz you.
It’s not a course with an end goal of teaching you what I’ve learned about the concepts and principles of plot, character, and setting, although you will need to learn that.
This is about increasing your ability to get ideas, develop them, and then write.
It’s about doing the work. It’s about production. It’s about finishing product. And having a good time doing it.
If you already feel comfortable with your ability to finish novels, this is NOT the course for you.
You can learn more about the course here by clicking The Path in the On Writing menu.
Probably the only other thing you need to know is that the class is a PG-13’ish class. While the stories can deal with intense and adult themes, as the teacher, I’m not interested in working with stories with explicit or detailed sex or lots of language of the sort that would earn a movie rating more restrictive than PG-13.
Remember, this is a pilot. Even though I’ve taught about writing for a number of years to various audiences, there might be some rough spots. We might find we need to change the work requirements or activities or any number of things.
If you’re interested, click on the Contact link on the menu of my site, and shoot me an email.
Edit 1/30/15: I’m getting a number of excellent questions about the time commitment and schedule. Let me answer them here.
The gap I’m trying to fill
First, you have to understand that I am not interested in talking about novels and writing novels. I’m interested in helping folks finish novels. That’s a big gap I see in most writing instruction. It’s the gap I had. There was nobody to help me move from the theory to the writing, and writing all the way to the end. So this isn’t a class about novels. It’s a class where I hope to help you learn a number of techniques for developing and finishing one. And to learn those techniques, you have to actually use them. Which means you have to develop and finish a novel 🙂
So why 10 hours as a minimum?
If you’re a slower writer, it’s going to take you around 50 hours to develop and write a novel of 25,000 words. That’s the size of one of Louis L’Amour’s smaller novels (which we call sometimes call “novellas” today). It’s the size of some smaller romances. A lot of indies are writing serials around this size. If you want to write a 50k book, it’s probably 100 hours, maybe more. A 75k novel? 150-200 hours. The development and first draft of a 100k novel? 200-300 hours.
These are not exact times. Some writers are faster. But you get the picture. Writing a novel is a big project. And I’ve found that it’s just too hard to get any traction on less than 10 hours per week. When you spend much less time than that, you spend most of your time just trying to remember what the story is about. I’ve found it’s best to keep your writing engine hot, or at least warm.
So will these 10 hours be in meetings?
No. I don’t want to have a lot of meetings. That’s the beauty of online. We will have deadlines. But you should be able to complete you work during the times that suit you best.
What’s the course schedule?
I can’t give you an exact schedule. I haven’t timed everything. Figuring that out is part of what we’re doing in this course. But I do know what I want you to learn and how I hope to help you learn it. We’ll just have to see how far we get with each weekly 10-hour chunk.
Okay, so SERVANT is still in Smith’s. Get them before they’re gone. If you were thinking of purchasing, now’s the time (and let’s hope the trial run is a success and they take it national in their stores). They have it cheaper than anywhere else in the Utah area. I think it’s $17 or $19. That’s a great price for a new hardback. I know it’s in these stores.
Folks, I have finally finished draft 1 of The Drovers.
Let there be much rejoicing.
It clocked in around 75,000 words, and as soon as I finished, I realized I had two shorter novels. And this is exactly what I had originally planned. I wanted to tell a very long story in many shorter chunks. So I now have two 35,000 short novels. Since only writers think in word counts, here are some other books to give you a comparison.
My books usually get a bit larger with the second draft, so I expect these will probably end up around 45,000 words. We’ll see.
What I’m really looking forward to is telling a long story in these smaller chunks and unrolling the story like it’s done on TV. You can do things over 20 or 30 episodes that you simply can’t in one big novel. This doesn’t meant I won’t be able to have big climaxes. Of course, I will. It just means that I’m going to do it in a slightly different form. I already have the basic ideas for the next dozen or so books. And now that I’m rolling, I expect things will go faster.
The working title of book 1 is “Hireling.” The working title for book 2 is “Outcast.
The cast so far:
For those who missed the live show, you can find the recording of the Dungeon Crawlers Radio interview here or you can find a link on the DCR site. I had a great time with Malak, Revan, and Joe. Talked about the current and upcoming series and some other stuff.
I’ve got a deal to make t-shirts for my book available, and I have to make some decisions. The problem is that I am terrible at making these kinds of decisions. So I’m asking for your help. Any input would be appreciated.
So we’ve decided on the design. It will say “Servant of a Dark God” on the font as shown. We might put “Welcome to the Grove” or “Beware, the Mother is Watching” on the back. It will NOT have the Tor logo indicating it’s a book. Who knows what that is anyway? Instead, the question is whether to put my name on the shirt in some fashion.
Option 1
Some suggest that it’s better to just have a shirt that has the crazy label, suggesting the wearer is a servant of a dark god. It’s provocative, and if someone asks, the person wearing it can talk about the book. With this option we would NOT put my name on the t-shirt, just a small open book icon under the title. The idea behind this is that those who would buy the shirt would already be fans and the provocative statement will do more to spread the word than my name because going this route will make the shirt more fun to wear.
Option 2
Others think that you should have your name on the shirt to advertise. So we’d put “by John Brown” underneath the title. Or we’d put it on the back of the shirt. But some say it would make the shirt less fun.
What would you prefer and why?
Because of the way we’re going about this, the color of the letters must be fixed. So the question is do we simply let people choose their own shirt colors that they thing will work with the color of the lettering or fix both the color of the lettering AND the shirt?
Option 1
Fix the shirt colors. Brown for guys and plum for women. Make the lettering a fantasy green or cream.
Option 2
Give people as much choice as possible and choose a font color that will work with the bulk of the shirt colors here: http://gildan.com/distributors/colorpalette/.
But what would color would do that and still say fantasy, or would it matter?
So which option to you think would work best? If you chose option 1, which colors?
Why is John worrying about this? Shouldn’t he be spending his time tracing his ancestry back to old grandpa lemur?
The answer to that is that John’s mind works in mysterious ways, dear Reader. You must bear with him. And you must now face your greatest fashionista test ever: which colors would say fantasy and still be something people would want to wear? I will be making shirts up for the book store employees to wear before I come to signings. So I have to decide. Someone suggested plum is all the rage this year for women. Make the letters a nice new willow green. We could have another color for men. Any ideas of what would appeal broadly?
I await your ideas.
(Ha, look at this. It appears one of my greats did indeed live his life out in the Prague menagerie. Hum.)
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I enjoyed that interview, especially the last question. I was glad you linked back to that old post. As a fledgling writer myself, it was something I needed to hear.
Yeah, I like that question too. Just wish I could rewind a few years with what I know now. Oh, well.