Will Kindle save Asimov’s, F&SF, and Analog?

It’s widely known that total circulation (sales) numbers for the main science fiction and fantasy magazines have been dropping for years. For example, in 1983 Analog’s circulation was around 115,000. Asimov’s and Magazine of Fantasy and Science Fiction, while not that high, were in the same general ball park. A lot has changed since then. Sales took a huge hit in the early 1990’s and continued to drop almost every year. However, last year something wonderful happened. Numbers went up.  

 

Gardner Dozois, in his summation of the SFF industry for 2010, found in The Year’s Best Science Fiction Vol 28, from which 2010 and 2009 numbers were taken, mentions that the growth numbers for Asimov’s subscriptions were driven in large part by “digital copies sold for e-readers through devices such as the Kindle,” and that Analog’s increase in subscriptions was “also largely because of digital sales.”

We all know that ebook took off last year. It will be very interesting to see the increase in total circulation continues for these magazines in 2011. Here is the supporting data that was collected from the reports in The Year’s Best Science Fiction volumes 20 – 28. Total circulation is made up of subscriptions and newsstand sales. Sell-through is a measurement of the % of the copies displayed in newsstands (at Barnes & Noble etc.) which sold. I added the Realms of Fantasy figures just so we could see, with the magazine recently dying its third death, just how big it once was.

 

Of course, a fascinating question is: what are the chief factors that led to such a drastic decline in the first place? But I don’t know anyone who has been able to provide data to suggest what the chief cause(s) are. If anyone knows of one, please post in the comments.

Wikipedia: Analog Science Fiction and Fact,

Share

Similar Posts

  • |

    Killer Story Workshop to be held at CONduit

    I will conduct The 3 Things You Must Learn to Write Killer Stories workshop at CONduit this year. It’s being held at the downtown Raddison hotel. Here’s my schedule.

    Friday, May 22nd

    • Culture-Building in F&SF:  3:00  PM  (with Lee Modesitt, Roger White, Dave Wolverton, Elisabeth Waters, & Brandon Sanderson)
    • The 3 Things You Must Learn to Write Killer Stories Workshop: 8:00 pm – 10:00 pm

    Saturday, May 23rd

    • Mike Oberg asks questions from the audience: 4:00 PM (with Dave Wolverton, James Dashner, & Larry Correia)
    • Reading of Servant of a Dark God: 6:00 PM
    Share
  • |

    Your single biggest challenge writing novels

    I’m about to put together a brand-new novel writing boot camp, but before I do that I want to know what would be most helpful to YOU.

    So if you want to write novels, my question to you is this…

    When it comes to writing novels, what’s YOUR single biggest challenge, frustration, or concern?

    Please CLICK THE LINK to tell me.

    Click here.

    As a thank you, those that answer the question will get a seat at a virtual, 1-hour training session I’m putting on where you discover 3 key principles of keeping your readers hooked.

    I look forward to the insights.

    You’re awesome ?

    Share
  • New creatures & mystery in wonder fiction

    I love listening to writing excuses because I get to hear three smart and funny authors discuss interesting topics that get me thinking. This week’s writing excuse was on building non-humans in SF&F.

    Here’s my take.

    An alien race, if done right, can be a huge draw to a story. For example, Brandon Sanderson’s Kandra point of view in HERO OF AGES is one of the most enjoyable parts of that book.

    However, I want to suggest that aliens (in fantasy or sf) create that draw only IF they’re kept sufficiently strange or mysterious. The minute they become common or too human, they lose their power to enchant.

    That’s one thing I like about how Tolkien did the elves and orcs–we never got the National Geographic on them. They never became common. And so I always wanted to know more. Easterlings, ents, balrogs, the orders of wizards, dragons, etc. were the same. There were tons of tales Tolkien hinted at, curioisties raised, but those desires were never sated. This is part of what drove me to other fantasy books.

    It’s the same thing that made me love mammoths and dinosaurs, bats and giant squid, and far-off places. However, once these things became common and explained, their magic departed. The curiosity generated by the wonder of things new is one of the key things science fiction and fantasy offer its readers. But I think authors can only keep it alive if they approach it in the same way a fan dancer approaches her work.

    This leads me to another point. It’s true that focusing our world building on the conflicts and story touch points can keep us on track. And we do need to produce. However, I think if we strictly limit our alien development to the central story conflicts, we might miss many opportunities for that wonder. Some of what we develop might end up complicating the plot while other parts might only enrich the experience. And I don’t think that’s bad.

    For example, one of the most poignant parts of the LOTR, of which there were many, was the tale of the ents and the entwives and Treebeard’s poem. Tolkien could have eliminated that and the story never would have been affected. But, O, how much richer the story was for that little side trail that still beckons. Or you might think of the ring Bilbo found. When Tolkien first wrote THE HOBBIT, it wasn’t THE ring of power. It was merely a ring that Gollum used. Only later, when he began to work on LOTR and was trying to figure out the main problem of the story did he work that detail into it becoming THE ring of power.

    Share
  • |

    More info on the American Fork Arts Council Gig

    Fat head alert.     

    Not to be missed – the most useful speech on writing you will ever hear! Keynote speaker John D. Brown will present ‘Three things you MUST know to write killer stories.’ John Brown is a prize-winning short story writer and novelist. His epic fantasy novel, “Servant of a Dark God” will be released in North America in September 2009. 

    “Most useful” is nice. Let’s hope I can live up to that one.  🙂 I’m looking forward to this event. A lot of other great authors will be there as well as editors from Deseret Book, Covenant, and Cedar Fort. If you’re a regional writer, you won’t want to miss this. Full information here on the American Fork Arts Council council for writers.

    Share
  • |

    Slush I Read by Jim C. Hines

    Laughs are lovely. I just came across this wonderful parody by novelist Jim C. Hines which will give you a few for free. Enjoy!

    Slush I Read
    by Jim C. Hines

    (Apologies to Seuss)

    I read slush.
    Slush I read.

    That slush I read.
    That slush I read!
    I do not like that slush I read.

    Do you like fanfic with vamps?

    I do not like them Mary Sue.
    Why do these vamps all worship you?

    Here’s a tale from D & D!

    I do not want your D & D.
    I do not like your elf PC.
    I can not stand your purple prose.
    I want to punch you in the nose!

    Would you like a hot sex scene?
    I wrote it for my online ‘zine!

    Go to Hines’ site and read the rest right now

    Share
  • Zing Generators

    Where do you get your ideas? How do you turn them into story?

    Those are fabulous questions. The answer is a bit longer than I have time for today. But I have posted my list of idea generation methods, structured ways of performing creative Q&A.

    These have been collected over the years from a number of sources and are now passed on to you, faithful reader. Use them, cherish them, and, if you wish, start an order of crazed monks to preserve the fabulous secrets.

    John Browns’s Idea Generation Method List

    Enjoy!

    Share

7 Comments

  1. Personally, I always thought at least one factor for the decline was the end of the space race. Without such a big science fiction draw in the public eye to spur interest, they slackened off.

  2. I personally let my subscription lapse when I was so busy that I found I was almost 1 year behind in reading the issues. Maybe my situation was unique or perhaps culturally we are reading less? I also wonder about the younger generation. Is there a sufficient draw to attract that demographic into the genre? If not, then perhaps there is a certain degree of natural attrition at work. (As Colton alluded to, do kids dream about being astronauts anymore?)

  3. I don’t know if they do. But I can tell you they dreamed of going to Hogwarts the last decade.

    And literacy rates have been rising for the last years. Rowling had a lot to do with that in the younger ages in the late 90’s and early 2000’s. Stephenie Meyer continued it and spawned a whole new YA Paranomal Romance genre, which has become big enough that Barnes & Noble now breaks it out. Go to the stores and you see Teen Fiction, YA Paranormal Romance, and YA Fantasy and Adventure. Those categories are growing.

    Is it that the culture has no demand for SFF in short form, or that these magazines cater to an adult market? And maybe one that eschews the very stories that YA readers love.

    Kris Rusch raises that question in her essay “Barbarians at the Gate” in Asimov’s: http://www.asimovs.com/_issue_0612/thoughtexperiments.shtml

    Lots of speculation. No data.

  4. Total speculation here, BUT… I wonder if some of the decline is due to the prevalence of science fiction-ish technology in our lives these days. Tiny communication devices, for example, are no longer something to oooh and ahhh at on the big screen or in the pages of a magazine; we don’t really get the same sense of wonder from them anymore. (Though that same prevalence of technology is perhaps all the more reason and need for us to have people writing about the possible future effects and consequences of that technology… more need, but less people reading it?)

    Another possible factor is the blurring of the scifi and fantasy lines, how so much fantasy seems to have a scientific (or pseudo-scientific) underlay. I’d be interested to hear further thoughts on all this.

  5. S. Jeanne,

    I don’t know why the magazines made their big slide, but I don’t think SF & Fantasy has gone out of fashion or become less popular. There are boom-and-bust cycles with fiction genres. But we’re not looking at the genre as a whole here, just magazine subscriptions.

    There were lots of big grossing SF movies in the 1990s and 2000s.

    http://en.wikipedia.org/wiki/List_of_science-fiction_films_of_the_1990s

    http://en.wikipedia.org/wiki/List_of_science-fiction_films_of_the_2000s

    I don’t know about SF book sales, but if you look at books like the big selling HUNGER GAMES and UGLIES series (and others), SF has not gone away.

    Potter started a up a huge fantasy boom cycle. Meyer started up a huge paranormal romance boom. Hunger games started a SF dystopia boom. Not as big as those two, but significant.

    So I don’t know that we can say that SF and Fantasy is less popular. We can say that the magazine format is. But that may have more to do with the format than anything else. And maybe the timing–a recession, the rise of the internet, pc, and video games–all helped hasten the magazine bust. But I don’t know if that says anything about SF interest in general.

Comments are closed.