No. I’m Fine by Howard and Sandra Tayler

Robison_Wells____Green_Hills_Photography_0-201x300Sometimes it’s the small things that make the most difference.

Like sharing an issue you might be dealing with.

I was once at a writer’s retreat at a home above the Sundance ski resort. I’d be asked to present to some of the other writers there. Robison Wells, who writes awesome YA,  was also presenting. He talked about marketing and plot, but the presentation that was probably most memorable was the one he gave on the obsessive compulsive disorder he deals with.

He started off by telling us folks really didn’t know what they were talking about when they talked about obsessive compulsive disorder. He described it this way. He said he and his wife were sitting on the couch watching TV one evening. She said she was craving some ice cream, orangesicles, I think. He replied that he was craving banging his head into the wall. She anticipated some delicious ice cream. He anticipated some delicious head whacking. He then pointed at the wall behind all of us and said that it would feel so good to bang his head on the corner of the wall behind us. Needless to say, he had our attention.

He went on to explain more about this condition and mental illness in general and urged us, when we wrote about it, to get it right. To be accurate. To not turn such conditions into happy-happy super powers, nor to make them into things to be feared.

By the way, Robison had a fine little dog with him. Not some yapper to carry about in a purse, but a nice little companion. I keep wanting to call her Abby, but I know that’s not its name. We learned that his dog was trained to watch him and remind him to take his meds. It appeared that Robison would sometimes rationalize away doing that.

Robison isn’t crazy. We didn’t have a dangerous wild man among us. He’s just a guy who has to deal with some kinks in his hoses.

HowardTayler2So what happened next? Well, nothing. We had a great retreat and went home. But the story doesn’t end there. See, if an issue is taboo, it becomes very difficult to deal with it. As an individual, a couple, a family, a community. In fact, hiding something like this only creates more problems. For example, if Robison ever says he’s going out to pick up some hammers, we  now know that we probably ought to have someone go with him (grin). So Robison not only wanted to educate us, he also wanted to help bring mental illness out of the dark. And he’s talked about this issue in a number of different places.

Howard Tayler, the cartoonist, heard him talk about the self-harm once. He saw the good being open did and decided to write a bit about some things he has to deal with. Howard’s got a tricky bit of depression he has to manage. Sandra, Howard’s wife, decided to add to it what it was like being married to someone with such an issue.

Now, I didn’t know the Taylers had written anything up until last week at Comic Con. During the event a woman talked to me. In our conversation she indicated that she’d been wrangling with some mental crap, but that Howard’s comments about his had helped her. We continued with our discussion, and she left. On Friday evening after the expo for the Salt Lake City Comic Con had closed, I walked around the event floor, chatting with some folks I hadn’t had time to visit during the event. I stopped at Howard’s booth and said hello to him and Sandra. They were busy, and I didn’t stay long, but as I went to walk away, I thought I should pass on what the woman had said. So I did. I didn’t know what comments she was talking about. All I knew was that Howard had helped her. And I wanted to make sure he knew it.

SandraTaylerWe talked some more as they tried to clean up their booth before Howard had to run off to a panel. Then Howard handed me “No. I’m Fine”.  It’s a little 15-page booklet that contains the title story, written by Howard, plus the essay “Married to Depression” by Sandra, his wife.

The story is an excellent short that gives you the feeling of what’s it like to be dealing with one form of the bugger. The essay reveals a bit of what it’s like as the spouse and recommends some action. But the thing I found so wonderful about both the story and the essay was the example of tender love in the midst of adversity.

I’m a writer. I can’t help but be drawn to potential characters and stories. The view we get of these two in this booklet is good stuff to build some characters on. Of course, that’s not the reason to read the booklet. The reason is because what they share is fascinating and tender—it’s good drama—and, if you or someone you know is dealing with these issues, it just might help.

Go read “No. I’m Fine” and “Married to Depression”. You’ll be glad you did.

While we’re talking about this, those of you who have been following this blog know that I’ve had a few dust-ups with depression myself. I wrote about it and the tools I used to deal with it then and when it tries to come back to town. After reading the Tayler’s stuff, you’ll want to look at it as well.

Edit 9/14: Addeded links to “Married to Depression”

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  • Murder, Courts, and Bart D. Ehrman

    I’m going to talk a bit about some murderers in Detroit, Jesus, and a couple of books I recently read that I think are just awesome.

    MURDER

    Highers BrothersSo, the murderers.

    Let me start by asking this question: can you establish the truth in a court of law?

    Is that what the judge and jury are deciding? The Truth, with a capital T?

    Think about Tommy and Ray Highers, brothers from Detroit. They were convicted of murder. Open and shut case. No parole. They were two nasty buggers who shot a man down over some dope.

    But then twenty-five years later (last year, in fact) they were back in court because new evidence had come to light that undermined the original conviction. For the curious, this fascinating Dateline episode reveals the amazing way the evidence came to light and what happened because of it: http://www.nbcnews.com/dateline/full-episode-graduation-night-n72666. Watch it. You’ll be happy you did.

    So the Truth. Capital T. Can you establish that in a court of law?

    No.

    What the justice system does is try to determine which story about the evidence available is the most convincing.

    It’s about telling and judging stories.

    There are many types of evidence folks use when telling their stories. Some of it is very strong. Some is so unreliable, like hunches and hearsay, that the court won’t even allow it to be presented.

    Whatever the evidence, the fundamental nature of this is that you can often tell a number of different stories using the same set of data, the same evidence. Sometimes the stories are variations with minor differences. Sometimes the stories are radically different.

    It’s like having only some of the pieces of a 100 piece puzzle. You look at the four, twenty, or thirty pieces you have and imagine what the rest of the puzzle looks like. And then you invent something that seems reasonable.

    You invent it.

    And if that story meets certain standards of proof, then our system allows the authorities to take certain actions. If the standard of a “reasonable suspicion” is met, it allows a police officer to stop someone. If the standard of “probable cause” is met, a higher standard than reasonable suspicion, an officer can arrest you. If a jury in a criminal case decides the defendant is guilty “beyond a reasonable doubt,” an even higher standard of proof, then the justice system authorizes the authorities to sentence the defendant.

    But at no time does the system seek to establish the absolute truth, the truth with a capital T. It only seeks to establish some level of probability that the story being told about the evidence is true.

    All of this is made more complex because what’s “reasonable” is based on other people’s opinion. We have guidelines and rules to help folks be “reasonable.” But reasonableness is still affected by culture, background, history, etc.

    It’s still opinion.

    OTHER PUZZLES

    What other realm of knowledge works like the justice system and consists of inventing stories about missing parts of the puzzle?

    Well, history does.

    In fact, if you think about it, history is what courts do. The processes and principles of our justice system guide everyone involved in how they go about telling the stories that make up that specific type of history.

    And all historians (lawyers, judges, and juries included) have no means of establishing the absolute truth.

    They can’t use science. Science requires you conduct experiments and reproduce results. But how is a historian going to reproduce the same events? What, they’re going to get Lincoln shot all over again and let the rest of us watch it? Dang, John Wilkes Booth did shoot the man. We all saw it happen down in the lab.

    Sure, they can use science to date a manuscript, or determine what something is made of, or establish some other fact. But all science is doing is providing facts about the pieces of the puzzle you have. About the claims the evidence makes.

    But science can’t fill in the missing pieces of the puzzle. It can’t tell the story. The historian has to invent the story that makes the pieces all make sense.

    And then the rest of us determine if that story, that sketch of the full puzzle, is reasonable.

    But that isn’t all there is to it.

    STANDARDS OF PROOF

    Think about conspiracy theories like the ones that claim that the US government perpetrated the 9/11 bombings. Conspiracy theorists are practicing history. They are inventing a story that seems to fit the evidence available to them.

    But what happens when you have only five or ten pieces of a 1,000 piece puzzle? What happens when you don’t thoroughly vet the evidence? What happens when someone screws around with the evidence? And I’m not just talking about tampering or invalidating it by thoughtless handling (contaminating DNA, for example). Folks with the best intentions have biases. In fact, we all have biases that lead us to include and exclude various pieces of evidence based on whether they support or oppose the ideas we want to believe.

    Jonathan Haidt explains these biases in his excellent book The Righteous Mind. He explains that with things we want to believe, we often use the standard of “Can I Believe It”?  We look for anything at all that would allow us to believe our position. If we find it, even if it’s flimsy, we discount all the other evidence that may point another way and conclude we have met the burden of proof for our view.

    For things that we don’t want to believe, we often use the standard of “Must I Believe It”? When falling prey to this bias, we look for anything at all that would undermine the thing we don’t want to believe, even if that evidence is flimsy. If we find it, we ignore all the other evidence, even if there’s a mountain of it pointing another way, and claim we have met the necessary burden of proof.

    In court there are all sorts of procedures and standards that need to be followed to help us avoid invalidating evidence or falling prey to our biases. Those procedures and standards don’t remove all risk. But they do remove a lot.

    Which court system would you want to be processed through? The current American justice system or the medieval witch trials?

    Oh, for sure I’d want to be someone accused of witchcraft back when a claim of “I saw her as a witch in my dream” was admissible, as was the test of poking a mole on the accused’s body with a needle to see if said witch flinched enough. I’d be so happy to go back to the days when a confession obtained by torture was incontrovertible evidence.

    So when practicing history, it’s important to have some guidelines, some rules to establish which bits of evidence are more likely (not guaranteed, but more likely) to be reliable. And it’s important that when folks tell their story, they not only share the evidence, but also all the assumptions they’re making.

    JESUS

    Where does Jesus of Nazareth come into all of this?

    Misquoting Jesus by Bart D Ehrman

    Well, Jesus has affected the world more than any other person who has lived on it. The stories we tell about him (the history we have practiced about him for the last 2,000+ years) have changed the world. And those stories will continue to affect us, especially folks in Western cultures, on everything from foreign policy to which clothes think are fit to be worn in public.

    Who was Jesus? Did he really exist? Was he a god? What did he really teach? Have his teachings been changed?

    These are all fundamental questions. And for the last two-hundred years historians have been re-examining the pieces of the puzzle, finding new pieces, and telling new stories to explain it all.

    Some of these historians believe in Jesus as a god. Some don’t. Either way, the conversation is fascinating.

    Jesus Interrupted  Bart D Ehrman

    I just read three historical books about Jesus that were awesome. AWESOME. Not because I agreed with all of the author’s conclusions, i.e. his stories. I don’t. But because of the way he practiced his history. The way he told his stories. And because what he shared gave me new insights to my stories about Jesus.

    The three books, all by Bart D. Ehrman, a professor of religious studies at the University of North Carolina, Chapel Hill, are:

    1. Misquoting Jesus: The Story Behind Who Changed the Bible and Why
    2. Jesus Interrupted: Revealing the Hidden Contradictions in the Bible (And Why We Don’t Know About Them)
    3. Did Jesus Exist? The Historical Argument for Jesus of Nazareth

    I’ve read the Bible many times, and I’m a believer. Of course, the question is a believer in which story?

    Did Jesus Exist Bart D Ehrman

    What Ehrman so engagingly makes clear is that there have indeed been many stories about Jesus. In fact, the gospels (Matthew, Mark, Luke, and John) and the writings of Paul (most of the rest of the New Testament) seem to all portray a different man and message. Not only do they say things that flat out contradict each other on some details, but if you look at each book separately, each author seems to have a slightly different take on Jesus.

    Furthermore, it appears that what we now have has changed over time. For example, it seems the last twelve verses of Mark were not in the oldest manuscripts. There have been other changes. One of the more notable ones occurs in John 5:7-8.

    Our earliest texts say:

    “For there are three that bear record, the spirit, and the water, and the blood: and these three agree in one.”

    But later texts say:

    “For there are three that bear record in heaven, the Father, the Word, and the Holy Ghost: and these three are one. And there are three that bear witness in earth, the spirit, and the water, and the blood: and these three agree in one.”

    Nowhere else in the New Testament do we have anything that states that creedal doctrine so explicitly. Did John write that? Or was the extra material added to make the idea of the trinity scriptural?

    And what do we make of the fact that we have no manuscript that dates to anywhere close to when Jesus lived? We have some small fragments of manuscripts with a few verses of John, Revelation, and Matthew dated around 150 AD. But the oldest manuscripts we have that contain the majority of any of the gospels are for the gospels of Luke and John, and these are dated around 200 AD. The oldest manuscripts with the full New Testament are dated around 350 AD.

    That’s more than 300 years after Jesus died!

    Have you played the game of telephone? Are we sure that the oral traditions that were written down weren’t changed? What happened to the books mentioned in the Bible that we don’t have now? For example, Jude mentions a prophecy of Enoch that we don’t have in our current Bible. Are we sure that the copyists didn’t add to the text like it seems some did to John?

    And what about the term “Christ”? It’s actually the Greek word for “messiah” which just means one anointed with oil to perform a special service for god. Christ wasn’t Jesus’s last name. It was a title: Jesus the anointed one.

    The anointed ones in those days were kings and prophets and priests. It appears most of the historical sources suggest that a “messiah” to the Jews of that time was someone who would throw off foreign rule and establish the kingdom of Israel as David had. In fact, there were a whole bunch of people who claimed to be messiahs. Here’s a nice list: http://en.wikipedia.org/wiki/Jewish_Messiah_claimants.

    Judas Maccabeus was considered a messiah because he threw off Greek rule in 164 BC. But then around 63 BC Israel was taken over by Rome. And Rome wasn’t too keen on revolts, so around 4 BC they crucified Judas the Galilean for claiming to be the messiah, the king of the Jews. Crucifixion, it seems, was the punishment reserved for seditionists. They crucified Jesus and a whole bunch of other guys claiming to be the king of the Jews. And their crimes were written on a board above them, which is why they hung the words “King of the Jews” over Jesus’s head on the cross. Here’s the criminal, and here’s his crime. These other messiahs were not claiming to be a god that came to earth to atone for sins, but anointed by God to throw off foreign rule and establish his earthly kingdom again.

    Jesus talks a lot about the kingdom of God. Was Jesus just another one of the seditionists?

    Ehrman examines these and many other questions as a historian, providing all sorts of insights.

    But the fabulous thing is that he doesn’t just tell his story. He gives his evidence. Exposes his assumptions. And in all three books he explains the guidelines or “rules” historians use to when trying to determine which stories are more likely and which evidence is more reliable.

    I was enlightened, challenged, and delighted. I learned things about Jesus’s life and times that have helped me understand what I read in the Bible better.

    LIMITS

    Of course, the historical method has its limits.

    Historians, because they are looking for explanations (stories) that are more probable, automatically select against things that are improbable. They exclude miracles. They exclude any story that says Christ was actually resurrected.  They may establish that a lot of folks thought he was resurrected, but they don’t have any methods to establish something like a resurrection actually occurred. And so they ignore it. Historians exclude modern revelation. If someone today were to have a visitation from Jesus as Paul did, the historians would exclude that.

    But we all know that truth is sometimes stranger than fiction. We all know that sometimes the less likely thing is exactly what occurred.

    Historians are looking for what is most probable. Not what actually happened. Because they can’t go back and time and verify their story.

    Excluding “improbable” things changes the types of stories the pieces of the puzzle support. For many of us, me included, we do accept evidences many historians don’t as pieces of the puzzle. And because we have these pieces, we’re able to tell different types of stories.

    The cool thing about Ehrman is that he explains this. He’s not trying to hide anything. Instead, he’s explaining how to approach the Bible from a historical point of view, and where the principles of the historical method lead him.

    And I have found that those methods in his hands have a lot to offer.

    If you’re someone who is interested in religion–as a believer, agonistic, or atheist–you will love these books. Ehrman himself was once an ardent believer, but is now agnostic. However, his respect for believers, including other scholars in his field who believe in the divine Jesus, comes through loud and clear. Ehrman has no axe to grind. He is simply sharing the stories of Jesus that make sense to him and many other historians. And he does it in a very interesting and easy-to-read style.

    If these books sound like something you want to try, I’d start with Misquoting Jesus, move to Jesus Interrupted, and then finish with Did Jesus Exist? And if you enjoy those, let me recommend two more of Ehrman’s books. The first is The Lost Gospel of Judas Iscariot: A New Look at Betrayer and Betrayed, which looks at the discovery and content of a very ancient manuscript that calls itself The Gospel of Judas. The second is Lost Christianities: The Battles for Scripture and the Faiths We Never Knew, which explores the variety of Christian faiths that existed in the few hundred years after Jesus’s death.

    Happy reading!

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  • Tales From Earthsea

    Tales from Earthsea (The Earthsea Cycle, Book 5) 

    When I was in 7th grade I read Tolkien’s The Lord of the Rings trilogy. Of course, I wasn’t the sharpest literary tack back then, and so great sections of The Two Towers and The Return of the King went over my head and, therefore, bored me. But, with the help of the Hildenbrant calendars, enough came through to thrill. I wept at the events in the mines of Moria with Gandalf, geeked out over the elves, orcs, and Nazgul, was fascinated with the Ents and wizards, and generally wanted to stay in that world forever.

    When I finished the trilogy, I mourned–the dream was over. I read Smith of Wootton Major and Farmer Giles of Ham. Both were delightful, but neither was the same as LOTR. Then I saw The Silmarillion. It had a cool cover, a map.

    Oh, joy! I bought it and took it home.

    Alas, that book was about as much fun as reading a ten-pounder on the history of baroque cornices. I tried mightily to push through, but I don’t think I was able to finish more than 15 pages total from all the sections. So I mourned again, and then, still feeling the loss, went looking for something else that might whisk me away.

    One of those whisking stories was Ursula LeGuin’s A Wizard of Earthsea. Of course, the fact that there was a wizard in it was important, but as equally delightful to my then puny literary prowess, was that the story was a slim thing. As were its two companions The Tombs of Atuan and The Farthest Shore.

    Here’s the cover the drew me in so long ago.

    I relished all three and moved on to other stories.

    Time passed and I forgot about LeGuin. Almost 10 years later I was newly married. My wonderful new wife started reading to me as we’d drive. And on one of the three-hour drives to her parents, she pulled out this little book and began to read.

    It was A Wizard of Earthsea! And it was just as marvelous the second time with a bigger brain as it was the first time with a smaller one. In fact, Nellie’s reading to me was so enjoyable I slowed down to 40 mph so I could extend the 3-hour drive. Of course, she quickly caught on to my scheme, shut the book, and told me she wouldn’t read another word unless I drove 65 mph, at the very least.

    What can a guy do? I kept it at 65 (well, 60) and joyed in the wonderfulness of a new wife who would read aloud to me (you mean this model reads, too?!), the night and the stars spread above those lonely Utah and Wyoming roads, and the amazing story unfolding before me.

    And this is the cover of the one my wife read to me.

    We read all three to each other and moved onto other stories.

    More than 15 years passed and I’d mostly forgotten LeGuin (I really never could get into her Hainish stuff). I was in the library looking for some good audio. And there on the shelf stood Tales from Earthsea by Ursual LeGuin.

    Just a little slim container of cassettes. Why not? I thought.

    Holy heroes, Batman—it was gold. LeGuin’s a master of building that feel: the wonder of fantasy, the mystery of things long forgotten or rumored to exist, the pull of learning arcane powers. I loved every minute of it (well, except for the slogging first four pages of backstory, but get through that, which isn’t too bad with Karr’s reading, and you’re into the kingdom). The first story, “The Finder,” read by Amanda Karr was incredible. It takes us back to how Roke became was it was in the first trilogy. But the delights do not end there. Four more stories follow.

    I liked them all so much, I just checked the audiobook out again so I could listen a second time. And, it appears, LeGuin was busy in my absence because she has more Earthsea than this.

    • A Wizard of Earthsea, 1968
    • The Tombs of Atuan, 1971
    • The Farthest Shore, 1972 (Winner of the National Book Award)
    • Tehanu: The Last Book of Earthsea, 1990 (Winner of the Nebula Award)
    • Tales From Eathersea, 2001 (a collection of short stories)
    • The Other Wind, 2001

    I just got the last two from Amazon. I can’t wait to enter into LeGuin’s magic spell yet again.

    More cool Earthsea stuff.

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  • Blindingly white and female!

    MaryLeonhardt_KeepingKidsReadingThe Guardian just published a report of a survey taken of 34 American book publishers and found that 79% of staff are white and 78% female. Or as The Guardian put it “blindingly white and female” as if it’s some kind of horror show.  The rest of the article bemoans the lack of diversity in publishing and our society in general and quotes the author of the study suggesting that these percentages should be monitored.

    Is anyone up in arms about appropriate diversity percentages in the NBA or NFL?

    Some might roll their eyes and ask me not to trot out that old chestnut. But it’s not a chestnut. It’s a point–nobody cares, me included. So why care about this? Many industries will be skewed toward one gender or race than another. As long as everyone has free opportunity to compete, who gives a flip?

    Maybe that still doesn’t satisfy. Okay, how about this. According to Humanites Indicators, approximately 70% of degrees in English language and literature in America are awarded to…women. And about 82% are awarded to Whites. I’m assuming these percentages are probably pretty good indicators for the gender and race of folks interested in working at publishing companies.

    If so, the survey results don’t reflect some white woman conspiracy at these publishing houses. They simply reflect the choices people make in college.

    By the way, did you know the United States is still 72% White and European. So it’s not surprising to see roughly that many Whites in these jobs. The numbers might be a little high, but minorities seem to be pursuing other degrees in greater numbers (compare the overall percentages here versus those with ELL degrees).

    This is not to say that we don’t want to welcome authors from all different background. We do. But if you want more men and more minorities, then maybe instead of monitoring publishers, you ought to start by seeing if you can attract more men and minorities to ELL degrees.

    Or even better yet, how about reaching out to more boys and minorities at an earlier age and helping them learn the delights of reading and writing? Maybe if they like it, more of them will go into it as a career.

    The best program I’ve seen for helping kids learn to love reading is the one Mary Leonhardt outlines in Keeping Kids Reading: How to Raise Avid Readers in the Video Age. It’s the culmination of the insights she gained over her thirty-five years teaching high school English and focusing on helping kids learn to LOVE reading. What an excellent book!

    Oh, and one other idea. It might be effective to maybe just skip publishers altogether and help folks go directly to readers as indie writers. Amazon’s algorithms are pretty much race- and gender-blind.

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  • For those whole love ENDER’S GAME

    Enders World Essays SmartPopThere’s a special joy in sharing a wonderful experience with someone else. There’s a delight in reliving the experience afterwards, in recalling key moments and quoting funny or cool lines. This is especially true of books. One of my favorite book experiences is Ender’s Game. Which is why I’m so happy to announce that Smart Pop is about to release a collection of articles written by folks sharing their experience with that book.

    You get to hear from Eric James Stone about how the book should have ended. You get to hear from Matt Nix (creator and producer of Burn Notice) how the book was a guide to his life. You get to hear from Colonel Tom Ruby why he made the book mandatory reading for the Air Force’s Air Command and Staff College.

    There are 11 other articles from Neal Shusterman, Captain John F. Schmitt U.S.M.C., Mary Robinette Kowal, Hilari Bell, Ken Scholes, Mette Ivie Harrison, and many others. There are Q&A sections. And there is Card’s own introduction in which he explains what Ender’s Game is really about for him. All of these articles are wonderful reads.

    If you loved Ender’s Game like I did, you’re going to enjoy this book. You can get a free PDF excerpt from the book that includes a few of the Q&As from Card along with the full version of my essay “The Monster’s Heart.” To download the PDF, just scroll down to where it says “Sign Up for Free Chapters & Book Updates”: http://www.smartpopbooks.com/book/enders-world.

     

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  • Interview with Edmund Schubert, editor of IGMS

    I recently had the wonderful opportunity to interview Edmund Schubert, the editor for Orson Scott Card’s Intergalactic Medicine Show, about How To Write Magical Works: A Writer’s Companion, a collection of essays about the craft and the business of writing that he edited. Ed’s someone to listen to. But so are the authors whose essays fill the book: Faith Hunter, David Coe, C.E. Murphy, Misty Massey, A.J. Hartley, and Stuart Jaffe. Here’s what he had to say about this book.

    John: Edmund, you recently edited How To Write Magical Words: A Writer’s Companion. It’s chock full of advice from some pretty successful fiction authors, and an editor who, having purchased one of my stories, has shown exceptional taste (grin). But there are a lot of how-to’s by successful authors out there. What makes this book different, do you think? What’s the special value this book brings to the table?

    Edmund: I think the biggest thing that differentiates this book from others on the subject is its diversity of opinions. Most how-to books are written by one person, giving on perspective, but the truth is that there are many paths to success in this business. The Magical Words book was intentionally designed to replicate the give-and-take that exists on the MW blog. Sometime the MW writers agree, sometimes they don’t. The other thing that makes this book different is that it also includes some of the follow-up questions asked by readers of the blog, and the accompanying reply. That makes this book feel/read more like a writer’s conference than your basic info-dump book.

    John: I think the concept is great. And the contributors have quite a bit of experience. I know you can’t comment on every essay in the collection, but are there one or two that stood out to you while editing?

    Edmund: There were a few that stood out to me. One by Catie and one by David, both on the subject of money/advances. Those stood out to me because of how very blunt and honest they were about finances, and it’s information I think more people need to be aware of.

    The other one that stood out for me did so for personal reason. Catie’s essay about Visualizing The Story made me feel so much better about myself as a writer and my chances of success, because for years I’ve been hearing all these other writers at conventions talk about how their stories are like movies in their heads and all they have to do is record the action and the dialogue, and I used to hear that really worry because at best I might see a slide show of of bits and pieces of the action, but I’m totally making the rest up. Hearing Catie say that she didn’t/couldn’t visualize the story that way either gave me hope.

    John: I’m sure aspiring authors are going to be very interested in what Catie and David say about money. It’s also interesting that sometimes we writers hear other successful writers talk about how the invention process works for them, compare our process with theirs, and assume we’re lacking. In reality, the way we approach it might be just as effective. That’s one of the things I like about this book—it has multiple contributors. Let me ask one more question. You see a lot of stories as editor of Intergalactic Medicine Show. What are some of the topics addressed in this book that, based on the biggest issues you encounter in submissions, authors would be wise to carefully consider?

    Edmund: Magical Words as a group have two mantras: the first is that there is no one right way to do this crazy thing called writing, and the second is the exception that proves the rule: the one and only true answer to everything is BIC. Butt In Chair. You put your butt in the chair and you write. You figure it out as you go along. And the more you write, the more the other advice you hear will make sense. You want to be a writer? Write. The rest is details.

    ***

    John sez, amen to that. And amen to this book. I really enjoyed the format and the insights shared. I never tire talking about craft and business with other writers. With over 100 essays and 313 pages, this book has lots to share. If you want to hear what some very smart and a few very published authors have to say about writing, you’ll want to pick up your own copy.

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3 Comments

  1. All this time, I’ve been calling him Robinson. Another example of your mind seeing what it wants to see. Fixed. Thank you.

  2. I agree, it’s a pretty awesome look into Howard’s head and at how mental illness can affect someone’s brain process.

    It is also very cool that they printed up copies to give away at Comic Con!

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