Utah events this week

Just a reminder. I’ll be meeting the public and chatting about my book in Utah this week. David Farland and Larry Correia will there as well. It’s a three-for-one deal.

Thursday,
October 22
6 pm – 8 pm
 Book signing and release party Logan, UT Borders
1050 N Main St.
Suite B-2
Logan, UT 84341
435-787-0678
Friday,
October 23
4 pm – 6 pm
Book signing and release party Orem, UT Barnes & Noble
330 East 1300 South
Orem, UT 84058
801-229-1611
Saturday,
October 24
12 pm – 2 pm
Book signing and release party Layton, UT Barnes & Noble
Layton Market Center
1780 North Woodland Park Drive
Layton, UT 84041
801-773-9973
Saturday,
October 24
3 pm – 5 pm
Book signing and release party West Jordan, UT Barnes & Noble
Jordan Landing
7157 Plaza Center Drive
West Jordan, UT 84084
801-282-1324
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  • ALA conference–wonderful!

    Holy cow, ALA was simply wonderful. The summary is below. You can find my speech here: http://johndbrown.com/2009/07/gateway-drugs-and-fiction/

    Got to go to dinner, ride in cabs, and chat at length with:

    1. A bunch of librarians who were complete characters. One guy named Milton Wolf who has written a lot on SFF and has been known to ski cross-country naked. Another gal named Diana Herald who had over 40 foster kids (official and non), and lives in a tire house. Then another named Edith Helbert, with whom I literally shared my meal (she had a fab pork burger, I had bbq beef brisket: I got half of her burger, she got half of my bbq). She is also in the Society of Creative Anacronism and was telling me about some war between two kingdoms she attended where the archers shot tennis ball/tube arrows at each other. Finally, Christy Donaldson introduced me in the meeting. Later she and I talked and I found out that not only is she a librarian in Happy Valley, but she loves the Sundance film festival. I’ve never gone, thinking it was probably going to be too artsy-fartsy for me, Mr. beef and bologna man. But she said I had to go and offered to go with me. So Nellie and I will probably be watching a Sundance documentary in the near future.
    2. Kathleen Doherty (One of Tom’s daughters) who runs the children’s division. Very smart. But the thing that stood out most was how warm and personable she was. She showed great affection for her librarian friends. Respects her dad immensley. Forgives new authors their fau paux. And is, among other things, a true blue capitalist. She made an argument for capitalism I hadn’t heard before, but rang true the moment she said it–there will always be corruption, but capitalism is the only structure that allows you to mitigate it because it spreads the power around. There was more, but I found it compelling.
    3. Jim Frenkel, editor who did Goodkind etc. He’s a total crack up. And seems to always get caught speeding by the cops. He threatened to tweet on me when I ordered a Shirley Temple to drink.
    4. David and Joelle Lubar, very nice folks. David tried to lead us on a goose chase, but was ultimately prevented.
    5. Ken Scholes. We love Ken.
    6. Robert Charles Wilson. Very, very nice guy. Humble. And so freaking accomplished. He’s won just about every award out there. I loved his Darwinia. Need to read his latest.
    7. Margaret Weis. Here’s someone who has written so much. It was interesting hearing about how she and Tracy go about their projects.
    8. A cabbie from Haiti who told me all sorts of nifty things about how it used to be down there. Like how cell phones are like chocolate because land lines were so bad and rare that you’d often have to call a phone station (where the phones were), have someone run down to your house and tell your family you’d call back. Then they’d have to come back on time and hopefully be there for your appointed call. Then sit in a phone box with no AC and sweat, sweat, sweat.

    Saw Alethea Kontis briefly, which is always a lovely thing.

    Then I got to be one of five speakers to a huge crowd. There were 300 seats, people were sitting and standing in the back. There was a lot of energy in that group and I just ate it up.

    Tor made up 200 bags with a book from each author and handed them out. Of course, we ran out. And, no, I had no book, but Tor printed up ARCs. And so SERVANT OF A DARK GOD was in there with all the grown up books.

    Then I got to sign. Now, I’m just a new guy. A few people had read my stuff, but most hadn’t. Nevertheless, it was simply wonderful to be inbetween Ken and Margaret putting the old John Handcock on books for a line that queued up from the table at the front of the large room to the doors in the back.

    This was my first signing. How sweet was that? Being the clueless man that I am, I didn’t bring a pen. I thought they would be provided. So one of the organizers found one. It was pink. It’s going in my book of remembrance.

    I should have brought all the nifty bookmarks I have printed up and am sending to various cons. Next time.

    What a great experience.

    Oh, and we were in this Omni hotel (on Michigan ave). I totally lucked out and got a sweet room in the 17 floor in a corner. So my bedroom had two windows out of which I could gaze at the lake, two blocks away, and all the fabulous architecture. I’ve never really spent any time in downtown Chicago. What a fantastic place.

    People everywhere. Brown people, black people, white people–so many interesting people. I’m telling you, after living with a huge population of cattle, it’s nice to see a variety of homo sapiens.

    And I found a blue Eddie Bauer shirt for 20 bucks.

    Like I said–fabulous.

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  • |

    You’re invited to join the novel writing workshop pilot

    I am developing an online novel writing course and am looking for folks to pilot it with me and give me feedback. I’m thinking I want to limit it to 10-12 folks.

    It’s free and will probably take two or three months to complete. If you join, your job will be to do the work. And there will be work. I’m thinking 10-15 hours of work per week. Please don’t ask to join if you don’t want to make this commitment. I only want folks who are serious and ready to give this a shot. In addition to the work, you’ll need to report your experience with the course as we go, sharing with me where you get stuck, what’s confusing, what’s helpful, what does and doesn’t advance your skill. In fact, if at some point the course just isn’t providing you any value, you are welcome to drop. That’s good feedback too.

    It’s going to be a blended format that includes self-paced work and some type of weekly online meeting. I will be guiding the class. At the very least, we’ll meet and chat at my site. I don’t know if we’ll do a live meeting or not. Still working that out.

    I struggled for many years, trying to figure this stuff out, then had a number of epiphanies during Orson Card’s boot camp and continued from there. Of course I still have lots to learn. But I want to share what I have.

    I love teaching and have been teaching in one form or another for the last 20 years. I’m currently an education program manager at a large software firm. What this is all means is that I’m trying to build a course that guides folks through a process that will help them learn to WRITE novels. Not just talk about them.

    So this is not a series of lectures with quizzes that test your ability to recall, although I will quiz you.

    It’s not a course with an end goal of teaching you what I’ve learned about the concepts and principles of plot, character, and setting, although you will need to learn that.

    This is about increasing your ability to get ideas, develop them, and then write.

    It’s about doing the work. It’s about production. It’s about finishing product. And having a good time doing it.

    If you already feel comfortable with your ability to finish novels, this is NOT the course for you.

    You can learn more about the course here by clicking The Path in the On Writing menu.

    Probably the only other thing you need to know is that the class is a PG-13’ish class. While the stories can deal with intense and adult themes, as the teacher, I’m not interested in working with stories with explicit or detailed sex or lots of language of the sort that would earn a movie rating more restrictive than PG-13.

    Remember, this is a pilot. Even though I’ve taught about writing for a number of years to various audiences, there might be some rough spots. We might find we need to change the work requirements or activities or any number of things.

    If you’re interested, click on the Contact link on the menu of my site, and shoot me an email.

    Edit 1/30/15: I’m getting a number of excellent questions about the time commitment and schedule. Let me answer them here.

    The gap I’m trying to fill

    First, you have to understand that I am not interested in talking about novels and writing novels. I’m interested in helping folks finish novels. That’s a big gap I see in most writing instruction. It’s the gap I had. There was nobody to help me move from the theory to the writing, and writing all the way to the end. So this isn’t a class about novels. It’s a class where I hope to help you learn a number of techniques for developing and finishing one. And to learn those techniques, you have to actually use them. Which means you have to develop and finish a novel 🙂

    So why 10 hours as a minimum?

    If you’re a slower writer, it’s going to take you around 50 hours to develop and write a novel of 25,000 words. That’s the size of one of Louis L’Amour’s smaller novels (which we call sometimes call “novellas” today). It’s the size of some smaller romances. A lot of indies are writing serials around this size. If you want to write a 50k book, it’s probably 100 hours, maybe more. A 75k novel? 150-200 hours. The development and first draft of a 100k novel? 200-300 hours.

    These are not exact times. Some writers are faster. But you get the picture. Writing a novel is a big project. And I’ve found that it’s just too hard to get any traction on less than 10 hours per week. When you spend much less time than that, you spend most of your time just trying to remember what the story is about. I’ve found it’s best to keep your writing engine hot, or at least warm.

    So will these 10 hours be in meetings?

    No. I don’t want to have a lot of meetings. That’s the beauty of online. We will have deadlines. But you should be able to complete you work during the times that suit you best.

    What’s the course schedule?

    I can’t give you an exact schedule. I haven’t timed everything. Figuring that out is part of what we’re doing in this course. But I do know what I want you to learn and how I hope to help you learn it. We’ll just have to see how far we get with each weekly 10-hour chunk.

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  • Time for some Dark God voting

    Folks, I’m trying to decide between 2 book descriptions for SERVANT. Tell me which one appeals to you more.

    OPTION A

    The spirited blacksmith’s daughter accused of using the dark and terrifying sleth magic.

    The young man who hunts her. 

    And the ferocious monster who only wants to be free.

    Trapped in a web of lies and ancient secrets, of right becoming wrong, the three must struggle not only against each other, but also a being of irresistible powers. A creature who is gathering her servants to usher in the impending human harvest.

    If the three succeed, they will save those they love the most. If they fail, the clans of the land fall with them.

    OPTION B

    Sugar, the blacksmith’s daughter, is on the run, accused of using the chilling sleth magic.

    Talen is determined to catch her, not only to get the bounty on her head, but to clear his people from her guilt.

    But his plans go awry when a terrifying creature of grass and stone begins to stalk the clan lands. A creature that is somehow tied to those both Sugar and Talen hold dear. A creature sent by the dark Mother, the true master of the land, to both find the seed she planted in a woman’s womb a number of years ago and kill all those who might oppose her. 

    At odds and trapped in a web of ancient secrets, lies, and lore, Talen and Sugar must struggle to find the truth. But will they be able to uncover a way to fight back and save their loved ones before the Mother finds the one she bred to be her scepter and return her to power? The one bred to become lord and usher in the impending human harvest.

    Let the voting begin.

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  • Curse update: April 1, 2014

    CurseV2FinalV1Today is a fine US holiday. And so I took the day off to write. I just added over 6,000 words to the final big battle climax of my novel. And what a climax it is. It’s almost 50,000 words long. I still have another 5-10k to go.

    Folks, this is longer than a lot of short novels.

    I guess it would be more accurate to say I’m writing act 3. The book will probably exceed 200k words. So 60k isn’t too long for the final act.

    I will now sigh in contentment.

    *sighs*

    I’m enjoying the heck out of writing this.

    At the same time, I’m hoping to figure out how to make book three in this epic fantasy series shorter so I can get the story out to readers in a more timely manner. I might be able to write two normal sized novels instead of one monster. I will think hard about it.

    In the meantime, I hope to wrap this rewrite of act 3 up over the next few days. And then it’s just line and copy edits.

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