|

Writers of the Future, the Church of Scientology, and Killing Puppies

Author Jim C. Hines recently posted a thoughtful blog about connections between Writers of the Future and Scientology. There are a number of folks who have issues with Hubbard’s metaphysical claims and the church he started. Some folks claim that supporting Writers of the Future (WOTF) in any way supports the Church of Scientology (CoS) and the abuse of the young, the innocent, those who are vulnerable, and the stupid.

I won a first prize in the Writers of the Future. I received $2,000 cash for the prize and subsequent publication. I also recieved a paid trip to Cocoa Beach, Florida to workshop with the other winners and pro writers. I tell new writers to submit to the contest all the time. I do not feel I’m supporting any wickedness. Let me walk you through this. You tell me if I’m killing any puppies.

A. What underlies the continued operation of WOTF?

  1. Hubbard wanted it (I don’t know why, although he states it was to help new sff authors and illustrators).
  2. The folks who run it have a very HIGH esteem of Hubbard and so have huge motivation to make it successful.
  3. A trust was set aside, although without looking at the books we can’t know exactly if it’s an independent thing or if money is being funneled from other CoS holdings.  You do not pay many to enter the contest, so all of the money to run the contest and pay prizes etc. comes from this trust, sales of the WOTF anthologies, and perhaps other CoS holdings.
  4. It’s used for positsive PR for Hubbard’s brand name.
  5. The judges, who don’t give a fig about CoS, want to help new writers.

B. What are the effects of the contest?

  1. No documented writer conversions to CoS.
  2. No documented WOTF anthology conversions of young skulls full of mush to CoS. Someone please show me some evidence of the WOTF antho being a gateway to anything, despite the rumored statements of some Scientologists someone’s uncle overheard.
  3. No documented donations to CoS that I know of.
  4. New writers get paid a whole bunch of money, get to network, and receive instruction from pros for a week.
  5. The winners, on average, think better of Hubbard, as do their friends and family.
  6. Most winners report it was a great experience and encourage other new writers to submit.
  7. WOTF sells some anthologies and makes a little bit of cash to offset expenses. I can’t imagine they’re ever in the black, are they?
  8. WOTF tracks winners and uses those who have done well as PR shiny for . . . WOTF and the Hubbard brand name.

I was a first place winner. I had a marvelous time. This was the one held in Cocoa Beach, Florida. One night I needed to go to a convenience store to get something (tooth paste?). One of the WOTF folks drove me there. A nice woman. It was raining. It was just the two of us in the SUV.

I’m a VERY CURIOUS guy. I’ve read most of DIANETICS. I stopped by a Scientology place in Seattle to chat. I like hearing people talk about their faiths, about their lives, about whatever. If you spend any amount of time with me, you will tell me your life story. You will. It just happens.

I tried my dangest to get something out of that woman, but she was as tight as a clam sealed in four feet of concrete.

Nobody talked Scientology. Everyone involved went out of their way to avoid it. End of story. I’ve talked to many other winners. They report the same.

On the other hand, they did have a PR guy there.

Mr. PR intereviewed us about the contest and Hubbard’s works and took footage. Our one-on-one interviews were on camera. We took still photos. He asked us in our acceptance speeches to thank Hubbard by name.

He was a PR guy.

It was very clear his job was to generate PR content for WOTF and Hubbard. How do I KNOW this? Because his questions all centered around WOTF and/or Hubbard. But never CoS.

Some of the winners did not like his solicitation for a mention of Hubbard’s name. There was some reality show behind the scenes grumbling and scheming, and they did not mention Hubbard in their thanks at the awards event.

That’s fine, although it didn’t make much sense to me. Maybe they felt gratitude needs to be spontaneous, not asked for. And I can agree with them on that. At the same time, why would I take $2,000 cash for the prize and publication, and the paid hotel, and workshop, and airfare and then slap the folks who gave it to me? I was indeed grateful. So I mentioned Hubbard in my thanks (oh, look at how noble I am; somebody should saint me).

What did the contest do for me?

  1. Gave me some cash.
  2. Validated that maybe I had some chops. No, I wasn’t competing against pros. But I was competing against all those wanting to break in. I talked to Wolverton, who was a coordinating judge for many years and was the first reader, about the numbers of submissions they received. Hundreds upon hundreds each quarter. Huge boxes full. Were some drek? Of course. Who cares? Others weren’t. I won.
  3. Planted an idea in me that maybe I could do this.
  4. Gave me great connections with some pros and other authors.
  5. Allowed me to tell people I won a big international award for my writing. A little PR for my own brand. Who doesn’t want to engage in a bit of puffery now and then (and so you see, Fred, I am a little fabulous, aren’t I . . . )?

So the contest, as far as I’m concerned, is a GREAT contest for new writers.

But am I supporting CoS? And is that a bad thing?

Every time I purchase a Kraft Foods or Nabisco product, I directly fund Phillip Morris tobacco company and their efforts to hook children on smoking abroad. Some of the tomatoes I purchase in Walmart and other grocery stores are tainted by slavery that occurs today in Florida and California’s central valley with migrant workers. Some of those tomatoes end up in various restaurants like Pizza Hut or Papa Murphy’s. Every bite of chocolate you eat funds slavery in the Ivory Coast, where the vast majority of cocoa beans come from. Not a few slavers here and there, but widespread slavery and abuse. There are many situations like this.

What do you do when you like a product or service, but don’t necessarily want to lend aid to an affiliated cause?

In many situations, I don’t do much.

Alas, there goes my sainthood.

I admit that I should and should probably think more about this.  At the same time, with regards to CoS, I don’t know that it is a wicked and exploitative organization.

I’ve seen nothing that suggests they’re into crime. Or systemic abuse. Or fraud. Or that they have a vendetta against dumb people. I don’t share one iota of their faith in Hubbard or his metaphysical teachings. But I do share other values and beliefs with them. Just as I do with Catholics, Muslims, Pagans, Athiests, Communists, and Realtors.

Besides, I never did PR for them. I’ve always said I DISAGREED with their theology, which is negative PR, if you think about it. Furthermore, I’m fairly confident the contest DOES NOT funnel large amounts of money to CoS.

What can they be making after taking out the expenses of the award week for all those authors, illustrators, judges, “luminaries,” etc. that they fly in and house, all in addition to the prize and publication monies? I’m confident they make nothing at all, but actually lose money each year.

So the net net is that they get some PR for WOTF in the SFF community and some for Hubbard’s name. That’s it. That’s what I’m giving them.

But I don’t see any documented stories of that leading to any donations or conversions to CoS. Or positive PR for CoS. Which, again, I’m still not convinced is a systemically exploitative and wicked organization.

But even if it were, am I really supporting CoS when I promote WOTF?

I don’t think so. I’m not giving them cash. I’m not giving them any positive PR. It seems to me purchasing one bag of Oreos or a Lindt chocolate bar does more harm than this ever could.

I feel so much better now. I am saving the puppies.

Of course, if you disagree, please post a comment. If you have reliable documentation, not hearsay and tabloid clamor, that can add to the discussion, feel free to share it. I’m all for good data. And if you see issues with my logic, share that as well. But no wild-eyed, Chicken Little, my mother was eaten by CoS aliens rants please.

As for that Twix I just ate. . .

(sigh)

EDIT 1: I just learned the Phillip Morris spun Nabisco and Kraft off in 2007.  So that frees up my Oreo conscience, but the principle remains.

EDIT 2: Okay, so I just learned that the CoS planned and authorized crimes in Operation Snow White. What to make of that? Comments? Talk about your corporate espionage. I know there are governments and organizations around the world and in the US that engage in that all the time. But this is the first I’ve seen from a “church.”

EDIT 3: Read through the links on this post by Deirdre Saoirse Moen where she explains why she no longer supports the WOTF contest. Primarily, she just can’t stand some of the CoS practices.

Of note is the link to the court report by the Village Voice at the Debbie Cook hearing. One question I have is why all those leaders were in the Hole to begin with? Was it some routine church program? Yeah, it sounds awful, but the military puts the SEALs and Special Forces through awful things. So I’m not clear on all of that.  And why haven’t more come out to complain? The unlawful detainment aspect of these allegations is disturbing. But are they really doing this? Are these isolated experiences, or SOP? I don’t know.

There’s another one farther down that lists alleged harassment of folks posting some CoS theology documents on the internet.  I sampled the documents linked to there. Most of those are just copyright violation letters. SOP for anyone trying to protect copyright.

Looking at Operation Snow White, the Debbie Cook hearing, and the copyright violation stuff, it’s becoming fairly clear that the CoS has taken an extremely aggressive approach against some of those who speak out against them (maybe it’s over the top) and a similar approach with protecting their materials. Although I think they’ve lost the battle about their materials on the internet. 

Instead of trying to win public opinion with the truth, it seems in some cases they’ve instead attempted through various methods to try to silence detractors.

Anyone have any more links to substantive material?

EDIT 4: Here’s a letter from Joni Labaqui, a Scientologist and the person who runs the whole WOTF shooting match, to Frank Wu, who was an illustrator winner, and had posted some stuff about WOTF and CoS here: http://www.frankwu.com/illo.html (I found the letter at the bottom).

Dear Frank,

Hi! It’s Joni Labaqui here. Haven’t seen you since you blew me off at LA Con a few years ago and now I know why. I didn’t understand why you didn’t want to talk to me for very long. I loved your write-up on your site about the contest until you got into talking about Scientology. I know what you mean about feeling hurt when people put down your church. I happen to think you are NOT stupid because you are a Christian. I have many Christian friends and I respect their beliefs and even fight for them. But then you get into my religion on your site and putting out falsehoods, then I realized you didn’t have all of the info. We don’t sue people for bad mouthing our religion. The Church sues when there is slander and liable of considerable magnitude involved. Lets use an analogy here – lets say someone accused you of raping the girl next door, but you didn’t do it. Would you be upset? Lets say the parents then sued you or had you put in jail or both. Would you be upset? Would you hire an attorney? Gee, you’d be involved in a legal suit wouldn’t you? What if the father of the girl made sure you were lied about in the newspapers and on TV and he tried or succeeded in ruining your reputation? How would you feel? On top of that, lets say what really happened is you simply talked to the girl and were trying to help her and she turned around and accused you. How would you feel? And how about all those people who love to gossip? (I personally hate people who gossip as all they are doing is hurting others and they are basically low-life losers – lots of people fit into this category, I’m afraid). How would you feel?

You were actually wrong in that Scientology pays for the writers and illustrators awards. The Hubbard estate (which is not the church) makes so much money on royalties from his hundreds of published fiction it would make your head spin. You were right about the fact that every one of us who works at Author Services is a Scientologist, but the judges of the contest are not. They share the same goal that Mr. Hubbard did in starting and paying for this contest – to help the new guy, just like yourself back then when you won. So I don’t understand, a nice person like you has to even bring up the subject in your write-up. You think we are interested in “converting” any of you winners just because we have you tour the Life Exhibition? The answer from the horses mouth is NO. We are simply showing you more about his life and works so that you have the facts about the other part of his life, not the bullshit and lies that has been put out by vested interests of multi-billion dollar drug companies and the psychs that can’t stand us. Have you received tons of unwanted, unsolicited mail? The answer is no. Trust me, if we wanted to convert you, you would sure know it. Believe it or not, Mr. Hubbard in founding this contest just wanted you guys to be seen and heard because he knew how hard it is to get started. Period. Its not about Scientology. That is the simplicity of this contest. Anyone reading anything else into it has their own issues and I feel sorry for them. I guess maybe you ran into someone bad mouthing us and you listened to them. If someone badmouthed you – to this day – I wouldn’t buy it. I’d tell them to take a hike. Do you know why? Because I know you are a good person. I met you, I shared some of that joy you experienced when you won, and I was truely happy for you because I like people being happy, winning in life and doing well and winning this contest. I still like you, but I’m a bit disappointed that you felt compeled to write what you did. I don’t get it. I personally put in hundreds of hours of work to help give you the event that you won your award at, so how do you think I feel?

I hope to hear from you. Best, Joni

Share

Similar Posts

  • Indie Thoughts: Enticing with price

    The top two factors driving book sales both stem from having a loyal customer base. Building that base is the goal as it is in any business that depends on repeat customers. In a previous post I outlined these parts to building that base.

    1. Create a product (a book in this case) that’s likely to delight a certain set of consumers (readers).
    2. Let those consumers (readers) know about it.
    3. Make it enticing for them to give it a try.
    4. Make it easy for those who liked it to know when they can get another; and make it easy to get.
    5. Get more product (another book that’s similar to the last) out the door so your repeat customers can come back for more.

    In this post I’m going to share some thoughts on #3.

    So how do you entice someone new to give you a try? There are a lot of things I see that play into that:  a great cover, description, sample chapters, and reviews that all say quality and scream genre. But there’s another huge factor to making something enticing. And that is price. Or rather price vs. perceived value.

    I’m looking at Mark Corkers reports from Smashwords.

    I’m looking at slides 65-69. I know many of us have seen them.

    If the patterns are similar at Amazon, which sells more ebooks than anyone else, then a price of $3.99 on average will sell more than double the copies of $6.99.

    $3.99 means MORE readers who might develop some level of loyalty, MORE word of mouth, and it means MORE revenue than at other price levels.

    It means more than double the chances of getting your stuff in front on an influencer.

    More than double the chances for luck to come into play.

    And those odds grow exponentially.

    And, again, all along the way that price earns you more than if you were pricing at $6.99 or $9.99 because you sell more books.

    Of course, these are averages, which means folks are winning at prices above and below this. Furthermore, it’s not the same across genres. For example, it appears romance tends to sell better towards the lower end of the range Corker shows.  But it clearly shows that price is an important part of enticing a reader to give you a try.

    And when I look at the indies who are selling huge numbers and have built their customer base, the vast majority of them seem to have gotten there by tapping into the market forces Corker shows on these slides.

    That doesn’t mean they price all their books the same. Some are doing very well using a loss-leader/sample strategy where they offer the first book in a series for 99 cents or free. This also doesn’t mean they set their price and forget. it. They seem to do just the opposite, experimenting with different prices.  I noticed the Joe Konrath, who became a mega-seller at $2.99, raised his prices to $5.99 recently. He’s dropped them back down to $2.99 and $3.99. But he was clearly testing something. In an interview earlier this year with Simon Duringer, Russell Blake who is doing very well in the thriller category recently said this.

    Probably the most effective thing I did over the last two years other than Select, which came and went in terms of usefulness, was making the first book in my JET and my Assassin series free. That lowered the barrier to giving my work a whirl to nil, and my readership exploded from there. About a month and a half ago I stopped doing that because I saw my conversion rates were averaging about 12-13% from the first to the second book, and I questioned whether, with, say, 500 downloads a day, and seeing 60 sales of book two, it might not be more desirable to get 70 paid sales of book one, and seeing that same 60 on the conversion (because if someone pays for your first book, they’re probably going to read it, and soon, whereas if they get it free, it could take years, or more likely, never happen). So far so good.

    Clearly the folks who are doing well with this are experimenting with price to see which levels maximize revenue and loyal customers. And I think that’s the key. They are looking at what seems to be working for others, experimenting, and basing decisions on results.

     

    Share
  • Pew Study on American Reading Habits

    Pew Research Center just published the results of a national study surveying reader habits. It answers questions like:

    • Do folks read ebooks more often on cell phones, e-readers, or computers?
    • How many books does each age group read per year?
    • How do readers under 30 discover books to read? 

    Lots of great stuff. You can read the full survey here: http://libraries.pewinternet.org/2012/10/23/younger-americans-reading-and-library-habits/

    Share
  • |

    Handout to “How to Write a Story that Rocks”

    I had an absolute BLAST with Larry and the audience at LTUE. I think the workshop went very well for the first time. Of course, I’m going to make some tweaks. Paul Genesse had some interesting feedback and I’ll have to see if I can’t do more with character. Two hours is such a short period of time.

    The good news for those who couldn’t attend is that we have a recording and will be posting probably next week. Everyone should thank Stephen Nelson!

    We ran out of handouts. I printed 80. Then Mark Holt generously had 30 more printed. We still didn’t have enough. For those of you who didn’t get one or who want an electronic copy, here it is.

    How to Write a Story That Rocks – Handout

    Share
  • A Response to John Scalzi

    The best way to change someone’s mind: use the skills you learned writing fiction.

    John Scalzi recently wrote a post about White Privilege.  You know: the idea that Straight White Males (SWMs) have all the cards stacked in their favor.  It’s called “Straight White Male: The Lowest Difficulty Setting There Is.” I assume he wrote it to help SWMs have more sympathy for those who aren’t SWM.

    It’s a noble cause.  Not as noble as true love, but that’s so rare–not one couple in a century has a chance at true love (at least when you live in Guilder).

    The problem is that Scalzi’s post is a great 101 on how To NOT Win Friends and Influence People.  Actually, that’s not right.  He will win new friends and increase his influence among those who are like-minded.  But if he was hoping to win over those who didn’t already see things his way, I don’t think he’s going to be very successful.

    His posts generated hundreds of comments. When you look at the comments, you’ll see that the vast majority of them are folks arguing Scalzi’s side with smug condescension and other folks arguing points against Scalzi with an equal lack of tact.

    In short, it’s a classic online bring-your-guns-to-the-party event.

    Alas.

    Except I must admit such events can be a lot of fun if you’re on the side with greater numbers.  Furthermore, there is sometimes a tremendous pleasure to be had in being provocative.  Sometimes we simply must publish something with teeth in it.  And maybe that’s what Scalzi was trying to do. 

    But if not, here’s where Scalzi’s post went admirably wrong.  And it has everything to do with principles that underlie influence as well as writing fiction.  You see, when you’re writing fiction and you want someone to root for your character, you do not turn to the reader and insult him. Insults don’t bring readers into your world.

    Equally as important, telling, or demanding someone feel a certain way towards someone else, will fail every time you try it. You cannot demand (or whine) that a reader must feel sympathy and admiration for the character.  Why?  Because emotions don’t respond to demands.  They just don’t.  It’s like trying to freeze water by seasoning it with pepper. 

    The advice “Show, don’t tell” works in real life as well as it works in fiction.

    Emotions are automatic.  If someone presents the right stimulus, we WILL feel the desired emotion in response.  We don’t experience a sympathetic change of heart when someone gets in our face and demands we feel sympathy.  We do feel that change when we see the antecedents which prompt the emotional response in us.  Show me.  Make me believe.  And the response is automatic.  

    This is what happened with Uncle Tom’s Cabin and the movie Ghandi and the TV series Roots and the more recent movie Believe in Me and the novel Les Miserables and thousands of others.  It’s what happens every day when someone in one group meets someone in another group they feel some distrust for and begins to build a friendship. 

    Show the antecedents, help folks identify, and you’ll move millions.  Get up and rant at someone, and all you’ll get is the bird.  And applause from the true believers.

    Scalzi claims that if you feel offended by his post then you’re hypersensitive because all he was doing is pointing out the facts.  Um, no.  Jim Hines is trying to establish potential facts.  You could try to verify those.  You could try to separate out causation from correlation.  But Scalzi is not doing that. He’s telling all SWM that they are playing on the kiddy version of the life video game.  Your life is so easy.  Everything is rigged for you.  You’re playing the baby version.  And because of that everyone else’s life is so much harder.

    No, he didn’t say those words exactly. But there is this thing call connotation. There is this thing called tone.  And no matter how hard you try, you’re can’t separate the non-verbal communication from the message. 

    Everyone knows that some people have it harder in life and some have it easier. Like, duh.  I think we all learn that when we showed up to the first grade.  So what’s the point of telling all the SWM’s reading his blog that they are playing the dweeb version of life, the one with training wheels?

    Furthermore, instead of helping all of us pampered SWMs identify with our brothers and sisters, he tries to erect more boundaries that would push us apart by giving all of us another way to discriminate and another reason to be resentful.

    Lowly, pampered SWMs at the bottom.  Gays, people of color, and women farther up. 

    So now we’re going to go around with a My Life’s Harder Than Yours number?  The opinions of those with low numbers will have less weight.  How could they have anything as worthwhile to say when their life has been so easy?  Those with higher numbers will have more weight. 

    A whole new group calculus will have to be developed and standardized.  And it will have to go beyond which shade of brown your skin is (yes, White people really are just a lighter shade of brown), your gender, and sexual orientation.  Because those who are handicapped, by birth or by accident have it really rough too.  We’d have to figure out if they had it more or less rough that someone who was gay, and would that change if that gay person lived in San Francisco versus Laramie, Wyoming?  A geographical element!  And what about those with idiot parents who teach their kids to take meth and don’t get them to school or beat them in alcoholic rages or who are never around?  I wonder what score that would bring.  And what about the kids who grow up with grandpa molesting them?  And what about the short, the fat, the plain?  What about those with glasses?  Those who are runty bully targets?  Or those with a minority religion.  What about those born with AIDS? 

    Are we sure it’s a good idea to start ranking ourselves, using color, gender, and sexual preference to tag our status? 

    Wait, haven’t we already tried that?

    When someone comes up to you at a party and condescends, when they’re always one-upping you with a “you think you’ve got it hard you haven’t seen squat” line, what is your response?  Even if it is legit.  What about when they get in your face for someone else?  Does that change your default response?

    It’s the same at internet parties and gatherings.

    So.

    Lesson 1: If you want to influence someone, don’t start by insulting them and continue by talking down to them. If you want to have a good time with like-minded friends, then, by all means, skewer.

    Lesson 2: Remember “show, don’t tell” to win someone’s affection.  Present the person’s story, and the reader will feel respect, trust, sympathy, sorrow, regret, and admiration automatically (okay, you’re right, some of that depends on the reader).  Tell or demand, and none of that will occur.

    Lesson 3: Don’t raise barriers between two groups when you want members of one group to identify with members of another.

    Here’s a better way. 

    Tell me a story about a real gay black woman.  Make me love her.  Make me care.  Tell me a story about her I can sympathize with.  Just show me the woman.  Make it about her, not her group category.  Or tell me a story about a Mexican man who is just trying to provide for his children in America.  Or tell me about a sympathetic SWM who goes to Asia or Polynesia and finds the cards stacked against him.  Stories like this abound.  

    In fact, why don’t you drop the whole “SWM” business.  If you want me to identify, to experience-take (yes, that official jargon), it’s probably best not to slap SWM on me and set me in one corner and slap GBM on someone else and set them in another.  Help me identify.  Focus on how we are alike. When you do discuss the differences, magnify those things that are wonderful and unique, or eccentric and unique, or goofy and unique, or weird and unique, or whatever, but make it positive.  And when you must talk about old or continuing grievances between two groups, do so with respect, with a desire to calm, not enflame.

    Lest you think I don’t know what I’m talking about, I grew up working in a family business where employees were White, Black, Hispanic, Tongan, and Japanese.  Male, female, homosexual, heterosexual.  And we were a big family.  My father and mother held out big welcoming arms.  I have Whites and Blacks in my biological family.  I hope my daughters find great men to be their husbands.  And if they happen to also be Indian or Puerto Rican or Black or Asian or Maori or Scottish or Southern or whatever, I would think it was grand.  It’s possible I might experience some of that mild “other group” anxiety that sometimes comes when you meet someone that’s not just like you.  But I know it’s possible to get beyond that by seeing what’s common, building friendships, and celebrating and laughing at and with the differences.

    My father, God rest his soul, liked to quote Edwin Markam.  I thought it fitting.

    He drew a circle to keep me out,

    A thing of scorn, and a thing to flout.

    But love and I had the wit to win:

    We drew a circle that took him in.

    You want to laugh with the like-minded?  Draw the first kind of circle.  You want to win hearts and minds?  Draw the bigger one.

    Share
  • SODG out to first round of possible blurbers

    “Blurbers” is so much more fun than “endorsers.” Stacy has sent the manuscript of Servant of a Dark God out to the first round of people who said they would give the story a go. If they find they’re in the audience, they’ll write up a blurb for it. This is all in preparation for the launch meeting in December when my editors go to bat for me and sell the book to the salespeople inside Tor.

    While I hope the potential blurbers will all find themselves in the story’s audience, I do not assume it’s a given. If they’re not, I’m still a happy man (although a bit disappointed). There are many wildly successful tales that I myself am not in the audience for.

    I expect we’ll get reactions back in a month or two. I’ll post here the results.

    I can’t remember the last time I was this anxious. Yesterday I read Scott Card’s review of K.J. Parker’s stuff.  All his business about great writers. And I’m thinking, holy heck. I’m a nothing. Just a little dude with this nothing book. And then I thought, what if none of these readers find they’re in the audience for the book? It’s one thing to send out a manuscript. You can always change, improve. But this is it. This is the book. It either soars or plops in the mud.

    But then I read Mette Ivie Harrison’s first article on writing for IGMS and thought—you know what, I tell the stories I tell. While others may aspire to “greatness,” that’s not something I care to strive for. I want to write stories that entertain and move. And while I can learn how to write and tell better stories, they’re always going to be John Brown stories. If they plop, they plop. And I just have to forget all the greatness-everybody-must-love-me nonsense and write John Brown

    I met Mette at Card’s boot camp in 2002. We’ve read each other’s manuscripts every once in a while. I respect her ideas, loved MIra, Mirror, and am grateful for that article. If you’re a writer, I recommend it to you highly.

    Share
  • |

    The Pareto Principle, Form Follows Function, and Story

    There are a thousand things to “remember” when writing story. New writers who make lists of these things soon begin to drown in them. But I’ve come to realize that many of these “rules” don’t matter.

    They don’t matter because many ignore the function of story. And so you can’t know how and when to apply them, or if they’re even something you should apply in the first place. Furthermore, a good number that do tie back to function often have little impact.

    The more I develop and write, the more I begin to see that the key is to focus on a liminted number of fundamentals. To focus on the things that matter most.

    So what really matters when you’re writing a story?

    I’m going to be speaking for an hour at the Book Academy tomorrow. It’s at Utah Valley University. The week after I’ll be presenting all day at the American Fork Arts Council’s autumn writer’s conference. I will probably write up all my thoughts and post them to my site at some time.  But for right now this is where you can hear them.  

    I truly believe the Pareto Principle applies to writing. But you can’t go searching for those vital few factors until you know the effects they’re supposed to produce. Form follows function. And the function is something that happens in the reader.

    Here’s a nibble. This quote from David Howard is an example of what I’m talking about.

    “As we’ve seen, what the audience hopes for and what the characters hope for need not be the same thing. The same is true of our fears versus their fears. But how do hope and fear fit into the scheme of storytelling? Hope and fear are about the future. They derive from uncertaintly about future events in the story, future decisions the characters might make, future discoveries or revelations that might be unearthed, future outside forces and how they will influence the journey of the characters. When we discuss hope verusus fear in dramaturgical terms, this uncertainty is a function solely of the audience and its experience [my emphasis]. This is dramatic tension. We hope the man with the cobra in the shoe box won’t open the box; we fear he might and get himself or someone else bitten. We don’t know what will happen, but we know what might happen and therefore feel tension about those possibilities” (How to Build a Great Screenplay, 52).

    Readers buy novels because novels provide a service. They provide something to the reader. They DO something to the reader.  That’s why readers pay good money for them, and stay up late at night (well past smart bedtimes) with them, and spend hours of their lives reading them.  

    What do stories do? What are the key factors that have to be present in the stories for them to be able to do these things? How do you help readers hope and fear for what might happen?

    I’m no story guru, but I do hope to share some of the vital few factors I see in the presentations I’ll be giving this week and next.

    Share

6 Comments

  1. John, I whole-heartedly agree with you on this. I have been submitting to WoTF for about six years. In that time I have garnered two Honorable Mentions, but nothing more, yet.

    In 2007 , I think it was, perhaps 2006, I payed my way down to LA to attend the awards celebration for that particular year, mostly to get a feel for the contest and schmooze with the likes of Kevin J Anderson and Tim Powers. It was a fantastic experience. I spent the entire evening chatting with not only the winners and judges, but also many of the guests and other attendees of the event. AT NO POINT did ANYONE even bring up Scientology in any way. Granted a few of the guests I sat next to during the ceremony seemed to be discussing something to do with Dianetics, but, even though I spoke with them for a good deal of time later, they did not broach the subject with me.

    The entire WoTF contest is focused solely on helping emerging writers to break into the business. Even the emails, snail mail, and other correspondence I get from WoTF and Galaxy Press are all about Hubbard’s writing, his stories, and his devotion to assisting young authors.

    Writers of the Future is a wonderful contest pushing a wonderful cause. Anyone who thinks otherwise is either ignorant or being pernicious.

    I fully support the WoTF contest. I will be my way into the business someday. Watch for it, 🙂

  2. If you haven’t seen documentation about Scientology’s systemic abuses, you really have been avoiding looking, frankly. I’ve got some links on my WotF-tagged posts.

    How can Galaxy Press afford to keep the anthologies in print, you might ask? Because I assure you, they benefit from the church’s own internal human trafficking to do so.

    You may not know that Scn owns their own presses, operated by Bridge Publications. There’s frankly no way, despite their claims of massive sales, they could afford to keep the anthologies in print using commercial printers, especially the older anthologies where the sales have tapered off.

    Here’s a lawsuit from a former Bridge staffer who, as a minor, severed a finger in a guillotine that had no safety guards. Minors are prohibited by federal law from operating such equipment, and Montalvo was offered no compensation.

    Meanwhile, workers at Bridge Publications? Are Sea Org, and Sea Org women are prohibited from having children and coerced into abortions. I have a post about that here.

    The camera crew for the event come from Gold Base, where the security is insane. Look at the inward-facing motion detectors, razor wire, spikes — all designed to keep people in (granted, as well as out).

    These are the working conditions for the people who actually make the bright shiny anthologies so that people can say there’s no connection. It’s not just about the surface details, that’s just gloss.

    Here’s the California penal code for human trafficking.

    d1: Scn does this with Sea Org staff. Don’t believe me? Look at the spikes in the link above.
    d2: Scn controls passports and IDs of its Sea Org staff.
    e: Scn does this with Sea Org.

    Watch the testimonies from the Human Trafficking Conference. Of these, Will Fry’s is most relevant as he was actually Sea Org at Bridge Publications.

    Look deeper. I will be.

    Until then, ponder: what social costs are you willing to pay to get a check for a few hundred or a few grand and have your story perpetually in print?

    As Nick Mamatas has pointed out, you have been recruited. Your post is proof that you are indeed doing PR for them with this post.

  3. Deirdre,

    I appreciate the comment and links. I have indeed seen the pictures of the inward facing spikes etc., read the police report filed about the person leaving (fleeing?) the compound, and read about the lawsuit that was settled out of court with the young man who lost part of his finger at Sea Org. I will read Fry’s testimony at the human trafficking conference.

    Having said that, one law suit and a police report don’t indicate systemic abuse. They just don’t. What’s needed is corroborating evidence that demonstrates widespread slavery. Perhap’s Fry’s testimony begins to provide that.

    I will admit I’m totally baffled and a bit perplexed by the practice of “the hole” with executives in CoS. But, again, are these folks really prisoners being held against their will? If so, why? And if it is a prison camp, why aren’t more of those who experienced it speaking out? Why haven’t the authorities cracked down and raided the place? Or is this something those folks have chosen to do? And what’s the whole theory behind its existence? There are just too many questions right now for me to come to any conclusion. And before I rise up in indignation, I need corroboration from trusted sources, not hearsay and internet rumor.

    I hope that makes sense.

    As for me providing WOTF positive PR, you bet. In the post above I argue that’s exactly what they get for the contest–positive PR for WOTF and Hubbard’s name as it is associated with the contest. And why wouldn’t they? It was a thoroughly POSITIVE experience. They do NOT get positive PR for the CoS. As this blog demonstrates. Nor has anyone shown me that positive WOTF PR has any effect on CoS recruitment.

    So as I find more evidence for or against, my opinion on the matter will develop. And I always welcome links to more substantive reports and testimony.

  4. For the people in The Hole, they are indeed prohibited from leaving, as are people on the Rehabilitation Project Force. Debbie Cook was kept there for seven weeks against her will (see her Nightline interview from 2/29). Others, including Heber, have been kept for years.

    I’d recommend you read any of the recent autobiographies from the ex-Sea Org people who’ve left. I was a normal staff at a relatively large Church, but those people aren’t subject to the RPF or The Hole (which are reserved for the Sea Org religious order).

    In order, I’d recommend:

    1) Marc Headley’s Blown for Good – http://blownforgood.com/
    2) Amy Scobee’s Scientology, Abuse at the Top – http://www.scobeepublishing.com/

    The best overall book is Janet Reitman’s http://www.janetreitman.com/ — which is far more accessible to someone who’s never been a Scientologist.

    I don’t really give a spit about CofS recruitment. You’re being used as a PR tool to whitewash the fact that Hubbard used to put kids in chain lockers and threw his crew overboard. If that’s what you want your name associated with, it’s your life.

  5. Deirdre,

    Thanks for the additional links. As for the allegations you mention at the end against Hubbard, again, I can’t make any conclusion without seeing everything laid out. But I will certainly read.

Comments are closed.